Dette essayet diskuterer økologiske perspektiver i scenekunst for barn, og forholdet mellom kunst, mennesker, dyr og våre fysiske omgivelser i lys av ideer om posthumanisme, sympoiesis og kunstnerisk forskning. Essayet baserer seg på kunstneriske forskningsmetoder gjennom scenekunstprosjektet Verken Fugl eller Fisk (Hovik, 2017-23) for barnehagebarn, av og med Teater Fot, der forfatteren er kunstnerisk leder. Prosjektet utviklet seg i en kollektivt skapende og undersøkende prosess, som undersøker betydningen av affekt i scenekunst for barn, og som underveis i prosessen benyttet seg av posthumanistiske teorier i samspill med et sanselig teaterspråk. Forestillingen Animalium (Teater Fot, 2019-23) improviserer og leker med å viske ut forskjeller og forstyrre skillelinjer mellom dyr og mennesker, og undersøker hvordan vi kan sette oss selv til side, slik at kunst og natur kommer mer til syne. Essayet diskuterer noen nye økologiske tilnærminger til scenekunst for barn og oppsummerer med et forslag om å rette oppmerksomheten mot affekt og emosjonelt engasjement, betydningen av et «nytt vi» og fellesskap mellom arter, samt iscenesettelse av utopiske fremtider. Foto: Mattias Ormestad
本文从后人文主义、共生和艺术研究的角度，讨论了儿童表演艺术中的生态视角，以及艺术、人类、动物和我们周围物质环境之间的关系。这篇文章基于艺术研究方法，通过作者担任艺术总监的《Verken Fugl eller Fisk》（霍维克，2017-23）表演艺术项目，面向幼儿园儿童。该项目是在集体创作和调查过程中发展起来的，它研究了情感在儿童表演艺术中的意义，并在这一过程中利用了后人文主义理论与感性戏剧语言的互动。表演《Animalium》（Teater Fot，2019-23）即兴发挥，抹去了动物与人类之间的差异，打乱了人与动物之间的分界线，探讨了我们如何才能放下自我，让艺术和自然变得更加清晰可见。文章讨论了儿童表演艺术的一些新生态方法，最后建议关注情感和情感参与、"新我们 "和跨物种社区的重要性以及乌托邦未来的上演。照片：马蒂亚斯-奥姆斯塔德
{"title":"Økologiske perspektiver i scenekunst for barn","authors":"Lise Hovik","doi":"10.7577/ar.5311","DOIUrl":"https://doi.org/10.7577/ar.5311","url":null,"abstract":"Dette essayet diskuterer økologiske perspektiver i scenekunst for barn, og forholdet mellom kunst, mennesker, dyr og våre fysiske omgivelser i lys av ideer om posthumanisme, sympoiesis og kunstnerisk forskning. Essayet baserer seg på kunstneriske forskningsmetoder gjennom scenekunstprosjektet Verken Fugl eller Fisk (Hovik, 2017-23) for barnehagebarn, av og med Teater Fot, der forfatteren er kunstnerisk leder. Prosjektet utviklet seg i en kollektivt skapende og undersøkende prosess, som undersøker betydningen av affekt i scenekunst for barn, og som underveis i prosessen benyttet seg av posthumanistiske teorier i samspill med et sanselig teaterspråk. Forestillingen Animalium (Teater Fot, 2019-23) improviserer og leker med å viske ut forskjeller og forstyrre skillelinjer mellom dyr og mennesker, og undersøker hvordan vi kan sette oss selv til side, slik at kunst og natur kommer mer til syne. Essayet diskuterer noen nye økologiske tilnærminger til scenekunst for barn og oppsummerer med et forslag om å rette oppmerksomheten mot affekt og emosjonelt engasjement, betydningen av et «nytt vi» og fellesskap mellom arter, samt iscenesettelse av utopiske fremtider. Foto: Mattias Ormestad","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"86 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139249693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article addresses social inclusion/exclusion – specifically the kind of exclusion we describe as outsiderness – in relation to sustainable development and arts education. Our idea is to address and discuss this on an individual/micro level and as a topic of social sustainability. Inspired by Irwin and Springgay’s a/r/tography, Frank’s dialogical narrative analysis, and different walk-along methods, we also explore alternative formats of the scientific article. In this text, we will thus present what became five threads of inquiry into arts education’s potential contribution to social sustainability. These threads describe our path through this field and relate to 1) the position of the arts in the UN’s Sustainable Development Goal (SDGs), 2) social inclusion in the SDGs, 3) research on the arts and health, 4) social inclusion in the arts, and 5) research on outsiderness. Throughout the article, we also exemplify our walk-along discussions through narratives, revealing more of the motivations behind this text. We end the article with a discussion proposing relational arts education to help avoid outsiderness and to promote inclusion, care, social sustainability, and diverging voices or what we describe as counter-voices, in arts education. Cover image: photo collage by Torill Vist
