OLAW has just released a new COVID-19 Pandemic Contingency Planning [4] webpage. On this page, you will find OLAW's answers to commonly asked questions relating to animal care and use programs during the COaVID-19 pandemic, including how to conduct semiannual inspections, program reviews, and IACUC business while maintaining social distancing, and what new charges to your grant are acceptable to ensure animal well-being during the pandemic. They have also listed relevant websites, example disaster plans, OLAW guidance, and webinars. This page is dedicated specifically to COVID-19. they have another, more general page on Disaster Planning and Response Resources [5], but you?ll find only information specific to pandemics and COVID-19 on the new website [4]. As the COVID-19 situation develops, they will post new information and guidance here.
{"title":"Welcome","authors":"Andrew King","doi":"10.46911/dzgg6238","DOIUrl":"https://doi.org/10.46911/dzgg6238","url":null,"abstract":"OLAW has just released a new COVID-19 Pandemic Contingency Planning [4] webpage. On this page, you will find OLAW's answers to commonly asked questions relating to animal care and use programs during the COaVID-19 pandemic, including how to conduct semiannual inspections, program reviews, and IACUC business while maintaining social distancing, and what new charges to your grant are acceptable to ensure animal well-being during the pandemic. They have also listed relevant websites, example disaster plans, OLAW guidance, and webinars. This page is dedicated specifically to COVID-19. they have another, more general page on Disaster Planning and Response Resources [5], but you?ll find only information specific to pandemics and COVID-19 on the new website [4]. As the COVID-19 situation develops, they will post new information and guidance here.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44406302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of David Finkelstein, Movable Types: Roving Creative Printers of the Victorian World. Oxford: Oxford University Press, 2018, 196 pp. Hb £60. ISBN 978-0-19-882602-6.","authors":"","doi":"10.46911/hxtj6848","DOIUrl":"https://doi.org/10.46911/hxtj6848","url":null,"abstract":"","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44045642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on the work of Bertrand Westphal, this essay attempts to perform a geocritical reading of the London district of Clerkenwell. After discussing the spatial turn in the Humanities and introducing a range of spatial critical approaches, the essay “maps” literary Clerkenwell from the perspectives of genre hybridity and intertextuality, spatially articulate cartography, multifocal and historically aware public perception and potentially transgressive connection to outside areas. Clerkenwell is seen to have stimulated a range of genre fiction, including Newgate, realist, penny and slum fiction, and social exploration journalism. In much of this writing, the district was defined by its negative associations with crime, poverty, incarceration and slaughter. Such negative imageability, the essay suggests, was self-perpetuating, since authors would be influenced by their reading to create literary worlds repeating existing tropes; these literary representations, in turn, influenced readers’ perceptions of the area.Intertextual, multi-layered and polysensorial geocritical readings,the essay concludes, can producepowerful andnuanced pictures of literary placesbut also face a formidable challenge in defining an adequate geocentric corpus.
{"title":"“A strange enough region wherein to wander and muse”: Mapping Clerkenwell in Victorian Popular Fictions","authors":"M. Vuohelainen","doi":"10.46911/QPTD4864","DOIUrl":"https://doi.org/10.46911/QPTD4864","url":null,"abstract":"Drawing on the work of Bertrand Westphal, this essay attempts to perform a geocritical reading of the London district of Clerkenwell. After discussing the spatial turn in the Humanities and introducing a range of spatial critical approaches, the essay “maps” literary Clerkenwell from the perspectives of genre hybridity and intertextuality, spatially articulate cartography, multifocal and historically aware public perception and potentially transgressive connection to outside areas. Clerkenwell is seen to have stimulated a range of genre fiction, including Newgate, realist, penny and slum fiction, and social exploration journalism. In much of this writing, the district was defined by its negative associations with crime, poverty, incarceration and slaughter. Such negative imageability, the essay suggests, was self-perpetuating, since authors would be influenced by their reading to create literary worlds repeating existing tropes; these literary representations, in turn, influenced readers’ perceptions of the area.Intertextual, multi-layered and polysensorial geocritical readings,the essay concludes, can producepowerful andnuanced pictures of literary placesbut also face a formidable challenge in defining an adequate geocentric corpus.