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Year''s Work in Critical and Cultural Theory最新文献

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14Science and Medicine 科学与医学
Q3 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1093/ywcct/mbad017
Kathleen Tamayo Alves, Danielle Spratt
Abstract This year’s review highlights scholarship in the history of science and medicine that rejects easy teleologies of scientific progress and overturns tidy, nationally oriented historical accounts of biomedical practice. Here, we recognize four studies that serve as models in cutting-edge, decolonial scholarship in the field. These works acknowledge the contingent and socially constructed nature of both science and medicine and center long-understudied healers, patients, and communities who have traditionally existed outside of normative Western archives and the historical record. In section 1, ‘The Politics of Plague in the Invisible Commonwealth’, Cindy Ermus’s monograph explores the impact of a fairly contained, regional plague event in Provence, which catalysed a series of increasingly centralized disaster and public health management measures that emerged across the West and the colonies. Section 2, ‘Interspecies Contact Zones and American Xenophobia’, considers Jeannie N. Shinozuka’s research on the racist parallels that American culture drew between Asian plant and insect migration and anti-Asian policies and practices across the twentieth century. Section 3, ‘Transhistorical and Transborder Healers’, studies Diego Armus and Pablo F. Gómez’s edited collection on traditional and Indigenous healers and patients across Latin America from the seventeenth century to the present, and the fluid and complex boundaries between their practices and those of Western and imperial medicine. Finally, section 4, ‘Imagining and Enforcing the Boundaries of Gender’, resituates such medical boundaries to the site of the clinic, following Sandra Eder’s account of the highly contingent and artificial construction of gender and gender normativity that emerged across the twentieth century. These studies, to use the words of Diego Armus and Pablo F. Gómez, exemplify an understanding of the ways that categories like medicine, health, illness, disaster, and indeed identity itself ‘have not only a biological dimension but also social, cultural, political, and economic connotations’ that are ‘historically located processes whose seeming social and cultural dominance was never preordained or inevitable’ (Armus and Gómez, p. 6). Tellingly, each of these studies connects transborder and transhistorical incidents and events—some largely known, others newly revealed—to our contemporary moment, demonstrating how the urgent crises, fiery debates, and institutional pressures that preoccupied individuals and whole nations in both the recent and distant past continue to shape the demands of our present and future.
今年的回顾突出了科学和医学史上的学术研究,这些研究拒绝了科学进步的简单目的论,推翻了对生物医学实践的整齐的、以国家为导向的历史描述。在这里,我们表彰了四项研究,它们在该领域的前沿、非殖民学术研究中起到了示范作用。这些作品承认科学和医学的偶然性和社会建构的本质,并将长期未被充分研究的治疗师、患者和社区集中在传统上存在于规范的西方档案和历史记录之外。在第一节,“看不见的英联邦中的瘟疫政治”中,辛迪·厄姆斯的专著探讨了普罗旺斯一场相当有限的地区性瘟疫事件的影响,它催生了一系列越来越集中的灾难和公共卫生管理措施,这些措施在西方和殖民地出现。第二部分,“物种间接触区和美国的仇外心理”,考虑了Jeannie N. Shinozuka对美国文化在20世纪亚洲植物和昆虫迁徙与反亚洲政策和实践之间的种族主义相似之处的研究。第三部分,“跨历史和跨国界的治疗师”,研究了Diego Armus和Pablo F. Gómez编辑的关于拉丁美洲从17世纪到现在的传统和土著治疗师和病人的文集,以及他们的实践与西方和帝国医学之间的流动和复杂的界限。最后,第四部分,“想象和执行性别边界”,将这样的医疗边界重新定位到诊所的场地上,遵循Sandra Eder对20世纪出现的性别和性别规范的高度偶然和人为建构的描述。这些研究,用Diego Armus和Pablo F. Gómez的话来说,说明了一种理解方式,即医学、健康、疾病、灾难以及身份本身“不仅具有生物维度,而且具有社会、文化、政治和经济内涵”,这些内涵是“历史定位的过程,其表面上的社会和文化主导地位从来都不是预定的或不可避免的”(Armus和Gómez,第6页)。每一项研究都将跨国界和跨历史的事件和事件——有些为人熟知,有些则是新发现的——与我们的当代联系起来,展示了在最近和遥远的过去,困扰个人和整个国家的紧迫危机、激烈辩论和制度压力如何继续塑造我们现在和未来的需求。
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引用次数: 0
16Theory on Theory 16理论对理论
Q3 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1093/ywcct/mbad018
Nicholas Carr
Abstract Taking up what was foreshadowed in last year’s instalment of ‘Theory on Theory’, this chapter takes as its theme the evident and disturbing trend within our field to forget, if not actively attempt to erase, Marxist and dialectical thought. The first section notices this tendency in the course of its wider review of a major new reference work, the Oxford Encyclopedia of Literary Theory. The second section notices another manifestation of the tendency in the course of reviewing a significant new work of metatheoretical reflection and critique, Elizabeth Anker’s On Paradox. In the third and final section, a cluster of works are reviewed that show the range and ongoing vitality of dialectical thought.