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As the old man looks into his shadow, he must reflect on his past choices, are we on the right path to improving society or are we simply following, a new energy crisis created for profiting from a new global climate agenda? Each generation has faced this dilemma and may have to face a new series of problems as the transition of energy moves forward. The artwork is created as a stencil, can be found in Stord, western Norway. Cover image: Naeem Searle, aka NIMI. Detail from street artwork Shadow talk
{"title":"Shadow talk","authors":"Naeem Searle, aka NIMI","doi":"10.7577/ar.5673","DOIUrl":"https://doi.org/10.7577/ar.5673","url":null,"abstract":"As the old man looks into his shadow, he must reflect on his past choices, are we on the right path to improving society or are we simply following, a new energy crisis created for profiting from a new global climate agenda? Each generation has faced this dilemma and may have to face a new series of problems as the transition of energy moves forward. The artwork is created as a stencil, can be found in Stord, western Norway. Cover image: Naeem Searle, aka NIMI. Detail from street artwork Shadow talk","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"74 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139249624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is based on experiences with the Dreamcatchers, a project involving people living with substance addiction, and their significant others, in which the participants composed and explored narratives through creative, collaborative processes. In the article, we think with a narrative composed by one of the participants in the project to learn from her experiences. Our thinking is inspired by narrative inquiry as a way of thinking about experience. We understand the playful and imaginative narrative processes within the Dreamcatchers project as composing sustainable stories to live by. The Dreamcatchers project demonstrates the necessity of involving people living with substance addiction in naming the problem and in the search for possible and sustainable solutions or improvements. Cover photo: Jerzy Gorecki, Pixabay, open use license
{"title":"A window of opportunities: Composing a relational space for living and telling sustainable stories to live by","authors":"Mette Bøe Lyngstad, B. H. Blix","doi":"10.7577/ar.5337","DOIUrl":"https://doi.org/10.7577/ar.5337","url":null,"abstract":"This article is based on experiences with the Dreamcatchers, a project involving people living with substance addiction, and their significant others, in which the participants composed and explored narratives through creative, collaborative processes. In the article, we think with a narrative composed by one of the participants in the project to learn from her experiences. Our thinking is inspired by narrative inquiry as a way of thinking about experience. We understand the playful and imaginative narrative processes within the Dreamcatchers project as composing sustainable stories to live by. The Dreamcatchers project demonstrates the necessity of involving people living with substance addiction in naming the problem and in the search for possible and sustainable solutions or improvements. Cover photo: Jerzy Gorecki, Pixabay, open use license","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"43 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139247222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEAM includes Arts into STEM, where the arts represent several independent artistic forms including music, theater, dance, visual arts, crafts and so on. In this article we focus on education for sustainable development through craftsmanship in embroidery. In a transdisciplinary collaboration that includes art, craftsmanship has its own innate value. Our research question is: In which ways can creative collaboration in embroidery enhance a sustainable STEAM education learning experience? We attempt to find answers to this by looking into how STEAM collaboration may affect the ways we teach craftsmanship, and the challenges and opportunities of doing so in a holistic transdisciplinary project, with a focus on ecological sustainability. Three groups of teacher-students help examine how crafts may contribute in building ecological awareness in themselves and an audience through conveying meaningful artistic narratives. Their embroideries were inspired by the UN’s Decade of Ecosystem Restoration. The results were shared through the Global Science Opera, an international STEAM-education initiative. Our analysis of the research data is influenced by posthumanizing creativity, which emphasizes ethically contributing world citizenship through embodied, collaborative creativity between creator and creation. This journey of making and being made shows a reciprocal