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‘Was I an indio?’ Ambivalent self-ascriptions, gatherings and scatterings in the trajectory of a Ranquel man in central Argentina “我是独立演员吗?”阿根廷中部一名拉克尔男子轨迹中模棱两可的自我归属、聚会和分散
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-06-07 DOI: 10.1080/17442222.2023.2222060
Antonela dos Santos
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引用次数: 0
La interseccionalidad de la juventud afrodescendiente en Colombia: narrativas a partir de una investigación acción participativa juvenil 哥伦比亚非洲裔青年的交叉性:来自青年参与行动研究的叙事
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-04-21 DOI: 10.1080/17442222.2023.2202111
Pilar Mendoza, Maryluz Hoyos Ensucho, Jose E. Preciado Quiñones, Anyi Yicel Mosquera
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引用次数: 0
Unveiling Latin American White multiculturalism: Black women’s politics in Argentina and Costa Rica 揭露拉丁美洲白人多元文化主义:阿根廷与哥斯大黎加黑人女性政治
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-04-03 DOI: 10.1080/17442222.2022.2058443
Prisca Gayles, Marianela Muñoz-Muñoz
ABSTRACT This article proposes theoretical and methodological approaches to researching Whiteness in two countries that embraced Whiteness over mestizaje and adopted ‘late multiculturalism’: Costa Rica and Argentina. We situate our analysis within critical race and Black feminist frameworks, which argue that the construction of White identity cannot exist without the construction of racialized others and that Black women’s experiences and knowledge offer critical vantage points from which to theorize social worlds. We employ a method of juxtaposition to analyze the collision between Black women’s political initiatives and anti-Black racist responses from a White national common sense. The Costa Rican case combines participant observation with critical discourse analysis of press coverage to assess the perception of, and experience of, the first Black woman Vice President, Epsy Campbell, vis-à-vis a White gaze. The Argentinian case includes an ethnographic examination of Black women’s experiences of racism during their participation in feminist organizing. Our analysis reveals the endurance of (foundational) White national ideologies despite the deployment of ‘multicultural’ discourses. We propose the concept of ‘White multiculturalism’ to explain how White Costa Ricans and Argentines simultaneously embrace multiculturalism through progressive policies and rhetoric while maintaining investments in homogeneous Whiteness through everyday institutional and interpersonal practices and interactions.
摘要本文提出了研究两个国家白人的理论和方法论方法,这两个国家接受白人而不是梅斯蒂扎耶,并采用了“晚期多元文化主义”:哥斯达黎加和阿根廷。我们将我们的分析置于批判性种族和黑人女权主义框架内,这些框架认为,如果没有种族化他人的构建,白人身份的构建就不可能存在,黑人女性的经历和知识为社会世界的理论化提供了关键的有利位置。我们采用并置的方法,从白人的国家常识出发,分析黑人女性的政治倡议与反黑人种族主义反应之间的冲突。哥斯达黎加的案例将参与者观察与对新闻报道的批判性话语分析相结合,以评估第一位黑人女性副总统Epsy Campbell对白人凝视的看法和经历。阿根廷人的案例包括对黑人妇女在参与女权主义组织期间遭受种族主义经历的民族志研究。我们的分析揭示了尽管部署了“多元文化”话语,但(基本的)白人民族意识形态的持久性。我们提出了“白人多元文化主义”的概念,以解释哥斯达黎加白人和阿根廷人如何通过进步的政策和言论同时接受多元文化主义,同时通过日常的制度和人际实践和互动保持对同质白人的投资。
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引用次数: 1
Producción Científica sobre la ‘interseccionalidad’ y su conceptualización en el ámbito hispanohablante: una revisión del perfil de los productores académicos en Hispanoamérica y España 30 años después de la acuñación 关于“交叉性”及其在西班牙语领域的概念化的科学生产:对西班牙美洲和西班牙学术生产者在铸造30年后的概况的回顾
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-02-21 DOI: 10.1080/17442222.2023.2173858
Mayte Cantero-Sánchez, Catalina Ramírez González
RESUMEN El concepto de ‘interseccionalidad,’ acuñado por la jurista afrodescendiente Kimberlé Crenshaw en 1989, ha sido ampliamente utilizado en múltiples contextos y disciplinas, trascendiendo el ámbito de los estudios críticos de raza estadounidenses en el que se generó. El presente artículo tiene como objetivo caracterizar la producción académica del término en Hispanoamérica y España, con el fin de rastrear su recepción crítica en idioma español, haciendo un especial énfasis en el papel de la raza en dicha recepción. La investigación parte de la premisa de que el conocimiento es un elemento que circula y que está sujeto a las condiciones materiales y geográficas de su producción. Mediante una aproximación mixta secuencial, la investigación analiza una muestra de productores académicos que tienen publicaciones indexadas en torno a la interseccionalidad en Scielo y Scopus, en el periodo 2012–2020. Se envió una encuesta online (respondida por 134 académicos) para comprender la autopercepción social, ubicación, referencias y opinión respecto al uso del término y análisis de contenido de las publicaciones desarrolladas por la muestra analizada. Este artículo permite iniciar un debate ético-epistemológico acerca de la noción de interseccionalidad y su contenido analítico-político en la academia hispanohablante.
