This chapter discusses four major works of scholarship—three monographs and an edited volume—from 2021 that stage fresh and highly topical encounters between psychoanalysis, politics, and aesthetics, with transformative consequences for each. It is organized into four sections: 1. Introduction: Psychoanalysis On and Off the Couch; 2. Reframing the Clinic (I): A Travelling Psychoanalysis for the Urban Poor, on Ankhi Mukherjee’s Unseen City: The Psychic Lives of the Urban Poor; 3. Reframing the Clinic (II): Cultural Objects and/as Psychic Objects, on Noreen Giffney’s The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic; and finally, 4. Literature and Psychoanalysis: Whither Now?, on Naomi Wynter-Vincent’s Wilfred Bion and Literary Criticism and Vera J. Camden’s edited volume, The Cambridge Companion to Literature and Psychoanalysis.
{"title":"Psychoanalysis","authors":"Jivitesh Vashisht","doi":"10.1093/ywcct/mbac015","DOIUrl":"https://doi.org/10.1093/ywcct/mbac015","url":null,"abstract":"\u0000 This chapter discusses four major works of scholarship—three monographs and an edited volume—from 2021 that stage fresh and highly topical encounters between psychoanalysis, politics, and aesthetics, with transformative consequences for each. It is organized into four sections: 1. Introduction: Psychoanalysis On and Off the Couch; 2. Reframing the Clinic (I): A Travelling Psychoanalysis for the Urban Poor, on Ankhi Mukherjee’s Unseen City: The Psychic Lives of the Urban Poor; 3. Reframing the Clinic (II): Cultural Objects and/as Psychic Objects, on Noreen Giffney’s The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic; and finally, 4. Literature and Psychoanalysis: Whither Now?, on Naomi Wynter-Vincent’s Wilfred Bion and Literary Criticism and Vera J. Camden’s edited volume, The Cambridge Companion to Literature and Psychoanalysis.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84198036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-22DOI: 10.1007/978-1-4020-8265-8_200813
Nicholas Carr
{"title":"Theory on Theory","authors":"Nicholas Carr","doi":"10.1007/978-1-4020-8265-8_200813","DOIUrl":"https://doi.org/10.1007/978-1-4020-8265-8_200813","url":null,"abstract":"","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90875104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This chapter reviews theories of racial capitalism and black critical theory published in 2021 under the following headings: 1. Introduction; 2. History and Aesthetics (Histories of Racial Capitalism, edited by Destin Jenkins and Dustin Leroy; Anna Arabindan-Kesson, Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World); 3. Critical Theory (Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World); 4. Globalization and Technology (Neferti Tadiar, ‘Thresholds’; Seb Franklin, The Digitally Disposed: Racial Capitalism and the Informatics of Value); and 5. Conclusion.
本章回顾了2021年出版的种族资本主义理论和黑人批判理论。介绍;2. 历史与美学(Destin Jenkins和Dustin Leroy编辑的《种族资本主义史》);安娜·阿拉宾丹-凯森:《黑体、白金:大西洋世界的艺术、棉花和商业》;3.批判理论(Zakiyyah Iman Jackson，《成为人类:一个反黑人世界中的物质与意义》);4. 全球化与技术(Neferti Tadiar，《阈值》);Seb Franklin，《数字化处理:种族资本主义和价值信息学》;和5。结论。
{"title":"Racial Capitalism","authors":"R. Jones","doi":"10.1093/ywcct/mbac008","DOIUrl":"https://doi.org/10.1093/ywcct/mbac008","url":null,"abstract":"\u0000 This chapter reviews theories of racial capitalism and black critical theory published in 2021 under the following headings: 1. Introduction; 2. History and Aesthetics (Histories of Racial Capitalism, edited by Destin Jenkins and Dustin Leroy; Anna Arabindan-Kesson, Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World); 3. Critical Theory (Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World); 4. Globalization and Technology (Neferti Tadiar, ‘Thresholds’; Seb Franklin, The Digitally Disposed: Racial Capitalism and the Informatics of Value); and 5. Conclusion.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83606933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The first section of this review, ‘Staging Reality’, reads two monographs that grapple with large-scale thinking about how theatre and performance engage with various ideas of ‘reality’: Lindsay Brandon Hunter’s exploration of performing ‘the real’ in theatre, television, and alternative-reality gaming in Playing Real: Mimesis, Media, and Mischief, and Bess Rowen’s theorizing of ‘affective stage directions’ in The Lines Between the Lines: How Stage Directions Affect Embodiment. The second section, ‘Politics and/of Performance’, reviews two books with an explicit interest in the political as well as aesthetic dimensions of performance: Tiziana Morosetti and Osita Okagbue’s edited volume The Palgrave Handbook of Theatre and Race, and Jon Venn’s Madness in Contemporary British Theatre: Resistances and Representations. The final section shifts to monographs that structure their enquiry around a specific figure: the playwright Jez Butterworth, in the case of Sean McEvoy’s Class, Culture and Tragedy in the Plays of Jez Butterworth, and the biblical figure of Salomé, in the case of Megan Girdwood’s Modernism and the Choreographic Imagination: Salome’s Dance after 1890.
