The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859–1917), with references to a selected aspect of Leopold Staff’s works (1878–1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 1890) by António Feijó and 'Chinese Flute' ('Fletnia chińska', 1922) by Leopold Staff are categorised, the thesis about the independent status of the works in question was built. Modernist visions of the Orient, understood to date a paraphrase or an adaptation of Chinese poetry read in translations from French, gain the status of original works. In view of blurring the differences between the European adaptations – Portuguese poem and Polish poetic prose, based on Oriental motifs drawn from two different French sources (translations): Judith Gautier’s and Franz Touissant’s works – and the Chinese original, the methodological approach to the text as to a palimpsest is justified. Feijó’s “Chinese Poetry” and Oriental poetic landscapes in Staff’s prose are therefore independent literary works, analysed in parallel, as mirror reflections of the fascination with the Orient’s culture. The literary works in question fully deserve the title of cultural texts, the recipient of which will be a Polish reader, a lover of poetry inspired by French Parnassianism.
{"title":"António Feijó i Leopold Staff – poetyckie wizje Orientu na tle polsko-portugalskich relacji literackich i kulturalnych (od parnasizmu do palimpsestu)","authors":"Anna Kalewska","doi":"10.24917/20811853.21.10","DOIUrl":"https://doi.org/10.24917/20811853.21.10","url":null,"abstract":"The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859–1917), with references to a selected aspect of Leopold Staff’s works (1878–1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 1890) by António Feijó and 'Chinese Flute' ('Fletnia chińska', 1922) by Leopold Staff are categorised, the thesis about the independent status of the works in question was built. Modernist visions of the Orient, understood to date a paraphrase or an adaptation of Chinese poetry read in translations from French, gain the status of original works. In view of blurring the differences between the European adaptations – Portuguese poem and Polish poetic prose, based on Oriental motifs drawn from two different French sources (translations): Judith Gautier’s and Franz Touissant’s works – and the Chinese original, the methodological approach to the text as to a palimpsest is justified. Feijó’s “Chinese Poetry” and Oriental poetic landscapes in Staff’s prose are therefore independent literary works, analysed in parallel, as mirror reflections of the fascination with the Orient’s culture. The literary works in question fully deserve the title of cultural texts, the recipient of which will be a Polish reader, a lover of poetry inspired by French Parnassianism.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88639677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Among the accounts of travels in Spain in the 1st half of the 19th century, there is a rather unknown memoir of Piotr Falkenhagen-Zaleski, written on the basis of his 1843 experiences. This exceptionally capable and flexible emigrant began his career in international trade, having successfully tried his hand at journalism and politics in the past. He became an employee at the Henry Hall department store in London, and then opened his own company of the same sort, establishing contacts in many European countries. The travel to Spain aimed at securing another contract. It appears that he did not achieve this goal. On the other hand, the stay behind the Pyrenees, mainly in Barcelona and Madrid, and the very travel from France to Spain allowed the Polish traveller to become familiar with two elements of the Spanish (political and cultural) reality through an incident with the Carlists and the corrida spectacle. He put those experiences in an interesting, although brief report from Spain.