本章延续了去年《论论的理论》中所预示的内容,以我们研究领域中明显而令人不安的趋势为主题,即如果不是积极地试图抹去,那就是忘记马克思主义和辩证思想。第一部分注意到这一趋势,在其更广泛的审查一个主要的新参考书,牛津文学理论百科全书。第二部分在回顾一部重要的元理论反思与批判新作——伊丽莎白·安克尔的《论悖论》的过程中,注意到这一趋势的另一种表现。在第三部分,也是最后一部分,我们回顾了一组作品,这些作品展示了辩证思维的范围和持续的活力。
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引用次数: 0
3Digital Humanities 3数字人文
Q3 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1093/ywcct/mbad015
Dibyadyuti Roy, Aditya Deshbandhu
Abstract The absence of an entry on digital humanities in the last volume of The Year’s Work in Critical and Cultural Theory due to the Covid-19 pandemic as well as the exacerbation of academic precarity (that was acknowledged in the editorial preface of the last volume) predicates that this chapter develop a narrative bibliography of notable scholarship in the digital humanities from both 2021 and 2022. Therefore the unprecedented circumstances that have extended the scope of scholarly review for this chapter beyond a single chronological year also provide the unique opportunity to not only ‘trace and expand upon currents in critical and cultural theory, and to engage in [the] areas’ key debates’ (Quinn and Ghosh, ‘Preface’ to YWCCT 2022) but also (and more importantly, one might argue) understand some of the radical thematic transformations brought about and anticipated by the legacies, presents, and futures of digital humanities within the supposedly ‘new normal’ of a post-Covid world. Through consolidating diverse conversations from varied contexts that are shaping contemporary digital humanities and in anticipating the futures of the discipline, this chapter locates scholarship in the digital humanities and related fields from the years 2021 and 2022 within the interconnected themes of resistive ontologies, organizations, and new directions in the digital humanities. While the focus remains on the scholarship produced within the aforesaid chronological period, our methodological attempt in this intervention has been to acknowledge and put into dialogue relevant contributions related to the three primary themes of analysis that may fall beyond the ambit of a specific period.
由于2019冠状病毒病大流行以及学术不稳定性的加剧(这在上一卷的编辑序言中得到了承认),《批判与文化理论年度工作》最后一卷中没有关于数字人文学科的条目,这表明本章将为2021年和2022年的数字人文学科著名学术提供一个叙述性参考书目。因此,前所未有的环境将本章的学术评论范围扩展到单一的时间顺序年份之外,也提供了独特的机会,不仅可以“追踪和扩展批判和文化理论的潮流,并参与[该]领域的“关键辩论”(Quinn和Ghosh, YWCCT 2022的“序言”),而且(更重要的是,有人可能会说)理解遗产带来和预期的一些激进的主题转变,以及数字人文学科在后新冠时代所谓的“新常态”下的未来。通过整合来自不同背景的各种对话,这些对话正在塑造当代数字人文学科,并预测该学科的未来,本章将2021年和2022年的数字人文学科和相关领域的奖学金定位在数字人文学科的抗性本体论、组织和新方向的相互关联的主题中。虽然重点仍然是在上述时间顺序期间产生的学术成果,但我们在这次干预中的方法尝试是承认并将与三个主要分析主题相关的贡献纳入对话,这些主题可能超出了特定时期的范围。
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引用次数: 0
Disability Studies 残疾研究
Q3 Arts and Humanities Pub Date : 2023-07-27 DOI: 10.1093/ywcct/mbad014
Amanda Dilodovico
Abstract This review of disability studies literature published in 2022 examines the field’s current investment in points of departure from ableist and neurotypical access to communication, work, and care. Such topics have been central to practices and theoretical concepts within disability justice movements, the neurodiversity movement, and the space of disability studies scholarship for at least the past fifteen years. While the literature surveyed in this review builds on that corpus, it is also imbued, whether explicitly or implicitly, with the continuing effects of the Covid-19 pandemic, the rhetorical impacts of the 2020 US presidential election and the responses or lack thereof to the longstanding accessibility needs of disabled and neurodivergent populations illuminated through global lockdowns. The review considers Akemi Nishida’s Just Care: Messy Entanglements of Disability, Dependency and Desire, Joshua St. Pierre’s Cheap Talk: Disability and the Politics of Communication, and the spring 2022 special issue on ‘Sex Work and Disability’ from Disability Studies Quarterly.