{"title":"Performance, Theatre, and Drama","authors":"Hannah Simpson","doi":"10.1093/ywcct/mbac007","DOIUrl":"https://doi.org/10.1093/ywcct/mbac007","url":null,"abstract":"\u0000 The first section of this review, ‘Staging Reality’, reads two monographs that grapple with large-scale thinking about how theatre and performance engage with various ideas of ‘reality’: Lindsay Brandon Hunter’s exploration of performing ‘the real’ in theatre, television, and alternative-reality gaming in Playing Real: Mimesis, Media, and Mischief, and Bess Rowen’s theorizing of ‘affective stage directions’ in The Lines Between the Lines: How Stage Directions Affect Embodiment. The second section, ‘Politics and/of Performance’, reviews two books with an explicit interest in the political as well as aesthetic dimensions of performance: Tiziana Morosetti and Osita Okagbue’s edited volume The Palgrave Handbook of Theatre and Race, and Jon Venn’s Madness in Contemporary British Theatre: Resistances and Representations. The final section shifts to monographs that structure their enquiry around a specific figure: the playwright Jez Butterworth, in the case of Sean McEvoy’s Class, Culture and Tragedy in the Plays of Jez Butterworth, and the biblical figure of Salomé, in the case of Megan Girdwood’s Modernism and the Choreographic Imagination: Salome’s Dance after 1890.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72458340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/ywcct/mbac004","DOIUrl":"https://doi.org/10.1093/ywcct/mbac004","url":null,"abstract":"","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86136237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review examines three books published in the field of poetics in 2020: Candice Amich’s Precarious Forms: Performing Utopia in the Neoliberal Americas; Ren Ellis Neyra’s The Cry of the Senses: Listening to Latinx and Caribbean Poetics; and Anthony Reed’s Soundworks: Race, Sound, and Poetry in Production. I show that these three books, which discuss poetry in connection with other art forms, each call for a reordering of the senses through which we perceive and analyze poetry (and other texts). While Ellis Neyra advocates multisensorial listening and Reed calls for a mode of listening attentive to what remains unnamed within current perceptual and political schema, Amich shows the importance of paying attention to the embodied rhythms and tactility of poetry and performance texts. For all three authors, these alternatives to individualized, detached, and indeed deadened linguistic contemplation proffer strategies for remaking not only common sense, but the common itself. The chapter is structured under the following headings: 1. Introduction; 2. Poetics; 3. Sensoria; 4. Politics.
{"title":"Poetics","authors":"S. Dowling","doi":"10.1093/ywcct/mbab013","DOIUrl":"https://doi.org/10.1093/ywcct/mbab013","url":null,"abstract":"\u0000 This review examines three books published in the field of poetics in 2020: Candice Amich’s Precarious Forms: Performing Utopia in the Neoliberal Americas; Ren Ellis Neyra’s The Cry of the Senses: Listening to Latinx and Caribbean Poetics; and Anthony Reed’s Soundworks: Race, Sound, and Poetry in Production. I show that these three books, which discuss poetry in connection with other art forms, each call for a reordering of the senses through which we perceive and analyze poetry (and other texts). While Ellis Neyra advocates multisensorial listening and Reed calls for a mode of listening attentive to what remains unnamed within current perceptual and political schema, Amich shows the importance of paying attention to the embodied rhythms and tactility of poetry and performance texts. For all three authors, these alternatives to individualized, detached, and indeed deadened linguistic contemplation proffer strategies for remaking not only common sense, but the common itself. The chapter is structured under the following headings: 1. Introduction; 2. Poetics; 3. Sensoria; 4. Politics.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86207625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In recent years, the relationship between religion and representation has been examined with particular intensity in the field of modernist studies, to which all books reviewed in this chapter have contributed. It is telling that three of them are devoted to Virginia Woolf, whose firm rejection of patriarchal Christianity and the established church has for years been considered a prime example of modernism’s hostility to religion. New scholarship on Woolf, religion, and spirituality offers a much more nuanced view of her engagement with Christian culture and illustrates the wealth of new methodological developments in the field of modernist studies. The review opens with a discussion of the recent religious turn in modernist studies, situating it within the expansion of the field connected to the emergence of the new modernist studies. Subsequently, it examines four new books that contribute to scholarship on modernism and religion. The chapter is divided into five sections: 1. The New Modernist Studies and Religion; 2. Jane de Gay, Virginia Woolf and Christian Culture; 3. Stephanie Paulsell, Religion Around Virginia Woolf; 4. Religion, Secularism, and the Spiritual Paths of Virginia Woolf, edited by Kristina K. Groover; 5. Martin Lockerd, Decadent Catholicism and the Making of Modernism. The books reviewed illustrate the scope and depth of new research into modernism and religion, offering a fresh critical perspective that challenges the widely accepted view of modernism as a purely secular movement.
