Some Hindu communities in the city of Mataram know that Gamelan Angklung is only used and serves to accompany the Pitra Yadnya ceremony or cremation because the sound produced by the tone or blade on the Gamelan Angklung has an impression that creates a sense of emotion and an atmosphere of sadness, then the sound of gending The sound produced from the angklung gamelan instrument is considered to sound always the same or monotonous between one type of gending and another when accompanying the Pitra Yadnya ceremony procession. From the background above, there are several problems that are studied, including: 1) What is the perception of the people in the West Karang Medain Region towards the sound of gamelan angklung in the Pitra Yadnya ceremony in Mataram City, 2) What is the essence of the sound of gamelan angklung in the Pitra Yadnya ceremony in the City of Mataram is viewed from a sociological perspective. This study uses a qualitative research method with a phenomenological approach. The problems studied used two theories, namely the theory of taste, and the theory of symbolic interactionism. The results of this study are as follows: People's perception of the West Karang Medain region to the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City, namely: 1). In terms of context of use, 2). In terms of the type of percussion, 3). In terms of how to enjoy it. The essence of the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City is viewed from a sociological perspective, including that: 1). The sound of the angklung gamelan in the Pitra Yadnya ceremony is used to accompany the ceremony and as a medium of information about the existence of a ceremonial procession or a natural means of social communication. 2). The sound of gamelan angklung indirectly and scientifically as a means of interaction to establish togetherness, connect friendship and brotherhood, generate social emotions, generate atmosphere and feeling, and learn social ethics. 3). The sound of gamelan angklung as a means of creating harmonization of life, be it with God, humans with humans, or humans with the universe.
{"title":"Bunyi Gamelan Angklung Dalam Upacara Pitra Yadnya Di Kota Mataram (Ditinjau Dari Perspektif Sosiologi)","authors":"Ni Luh Eka Yuli Anggreni","doi":"10.53977/sd.v4i2.408","DOIUrl":"https://doi.org/10.53977/sd.v4i2.408","url":null,"abstract":"Some Hindu communities in the city of Mataram know that Gamelan Angklung is only used and serves to accompany the Pitra Yadnya ceremony or cremation because the sound produced by the tone or blade on the Gamelan Angklung has an impression that creates a sense of emotion and an atmosphere of sadness, then the sound of gending The sound produced from the angklung gamelan instrument is considered to sound always the same or monotonous between one type of gending and another when accompanying the Pitra Yadnya ceremony procession. \u0000From the background above, there are several problems that are studied, including: 1) What is the perception of the people in the West Karang Medain Region towards the sound of gamelan angklung in the Pitra Yadnya ceremony in Mataram City, 2) What is the essence of the sound of gamelan angklung in the Pitra Yadnya ceremony in the City of Mataram is viewed from a sociological perspective. This study uses a qualitative research method with a phenomenological approach. The problems studied used two theories, namely the theory of taste, and the theory of symbolic interactionism. \u0000The results of this study are as follows: People's perception of the West Karang Medain region to the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City, namely: 1). In terms of context of use, 2). In terms of the type of percussion, 3). In terms of how to enjoy it. The essence of the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City is viewed from a sociological perspective, including that: 1). The sound of the angklung gamelan in the Pitra Yadnya ceremony is used to accompany the ceremony and as a medium of information about the existence of a ceremonial procession or a natural means of social communication. 2). The sound of gamelan angklung indirectly and scientifically as a means of interaction to establish togetherness, connect friendship and brotherhood, generate social emotions, generate atmosphere and feeling, and learn social ethics. 3). The sound of gamelan angklung as a means of creating harmonization of life, be it with God, humans with humans, or humans with the universe.","PeriodicalId":333513,"journal":{"name":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116468646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
At first the base and superstructure were born from Marx's observations of class structure, which are widely interpreted as cultural theory. Mark thinks culture is determined by matter. This is in line with the phenomenon that is currently happening in society. It is different with Raymodn William who considers culture to be the values stored in a particular community, be it heritage and so on. He also called it the way of life, how people in certain communities live. And call the culture of creative creativity as a process of creating or an effort to build. The difference between Mark and Raymond Williams lies in their starting point, Mark departs from material analysis towards consciousness, while Raymond Williams is the opposite. Raymond Williams tries to show the direction so that awareness of social life that departs from materialism becomes awareness of culture.
