Pub Date : 2020-10-01DOI: 10.1080/13645145.2020.1864077
Nikol Dziub
This monumental two-volume book, a revised version of the author’s thesis, fills a gap. Until this publication, the walking journey had remained understudied, lacking almost everything that makes a...
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Pub Date : 2020-10-01DOI: 10.1080/13645145.2021.1936736
Oliver Popovic
ABSTRACT This article analyses the image of Montenegrins in various Italian travelogues published at a time of significant interest among Italians about Montenegro, in the late nineteenth and early twentieth centuries. This interest was encouraged by the marriage of the Italian Crown Prince Victor Emanuel to the Montenegrin Princess Jelena Petrović-Njegoš in 1896. By comparing the descriptions of Montenegrins in the books published in the ten years after that event, the article determines which features the Italian authors wanted to present to their readers, to what extent their presentation differs from the discourse about Montenegrins in the travel accounts published in earlier decades and which factors might have had an impact on this paradigm shift.
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Pub Date : 2020-10-01DOI: 10.1080/13645145.2020.1858557
Natalya Din-Kariuki
In Quo vadis? (“where are you going?”), a polemic against travel published in 1617, Joseph Hall declared: “he […] that travels onely to please his fantasie, is like some woman with childe, that lon...
In Quo vadis?(“你要去哪里?”)，在1617年出版的一篇反对旅行的论战中，约瑟夫·霍尔宣称:“只为满足自己的幻想而旅行的人，就像某个怀揣孩子的女人，那样……
{"title":"Travel and Travail: Early Modern Women, Drama, and the Wider World","authors":"Natalya Din-Kariuki","doi":"10.1080/13645145.2020.1858557","DOIUrl":"https://doi.org/10.1080/13645145.2020.1858557","url":null,"abstract":"In Quo vadis? (“where are you going?”), a polemic against travel published in 1617, Joseph Hall declared: “he […] that travels onely to please his fantasie, is like some woman with childe, that lon...","PeriodicalId":35037,"journal":{"name":"Studies in Travel Writing","volume":"24 1","pages":"385 - 388"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13645145.2020.1858557","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47704492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1080/13645145.2021.1930691
Jessie Reeder
ABSTRACT Scholarship on travel writing tends to focus on accounts by writers who spent time in the places they depict. But neither Romantic-era nor twenty-first-century cognitive theory gives such a limited notion of travel. Lalla Rookh (1817), a hybrid poetic text by Irish writer Thomas Moore, presents the idea that reading is a form of travel that provides access to distant places. Moore had never been to the lands – India, Egypt, Persia – about which he wrote, but rather constructed his text through meticulous research. In both Lalla Rookh’s text and paratext Moore makes the Orientalist argument that his research gave him the same experience of the East as one who had seen it first-hand. Through readings of Lalla Rookh and Germaine de Staël’s Corinne, or Italy, this essay argues that “travel” studies might benefit from the more capacious notion of “transport” as a disciplinary and conceptual category.
关于旅行写作的学术研究往往集中在那些花时间在他们所描绘的地方的作家的叙述上。但无论是浪漫主义时代还是21世纪的认知理论，都没有给出如此有限的旅行概念。《拉拉·鲁克》(Lalla Rookh, 1817)是爱尔兰作家托马斯·摩尔的一部混合诗歌作品，它提出了一种观点，即阅读是一种旅行方式，可以让人们到达遥远的地方。摩尔从未去过他所写的那些地方——印度、埃及、波斯，而是通过细致的研究构建了他的文本。在Lalla Rookh的文本和段落中，摩尔都提出了东方主义的论点，即他的研究给了他与亲眼目睹东方的人相同的东方体验。通过阅读Lalla Rookh和Germaine de Staël的《Corinne, or Italy》，本文认为，“旅行”研究可能会受益于“运输”作为一个学科和概念范畴的更广阔的概念。
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Pub Date : 2020-10-01DOI: 10.1080/13645145.2021.1946735
Durba Mukherjee, Sayan Chattopadhyay
ABSTRACT This article analyses the self-fashioning of the cosmopolitan travel writer Santha Rama Rau (1923–2009) as a quintessentially “Indian” memoirist for her metropolitan audience of the global North. The article explores how her self-fashioning involves a complex duality that underlines most of Rau’s travel writings on India with a characteristic sense of aporia. In these travel writings, Rau lays claim to her Indian identity on the basis of her Indian birth and parentage and her extensive travels within the subcontinent. However, Rau’s American education which had taught her to value individuality and economic independence made it difficult for her to associate completely with the patriarchal structure of contemporary Indian middle-class families. Thus, this piece analyses the way Rau negotiates with the crisis by dissociating herself from the Indian middle-class domestic space while framing her identity as a travelling “career woman” who claims the entire subcontinent for home.
