The aim of this article is to analyse the image of Portugal as presented by Karol Hoffman in his book 'Cztery powstania czyli krótki wykład sposobów jakimi dobijały się o niepodległość Grecja, Holandia, Portugalia i Polska' [Four insurrections that is how Greece, Holland, Portugal, and Poland were fighting for their independence] (1837). Hoffman creates an analogy between the situation of Poland in the partition era and the situation of Portugal when it was united with Spain under the Iberian Union (1580–1640). Comparing Polish efforts with the efforts of the representatives of other European nations,Hoffman tries to revealthe causes ofthe defeat of Poles. However, he has also managed to create an interesting image of the Portuguese that influenced the way the Polish readers regarded this nation in the 19th century.
本文的目的是分析Karol Hoffman在他的书《Cztery powstania czyli krótki wykład sposobów jakimi dobijały sioniepodległość gregreja, Holandia, portualia i Polska》(希腊、荷兰、葡萄牙和波兰如何为独立而战的四场起义)(1837)中所呈现的葡萄牙形象。霍夫曼将波兰在瓜分时期的情况与葡萄牙在伊比利亚联盟(1580-1640)下与西班牙合并时的情况进行了类比。霍夫曼将波兰的努力与其他欧洲国家代表的努力进行比较，试图揭示波兰人失败的原因。然而，他也设法创造了一个有趣的葡萄牙人形象，影响了19世纪波兰读者对这个国家的看法。
{"title":"„Polska Południa”? Wizerunek Portugalii w \"Czterech powstaniach\" Karola Hoffmana","authors":"Magdalena Bąk","doi":"10.24917/20811853.21.6","DOIUrl":"https://doi.org/10.24917/20811853.21.6","url":null,"abstract":"The aim of this article is to analyse the image of Portugal as presented by Karol Hoffman in his book 'Cztery powstania czyli krótki wykład sposobów jakimi dobijały się o niepodległość Grecja, Holandia, Portugalia i Polska' [Four insurrections that is how Greece, Holland, Portugal, and Poland were fighting for their independence] (1837). Hoffman creates an analogy between the situation of Poland in the partition era and the situation of Portugal when it was united with Spain under the Iberian Union (1580–1640). Comparing Polish efforts with the efforts of the representatives of other European nations,Hoffman tries to revealthe causes ofthe defeat of Poles. However, he has also managed to create an interesting image of the Portuguese that influenced the way the Polish readers regarded this nation in the 19th century.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81970013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents the perception of Madrid squares as viewed by Polish travellers in the 19th and early 20th centuries. The squares functioned for centuries as key areas of a city, both for the residents and visitors. In Spain, they were also an important element of culture and urban planning. Plaza Mayor – a unique European city square – was established in that country. Therefore, it may be assumed that the squares, playing a leading role in the analysed urban space, are one of the main tourist destinations. The aim of the article was to analyse the accounts of Polish travellers who came to Madrid in the 19th century and attempt to answer the following questions: what role the squares played during the time of those travels, which square made the greatest impression on the writers and why. The author also wanted to gain a better understanding of the aesthetic sensitivity and architectural and urban awareness of the Polish travellers. The analysis was carried out on the basis of source texts and historical studies. The presented image of public spaces was juxtaposed with iconographic and cartographic sources. The article shows that the Polish travellers staying in Madrid in the 19th and early 20th centuries limited their urban strolls to only a few squares, and the most important ones were approached with critical assessment.