本文对2022年发表的残疾研究文献进行了回顾,考察了该领域目前在残疾和神经典型的交流、工作和护理方面的投资。至少在过去的15年里,这些主题一直是残疾司法运动、神经多样性运动和残疾研究奖学金领域的实践和理论概念的核心。虽然本综述所调查的文献建立在这一语料库的基础上,但它也或明或暗地渗透着Covid-19大流行的持续影响、2020年美国总统大选的言论影响,以及全球封锁所揭示的残疾人和神经分化人群长期存在的无障碍需求的反应或缺乏反应。该评论考虑了西田明美的《公正的关怀:残疾、依赖和欲望的混乱纠缠》,约书亚·圣皮埃尔的《廉价谈话:残疾和交流的政治》,以及《残疾研究季刊》2022年春季特刊“性工作和残疾”。
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引用次数: 0
Psychoanalysis 精神分析
Q3 Arts and Humanities Pub Date : 2023-07-24 DOI: 10.1093/ywcct/mbad013
Naomi Wynter‐Vincent
This chapter reviews four important works of psychoanalytic scholarship published in 2022: Steven Jaron, Christopher Bollas: A Contemporary Introduction; Kate Daniels, Slow Fuse of the Possible: A Memoir of Poetry and Psychoanalysis; Joanna Kellond, Donald Winnicott and the Politics of Care; and Steven Groarke, The Feeling Intellect: An Essay on the Independent Tradition in British and American Psychoanalysis. Following a short introduction, the review is divided into four sections that treat each of the texts in turn: 1. The Unthought Known; 2. The Aesthetic Object; 3. The Politics of Care; 4. The Feeling Intellect.
本章回顾了2022年出版的四本重要的精神分析学术著作:史蒂文·杰伦,克里斯托弗·博拉斯:当代介绍;凯特·丹尼尔斯:《可能的缓慢导火索:诗歌与精神分析的回忆录》;乔安娜·凯隆、唐纳德·温尼科特与医疗政治;史蒂文·格罗克:《感性的智力:论英美精神分析的独立传统》。在一个简短的介绍之后,回顾分为四个部分依次对待每个文本:1。未知;2. 审美对象;3.关怀的政治;4. 感觉智力。
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引用次数: 0
Affect Theory: Digitality, Affect, Labour 情感理论:数字化、情感、劳动
Q3 Arts and Humanities Pub Date : 2023-07-20 DOI: 10.1093/ywcct/mbad012
R. Jones
This chapter reviews a range of scholarship working at the intersection of theories of digitality, affect, and labour published in 2022 under the following headings: 1. Introduction; 2. Work (Daniel Nehring and Kristina Brunila, Affective Capitalism in Academia: Revealing Public Secrets; Anna Deumert, ‘Wash Your Hands! Domestic Labor and the Affective Economy of Racial Capitalism’; Carlo Perrotta, Neil Selwyn, and Carrie Ewin, ‘Artificial Intelligence and the Affective Labour of Understanding: The Intimate Moderation of a Language Model’); 3. Play (Aleena Chia, ‘The Artist and the Automaton in Digital Game Production’; Stephanie Jennings, ‘Only You Can Save the World (of Videogames): Authoritarian Agencies in the Heroism of Videogame Design, Play, and Culture’; Paolo Ruffino, ‘There Is No Cure: Paratexts as Remediations of Agency in Red Dead Redemption 2’); 4. Queer Affects (Jacob Gaboury, ‘Queer Affects at the Origins of Computation’; Bo Ruberg, ‘After Agency: The Queer Posthumanism of Video Games That Cannot Be Played’; Charnell Peters, ‘Asexuality, Affect Aliens, and Digital Affect Cultures: Relationality with the Happy Objects of Sexual and Romantic Relationships’); 5. Conclusion.