{"title":"Religion and Representation","authors":"Joanna Rzepa","doi":"10.1093/ywcct/mbab009","DOIUrl":"https://doi.org/10.1093/ywcct/mbab009","url":null,"abstract":"\u0000 In recent years, the relationship between religion and representation has been examined with particular intensity in the field of modernist studies, to which all books reviewed in this chapter have contributed. It is telling that three of them are devoted to Virginia Woolf, whose firm rejection of patriarchal Christianity and the established church has for years been considered a prime example of modernism’s hostility to religion. New scholarship on Woolf, religion, and spirituality offers a much more nuanced view of her engagement with Christian culture and illustrates the wealth of new methodological developments in the field of modernist studies. The review opens with a discussion of the recent religious turn in modernist studies, situating it within the expansion of the field connected to the emergence of the new modernist studies. Subsequently, it examines four new books that contribute to scholarship on modernism and religion. The chapter is divided into five sections: 1. The New Modernist Studies and Religion; 2. Jane de Gay, Virginia Woolf and Christian Culture; 3. Stephanie Paulsell, Religion Around Virginia Woolf; 4. Religion, Secularism, and the Spiritual Paths of Virginia Woolf, edited by Kristina K. Groover; 5. Martin Lockerd, Decadent Catholicism and the Making of Modernism. The books reviewed illustrate the scope and depth of new research into modernism and religion, offering a fresh critical perspective that challenges the widely accepted view of modernism as a purely secular movement.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88799511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This overview of recent work on the relationship between economics and culture takes the occasion of the Covid-19 pandemic to reflect on the urgency of creative thinking about biopolitics, in the process questioning the utility of apparent divisions between Foucauldian- and Marxist-derived approaches to the question of social reproduction.
{"title":"Economic Criticism","authors":"Nick Valvo","doi":"10.1093/ywcct/mbab007","DOIUrl":"https://doi.org/10.1093/ywcct/mbab007","url":null,"abstract":"Abstract This overview of recent work on the relationship between economics and culture takes the occasion of the Covid-19 pandemic to reflect on the urgency of creative thinking about biopolitics, in the process questioning the utility of apparent divisions between Foucauldian- and Marxist-derived approaches to the question of social reproduction.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79266751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This overview of animal studies scholarship from 2020 covers a diverse range of sites – from escaped primates in IKEA carparks to boar hunting in colonial India – and disciplinary contexts, drawing together research from philosophy, literary theory, the environmental humanities, animal geographies, imperial history, and ecofeminism. What unites these texts is their engagement with one of the most significant themes in animal studies: the politics of anthropocentrism. The first sections of the essay engage with work that has sought to critique anthropocentric logics and practices. Through focusing on research related to the exotic pet trade, avian extinction, and colonial science, I illustrate how anthropocentric hierarchies are being enacted – but also complicated – but particular socio-economic relationships and knowledge-frameworks. In the second sections of the essay, I engage more explicitly with scholarship that has foregrounded the complex relationships between anthropocentrism, colonialism, gendered inequalities, and racialization. Although this research is wide-ranging, what it shares is an insistence on the need to better situate narratives about the intersection of human and animal oppression, in light of the way these relations are shaped by specific national and cultural contexts. The essay culminates by discussing contemporary critiques of animal studies due to the primacy it has given to anthropocentrism over other oppressive social relations, particularly race. At the same time as arguing that the field needs to meaningfully engage with these critiques moving forward, I conclude by suggesting that there is something important about anthropocentrism that means it retains value as a critical concept for animal studies.