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Pub Date : 2020-10-01DOI: 10.1080/13645145.2021.1949094
S. Halevi
ABSTRACT This article examines how American girls and young women in the early republic formed a new sense of a “corporeal” national identity while touring areas of the Hudson River valley and the Great Lakes. Based on a reading of the travel writings of fifteen white, middle and upper-middle class, American girls and young women travelling between 1802 and 1835, it demonstrates first that during the tours within the United States the girls underwent a multisensory familiarisation with the landscape, which both bolstered their confidence and concretised much of their theoretical knowledge gained during their studies. Second, when touring the Canadian shores of the Great Lakes their focus was on constructing both its landscape and its people as “other”. The article closes with a consideration of how these young women’s travel writings may offer a new perspective for the study of a gendered national identity formation in the early United States.
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Pub Date : 2020-10-01DOI: 10.1080/13645145.2021.1943817
Weronika Rokicka
ABSTRACT This article examines the perception of the Soviet Union in Indian travelogues written in the Bengali language during the Cold War era. The distinctive feature of these travel accounts is a strong focus on various aspects of Soviet social and economic life, from the education system, conditions in factories, and public housing to gender equality. The article argues that the travellers’ fascination with the Soviet system is a postcolonial phenomenon. For Indians, and especially Bengalis heavily influenced by western education, England was for decades the reference point to judge their country’s modernity and advancement. With the fall of colonialism many sought a new ideal to look up to and, as the travelogues demonstrate, some Indians found it in Russia and the Soviet system which became a new synonym of modernity.
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Pub Date : 2020-07-02DOI: 10.1080/13645145.2021.1919434
F. Orestano
ABSTRACT By analysing the history, conventions, and status of the travel book as a genre, this article highlights Dickens’s inimitable departures from its acknowledged form in Pictures from Italy (1846). This text purports to be an exception among travel books, to the extent that in today’s parlance Dickens is at once keen on visual impressions enhanced by the codes of optical technology; his viewpoint, similes, analogies, send the reader constantly back to England and himself. Such a strategy of displaced topicality affects Dickens’s portrayal of Italy, as it is likely to produce a belated shock of recognition when the condition of England, in later years, suggests similarities with Italy and with the rule of Baroque exceptions occurring in Italy as well as in England.
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Pub Date : 2020-07-02DOI: 10.1080/13645145.2021.1889119
Marie Garnier
ABSTRACT From a triple perspective including travel writing studies, disability studies and gender studies, this article addresses a corpus of works and letters by deafblind activist and political writer Helen Keller (1880–1968). An experimental, collective sensorium emerges from Keller’s strange prose, its passion for speed and machinic rhythms contrasting with its more lyrical moments. As a socialist, a member of the Industrial Workers of the World, a Wobbly, and as the first deafblind woman to graduate from Radcliffe college, she was not only an exceptional individual; she had to critically adjust to the values of American “exceptionalism”, and claimed her interest for “matters-that-are-not-me”. Her countless voyages, business trips and journeys in the company of other women – her helpers – were the occasion for novel orientations in space as well as in gender. Looking “back” at her writings involves blindly groping into the future of queer studies.
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Pub Date : 2020-07-02DOI: 10.1080/13645145.2020.1902097
Benjamin Ferguson
ABSTRACT There has been a resurgence of interest in Frederick Law Olmsted’s career, yet his landscape architecture tends to overshadow his travel writing. This article offers a re-appraisal of his literary oeuvre, which, in its often epistolary and direct style, along with his uniquely technical eye, may strongly resonate with a technology-focused twenty-first century that prizes pragmatic and journalistic writing on topics of social problem-solving. The article suggests that Olmsted’s work serves as an important reference point for a strain of US travel writers whose work is similar to that of the nineteenth-century Transcendentalists in focusing on a shift away from Europe and toward finding identity – and perhaps “transcendence” – in American “wildness”, but who can be seen as exceptions to that movement for their practical, often technocratic, approaches, as they mix their diverse careers with their travel writing.
摘要弗雷德里克·劳·奥姆斯特德（Frederick Law Olmsted）的职业生涯重新引起了人们的兴趣，但他的风景建筑往往掩盖了他的旅行写作。这篇文章对他的文学作品进行了重新评价，这些作品通常是书信体和直接的风格，再加上他独特的技术眼光，可能会与21世纪以技术为中心的时代产生强烈共鸣，21世纪重视社会问题解决主题的务实和新闻写作。这篇文章认为，奥姆斯特德的作品是一批美国旅行作家的重要参考点，他们的作品与19世纪的超验主义者的作品相似，专注于从欧洲转向在美国的“野性”中寻找身份——也许是“超越”，但他们的实践、，通常是技术官僚的方法，因为他们将多样化的职业生涯与旅行写作相结合。
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