relationship between humans and non-humans. The slow-art of embroidery invites the students into an embodied dialogue with the materials, tools, techniques and the scientific topics in the transdisciplinary context. As researchers we wonder how this dialogue and in-depth experience affected the students’ attitudes and actions towards sustainability. We found that the data supports the embodied, co-creative embroidery process, that it improved the students' craft experience, as well as increased the understanding and respect for the challenges in the new eco-reality. Cover image: Sewing in nature, on nature, with nature, about nature. Student work. Photos: Randi Veiteberg Kvellestad and Raquel Sans
{"title":"Embodied eco-embroidery","authors":"Janne Iren Robberstad, Randi Veiteberg Kvellestad","doi":"10.7577/ar.5339","DOIUrl":"https://doi.org/10.7577/ar.5339","url":null,"abstract":"The UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEAM includes Arts into STEM, where the arts represent several independent artistic forms including music, theater, dance, visual arts, crafts and so on. In this article we focus on education for sustainable development through craftsmanship in embroidery. In a transdisciplinary collaboration that includes art, craftsmanship has its own innate value. Our research question is: In which ways can creative collaboration in embroidery enhance a sustainable STEAM education learning experience? We attempt to find answers to this by looking into how STEAM collaboration may affect the ways we teach craftsmanship, and the challenges and opportunities of doing so in a holistic transdisciplinary project, with a focus on ecological sustainability. Three groups of teacher-students help examine how crafts may contribute in building ecological awareness in themselves and an audience through conveying meaningful artistic narratives. Their embroideries were inspired by the UN’s Decade of Ecosystem Restoration. The results were shared through the Global Science Opera, an international STEAM-education initiative. Our analysis of the research data is influenced by posthumanizing creativity, which emphasizes ethically contributing world citizenship through embodied, collaborative creativity between creator and creation. This journey of making and being made shows a reciprocal relationship between humans and non-humans. The slow-art of embroidery invites the students into an embodied dialogue with the materials, tools, techniques and the scientific topics in the transdisciplinary context. As researchers we wonder how this dialogue and in-depth experience affected the students’ attitudes and actions towards sustainability. We found that the data supports the embodied, co-creative embroidery process, that it improved the students' craft experience, as well as increased the understanding and respect for the challenges in the new eco-reality. Cover image: Sewing in nature, on nature, with nature, about nature. Student work. Photos: Randi Veiteberg Kvellestad and Raquel Sans","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"7 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139247358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is based on a study in outdoor arts-based education with Norwegian early childhood teacher students. Their teachers of drama and art & crafts (also the researchers and authors of this article) facilitated the specific arts-based learning environments and posed the following question: Which qualities of arts-based learning environments can challenge students to seek toward reduction of inequalities between themselves and more-than-human others? Four narratives were constructed from four of the students’ visual, verbal and audio presentations of their experiences from the outdoor places they engaged with. The students described their processes of connecting to the more-than-human inhabitants of those places, and more-less explicitly expressed changes in their attitudes toward the inhabitants and materials encountered at the places. The narratives, and their analysis, make visible how the students’ arts-based engagements challenged their anthropocentric values and could potentially lead to reduction of inequalities between themselves and the more-than-humans they met at the places. The discussions at the end of the article focus on the first part of the research question and sum up four qualities of the arts-based environments that were present in the four narratives. These qualities are imagination, self-initiated actions, emphatic connections, and time for aesthetic engagement. Cover photo: "Student D" (anonymous".