摘要非洲裔法学家金伯利·克伦肖于1989年提出的“交叉性”概念已在多种背景和学科中广泛使用,超越了它产生的美国种族批判研究领域。这篇文章的目的是描述该术语在西班牙美洲和西班牙的学术产出,以追踪其对西班牙语的批判性接受,特别强调种族在这种接受中的作用。研究的前提是,知识是一种流动的元素,取决于其生产的物质和地理条件。通过顺序混合方法,该研究分析了2012-2020年期间学术生产者的样本,这些生产者的出版物围绕Scielo和Scopus的交叉性进行了索引。发送了一项在线调查(由134名学者回答),以了解社会自我认知、位置、参考文献以及对该术语使用的看法,并对分析样本开发的出版物进行内容分析。这篇文章允许就西班牙语学院的交叉性概念及其分析政治内容展开伦理-认识论辩论。
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引用次数: 1
Sovereignty, freedom, and the problem of blackness in Jamaica 主权,自由,以及牙买加的黑人问题
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-02-07 DOI: 10.1080/17442222.2023.2174769
Maziki Thame
ABSTRACT Within the pursuit of black freedom, this article is concerned with the everyday experiences of the black poor in 21st Century Jamaica. I refer to both this experience and its potential politics as organic blackness. I locate this notion in relation to the coloniality of power in the postcolonial state and to creole nationalism which brought Jamaica to independence. I argue that colonial power norms worked alongside creole nationalism to produce limited sovereignty, particularly concerning the conditions of the black majority on the island. In thinking about what ‘black freedom’ could look like from an ‘organic blackness’ perspective, I question what is demanded by those who live blackness as a lack of resources, space, and power. My interrogation is mainly concerned with the intersection of blackness with poverty and how thinking about sovereignty from below or as ‘people’s sovereignty’ versus ‘state sovereignty’ would construct black spaces as sites of upliftment.
在对黑人自由的追求中,本文关注的是21世纪牙买加黑人穷人的日常经历。我把这种经历及其潜在的政治倾向都称为有机黑人。我将这一概念与后殖民国家的殖民权力以及将牙买加推向独立的克里奥尔民族主义联系起来。我认为,殖民权力规范与克里奥尔民族主义一起产生了有限的主权,特别是涉及岛上黑人多数的情况。在从“有机黑人”的角度思考“黑人自由”会是什么样子时,我质疑那些生活在缺乏资源、空间和权力的黑人所要求的是什么。我的质疑主要是关于黑人与贫困的交集,以及如何从底层思考主权,或者将其视为“人民主权”与“国家主权”,将黑人空间构建为提升的场所。
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引用次数: 0
Juan José Nieto Gil, artistic practices and the genealogy of coloniality in Colombia 胡安·约瑟·涅托·吉尔,哥伦比亚的艺术实践和殖民宗谱
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-01-24 DOI: 10.1080/17442222.2022.2144198
Ada Margarita Ariza Aguilar
ABSTRACT As an artistic intervention, the exhibit ¿Suficientemente Negro? (Black Enough?) critically examines ‘whiteness’ and ‘racialization’ in Colombia. With the purpose of analyzing their impact on the figure of President Juan José Nieto Gil (1804–1866), this exhibit and consequently this article reveal the colonial cultural constructions that worked to whiten, conceal, and erase his image and legacy from Colombia’s official history because of his ethno-racial, social, and geographic origins. The artistic approach adopted proved relevant to better understand the weight of the colonial matrix of power in the present and across the various aspects of daily life. I uncover the relationship between race and nation in Colombia as constructed by the Creole elites and intellectuals around the turn of the 20th century. I center the history of the presidential portrait of Nieto Gil within Colombia’s racial hierarchy and the ideas around whiteness that characterize the colonial period. As racial ideas remain steadfast in the biographical and genealogical trajectories of many families in Colombia, I show how Nieto Gil’s legacy and erasure overlaps with my own family’s history. I describe a collaborative artistic project that interrogates the social constructions of whiteness.
