Pub Date : 2019-09-15DOI: 10.7591/9781501739224-015
A. Kluge
{"title":"11. Film: A Utopia (1983)","authors":"A. Kluge","doi":"10.7591/9781501739224-015","DOIUrl":"https://doi.org/10.7591/9781501739224-015","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126692956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/cornell/9781501739200.003.0006
A. Kluge
This chapter explores the dialogue between Piero Salabè and Alexander Kluge wherein they talked about Kluge's book Tür an Tür mit einem anderen Leben (Next Door to Another Life, 2006). Kluge claims that there are always two aspects to sadness: it isolates, but it can also bring people in contact with one another. Sadness and crying are capable of dissolving hardened relations. When asked whether he believes in progress, Kluge answered that he does not believe in linear progress because for him “the past is always coming at us from the future.” Instead, he believes in circular movement like those in whirlpools. The concept of enlightenment must begin with the real phenomenon that time does not actually pass. Kluge says that “we must continue to tell stories about problems in the world, and with storytelling we must also push back against these problems that people fail to respect.” Storytelling means dissolving in the literal sense of “analyzing.” Kluge believes that this is the great, unfinished project of enlightenment. Salabè and Kluge also discusses the individual's capacity for differentiation.
{"title":"Storytelling Means Dissolving Relations","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0006","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0006","url":null,"abstract":"This chapter explores the dialogue between Piero Salabè and Alexander Kluge wherein they talked about Kluge's book Tür an Tür mit einem anderen Leben (Next Door to Another Life, 2006). Kluge claims that there are always two aspects to sadness: it isolates, but it can also bring people in contact with one another. Sadness and crying are capable of dissolving hardened relations. When asked whether he believes in progress, Kluge answered that he does not believe in linear progress because for him “the past is always coming at us from the future.” Instead, he believes in circular movement like those in whirlpools. The concept of enlightenment must begin with the real phenomenon that time does not actually pass. Kluge says that “we must continue to tell stories about problems in the world, and with storytelling we must also push back against these problems that people fail to respect.” Storytelling means dissolving in the literal sense of “analyzing.” Kluge believes that this is the great, unfinished project of enlightenment. Salabè and Kluge also discusses the individual's capacity for differentiation.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"121 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114523894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/9781501739224-033
{"title":"Index","authors":"","doi":"10.7591/9781501739224-033","DOIUrl":"https://doi.org/10.7591/9781501739224-033","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124011260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/cornell/9781501739200.003.0010
A. Kluge
This chapter looks at an interview between Alexander Kluge and Enno Patalas and his wife, Frieda Grafe, which was published in the film journal Filmkritik shortly after Kluge received the Special Jury Prize at the 1966 Venice Film Festival. This interview provides insights into the making of Kluge's first feature, Yesterday Girl (1966). The child of Jewish parents, the main character Anita became acquainted with persecution during the Third Reich. It is a pervasive belief that a child who was eight years old in 1945 was not directly affected, but rather was only threatened and could therefore not actually be seriously defined by it. Kluge claims that this is obviously not true. When he thinks about his own childhood, he may not have understood what was happening exactly, but he registered the power relations very clearly; he understood quite accurately the hierarchy, which was quite different from today's. Kluge then explains that Anita and her story are specific to the Federal Republic. Her story would be a different one if she lived in a different society. And it would also be a different one if Germany had a different history.
{"title":"Bits of Conversation","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0010","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0010","url":null,"abstract":"This chapter looks at an interview between Alexander Kluge and Enno Patalas and his wife, Frieda Grafe, which was published in the film journal Filmkritik shortly after Kluge received the Special Jury Prize at the 1966 Venice Film Festival. This interview provides insights into the making of Kluge's first feature, Yesterday Girl (1966). The child of Jewish parents, the main character Anita became acquainted with persecution during the Third Reich. It is a pervasive belief that a child who was eight years old in 1945 was not directly affected, but rather was only threatened and could therefore not actually be seriously defined by it. Kluge claims that this is obviously not true. When he thinks about his own childhood, he may not have understood what was happening exactly, but he registered the power relations very clearly; he understood quite accurately the hierarchy, which was quite different from today's. Kluge then explains that Anita and her story are specific to the Federal Republic. Her story would be a different one if she lived in a different society. And it would also be a different one if Germany had a different history.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121712688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/9781501739224-024
A. Kluge
{"title":"20. The Role of Fantasy (1974)","authors":"A. Kluge","doi":"10.7591/9781501739224-024","DOIUrl":"https://doi.org/10.7591/9781501739224-024","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"510 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123568724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/9781501739224-028
A. Kluge
{"title":"24. The Art of Drawing Distinctions (2003)","authors":"A. Kluge","doi":"10.7591/9781501739224-028","DOIUrl":"https://doi.org/10.7591/9781501739224-028","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129342594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.1515/9781501739224-003
{"title":"Acknowledgments","authors":"","doi":"10.1515/9781501739224-003","DOIUrl":"https://doi.org/10.1515/9781501739224-003","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"205 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132331547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/9781501739224-014
A. Kluge
{"title":"10. The Realistic Method and the “Filmic” (1975)","authors":"A. Kluge","doi":"10.7591/9781501739224-014","DOIUrl":"https://doi.org/10.7591/9781501739224-014","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122212301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-15DOI: 10.7591/9781501739224-021
{"title":"17. The Opera Machine (2001)","authors":"","doi":"10.7591/9781501739224-021","DOIUrl":"https://doi.org/10.7591/9781501739224-021","url":null,"abstract":"","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127557426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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