{"title":"Reducing inequalities among species through an arts-based inquiry in early childhood teacher education","authors":"Anne Lise Nordbø, Biljana C. Fredriksen","doi":"10.7577/ar.5132","DOIUrl":"https://doi.org/10.7577/ar.5132","url":null,"abstract":"This article is based on a study in outdoor arts-based education with Norwegian early childhood teacher students. Their teachers of drama and art & crafts (also the researchers and authors of this article) facilitated the specific arts-based learning environments and posed the following question: Which qualities of arts-based learning environments can challenge students to seek toward reduction of inequalities between themselves and more-than-human others? Four narratives were constructed from four of the students’ visual, verbal and audio presentations of their experiences from the outdoor places they engaged with. The students described their processes of connecting to the more-than-human inhabitants of those places, and more-less explicitly expressed changes in their attitudes toward the inhabitants and materials encountered at the places. The narratives, and their analysis, make visible how the students’ arts-based engagements challenged their anthropocentric values and could potentially lead to reduction of inequalities between themselves and the more-than-humans they met at the places. The discussions at the end of the article focus on the first part of the research question and sum up four qualities of the arts-based environments that were present in the four narratives. These qualities are imagination, self-initiated actions, emphatic connections, and time for aesthetic engagement. Cover photo: \"Student D\" (anonymous\".","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"31 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139247800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rikke Gürgens Gjærum, Mette Bøe Lyngstad, Lise Hovik
The United Nations 2030 Agenda for Sustainable Development calls for action by all countries to ensure that no one is left behind. It requires partnerships between governments, the private sector, and civil societies across countries, continents, and sectors. This issue of Nordic Journal for Art & Research is an expression of SDG 17 - a collaboration towards achieving the goals. In this way, we wish to renew global partnerships for sustainable development by sharing new knowledge with peers and global readers alike. 23 different contributions about sustainability in arts education can bring new, interesting and hopeful discussions to our field. A wide range of different perspectives, understandings, theories and methods hopefully show the reader that arts educators can make a difference by inspiring sustainable thinking and action. We as editors believe that arts education can be a catalyst for a change in society towards more sustainable futures. Through this special issue we welcome each and every reader to take part in this aesthetic collaboration of knowledge production formed and assembled by arts educators, with a rising hope for the future of our planet.
{"title":"Introduction: Co-creating a catalyst for sustainable development","authors":"Rikke Gürgens Gjærum, Mette Bøe Lyngstad, Lise Hovik","doi":"10.7577/ar.5680","DOIUrl":"https://doi.org/10.7577/ar.5680","url":null,"abstract":"The United Nations 2030 Agenda for Sustainable Development calls for action by all countries to ensure that no one is left behind. It requires partnerships between governments, the private sector, and civil societies across countries, continents, and sectors. This issue of Nordic Journal for Art & Research is an expression of SDG 17 - a collaboration towards achieving the goals. In this way, we wish to renew global partnerships for sustainable development by sharing new knowledge with peers and global readers alike. 