{"title":"Madryckie place w relacjach wybranych polskich podróżników w XIX i na początku XX wieku","authors":"Natalia Bursiewicz","doi":"10.24917/20811853.21.11","DOIUrl":"https://doi.org/10.24917/20811853.21.11","url":null,"abstract":"This article presents the perception of Madrid squares as viewed by Polish travellers in the 19th and early 20th centuries. The squares functioned for centuries as key areas of a city, both for the residents and visitors. In Spain, they were also an important element of culture and urban planning. Plaza Mayor – a unique European city square – was established in that country. Therefore, it may be assumed that the squares, playing a leading role in the analysed urban space, are one of the main tourist destinations. The aim of the article was to analyse the accounts of Polish travellers who came to Madrid in the 19th century and attempt to answer the following questions: what role the squares played during the time of those travels, which square made the greatest impression on the writers and why. The author also wanted to gain a better understanding of the aesthetic sensitivity and architectural and urban awareness of the Polish travellers. The analysis was carried out on the basis of source texts and historical studies. The presented image of public spaces was juxtaposed with iconographic and cartographic sources. The article shows that the Polish travellers staying in Madrid in the 19th and early 20th centuries limited their urban strolls to only a few squares, and the most important ones were approached with critical assessment.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83285688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cudzoziemka w Argentynie… [Nina Pielacińska, Adrianna Seniów, Argentyna w prozie wspomnieniowej Józefy Radzymińskiej. Perspektywa językowo-kulturowa, Wydawnictwo Naukowe Uniwersytetu Szczecińskiego, Szczecin 2020]","authors":"Ewa Horyń","doi":"10.24917/20811853.21.25","DOIUrl":"https://doi.org/10.24917/20811853.21.25","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"52 8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86777779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Modern Polish ideas about the Iberian Peninsula can often be summarised in slogans: azure sky, beautiful women, bullfighting, Don Quixote from La Mancha. Has this image of Spain been with us for centuries, or has it been “produced” by modern mass tourism? The aim of this article is to analyse travel texts from the 19th and 20th centuries describing journeys around the Iberian Peninsula and an attempt to answer the question of what Spain looks like in the eyes of Poles deprived of their own statehood. Is it terra incognita, an exotic country with a rich history, in which travellers find a reflection in architecture and customs, fascinated by Madrid, Barcelona, and Salamanca? Or maybe it evokes disappointment? The article compares travel letters by four Polish travellers and historians: Aleksander Hirschberg, Adolf Pawiński, Józef Wawel-Louis, and Stanisław Starża. The analysis of the letters was divided into thematic blocks: historical Polish-Spanish relations, perceptions and impressions, opinions about Spaniards and Spanish women, and cultural controversies (corrida, cockfighting).
{"title":"„Hiszpania! Jakież czarodziejskie słowo, jakże uroczo brzmi ten wyraz!\" Obraz Hiszpanii na przełomie XIX i XX wieku w polskich listach z podróży","authors":"A. Mikinka","doi":"10.24917/20811853.21.8","DOIUrl":"https://doi.org/10.24917/20811853.21.8","url":null,"abstract":"Modern Polish ideas about the Iberian Peninsula can often be summarised in slogans: azure sky, beautiful women, bullfighting, Don Quixote from La Mancha. Has this image of Spain been with us for centuries, or has it been “produced” by modern mass tourism? The aim of this article is to analyse travel texts from the 19th and 20th centuries describing journeys around the Iberian Peninsula and an attempt to answer the question of what Spain looks like in the eyes of Poles deprived of their own statehood. Is it terra incognita, an exotic country with a rich history, in which travellers find a reflection in architecture and customs, fascinated by Madrid, Barcelona, and Salamanca? Or maybe it evokes disappointment? The article compares travel letters by four Polish travellers and historians: Aleksander Hirschberg, Adolf Pawiński, Józef Wawel-Louis, and Stanisław Starża. The analysis of the letters was divided into thematic blocks: historical Polish-Spanish relations, perceptions and impressions, opinions about Spaniards and Spanish women, and cultural controversies (corrida, cockfighting).","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88568354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article relates to the issue of the suffering body in Juliusz Słowacki’s drama 'Sen srebrny Salomei'. The first and the second part of the article are dedicated to the description of the main drama characters who are media of supernatural reality, and the analysis of the co‑existing worlds of human beings and spirits. The third part includes the interpretation of the ‘poetics of macabre’ and ‘theater of pain’, the phenomenon of vivisection and the ontology of ‘human remains’. The author reads Słowacki’s drama through the prism of Michel Henry’s philosophy of existence.
本文涉及Juliusz Słowacki的戏剧《Sen srebrny Salomei》中的痛苦身体问题。文章的第一部分和第二部分对剧中作为超自然现实媒介的主要人物进行了描述，并对人与灵共存的世界进行了分析。第三部分包括对“死亡诗学”和“痛苦剧场”、活体解剖现象和“遗骸”本体论的解读。作者通过米歇尔·亨利的存在哲学的棱镜来阅读Słowacki的戏剧。
{"title":"Ciało cierpiące i ontologiczne strzępy człowiecze w „Śnie srebrnym Salomei” Juliusza Słowackiego","authors":"M. Ciechańska","doi":"10.24917/20811853.20.12","DOIUrl":"https://doi.org/10.24917/20811853.20.12","url":null,"abstract":"The article relates to the issue of the suffering body in Juliusz Słowacki’s drama 'Sen srebrny Salomei'. The first and the second part of the article are dedicated to the description of the main drama characters who are media of supernatural reality, and the analysis of the co‑existing worlds of human beings and spirits. The third part includes the interpretation of the ‘poetics of macabre’ and ‘theater of pain’, the phenomenon of vivisection and the ontology of ‘human remains’. The author reads Słowacki’s drama through the prism of Michel Henry’s philosophy of existence.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81565551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The forgotten work and life of Paulin Święcicki (1841–1876), a writer from Kiev region and active in Galicia, represents a rare, authentic example of Polish‑Ukrainian cultural border. His debut work entitled 'Przed laty. Powieść ukraińska' (1865), despite being an artistic failure, is an interesting link between the heritage of the Romantic 'Ukrainian School' and the historical vision of Polish Borderlands in With fire and sword by Henryk Sienkiewicz. The creation of the 17th‑century reality of Ukrainian grasslands (noble, rural and Cossack existence), battle scenes (fights against the Tatars), romantic‑melodramatic plot – these are all adapted to a unique Ukrainian (not Polish‑centred) perspective. Święcicki’s ‘ukrainism’ is a portrait of Cossack heroism, a picture of enslaving the Ukrainian nation, and a picturesque description of local stories. The eclectic character of the work, which is nostalgically contemplative and in romantic style, as well as journalistically engaged, has an impact on its incoherence, but also makes it original against the background of the Sarmatian‑borderland fiction of those days.