{"title":"Korrida i karliści. Wspomnienia Piotra Falkenhagena-Zaleskiego z podroży do Hiszpanii (1843)","authors":"A. Kucharski","doi":"10.24917/20811853.21.7","DOIUrl":"https://doi.org/10.24917/20811853.21.7","url":null,"abstract":"Among the accounts of travels in Spain in the 1st half of the 19th century, there is a rather unknown memoir of Piotr Falkenhagen-Zaleski, written on the basis of his 1843 experiences. This exceptionally capable and flexible emigrant began his career in international trade, having successfully tried his hand at journalism and politics in the past. He became an employee at the Henry Hall department store in London, and then opened his own company of the same sort, establishing contacts in many European countries. The travel to Spain aimed at securing another contract. It appears that he did not achieve this goal. On the other hand, the stay behind the Pyrenees, mainly in Barcelona and Madrid, and the very travel from France to Spain allowed the Polish traveller to become familiar with two elements of the Spanish (political and cultural) reality through an incident with the Carlists and the corrida spectacle. He put those experiences in an interesting, although brief report from Spain.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80218721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Między traduktologią a teatrologią. O monografii \"Służąc dwóm panom\" Pauliny Kwaśniewskiej-Urban","authors":"Katarzyna Skórska","doi":"10.24917/20811853.21.27","DOIUrl":"https://doi.org/10.24917/20811853.21.27","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"62 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74404219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the 17th century, both the Turks and (much more often) the Tatars invaded Poland. According to historians, the Tatars in particular treated the Polish Republic as an area of economic exploitation. Its most severe form was the forced captivity of inhabitants of the south-eastern borderlands. This was documented by diarists and memorialists of Polish seicento, including Jan Florian Drobysz Tuszyński, Mikołaj Jemiołowski, Joachim Jerlicz, Samuel Maskiewicz, Zbigniew Ossoliński, and Kazimierz Sarnecki. They drew attention to the mass character of the Tatar-Turkish thraldom: not only soldiers but also many civilians were kidnapped by the Tatars, who benefited from human trafficking and thus made them captives. The authors of the diaries documented the circumstances of the attacks, including the time and routes taken by the looters. They drew attention to the state of the captives and reconstructed the human martyrdom.
在17世纪，土耳其人和鞑靼人都入侵了波兰。根据历史学家的说法，鞑靼人尤其把波兰共和国当作一个经济剥削的地区。其最严重的形式是对东南边境地区居民的强制囚禁。这是由波兰seicento的日记作家和记忆学家记录的，包括Jan Florian Drobysz Tuszyński, Mikołaj Jemiołowski, Joachim Jerlicz, Samuel Maskiewicz, Zbigniew Ossoliński和Kazimierz Sarnecki。他们提请注意鞑靼-土耳其奴役的群众性:不仅士兵，而且许多平民也被鞑靼人绑架，他们从人口贩运中获益，因此将他们俘虏。日记的作者记录了袭击的情况，包括劫掠者所采取的时间和路线。他们引起了人们对俘虏状况的关注，并重建了人类的殉难。
{"title":"Uprowadzanie mieszkańców Rzeczypospolitej do niewoli przez Tatarów i Turków w oczach siedemnastowiecznych pamiętnikarzy","authors":"R. Ryba","doi":"10.24917/20811853.21.19","DOIUrl":"https://doi.org/10.24917/20811853.21.19","url":null,"abstract":"In the 17th century, both the Turks and (much more often) the Tatars invaded Poland. According to historians, the Tatars in particular treated the Polish Republic as an area of economic exploitation. Its most severe form was the forced captivity of inhabitants of the south-eastern borderlands. This was documented by diarists and memorialists of Polish seicento, including Jan Florian Drobysz Tuszyński, Mikołaj Jemiołowski, Joachim Jerlicz, Samuel Maskiewicz, Zbigniew Ossoliński, and Kazimierz Sarnecki. They drew attention to the mass character of the Tatar-Turkish thraldom: not only soldiers but also many civilians were kidnapped by the Tatars, who benefited from human trafficking and thus made them captives. The authors of the diaries documented the circumstances of the attacks, including the time and routes taken by the looters. They drew attention to the state of the captives and reconstructed the human martyrdom.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81338164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mity zdegradowane. O monografii \"Komiks i mit\" Pawła Gąsowskiego","authors":"Marcin Chudoba","doi":"10.24917/20811853.21.24","DOIUrl":"https://doi.org/10.24917/20811853.21.24","url":null,"abstract":"- ","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"74 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78170713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of this article is to discuss the penetration of influences of Spanish mysticism, in particular, the works of Saint Teresa of Ávila, on the literature and culture of the Polish Baroque. The intercultural influence of Spanish mysticism on Polish artists is reflected in the translations of the writings of Saint Teresa of Ávila. The considerations focus on the influence of the mysticism of Saint Teresa on mystical autobiographies and anonymous poetry of Carmelite nuns from Krakow from the 17th and 18th centuries. The reflection also covers the centres of the veneration of the saint in Poland, in services and prayer books, and her popularisation through art. Mystical influences are also visible in the poetry of the 17th and 18th centuries, including poetry by Kasper Twardowski, Sebastian Grabowiecki, Stanisław Grochowski, Mikołaj Mieleszko, Zbigniew Morsztyn, Maciej Kazimierz Sarbiewski, Elżbieta Drużbacka, and Konstancja Benisławska. The Polish-Spanish ties situate the research issues undertaken in a comparative context, without which the studies on post-Tridentine spirituality would not have produced real achievements.