23 different contributions about sustainability in arts education can bring new, interesting and hopeful discussions to our field. A wide range of different perspectives, understandings, theories and methods hopefully show the reader that arts educators can make a difference by inspiring sustainable thinking and action. We as editors believe that arts education can be a catalyst for a change in society towards more sustainable futures. Through this special issue we welcome each and every reader to take part in this aesthetic collaboration of knowledge production formed and assembled by arts educators, with a rising hope for the future of our planet.","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139248309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The answer to SDG 13 Climate action in this special issue takes the form of a contribution that breaks with the academic genre and bypasses the established academic or artistic formats of the journal. Instead, this contribution opens the door to the climate activist movement, shining a light on the urgency of the hour and the issues that are paramount in the hearts of climate-engaged artists, educators and cultural workers. Klimakultur, a non-profit organization supporting and strengthening the climate and environmental ambitions of the arts and culture sector in Norway, has together with Rosendal Teater in Trondheim released what they call a Creative Climate Justice Guide. This publication serves as inspirational tool for climate action. Cover image: Photo by Rosendal Teater and Klimakultur SA
本特刊对可持续发展目标 13 "气候行动 "的回答采用了投稿的形式，打破了学术体裁，绕过了期刊既定的学术或艺术形式。相反，这篇稿件为气候活动家打开了一扇门，照亮了当下的紧迫性，也照亮了参与气候活动的艺术家、教育家和文化工作者心中最重要的问题。Klimakultur是一个支持和加强挪威艺术和文化部门在气候和环境方面的雄心的非营利组织，它与特隆赫姆的罗森达尔剧院（Rosendal Teater）共同发布了他们所称的 "创意气候正义指南"。该出版物是气候行动的启发工具。封面图片：照片：罗森达尔剧院和Klimakultur SA
{"title":"Climate action and creative climate justice","authors":"Erlend Eggen, Lise Hovik","doi":"10.7577/ar.5657","DOIUrl":"https://doi.org/10.7577/ar.5657","url":null,"abstract":"The answer to SDG 13 Climate action in this special issue takes the form of a contribution that breaks with the academic genre and bypasses the established academic or artistic formats of the journal. Instead, this contribution opens the door to the climate activist movement, shining a light on the urgency of the hour and the issues that are paramount in the hearts of climate-engaged artists, educators and cultural workers. Klimakultur, a non-profit organization supporting and strengthening the climate and environmental ambitions of the arts and culture sector in Norway, has together with Rosendal Teater in Trondheim released what they call a Creative Climate Justice Guide. This publication serves as inspirational tool for climate action. Cover image: Photo by Rosendal Teater and Klimakultur SA","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"234 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139248145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The cultural sector is a potential instigator of change due to its experimental, performative, and relational nature. However, like everywhere else, the cultural sector re-enacts and thus conserves inequalities of various kinds through its outreach to wider audiences and its deep engagement in socio-cultural practices. By taking our actions within the ERASMUS+ project ‘Voices of Women’ as a creative catalyst, this paper scrutinizes a set of items for further discussion of arts-based pathways for sustainable transformation towards a more (gender) equal world. We discuss the ability of the arts to engage, educate, and transform power relations through three pathways towards sustainable transformation: 1. Canon critique; 2. Decolonization; and 3. New materialism. We argue that all three pathways enable novel forms of knowledge creation and actions in arts-based research, arts education, the cultural sector, and beyond. Cover image: Still picture from film: Music and Gender in Balance (Mittner and Bergli, 2018)
由于其实验性、表演性和关联性，文化部门是变革的潜在推动者。然而，与其他任何地方一样，文化部门通过向更广泛的受众进行宣传和深入参与社会文化实践，重新演绎并因此保留了各种不平等现象。本文以我们在ERASMUS+项目 "女性之声 "中的行动为创意催化剂，仔细研究了一系列项目，以便进一步讨论以艺术为基础的可持续转型途径，从而建立一个更加（性别）平等的世界。我们讨论了艺术参与、教育和通过三种途径实现可持续转型的能力：1.经典批判；2.非殖民化；3.新唯物主义。新唯物主义。我们认为，所有这三条途径都能在以艺术为基础的研究、艺术教育、文化部门及其他领域创造新形式的知识和行动。封面图片：电影剧照：音乐与性别的平衡》（Mittner and Bergli, 2018）