作为一种艺术干预,展览“足够的黑人?(Black Enough?)批判性地审视了哥伦比亚的“白人化”和“种族化”。为了分析这些因素对总统胡安·何塞·涅托·吉尔(Juan joss Nieto Gil, 1804-1866)形象的影响,本次展览和本文揭示了殖民文化建构,这些文化建构由于涅托的民族、种族、社会和地理出身,将涅托的形象和遗产从哥伦比亚官方历史中粉饰、掩盖和抹去。所采用的艺术方法被证明是相关的,可以更好地理解殖民权力矩阵在当前和日常生活的各个方面的重要性。我揭示了哥伦比亚种族与国家之间的关系,这是由克里奥尔精英和知识分子在20世纪之交建立起来的。我将涅托·吉尔(Nieto Gil)总统肖像的历史置于哥伦比亚的种族等级制度和殖民时期特有的白人观念之中。由于种族观念在哥伦比亚许多家庭的传记和家谱轨迹中仍然根深蒂固,我展示了涅托·吉尔的遗产和抹去与我自己家族的历史是如何重叠的。我描述了一个合作的艺术项目,它质疑白人的社会结构。
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引用次数: 0
Indigenous autonomy and Latin American state security in contexts of criminal violence: the cases of Cauca in Colombia and Guerrero in Mexico 犯罪暴力背景下的土著自治和拉丁美洲国家安全:哥伦比亚考卡和墨西哥格雷罗的案例
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-01-08 DOI: 10.1080/17442222.2022.2156260
S. Mattiace, Carla Alberti
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引用次数: 0
Imaginaries of Abya Yala: Indigenous filmmaking in Latin America from a multimodal semiotic perspective 《阿比亚·亚拉的想象:多模态符号学视角下的拉丁美洲本土电影制作》
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2023-01-06 DOI: 10.1080/17442222.2022.2149230
Peter Baker
ABSTRACT This article argues that multimodal semiotics can provide an analytical lens to critically understand recent film and media production by Indigenous people and communities in southern and central Abya Yala (or Latin America). It suggests precise ways to analyse this film and media production as the emergence of alternative public or ‘counter-public’ spaces that allow for the expression of ‘emergent’ forms of Indigeneity that contest dominant modes of representation. The argument focuses not only on these Indigenous texts’ semiotic contents (their design and production) but also on their discursive features, distribution and reception. The article ends up revealing that a multimodal semiotic approach provides a very useful toolbox to make sense of the complex and multi-layered nature of the various emerging cinemas of Abya Yala. The article argues that this approach allows for a better appreciation of the diversity of Indigenous film production, while also facilitating a critical engagement with the issues this media production raises in terms of authorship and modes of representation, among other issues.
本文认为,多模态符号学可以为批判性地理解阿比亚亚拉(或拉丁美洲)南部和中部的土著人民和社区最近的电影和媒体制作提供一个分析视角。它提出了精确的方法来分析这种电影和媒体生产,作为替代公共或“反公共”空间的出现,这些空间允许表达与主流表现模式相竞争的“新兴”土著形式。本文不仅关注这些土著文本的符号学内容(它们的设计和生产),还关注它们的话语特征、分布和接受。文章最后揭示了多模态符号学方法提供了一个非常有用的工具箱来理解阿比亚亚拉各种新兴电影院的复杂性和多层性。文章认为,这种方法可以更好地欣赏土著电影制作的多样性,同时也促进了对这种媒体制作在作者身份和表现模式等问题上提出的问题的批判性参与。
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引用次数: 0
Erasing race in the migration waves from the northern triangle: the Guatemala case 消除北三角移民浪潮中的种族:危地马拉案例
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2022-12-20 DOI: 10.1080/17442222.2022.2154104
Irma A. Velásquez Nimatuj
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引用次数: 0
Black women’s geographies of resistance and the Afro-Ecuadorian Ancestral Territory of Imbabura and Carchi 黑人妇女的抵抗地理与非裔厄瓜多尔人的祖先领地Imbabura和Carchi
IF 0.6 Q4 ETHNIC STUDIES Pub Date : 2022-12-20 DOI: 10.1080/17442222.2022.2156259
Beatriz Juárez Rodríguez
ABSTRACT This article explores the political project of the Afro-Ecuadorian Ancestral Territory of Imbabura and Carchi, advanced by the members of the Coordinadora Nacional de Mujeres Negras del Ecuador (CONAMUNE; National Coordination of Black Women of Ecuador) in the northern Ecuadorian highlands. I show how Black women resignify their past and assert their sense of place in an Andean region widely considered Indigenous. That region is marked by racial exploitation and land dispossession, and the political project of nation-building based on the ideology of mestizaje. Black women of CONAMUNE create a space for dialogue between Afrodescendant social organizations and the state, while engaging with Indigenous territorial projects. These Black women strengthen and mobilize diasporic identities by emphasizing the African blood spilled on the soil by their ancestors and the participation of Black enslaved women in the struggle for freedom. I argue that the Ancestral Territory project entails an ongoing geographic struggle in which Afrodescendant women create a particular sense of place as they live and imagine a geography of resistance.
摘要本文探讨了厄瓜多尔黑人全国协调会(CONAMUNE;厄瓜多尔黑人妇女全国协调会)成员在厄瓜多尔北部高地提出的非裔厄瓜多尔人祖先领地Imbabura和Carchi的政治项目。我展示了黑人女性如何放弃自己的过去,并在被广泛认为是土著的安第斯地区维护自己的地位感。该地区的特点是种族剥削和土地剥夺,以及基于梅斯蒂扎耶意识形态的国家建设政治项目。全国妇女委员会的黑人妇女在参与土著领土项目的同时,为非洲社会组织和国家之间的对话创造了空间。这些黑人妇女通过强调祖先洒在土地上的非洲鲜血以及被奴役的黑人妇女参与争取自由的斗争,来加强和动员散居者的身份。我认为,祖先领地项目需要一场持续的地理斗争,在这场斗争中,非洲裔女性在生活和想象抵抗的地理环境时创造了一种特殊的地方感。
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引用次数: 1
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Latin American and Caribbean Ethnic Studies
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