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45210153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Victorian settler fiction produced in colonial Australia and New Zealand increasingly expressed a search for settler identity, and yet it partly remained targeted at readers “at home,” at the centre of the British Empire. Nineteenth-century novels of daily life in the colonial settlements, therefore, also functioned as fictional maps for readers in Victorian Britain and elsewhere in the expanding empire. While some of these publications explicitly addressed potential emigrants, others endeavoured to reshape Britain’s antipodes in the popular imagination more generally. Australian and New Zealand women writers dismantled clichés involving bush-rangers, gold-diggers, as well as escaped convicts and resented returnees. By drawing on a variety of settler novels by female authors, I aim to track how their fictional maps for readers overseas worked and how these maps shifted in the course of the century. In particular, I focus on the motif of the homecoming and how its reworking in nineteenth-century settler fiction reveals shifting attitudes towards emigration and empire, homemaking and homecoming, old and new homes. Victorian settler narratives of colonial Australia and New Zealand increasingly expressed a search for settler identity, and yet they partly remained targeted at readers “at home,” at the centre of the British Empire. Nineteenth-century novels of daily life in colonial settlements, therefore, also functioned as fictional maps for readers in Victorian Britain or elsewhere in the expanding empire. All the novels I discuss below were published in London with formats and prices that suggest a solid middle-class readership. While some of these publications explicitly addressed potential emigrants, others endeavoured to reshape Britain’s antipodes in the popular imagination more generally. “Down under,” in fact, was invested with a particular fascination in Victorian Britain. Although penal transportation to Australia had ceased by the mid-century, 1 in the second half of the century the antipodal colonies were newly sensationalised through dynamic interchanges in the book market – interchanges that a detailed mapping can let us parse. Australian and New Zealand women writers in particular sought to dismantle clichés involving bush-rangers, gold-diggers, as well as escaped convicts. Some writers of popular fiction – predominantly male authors of adventure stories – without doubt capitalised on and thereby perpetuated these images. 2 In deliberate contrast, domestic fiction of everyday settler life engendered alternative fictional maps of the terrain and society of the antipodes. By drawing on a variety of settler novels by nineteenth-century women writers, I aim to track how their fictional maps for readers overseas worked and how these maps shifted in the course of the century. Settler authors clearly continued to take the readership at the imperial centre into consideration. How they addressed these readers – conceived as largely ignorant of
{"title":"The Antipodes of Victorian Fiction: Mapping “Down Under”","authors":"T. Wagner","doi":"10.46911/hkmk9020","DOIUrl":"https://doi.org/10.46911/hkmk9020","url":null,"abstract":"Victorian settler fiction produced in colonial Australia and New Zealand increasingly expressed a search for settler identity, and yet it partly remained targeted at readers “at home,” at the centre of the British Empire. Nineteenth-century novels of daily life in the colonial settlements, therefore, also functioned as fictional maps for readers in Victorian Britain and elsewhere in the expanding empire. While some of these publications explicitly addressed potential emigrants, others endeavoured to reshape Britain’s antipodes in the popular imagination more generally. Australian and New Zealand women writers dismantled clichés involving bush-rangers, gold-diggers, as well as escaped convicts and resented returnees. By drawing on a variety of settler novels by female authors, I aim to track how their fictional maps for readers overseas worked and how these maps shifted in the course of the century. In particular, I focus on the motif of the homecoming and how its reworking in nineteenth-century settler fiction reveals shifting attitudes towards emigration and empire, homemaking and homecoming, old and new homes. Victorian settler narratives of colonial Australia and New Zealand increasingly expressed a search for settler identity, and yet they partly remained targeted at readers “at home,” at the centre of the British Empire. Nineteenth-century novels of daily life in colonial settlements, therefore, also functioned as fictional maps for readers in Victorian Britain or elsewhere in the expanding empire. All the novels I discuss below were published in London with formats and prices that suggest a solid middle-class readership. While some of these publications explicitly addressed potential emigrants, others endeavoured to reshape Britain’s antipodes in the popular imagination more generally. “Down under,” in fact, was invested with a particular fascination in Victorian Britain. Although penal transportation to Australia had ceased by the mid-century, 1 in the second half of the century the antipodal colonies were newly sensationalised through dynamic interchanges in the book market – interchanges that a detailed mapping can let us parse. Australian and New Zealand women writers in particular sought to dismantle clichés involving bush-rangers, gold-diggers, as well as escaped convicts. Some writers of popular fiction – predominantly male authors of adventure stories – without doubt capitalised on and thereby perpetuated these images. 