{"title":"O wpływie spuścizny Świętej Teresy z Ávili na piśmiennictwo i kulturę polskiego baroku","authors":"Katarzyna Kaczor-Scheitler","doi":"10.24917/20811853.21.3","DOIUrl":"https://doi.org/10.24917/20811853.21.3","url":null,"abstract":"The subject of this article is to discuss the penetration of influences of Spanish mysticism, in particular, the works of Saint Teresa of Ávila, on the literature and culture of the Polish Baroque. The intercultural influence of Spanish mysticism on Polish artists is reflected in the translations of the writings of Saint Teresa of Ávila. The considerations focus on the influence of the mysticism of Saint Teresa on mystical autobiographies and anonymous poetry of Carmelite nuns from Krakow from the 17th and 18th centuries. The reflection also covers the centres of the veneration of the saint in Poland, in services and prayer books, and her popularisation through art. Mystical influences are also visible in the poetry of the 17th and 18th centuries, including poetry by Kasper Twardowski, Sebastian Grabowiecki, Stanisław Grochowski, Mikołaj Mieleszko, Zbigniew Morsztyn, Maciej Kazimierz Sarbiewski, Elżbieta Drużbacka, and Konstancja Benisławska. The Polish-Spanish ties situate the research issues undertaken in a comparative context, without which the studies on post-Tridentine spirituality would not have produced real achievements.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89375868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this article is to compare the modelling of media and memoir coverage of the Brazilian voyage of the “Lviv” in 1923 in two popular illustrated cultural magazines of the interwar period: Świat and Tygodnik Ilustrowany. To reconstruct the forms the message, publications from the years 1922–1925 were traced, i.e., those printed before, during, and shortly after the voyage. Using the comparative method and editorial collation, B. Pawłowicz’s and T. Dębicki’s reports published in the magazines were compared with their first book editions. As a result of this contextual analysis, the author shows how the choice of the information strategy pursued by the periodical influenced the modelling of the travel message. This information strategy also determined the reduction of the components presented and led to the creation of two separate stories, bringing people closer to the reality of life in São Vicente, Portugal, or the Brazilian state.
{"title":"Brazylijski rejs „Lwowa” na łamach „Świata” i „Tygodnika Ilustrowanego”","authors":"Monika Gabryś-Sławińska","doi":"10.24917/20811853.21.13","DOIUrl":"https://doi.org/10.24917/20811853.21.13","url":null,"abstract":"The aim of this article is to compare the modelling of media and memoir coverage of the Brazilian voyage of the “Lviv” in 1923 in two popular illustrated cultural magazines of the interwar period: Świat and Tygodnik Ilustrowany. To reconstruct the forms the message, publications from the years 1922–1925 were traced, i.e., those printed before, during, and shortly after the voyage. Using the comparative method and editorial collation, B. Pawłowicz’s and T. Dębicki’s reports published in the magazines were compared with their first book editions. As a result of this contextual analysis, the author shows how the choice of the information strategy pursued by the periodical influenced the modelling of the travel message. This information strategy also determined the reduction of the components presented and led to the creation of two separate stories, bringing people closer to the reality of life in São Vicente, Portugal, or the Brazilian state.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"10 1-2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72454905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mała monografia (i antologia) poezji Anny Świrszczyńskiej [Bartosz Małczyński, Wierszem zbawić ludzkość. Poezja Anny Świrszczyńskiej, Instytut Literatury, Kraków 2020 (Biblioteka Krytyki Literackiej Kwartalnika „Nowy Napis”)]","authors":"Jakub Kozaczewski","doi":"10.24917/20811853.21.26","DOIUrl":"https://doi.org/10.24917/20811853.21.26","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87018170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reymont wrote the short story, 'Los toros', in the year 1907 after coming back from Spain, where he witnessed a corrida in San Sebastián. The choice of the genre was intentional. The writer used it to reflect the realities of life and depict a group portrait of Spaniards, in which he succeeded without a doubt, using all with his literary imagination and ability to make his works metaphoric. Baffled by the corrida as an element of Spanish culture, Reymont did not express his moral approval of torturing animals (bulls and horses) on stage. On the contrary, his narration is full of sympathy and expressions that indicate emotional engagement. The turning point, the act of pardon performed by the young shepherd and the narrator’s friend towards the bull, indicates that Reymont’s reception of the corrida was empathic. Now, we had two conclusions on the contesting of the phenomenon. Reymont’s work was used by the French Chamber of Deputies as a literary example of disapproval of bloody spectacles that are justified by tradition.