{"title":"KRITIK RAYMOND WILLIAMS TERHADAP DOMINASI BUDAYA MARXIS","authors":"Asep Rifqi Abdul Aziz","doi":"10.53977/sd.v4i2.369","DOIUrl":"https://doi.org/10.53977/sd.v4i2.369","url":null,"abstract":"At first the base and superstructure were born from Marx's observations of class structure, which are widely interpreted as cultural theory. Mark thinks culture is determined by matter. This is in line with the phenomenon that is currently happening in society. It is different with Raymodn William who considers culture to be the values stored in a particular community, be it heritage and so on. He also called it the way of life, how people in certain communities live. And call the culture of creative creativity as a process of creating or an effort to build. The difference between Mark and Raymond Williams lies in their starting point, Mark departs from material analysis towards consciousness, while Raymond Williams is the opposite. Raymond Williams tries to show the direction so that awareness of social life that departs from materialism becomes awareness of culture.","PeriodicalId":333513,"journal":{"name":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124142195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Balinese Hindu community who has long lived in Lombok has similar ritual behavior and ritual media with the Sasak community, so this study aims to explore the concept of God in the belief system of the Balinese Hindu community in Lombok. This study uses a qualitative research method with an anthropological approach. The problems studied use eclectic theory, including the Rasa Rangacarya theory and the theory of religion as a cultural system. The data were obtained using participatory observation techniques, in-depth interviews, and document studies.. The results of this study are as follows: 1) The concept of divinity in the Balinese Hindu belief system in Lombok is based on the concept of the Panca Sradha teachings, because the Balinese Hindu community in Lombok always manifests the existence of God through their enthusiastic attitude in carrying out sraddha and devotional service, 2 ) Implementation of the concept of divinity in the Balinese Hindu belief system in Lombok is implemented through the implementation of five yajna, because through the Panca Yajna ceremony using upakara as a means of worship it is a painting symbol of the people's heart desires, with these sacred symbols functioning to synthesize a Hindu belief in creating their mood to be close to the substance that is believed to exist, namely God.
{"title":"KONSEP KETUHANAN DALAM SISTEM KEPERCAYAAN MASYARAKAT BALI BERAGAMA HINDU DI LOMBOK","authors":"Ni Putu Sudewi Budhawati","doi":"10.53977/sd.v4i2.366","DOIUrl":"https://doi.org/10.53977/sd.v4i2.366","url":null,"abstract":"The Balinese Hindu community who has long lived in Lombok has similar ritual behavior and ritual media with the Sasak community, so this study aims to explore the concept of God in the belief system of the Balinese Hindu community in Lombok. This study uses a qualitative research method with an anthropological approach. The problems studied use eclectic theory, including the Rasa Rangacarya theory and the theory of religion as a cultural system. The data were obtained using participatory observation techniques, in-depth interviews, and document studies.. The results of this study are as follows: 1) The concept of divinity in the Balinese Hindu belief system in Lombok is based on the concept of the Panca Sradha teachings, because the Balinese Hindu community in Lombok always manifests the existence of God through their enthusiastic attitude in carrying out sraddha and devotional service, 2 ) Implementation of the concept of divinity in the Balinese Hindu belief system in Lombok is implemented through the implementation of five yajna, because through the Panca Yajna ceremony using upakara as a means of worship it is a painting symbol of the people's heart desires, with these sacred symbols functioning to synthesize a Hindu belief in creating their mood to be close to the substance that is believed to exist, namely God.","PeriodicalId":333513,"journal":{"name":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133047643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Philosophy of religion is not focused on a particular religion, but rather on explaining the main points of religious teachings in general and includes all components of thought and teachings related to the interests of human essential life. Death is a part of human life that cannot be explained empirically. Thus, death becomes an eternal problem for humans. In this study, the death of the philosophy of religion perspective is a form of awareness of the reality of metaphysical-existential life. Thus, the synergy between heart in religion and reason in philosophy becomes one as an objective approach to death. The process of death during a pandemic is an acknowledgment of human existence in this limited world. The purpose of this paper is the importance of understanding philosophy and religion in the philosophy of religion in human life. Especially the meaning of death during a pandemic and after the Covid-19 pandemic. This research is library research with a qualitative method that involves the point of view of religious philosophy in seeing the meaning of post-pandemic death in a rational-philosophical manner. Thus, death is no longer a matter that is always debated, but death does not need to be worried and worried but must be faced by preparing it through the provision of religious understanding and a good attitude of religiosity. Therefore, this research is considered important to provide a critical view of the meaning of death from the point of view of religious philosophy.
{"title":"URGENSI FILSAFAT DAN AGAMA DALAM KEHIDUPAN MASYARAKAT INDONESIA: TINJAUAN FILSAFAT AGAMA TERHADAP KEMATIAN PASCA PANDEMI","authors":"Fuad Noorzeha, Agus Sutono","doi":"10.53977/sd.v4i2.368","DOIUrl":"https://doi.org/10.53977/sd.v4i2.368","url":null,"abstract":"Philosophy of religion is not focused on a particular religion, but rather on explaining the main points of religious teachings in general and includes all components of thought and teachings related to the interests of human essential life. Death is a part of human life that cannot be explained empirically. Thus, death becomes an eternal problem for humans. In this study, the death of the philosophy of religion perspective is a form of awareness of the reality of metaphysical-existential life. Thus, the synergy between heart in religion and reason in philosophy becomes one as an objective approach to death. The process of death during a pandemic is an acknowledgment of human existence in this limited world. The purpose of this paper is the importance of understanding philosophy and religion in the philosophy of religion in human life. Especially the meaning of death during a pandemic and after the Covid-19 pandemic. This research is library research with a qualitative method that involves the point of view of religious philosophy in seeing the meaning of post-pandemic death in a rational-philosophical manner. Thus, death is no longer a matter that is always debated, but death does not need to be worried and worried but must be faced by preparing it through the provision of religious understanding and a good attitude of religiosity. Therefore, this research is considered important to provide a critical view of the meaning of death from the point of view of religious philosophy.","PeriodicalId":333513,"journal":{"name":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116675071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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