本章回顾了一系列研究数字化、情感和劳动理论交叉的学术研究,这些研究发表于2022年,标题如下:介绍;2. 工作(Daniel Nehring和Kristina Brunila,学术界的情感资本主义:揭露公共秘密;Anna Deumert:“洗手!”家庭劳动与种族资本主义的情感经济Carlo Perrotta, Neil Selwyn和Carrie Ewin,《人工智能和理解的情感劳动:语言模型的亲密调节》;3.Play (Aleena Chia,“数字游戏制作中的艺术家和自动机”);Stephanie Jennings,《只有你能拯救世界(电子游戏):电子游戏设计、玩法和文化英雄主义中的权威机构》;保罗·鲁菲诺(Paolo Ruffino),《无药可治:《荒野大镖客:救赎2》中作为代理补救的文本》;4. 酷儿影响(Jacob Gaboury,《计算起源的酷儿影响》);Bo Ruberg,《After Agency:不可玩的电子游戏的酷儿后人类主义》;Charnell Peters,“无性恋,情感外星人和数字情感文化:与性和浪漫关系的快乐对象的关系”);5. 结论。
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引用次数: 0
Economic Criticism 经济的批评
Q3 Arts and Humanities Pub Date : 2023-06-26 DOI: 10.1093/ywcct/mbad011
Camille L. Stallings
This essay reviews recent work in economic history, covering critical topics that span the history of inequality, the violence of primitive accumulation, and the Ukraine–Russia war. Following the introduction, this chapter has two sections: 1. Thomas Piketty and the Great Redistribution (1914–1980), and 2. Helen Thompson and Twenty-First Century Disorder. The conclusion considers sections 1 and 2 in the context of both Marx’s language of cyclical overaccumulation and overproduction and Alison Shonkwiler and Leigh Claire La Berge’s theoretical concept of ‘capitalist realism’.
本文回顾了最近在经济史上的工作,涵盖了跨越不平等历史、原始积累暴力和乌克兰-俄罗斯战争的关键主题。在绪论之后,本章共分为两部分:1。托马斯·皮凯蒂与大再分配(1914-1980);海伦·汤普森和《21世纪紊乱》结论部分在马克思关于周期性过度积累和生产过剩的语言以及Alison Shonkwiler和Leigh Claire La Berge的“资本主义现实主义”理论概念的背景下考虑了第1节和第2节。
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引用次数: 0
5Ecocriticism 5生态批评
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1093/ywcct/mbad008
John Charles Ryan
Abstract This review of ecocritical publications in 2022 is divided into six sections: 1. Introduction: Ecocriticism in the Anthropocene; 2. Eco-modernism: The Environmental Turn in Modernist Studies; 3. Climate Criticism: Narratives of Vulnerability; 4. Cryocriticism: Biographies of Ice; 5. More-than-Human Ecocriticism: The Heterogeneities of Nature; 6. Conclusion: Ecocriticism and Transformation.