{"title":"Ekspresja i empatia. Tauromachia okiem Reymonta (\"Los toros\")","authors":"Dorota Samborska-Kukuć","doi":"10.24917/20811853.21.12","DOIUrl":"https://doi.org/10.24917/20811853.21.12","url":null,"abstract":"Reymont wrote the short story, 'Los toros', in the year 1907 after coming back from Spain, where he witnessed a corrida in San Sebastián. The choice of the genre was intentional. The writer used it to reflect the realities of life and depict a group portrait of Spaniards, in which he succeeded without a doubt, using all with his literary imagination and ability to make his works metaphoric. Baffled by the corrida as an element of Spanish culture, Reymont did not express his moral approval of torturing animals (bulls and horses) on stage. On the contrary, his narration is full of sympathy and expressions that indicate emotional engagement. The turning point, the act of pardon performed by the young shepherd and the narrator’s friend towards the bull, indicates that Reymont’s reception of the corrida was empathic. Now, we had two conclusions on the contesting of the phenomenon. Reymont’s work was used by the French Chamber of Deputies as a literary example of disapproval of bloody spectacles that are justified by tradition. ","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84707228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of the article describes a trip to Spain made by Józef Czapski in 1930. This outstanding painter and essayist, witness to the Katyń massacre, co-creator of the Parisian magazine "Kultura" [Culture] and Polish intellectual life in exile, at the time of visiting Madrid and its nearby areas for nearly two months was still a young artist, looking for the painting poetics closest to his soul. The visits to the Prado brought him two great discoveries: the works of El Greco and Goya. For Czapski, El Greco is a captivating example of religious painting and simultaneously – fidelity to the vision, the way of seeing the world. Goya fascinated Czapski with the thematic and stylistic range of his art – from “official” court portraits to dramatic records of nearly surreal visions, reflecting the artist’s fundamental belief in human depravity. The trip to Spain also had another meaning for Czapski – it was in a way a journey in the footsteps of St. Teresa of Avila, broadly: a reflection on the role of mystical experience in the spiritual life of man. From these two perspectives: artistic and religious, the encounter with the Spanish culture appears to be one of the more important and fateful episodes in the biography of Józef Czapski.
{"title":"Królestwo Boże (Józefa Czapskiego podróż do Hiszpanii w roku 1930)","authors":"Andrzej Franaszek","doi":"10.24917/20811853.21.14","DOIUrl":"https://doi.org/10.24917/20811853.21.14","url":null,"abstract":"The author of the article describes a trip to Spain made by Józef Czapski in 1930. This outstanding painter and essayist, witness to the Katyń massacre, co-creator of the Parisian magazine \"Kultura\" [Culture] and Polish intellectual life in exile, at the time of visiting Madrid and its nearby areas for nearly two months was still a young artist, looking for the painting poetics closest to his soul. The visits to the Prado brought him two great discoveries: the works of El Greco and Goya. For Czapski, El Greco is a captivating example of religious painting and simultaneously – fidelity to the vision, the way of seeing the world. Goya fascinated Czapski with the thematic and stylistic range of his art – from “official” court portraits to dramatic records of nearly surreal visions, reflecting the artist’s fundamental belief in human depravity. The trip to Spain also had another meaning for Czapski – it was in a way a journey in the footsteps of St. Teresa of Avila, broadly: a reflection on the role of mystical experience in the spiritual life of man. From these two perspectives: artistic and religious, the encounter with the Spanish culture appears to be one of the more important and fateful episodes in the biography of Józef Czapski.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85699194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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