{"title":"Animal Studies","authors":"E. Giraud","doi":"10.1093/ywcct/mbab008","DOIUrl":"https://doi.org/10.1093/ywcct/mbab008","url":null,"abstract":"\u0000 This overview of animal studies scholarship from 2020 covers a diverse range of sites – from escaped primates in IKEA carparks to boar hunting in colonial India – and disciplinary contexts, drawing together research from philosophy, literary theory, the environmental humanities, animal geographies, imperial history, and ecofeminism. What unites these texts is their engagement with one of the most significant themes in animal studies: the politics of anthropocentrism. The first sections of the essay engage with work that has sought to critique anthropocentric logics and practices. Through focusing on research related to the exotic pet trade, avian extinction, and colonial science, I illustrate how anthropocentric hierarchies are being enacted – but also complicated – but particular socio-economic relationships and knowledge-frameworks. In the second sections of the essay, I engage more explicitly with scholarship that has foregrounded the complex relationships between anthropocentrism, colonialism, gendered inequalities, and racialization. Although this research is wide-ranging, what it shares is an insistence on the need to better situate narratives about the intersection of human and animal oppression, in light of the way these relations are shaped by specific national and cultural contexts. The essay culminates by discussing contemporary critiques of animal studies due to the primacy it has given to anthropocentrism over other oppressive social relations, particularly race. At the same time as arguing that the field needs to meaningfully engage with these critiques moving forward, I conclude by suggesting that there is something important about anthropocentrism that means it retains value as a critical concept for animal studies.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79816451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The three books reviewed here deal with the interrelation between pandemics, society, and culture. The common subtext within them is that pandemics have always had a shattering effect on the social status quo. Published at the threshold of the Covid-19 pandemic in 2020, they bear concrete implications for assessing how American popular culture is being impacted by the outbreak, and how it might evolve. The review is divided into five sections: 1. Introduction; 2. Plagues and Culture; 3. Covid-19 and Misinformation Culture; 4. Pandemics and Society; 5. Conclusion. In the span of two decades, the world has been subjected to several pandemics, including SARS in 2003, bird flu in 2005, swine flu in 2009, MERS in 2012, Ebola in 2014, and currently Covid-19 in 2020–21. Because of this, several cultural phenomena have crystallized that are the direct consequence of what can be called a pandemic era, ranging from a broad interest in the plague literature and cinema of the past to the burgeoning of books for the general public on pandemics and how their outcomes (medical and social) are shaped by the politics and discourses of misinformation. A recurring theme in the books under review is that coping with pandemics, and especially ‘pandemic fatigue’, involves an engagement with literature and the arts—both of which have themselves been shaped by pandemics of the past. The books are thus significant in shedding speculative light on how pandemics might alter (or not) our socio-cultural habitus.
{"title":"Pandemics and Popular Culture","authors":"M. Danesi","doi":"10.1093/ywcct/mbab011","DOIUrl":"https://doi.org/10.1093/ywcct/mbab011","url":null,"abstract":"\u0000 The three books reviewed here deal with the interrelation between pandemics, society, and culture. The common subtext within them is that pandemics have always had a shattering effect on the social status quo. Published at the threshold of the Covid-19 pandemic in 2020, they bear concrete implications for assessing how American popular culture is being impacted by the outbreak, and how it might evolve. The review is divided into five sections: 1. Introduction; 2. Plagues and Culture; 3. Covid-19 and Misinformation Culture; 4. Pandemics and Society; 5. Conclusion. In the span of two decades, the world has been subjected to several pandemics, including SARS in 2003, bird flu in 2005, swine flu in 2009, MERS in 2012, Ebola in 2014, and currently Covid-19 in 2020–21. Because of this, several cultural phenomena have crystallized that are the direct consequence of what can be called a pandemic era, ranging from a broad interest in the plague literature and cinema of the past to the burgeoning of books for the general public on pandemics and how their outcomes (medical and social) are shaped by the politics and discourses of misinformation. A recurring theme in the books under review is that coping with pandemics, and especially ‘pandemic fatigue’, involves an engagement with literature and the arts—both of which have themselves been shaped by pandemics of the past. The books are thus significant in shedding speculative light on how pandemics might alter (or not) our socio-cultural habitus.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84376533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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