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Indecorum, compromised authority and the sovereign body politic in “The Fortunes of Nigel” and “The Heart of Mid-Lothian” 《奈杰尔的财富》和《中洛锡安之心》中的独立、妥协的权威和主权政治体
Q1 Arts and Humanities Pub Date : 2018-12-18 DOI: 10.18172/JES.3321
A. Cousins, Dani Napton
In “The Fortunes of Nigel” (1822) and “The Heart of Mid-Lothian” (1818), Walter Scott’s respective characterizations of both James I and Caroline, George II’s regent, enable him to create the duality of a historically recognizable and deeply qualified representation of the sovereign as natural body and as body politic. He considers how each monarch sought to establish, consolidate and legitimate their respective authorities in the dynamic politico-religious environments they presided over. To do so, Scott positions James’ and Caroline’s monarchical authority as inherently compromised and achieves this using three stratagems. First, he positions them both as either personally or politically indecorous, displaying actions unbefitting sovereignty. Second, he demonstrates how each monarch’s perceived or actual lack of masculinity reduces the authority each wields. Finally, he shows that the justice and social harmony sought by the protagonists of each novel is effected, yet emphasizes that this is not due solely to the monarch’s involvement, but to others better positioned to assist the respective hero and heroine at an individual level (and thus the sovereign at a macrocosmic level) to achieve that lasting form of justice and societal harmony. As such, Scott is able simultaneously to affirm the positive nature of both Stuart and Hanoverian monarchical rule yet maintain a qualified, wary and less than wholehearted appreciation of these two specific monarchs.
在《奈杰尔的财富》(1822年)和《中洛锡安之心》(1818年)中,沃尔特·斯科特分别对詹姆斯一世和乔治二世的摄政王卡罗琳进行了刻画,使他能够创造出一种历史上公认的、非常合格的主权者自然体和政治体的双重性。他考虑了每一位君主如何在他们所主持的充满活力的政治和宗教环境中寻求建立、巩固和合法化各自的权威。为此,斯科特将詹姆斯和卡罗琳的君主权威定位为内在妥协,并通过三种策略实现了这一点。首先,他将他们都定位为个人或政治上的不雅,表现出不符合主权的行为。其次,他展示了每一位君主所感知或实际缺乏的男子气概如何削弱了他们的权威。最后,他表明,每部小说的主人公所寻求的正义和社会和谐都受到了影响,但他强调,这不仅仅是因为君主的参与,而是因为其他人能够在个人层面(从而在宏观层面)更好地帮助各自的英雄和女英雄,以实现这种持久的正义与社会和谐。因此,斯科特能够同时肯定斯图亚特和汉诺威君主统治的积极性质,但对这两位特定的君主保持着合格、谨慎和不那么全心全意的赞赏。
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引用次数: 0
A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction 拜厄特与“永远的旅行者”:新英国小说的阅读实践
Q1 Arts and Humanities Pub Date : 2018-12-18 DOI: 10.18172/JES.3450
N. Flynn
While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the essay recommends that readers become “perpetual travelers,” a global model of readership that will enable readers to navigate not only Byatt’s oeuvre and the realm of neo-Victorian fiction, but also the field of new British fiction and the crowded media landscape in which it resides.
虽然大多数读者都喜欢,或者至少钦佩A.S.拜厄特的布克奖获奖小说《附身》,但许多人对她之前和之后的作品感到困惑。本文认为,问题不在于小说本身,而在于读者阅读小说的方式。传统的实验小说或后现代小说的阅读方法无法让读者理解和享受她密集、令人眼花缭乱的作品。本文通过考察她的中篇小说《Morpho Eugenia》中的互文,特别是主人公威廉·亚当森(William Adamson)所写的两篇虚构文本,论证了中篇小说是如何产生一种不同的阅读实践的。用拜厄特的比喻,这篇文章建议读者成为“永久的旅行者”,这是一种全球读者模式,它将使读者不仅能够驾驭拜厄特的全部作品和新维多利亚时代的小说领域,还能驾驭新英国小说领域及其所在的拥挤的媒体景观。
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引用次数: 1
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Journal of English Studies
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