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Gloria Velásquez’s Roosevelt High School series: towards quality multicultural literature through rainbow coalitions GloriaVelásquez的罗斯福高中系列:通过彩虹联盟走向高质量的多元文化文学
Q1 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.18172/jes.4406
C. Fernández Rodríguez
The goal of this paper is to study several YA novels by Chicana writer Gloria Velásquez, the Roosevelt High School series (1994-2018), as an educating tool within the framework of multicultural education. The analysis takes into account Velásquez’s choice of problematic situations (related to racism, sexism, or homophobic harassment, among others) and the solutions her novels propose, which include both individual responses and community-organized measures. Special attention is given to the criticism according to which Velásquez’s Latinx and multi-ethnic characters are steeped in stereotypes, which would cancel the books’ potential capacity to inspire social change. In contrast with this negative vision, this paper proves that Velásquez’s series offers empowering role models for teen Latinxs of various ethnic backgrounds and effectively calls for the neutralization of race, class and gender stereotypes, thus contributing to the implementation of Jesse Jackson’s 1984 proposal that ethnic minorities should form a “rainbow coalition”.
本文的目的是研究美国作家Gloria Velásquez的几部青春小说,罗斯福高中系列(1994-2018),作为多元文化教育框架下的教育工具。该分析考虑了Velásquez对问题情境的选择(与种族主义、性别歧视或同性恋骚扰等有关)以及她的小说提出的解决方案,其中包括个人回应和社区组织的措施。特别值得注意的是,有人批评Velásquez的拉丁裔和多民族人物沉浸在刻板印象中,这将取消这些书激发社会变革的潜在能力。与这种消极的看法相反,本文证明Velásquez系列为不同种族背景的拉丁裔青少年提供了赋权的榜样,有效地呼吁消除种族、阶级和性别的刻板印象,从而有助于Jesse Jackson在1984年提出的少数民族应组成“彩虹联盟”的建议的实施。
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引用次数: 0
Semantic primes in historical languages. The identification of the Old English exponent for DO 历史语言中的语义启动词。DO的古英语指数的识别
Q1 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.18172/jes.4467
Raquel Mateo Mendaza
This journal article follows the research line opened on the search for semantic primes’ exponents in Old English within the frame of the Natural Semantic Metalanguage theory (Goddard 1997, 2012; Goddard and Wierzbicka 2002). The aim of this study is to complete the line of research on prime identification opened on the category Actions, events, movement, contact by establishing the Old English exponent of the prime DO. With this purpose, this paper discusses the adequacy of different OE verbs as possible prime exponent on the basis of textual frequency, morphology, semantics and syntactic complementation. Relevant data of analysis have been retrieved mainly from the lexical database of Old English Nerthus, the Dictionary of Old English (Healey et al. 2018) and the Dictionary of Old English Corpus (Healey et al. 2009).  
本文沿袭了在自然语义元语言理论框架下寻找古英语语义质数指数的研究思路(Goddard 1997, 2012;Goddard and Wierzbicka 2002)。本研究的目的是通过建立古英语“DO”的指数来完成对“动作”、“事件”、“运动”、“接触”等范畴展开的“启动识别”研究。为此,本文从语篇频次、词法、语义和句法互补等方面探讨了不同英语动词作为可能的素指数的充分性。相关分析数据主要来源于古英语Nerthus词汇数据库、古英语词典(Healey et al. 2018)和古英语语料库词典(Healey et al. 2009)。
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引用次数: 1
Language in motion in Marilynne Robinson’s "Housekeeping" and the Book of "Ruth" 玛丽莲·罗宾逊的《管家》和《露丝》中的语言
Q1 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.18172/JES.3647
James Krasner
The terminology used to describe people living in socially or legally ambiguous housing conditions is contradictory and contested in often unpredictable ways. Homeless people, as well as the laws and government discourses designed to limit their behavior, frequently choose language that is at odds with what their bodies are actually doing in the spaces they occupy. In this essay I will discuss the oxymoronic verbal formulations for how transients, especially transient women, move through and live in social space by looking at two texts that focus on homeless women and their social power, Marilynne Robinson’s novel Housekeeping, and the biblical Book of Ruth (on which it is partially based). By placing these works in the context of the legal discourses of homelessness and squatting, and gender analyses of mobility, I hope to identify a mode of gendered embodiment based in the language of motion.