{"title":"„Na Ukrainie za owych dobrych czasów” – „Przed laty. Powieść ukraińska” Paulina Święcickiego","authors":"A. Mazur","doi":"10.24917/20811853.20.13","DOIUrl":"https://doi.org/10.24917/20811853.20.13","url":null,"abstract":"The forgotten work and life of Paulin Święcicki (1841–1876), a writer from Kiev region and active in Galicia, represents a rare, authentic example of Polish‑Ukrainian cultural border. His debut work entitled 'Przed laty. Powieść ukraińska' (1865), despite being an artistic failure, is an interesting link between the heritage of the Romantic 'Ukrainian School' and the historical vision of Polish Borderlands in With fire and sword by Henryk Sienkiewicz. The creation of the 17th‑century reality of Ukrainian grasslands (noble, rural and Cossack existence), battle scenes (fights against the Tatars), romantic‑melodramatic plot – these are all adapted to a unique Ukrainian (not Polish‑centred) perspective. Święcicki’s ‘ukrainism’ is a portrait of Cossack heroism, a picture of enslaving the Ukrainian nation, and a picturesque description of local stories. The eclectic character of the work, which is nostalgically contemplative and in romantic style, as well as journalistically engaged, has an impact on its incoherence, but also makes it original against the background of the Sarmatian‑borderland fiction of those days. \u0000 ","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84263539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Brygida Kürbis, a medievalist from Poznań, who died in 2001, thanks to her publications, contributed a lot to increasing the importance of both editing medieval chronicles and source studies, which are auxiliary sciences of history. The author deliberately modified the postulated rules and principles of publishing written sources in editorial practice, depending on the type of released texts and publishing capabilities, changing over time.
{"title":"Metoda wydawnicza Brygidy Kürbis","authors":"Mieczysław Mejor","doi":"10.24917/20811853.20.10","DOIUrl":"https://doi.org/10.24917/20811853.20.10","url":null,"abstract":"Brygida Kürbis, a medievalist from Poznań, who died in 2001, thanks to her publications, contributed a lot to increasing the importance of both editing medieval chronicles and source studies, which are auxiliary sciences of history. The author deliberately modified the postulated rules and principles of publishing written sources in editorial practice, depending on the type of released texts and publishing capabilities, changing over time.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82352390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sermons of Reverend Janusz Stanisław Pasierb have a distinct literary character. This may be due to the fact that the preacher was both a poet and essayist. The first part of the paper contains a methodological reflection on literariness, with particular emphasis on the location of the sermon as a specific genre of expression in relation to other forms of literary expression. In the further part of the text, the style and composition of sermons of Reverend Pasierb and their relationship with the poetry of this author are examined. Also, homilies from the funerals of art people are presented – in these works Pasierb contained a particularly large literary component. Reverend Pasierb is fully aware of what the art of word is, including the preacher’s word. He works towards a greater linguistic reflection, drawing artistic attention to the style of preaching. His preaching, with a metaphysical depth and clearly eschatological perspective, and at the same time adding value to worldliness, often tends to an essay and meditation. We are dealing with the individualization of a preacher’s message and a partial remodelling of a typical preacher’s formula.