摘要:本文对2022年生态批评出版物的回顾分为六个部分:1.生态批评;导论:人类世的生态批评;2. 生态现代主义:现代主义研究中的环境转向3.气候批评:脆弱性叙事;4. 低温批评:冰的传记;5. 超越人类的生态批评:自然的异质性6. 结论:生态批评与转型。
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引用次数: 0
Visual Culture 视觉文化
Q3 Arts and Humanities Pub Date : 2023-06-13 DOI: 10.1093/ywcct/mbad010
Rose Gordon-Orr
The unauthorized movement of people across national borders, on land and sea, continues to be a matter of life and death for many migrants. In 2022, more than 2,000 people died attempting to cross the Mediterranean (Statista [2023]) and more than 800 died on the US–Mexico border (Villarreal [2022]). In both Europe and the US, migration remains a significant political issue and one that has a strong visual component: it is through visual representations of boats, bodies, and borders that most non-migrants apprehend the phenomenon. Visual surveillance from the air and at crossing points is a key part of state attempts to control migration. With the increasing availability of smartphones and social media platforms, migrants themselves are also visually documenting and sharing their experiences. This chapter focuses on six texts published within 2022 which explore aspects of visual culture in relation to migration. This has several facets: representation of migrants and associated colonial tropes; visual and ‘postvisual’ surveillance of migrant bodies; and digital self-representation and reclaiming the gaze through creative practices. In line with this, the chapter is divided into three sections: 1. Visual Policing; 2. Visual Narration; 3. Artistic Disruptions.
对许多移徙者来说,未经许可的跨国界、陆上和海上移徙仍然是一个生死攸关的问题。2022年,超过2000人在试图穿越地中海时死亡(Statista[2023]),超过800人死于美墨边境(Villarreal[2022])。在欧洲和美国,移民仍然是一个重要的政治问题,也是一个具有强烈视觉成分的问题:大多数非移民通过对船只、身体和边界的视觉表现来理解这一现象。从空中和过境点进行的视觉监视是国家试图控制移民的关键部分。随着智能手机和社交媒体平台的日益普及,移民自己也在用视觉记录和分享他们的经历。本章重点关注2022年出版的六篇文章,这些文章探讨了与移民有关的视觉文化方面。这有几个方面:移民的表现和相关的殖民比喻;对移徙者尸体进行视觉和“视觉后”监测;数字自我表现,通过创造性的实践重新获得关注。与此相适应,本章分为三个部分:1。视觉监控;2. 视觉叙事;3.艺术中断。
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引用次数: 0
New Materialisms
Q3 Arts and Humanities Pub Date : 2023-06-10 DOI: 10.1093/ywcct/mbad009
Colleen Taylor
The works reviewed in this year’s essay on New Materialisms raise queries about first-wave New Materialism and signal what some critics refer to as second-phase Neo-materialism. The ‘Neo’ or New Materialisms of 2022 increasingly commingle the rhetorical and the material and address the Western-centric focus of previous New Materialisms. The works reviewed here, including Rosi Braidotti’s ‘The Virtual as Affirmative Praxis: A Neo-Materialist Approach’, Anne Elvey’s Reading with Earth: Contributions of the New Materialism to an Ecological Feminist Hermeneutics, Nina Lykke’s Vibrant Death: A Posthuman Phenomenology of Mourning, and Clayton Crockett’s Energy and Change a New Materialist Cosmotheology, engage new intersections between New Materialist theory and decoloniality, making deliberate gestures to integrate the idea of vibrant materiality and Indigenous cultures. This review essay is divided into five parts: 1. Introduction; 2. Neo-Materialism; 3. Literary Studies; 4. Theology; 5. Postcolonialism/Decoloniality. The essay concludes that New Materialism may indeed be on the brink of a second phase, especially if decolonial New Materialism continues to be explored.
今年的文章《新唯物主义》所回顾的作品提出了对第一波新唯物主义的质疑,并标志着一些评论家所说的第二阶段新唯物主义。2022年的“新”或新唯物主义将越来越多地将修辞和物质结合起来,并解决以往新唯物主义以西方为中心的问题。这里的工作回顾,包括罗斯。布赖多缇指出的“虚拟肯定实践:Neo-Materialist方法”,安妮Elvey与地球的阅读:贡献新唯物主义的生态女性主义诠释学,尼娜吕克充满活力的死亡:《后人类哀悼现象学》和克莱顿·克罗克特的《能量与变化——新唯物主义宇宙神学》,在新唯物主义理论和去殖民化之间进行了新的交叉点,有意地将充满活力的物质性和本土文化结合起来。本文共分为五个部分:1、论文的写作内容;介绍;2. Neo-Materialism;3.。文学研究;4. 神学;5. Postcolonialism / Decoloniality。文章的结论是,新唯物主义可能确实处于第二阶段的边缘,特别是如果非殖民化的新唯物主义继续被探索的话。
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引用次数: 0
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