{"title":"Arts-based pathways for sustainable transformation towards a more equal world","authors":"Lilli Mittner, Lise Meling, Kate Maxwell","doi":"10.7577/ar.5159","DOIUrl":"https://doi.org/10.7577/ar.5159","url":null,"abstract":"The cultural sector is a potential instigator of change due to its experimental, performative, and relational nature. However, like everywhere else, the cultural sector re-enacts and thus conserves inequalities of various kinds through its outreach to wider audiences and its deep engagement in socio-cultural practices. By taking our actions within the ERASMUS+ project ‘Voices of Women’ as a creative catalyst, this paper scrutinizes a set of items for further discussion of arts-based pathways for sustainable transformation towards a more (gender) equal world. We discuss the ability of the arts to engage, educate, and transform power relations through three pathways towards sustainable transformation: 1. Canon critique; 2. Decolonization; and 3. New materialism. We argue that all three pathways enable novel forms of knowledge creation and actions in arts-based research, arts education, the cultural sector, and beyond. Cover image: Still picture from film: Music and Gender in Balance (Mittner and Bergli, 2018)","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"64 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139249769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Denne artikkelen utforsker hvordan «estekster» kan bli til og skape mening i en praksisledet forskningsprosess om barnehagens lydlandskaper. Med «estekster» menes tekster med estetiske kvaliteter, gjerne i ulike modaliteter, som fungerer som redskaper i forskning både i individuelle tankeprosesser og i refleksive samarbeidsprosesser. Estekstene opptrer både som tankeredskaper i utforskingen av forskerroller, som empiri sammen med fotografier og transkriberte gruppesamtaler og som eksempler på analyse. «A/r/tografi», «poetic inquiry» og narrativ analyse er brukt som metodologiske tilnærminger. I artikkelen tas leseren med på utviklingen av estekstene fra verbaltekstlige, poetiske gjengivelser til auditive og visuelle narrativer. Gjennom denne endringen går også estekstene fra å fungere som et redskap i utforskingen av egen forskerrolle til å få betydning som samskapende forskningsredskap i en forskergruppe. Arbeidet viser også at estekster kan egne seg til å uttrykke kompleksitet og subjektive opplevelser som inkluderer det stemningsfulle, og at barnehagens lydlandskaper vokser frem med flere nyanser. I diskusjonen utforskes estekstene videre som kunnskapsressurser innen praksisledet forskning i nært samarbeid mellom barnehagesektoren og barnehagelærerutdanningen. Foto på webside: "Lyttelinjer" av Tona Gulpinar
{"title":"Fortellingen om «estekster»","authors":"Nina Engesnes","doi":"10.7577/ar.4984","DOIUrl":"https://doi.org/10.7577/ar.4984","url":null,"abstract":"Denne artikkelen utforsker hvordan «estekster» kan bli til og skape mening i en praksisledet forskningsprosess om barnehagens lydlandskaper. Med «estekster» menes tekster med estetiske kvaliteter, gjerne i ulike modaliteter, som fungerer som redskaper i forskning både i individuelle tankeprosesser og i refleksive samarbeidsprosesser. Estekstene opptrer både som tankeredskaper i utforskingen av forskerroller, som empiri sammen med fotografier og transkriberte gruppesamtaler og som eksempler på analyse. «A/r/tografi», «poetic inquiry» og narrativ analyse er brukt som metodologiske tilnærminger. I artikkelen tas leseren med på utviklingen av estekstene fra verbaltekstlige, poetiske gjengivelser til auditive og visuelle narrativer. Gjennom denne endringen går også estekstene fra å fungere som et redskap i utforskingen av egen forskerrolle til å få betydning som samskapende forskningsredskap i en forskergruppe. Arbeidet viser også at estekster kan egne seg til å uttrykke kompleksitet og subjektive opplevelser som inkluderer det stemningsfulle, og at barnehagens lydlandskaper vokser frem med flere nyanser. I diskusjonen utforskes estekstene videre som kunnskapsressurser innen praksisledet forskning i nært samarbeid mellom barnehagesektoren og barnehagelærerutdanningen.\u0000Foto på webside: \"Lyttelinjer\" av Tona Gulpinar","PeriodicalId":344267,"journal":{"name":"Nordic Journal of Art & Research","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124595386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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