牧师Janusz Stanisław Pasierb的布道具有鲜明的文学特征。这可能是因为传教士既是诗人又是散文家。论文的第一部分包含了对文学性的方法论反思，特别强调了布道作为一种特定类型的表达方式与其他文学表达形式的关系。在文本的进一步部分，风格和组成牧师帕西耶布和他们的关系与作者的诗歌进行了审查。此外，还呈现了艺术人士葬礼上的布道——在这些作品中，帕西耶布包含了特别大的文学成分。帕西布牧师完全了解语言的艺术是什么，包括牧师的语言。他致力于更大的语言反思，把艺术的注意力吸引到布道的风格上。他的讲道具有形而上的深度和清晰的末世论视角，同时又增加了世俗的价值，往往倾向于随笔和沉思。我们正在处理的是传道者信息的个体化，以及对典型传道者公式的部分重塑。
{"title":"Literackość kazań księdza Janusza Stanisława Pasierba","authors":"J. Sikora","doi":"10.24917/20811853.20.25","DOIUrl":"https://doi.org/10.24917/20811853.20.25","url":null,"abstract":"Sermons of Reverend Janusz Stanisław Pasierb have a distinct literary character. This may be due to the fact that the preacher was both a poet and essayist. The first part of the paper contains a methodological reflection on literariness, with particular emphasis on the location of the sermon as a specific genre of expression in relation to other forms of literary expression. In the further part of the text, the style and composition of sermons of Reverend Pasierb and their relationship with the poetry of this author are examined. Also, homilies from the funerals of art people are presented – in these works Pasierb contained a particularly large literary component. Reverend Pasierb is fully aware of what the art of word is, including the preacher’s word. He works towards a greater linguistic reflection, drawing artistic attention to the style of preaching. His preaching, with a metaphysical depth and clearly eschatological perspective, and at the same time adding value to worldliness, often tends to an essay and meditation. We are dealing with the individualization of a preacher’s message and a partial remodelling of a typical preacher’s formula.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88419610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper is an attempt at showing – through the prism of autobiographical reflection – the location of tradition, as understood by Wilhelmina Zyndram‑Kościałkowska (1844–1926), a translator, writer and literary critic. The notion of location is understood by the author as a particular, restricted, time‑spatial reservoir of meanings, perceived in a broader perspective, that is as a component of a larger whole. The location of tradition is a segment and stage concerning a problem residuum of meanings in culture and history, as well as in the history of thought, which has been located in the space of individual biography of Kościałkowska, constructed with an old hand of the writer and placed as a component of diagnoses in her contemporaneity. The research material includes manuscripts (notebooks with memories and other types of autobiographical archives), deposited in the Lithuanian State Historical Archives in Vilnius (Lietuvos Valstybės Istorijos Archyvas). The author shows various ways of conducting dialogue by the critic with the old tradition (history, politics, culture, portraits of people, literature, art, family history) and the meaning of the location of tradition in the process of recording oneself and one’s contemporaneity by Kościałkowska.
这篇论文试图通过自传体反思的棱镜来展示传统的位置，正如翻译、作家和文学评论家Wilhelmina Zyndram - Kościałkowska(1844-1926)所理解的那样。作者将位置的概念理解为一个特定的、有限的、时间空间的意义库，以更广阔的视角来感知，这是一个更大整体的组成部分。传统的位置是文化、历史和思想史中意义问题残余的一个片段和阶段，它被放置在Kościałkowska的个人传记空间中，由作家的老手构建，并作为她同时代诊断的一个组成部分。研究材料包括存放在维尔纽斯立陶宛国家历史档案馆(Lietuvos Valstybės Istorijos Archyvas)的手稿(带有记忆的笔记本和其他类型的自传档案)。作者通过Kościałkowska展示了批评家与旧传统(历史、政治、文化、人物肖像、文学、艺术、家族史)进行对话的各种方式，以及传统在记录自己和自己的当代性过程中所处的位置的意义。
{"title":"Miejsce tradycji. Refleksja autobiograficzna Wilhelminy Zyndram‑Kościałkowskiej","authors":"D. Osiński","doi":"10.24917/20811853.20.16","DOIUrl":"https://doi.org/10.24917/20811853.20.16","url":null,"abstract":"The paper is an attempt at showing – through the prism of autobiographical reflection – the location of tradition, as understood by Wilhelmina Zyndram‑Kościałkowska (1844–1926), a translator, writer and literary critic. The notion of location is understood by the author as a particular, restricted, time‑spatial reservoir of meanings, perceived in a broader perspective, that is as a component of a larger whole. The location of tradition is a segment and stage concerning a problem residuum of meanings in culture and history, as well as in the history of thought, which has been located in the space of individual biography of Kościałkowska, constructed with an old hand of the writer and placed as a component of diagnoses in her contemporaneity. The research material includes manuscripts (notebooks with memories and other types of autobiographical archives), deposited in the Lithuanian State Historical Archives in Vilnius (Lietuvos Valstybės Istorijos Archyvas). The author shows various ways of conducting dialogue by the critic with the old tradition (history, politics, culture, portraits of people, literature, art, family history) and the meaning of the location of tradition in the process of recording oneself and one’s contemporaneity by Kościałkowska.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"706 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85391121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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