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The meaningful (elderly dancing) body – intertwined, border-crossing and at home 有意义的(老人跳舞)身体——交织在一起,跨越国界和在家里
Pub Date : 2023-02-24 DOI: 10.7577/ar.2322
Cecilia Ferm Almqvist, Lotta Björkman, Petra Lundberg-Bouquelon
Having the possibility to experience meaning in artistic settings is a human right. However, several studies show that structures and norms may prevent human beings from participating in artistic and cultural activities. Moreover, it is not given that all forms of participation offer meaningful experiences, something which puts a great responsibility upon organizers of artistic events. The current study is based in a project where elderly people were given the chance to participate in processes of development and performance of collaborative contemporary dance. The specific aim of the study was to describe and analyse the phenomenon of the meaningful body based on a phenomenological approach. To get access to the dancers’ lived experiences, six participants were interviewed. The transcribed interviews were analysed in a phenomenological manner. The analysis resulted in three themes, which together describe the phenomenon of the lived body, namely: the intertwined body, the border-crossing body, and the body feeling at home. The themes are related to phenomenological philosophy regarding aging, awareness, existence, and aesthetic experience, as well as to art education situations and societal norms.Keywords: elderly dancers, meaningful body, phenomenology, intertwinement, border-crossing, joyWebpage photo: Anders Larsson  
有可能在艺术环境中体验意义是一项人权。然而,一些研究表明,结构和规范可能会阻止人类参与艺术和文化活动。此外,并不是所有形式的参与都能提供有意义的体验,这就给艺术活动的组织者带来了巨大的责任。目前的研究是基于一个项目,在这个项目中,老年人有机会参与到合作现代舞的发展和表演过程中。该研究的具体目的是基于现象学的方法来描述和分析有意义的身体现象。为了了解舞者的生活经历,六名参与者接受了采访。访谈记录以现象学的方式进行分析。分析得出三个主题,它们共同描述了生活身体的现象,即:交织的身体,跨越边界的身体和在家的身体。这些主题与现象学哲学有关衰老,意识,存在和审美经验,以及艺术教育情境和社会规范。关键词:老年舞者,有意义的身体,现象学,交织,跨界,快乐
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引用次数: 0
Border Threads 边境的线程
Pub Date : 2022-10-03 DOI: 10.7577/ar.5062
Camilla Dahl
The art project Border Threads was based on mobilising a collaborative art community across international borders within a time frame of five months. The collaborative community had subcommunities and individual participants in five countries. In addition, individuals participated at three open workshops in Oslo. Many among these participants were refugees in exile in Syria, Lebanon, Greece and Turkey. This article discusses how artistic intentions and ethical issues of user involvement in art constitute a driving force for the methods used in the project Border Threads, a collaborative artwork in the form of a textile tapestry consisting of more than 300 individual textile artworks reflecting the participants thoughts about borders. Working with subcommunities encompassing school classes in Norway and Syria, a women’s collective in Turkey, a network of women in Lebanon, and a group of women in a refugee camp in Greece, the project addresses questions about community relations, representation of others, and about contributing to something meaningful when working with participants in a collaborative art project. Discussions of these questions are based on theory from various disciplines, mostly art theory, and evolve around topics such as artistic intention, self-reflection, community building, time, participant payment, and ethics in general. The article describes how using methods, experience and existing networks from an interdisciplinary background within art, ethnography, social sciences, innovation, welfare services and activism was important throughout the project. Following the discussion and a retrospective reflection on the process, some proposals are outlined for further development of the Border Threads project.
艺术项目“边界线程”是基于在五个月的时间框架内动员一个跨越国际边界的协作艺术社区。协作社区在五个国家有亚社区和个人参与者。此外,个人参加了在奥斯陆举行的三次公开讲习班。这些参与者中有许多是流亡叙利亚、黎巴嫩、希腊和土耳其的难民。本文讨论了用户参与艺术的艺术意图和伦理问题如何构成“边界线”项目中使用的方法的驱动力。“边界线”是一个由300多件单独的纺织品艺术品组成的合作艺术作品,以纺织品挂毯的形式反映了参与者对边界的思考。该项目与挪威和叙利亚的学校班级、土耳其的一个妇女集体、黎巴嫩的一个妇女网络以及希腊难民营的一群妇女合作,解决了有关社区关系、他人的代表以及在与合作艺术项目参与者合作时为有意义的事情做出贡献的问题。这些问题的讨论基于不同学科的理论,主要是艺术理论,并围绕艺术意图、自我反思、社区建设、时间、参与者支付和道德等主题展开。文章描述了如何在艺术、人种学、社会科学、创新、福利服务和行动主义等跨学科背景下使用方法、经验和现有网络,在整个项目中发挥重要作用。在讨论和回顾这一进程之后,概述了进一步发展边界线程项目的一些建议。
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引用次数: 1
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Nordic Journal of Art & Research
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