2 In deliberate contrast, domestic fiction of everyday settler life engendered alternative fictional maps of the terrain and society of the antipodes. By drawing on a variety of settler novels by nineteenth-century women writers, I aim to track how their fictional maps for readers overseas worked and how these maps shifted in the course of the century. Settler authors clearly continued to take the readership at the imperial centre into consideration. How they addressed these readers – conceived as largely ignorant of ","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45752692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the representation of space and place in a work of nineteenth-century Russian crime fiction. It argues that crime fiction generally offers fertile ground for an interrogation of the representation of space as a means better to understand ideological and aesthetic preoccupations. Appreciation of nineteenth-century Russian crime fiction remains limited in both critical and public circles, and so a focus on the exploitation of space in a work from this particular national tradition will complement existing critical work on this topic relating to other geographical regions and historical periods. This article uses Semyon Panov’s 1876 novel, Three Courts, or Murder During the Ball , as its test case both because it is archetypical of generic practice in Russia in the late nineteenth century to some extent, but also because its representation of space is particularly well-developed. Space in Panov’s Three Courts is examined from a number of different angles here: its use of a setting in an unnamed provincial town; its location in a labyrinthine family mansion which gestures towards the locked-door mystery typical of both this and other genres; its exploitation of the architectural features of the corridor and of a glass ceiling and windows. The article argues that Panov uses all of these spatial elements to interrogate and problematise issues related to the authority of the figure of the detective, the access to the “truth” and the resolution of the criminal mystery.
{"title":"Spaces of Mystery, Knowledge and Truth in Early Russian Crime Fiction: Semyon Panov’s Three Courts, or Murder during the Ball (1876)","authors":"C. Whitehead","doi":"10.46911/CULA1939","DOIUrl":"https://doi.org/10.46911/CULA1939","url":null,"abstract":"This article examines the representation of space and place in a work of nineteenth-century Russian crime fiction. It argues that crime fiction generally offers fertile ground for an interrogation of the representation of space as a means better to understand ideological and aesthetic preoccupations. Appreciation of nineteenth-century Russian crime fiction remains limited in both critical and public circles, and so a focus on the exploitation of space in a work from this particular national tradition will complement existing critical work on this topic relating to other geographical regions and historical periods. This article uses Semyon Panov’s 1876 novel, Three Courts, or Murder During the Ball , as its test case both because it is archetypical of generic practice in Russia in the late nineteenth century to some extent, but also because its representation of space is particularly well-developed. Space in Panov’s Three Courts is examined from a number of different angles here: its use of a setting in an unnamed provincial town; its location in a labyrinthine family mansion which gestures towards the locked-door mystery typical of both this and other genres; its exploitation of the architectural features of the corridor and of a glass ceiling and windows. The article argues that Panov uses all of these spatial elements to interrogate and problematise issues related to the authority of the figure of the detective, the access to the “truth” and the resolution of the criminal mystery.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48698505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The protracted military engagement in the Sudan (1884–99) can be regarded as the most iconic among the “little wars” late-Victorian Britain fought on its imperial frontiers. Numberless historical studies have addressed its events, its protagonists, its politics, and aspects of its immense discursive fallout. In recent years, its impact on popular literature has been discussed, most notably, in connection with the “paranoid imaginary” underlying “Imperial Gothic” fictions, with fantasies of retaliatory invasions and reverse colonisation. On the other hand, as a fictional corpus, the adventure narratives inspired more directly by the military events and the concomitant political debate have not attracted attention. Having identified ten novels – written between 1885 and 1907, all at least partly set in the Sudan – I set out to outline the development of this strain of historical/military adventure over roughly two decades, highlighting its narrative strategies in articulating the changing perception of the conflict. In order to do so, I focus on the novelists’ selection, or evasion, of historical “facts,” the intertwining of the factual strain of adventure fiction with the conventions of the quest romance, and the uses of their often multiple protagonists. I also foreground aspects of divergence as well as of consonance between the children’s novels and those written for the general public, showing how they experimented with varying narrative takes on the same highly topical subject-matter.
{"title":"With Gordon, Kitchener and Others in the Sudan: Mapping Fictional Engagement with the Imperial Frontier","authors":"Luisa Villa","doi":"10.46911/rukl7281","DOIUrl":"https://doi.org/10.46911/rukl7281","url":null,"abstract":"The protracted military engagement in the Sudan (1884–99) can be regarded as the most iconic among the “little wars” late-Victorian Britain fought on its imperial frontiers. Numberless historical studies have addressed its events, its protagonists, its politics, and aspects of its immense discursive fallout. In recent years, its impact on popular literature has been discussed, most notably, in connection with the “paranoid imaginary” underlying “Imperial Gothic” fictions, with fantasies of retaliatory invasions and reverse colonisation. On the other hand, as a fictional corpus, the adventure narratives inspired more directly by the military events and the concomitant political debate have not attracted attention. Having identified ten novels – written between 1885 and 1907, all at least partly set in the Sudan – I set out to outline the development of this strain of historical/military adventure over roughly two decades, highlighting its narrative strategies in articulating the changing perception of the conflict. In order to do so, I focus on the novelists’ selection, or evasion, of historical “facts,” the intertwining of the factual strain of adventure fiction with the conventions of the quest romance, and the uses of their often multiple protagonists. I also foreground aspects of divergence as well as of consonance between the children’s novels and those written for the general public, showing how they experimented with varying narrative takes on the same highly topical subject-matter.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43413322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Welcome to issue 2","authors":"A. King","doi":"10.46911/tusi4042","DOIUrl":"https://doi.org/10.46911/tusi4042","url":null,"abstract":"","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49158474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the use of the police officer in both periodical journalism and cheap, massproduced “police memoir” fiction from the mid-nineteenth century. It highlights how police officers were inserted into writing that was concerned with urban growth and urban criminality and argues that they helped journalists, authors and readers to map, experience, understand and criticise the growth of the metropolis. The police officer was originally seen to be a protective figure for journalists delving into spaces deemed criminal, and writing about crime for readers’ interest. Across the early-to-mid nineteenth century, social exploration articles appeared frequently in periodicals. The authors were reliant on the police for access to a multitude of criminal spaces that emerged as the city grew. Thus, the police officer’s rise was connected to the city, and the police themselves formed a part of the urban environment, with the power to observe, explore and influence it. The presence of the police officer in journalism led to developments in other kinds of writing, including fiction. The power of the police to reveal hidden or latent criminality in the urban space was actively used in a variety of ways to create new, cheap and popular forms of fiction.
{"title":"“I was again passing along Leicester Square … with all my eyes about me”: Mapping Popular “Police Memoir” Detective Fiction","authors":"Samuel Saunders","doi":"10.46911/etws5547","DOIUrl":"https://doi.org/10.46911/etws5547","url":null,"abstract":"This article explores the use of the police officer in both periodical journalism and cheap, massproduced “police memoir” fiction from the mid-nineteenth century. It highlights how police officers were inserted into writing that was concerned with urban growth and urban criminality and argues that they helped journalists, authors and readers to map, experience, understand and criticise the growth of the metropolis. The police officer was originally seen to be a protective figure for journalists delving into spaces deemed criminal, and writing about crime for readers’ interest. Across the early-to-mid nineteenth century, social exploration articles appeared frequently in periodicals. The authors were reliant on the police for access to a multitude of criminal spaces that emerged as the city grew. Thus, the police officer’s rise was connected to the city, and the police themselves formed a part of the urban environment, with the power to observe, explore and influence it. The presence of the police officer in journalism led to developments in other kinds of writing, including fiction. The power of the police to reveal hidden or latent criminality in the urban space was actively used in a variety of ways to create new, cheap and popular forms of fiction.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46241170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘What tangled story was this?’ Frederick Greenwood as Author-Editor of Margaret Denzil’s History in Cornhill Magazine","authors":"C. Delafield","doi":"10.46911/oelk7182","DOIUrl":"https://doi.org/10.46911/oelk7182","url":null,"abstract":"","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43002835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘His most ardent desire is to be ranked with Zola and rejected by Mudie’: Gerard; or The World the Flesh and the Devil – M. E. Braddon’s Fin-de-Siècle Faustian Rewrite","authors":"J. Hatter","doi":"10.46911/hmtw2498","DOIUrl":"https://doi.org/10.46911/hmtw2498","url":null,"abstract":"","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46915589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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