用于描述居住在社会或法律上不明确的住房条件下的人的术语往往以不可预测的方式相互矛盾和争议。无家可归的人,以及旨在限制他们行为的法律和政府话语,经常选择与他们的身体在他们所占据的空间中实际做的事情不一致的语言。在这篇文章中,我将通过看两篇关注无家可归的妇女和她们的社会权力的文本,玛丽琳·罗宾逊的小说《家政》和圣经中的《路得记》(它的部分基础),来讨论关于流浪者,尤其是流浪者妇女如何在社会空间中移动和生活的矛盾的语言表述。通过将这些作品置于无家可归者和蹲坐者的法律话语以及对流动性的性别分析的背景下,我希望确定一种基于运动语言的性别体现模式。
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引用次数: 0
“The boundary we need”: Death and the Challenge to Postmodernity in Don DeLillo’s "White Noise" “我们需要的边界”:唐·德里罗《白噪音》中的死亡与对后现代的挑战
Q1 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.18172/JES.3873
Mark Brown
Don DeLillo’s White Noise is often taught as an exemplar of postmodern literature because of its concern with the postmodern themes of identity and spectacular commodification. There is much in the text, however, to suggest that DeLillo’s central characters are searching for certainties, some of which are related to earlier cultural paradigms. This paper argues that Don DeLillo’s novel explores ways to overcome the persistent displacement of meaning in postmodern texts by establishing death as one concept outside the systems of signs which is irreducible, certain and universal. DeLillo’s characters are in search of a “transcendental signified” (Derrida) able to bring a halt to the potentially infinite postmodern regressions of late twentieth century American culture. Here I argue that in White Noise it is death which provides this exterior metaphysical principle.
唐·德里罗的《白噪音》经常被当作后现代文学的典范来教授,因为它关注的是身份和壮观的商品化等后现代主题。然而,在文本中有很多内容表明,德里罗的中心人物正在寻找确定性,其中一些与早期的文化范式有关。本文认为,唐·德里罗的小说通过将死亡确立为符号系统之外的一个不可约的、确定的和普遍的概念,探索了克服后现代文本中持续的意义位移的方法。德里罗笔下的人物在寻找一种“超越的意义”(德里达),能够制止二十世纪晚期美国文化潜在的无限后现代倒退。在这里,我认为在《白噪音》中,是死亡提供了这种外在的形而上学原则。
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引用次数: 0
“Darkness is different for me now. I know all its depths and textures”: the panoptical gaze in Sarah Waters’s "Affinity" “现在的黑暗对我来说不一样了。我知道它所有的深度和质地”:莎拉·沃特斯(Sarah Waters)《亲和力》(Affinity)中的全景凝视
Q1 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.18172/jes.3762
Elsa Adán Hernández
The aim of this essay is to analyse Sarah Waters’s novel Affinity (1999) from the perspective of the panoptical system of surveillance, based on the controlling power of the gaze, that was widely employed as a system of represión in Victorian society. It seeks to explore Milbank prison as a perfect example of Jeremy Bentham’s panopticon and Michel Foucault’s ideas about punishment and imprisonment. Drawing on Laura Mulvey’s notion of scopophilia, the essay goes on to explore the characteristics of the interaction and mutual attraction felt by two of the main characters, with the aim of proving that the gaze can be a powerful weapon to subjugate another person. Finally, it tackles the relevance of the third protagonist, Ruth Vigers, a lady’s maid whose job makes her invisible both to the readers and to other characters in the novel. The analysis shows that it is precisely her social invisibility that allows her to escape the gaze of this panoptical society and become the master puppeteer controlling everything from the shadows.
这篇文章的目的是分析Sarah Waters的小说Affinity(1999),从全景监视系统的角度,基于凝视的控制力,这是维多利亚社会广泛使用的represión系统。它试图将米尔班克监狱作为边沁(Jeremy Bentham)的圆形监狱和米歇尔·福柯(Michel Foucault)关于惩罚和监禁的思想的完美典范来探索。根据劳拉·穆尔维的窥镜癖概念,本文继续探讨了两个主要人物的互动和相互吸引的特点,目的是证明凝视可以成为征服另一个人的强大武器。最后,它处理了第三位主人公露丝·维格斯(Ruth Vigers)的相关性,她是一位女仆,她的工作使她对读者和小说中的其他角色都是隐形的。分析表明,正是她的社会隐形,让她得以逃离这个泛光社会的注视,成为从阴影中控制一切的木偶大师。
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引用次数: 1
Information-structure strategies in English/Spanish translation 英语/西班牙语翻译中的信息结构策略
Q1 Arts and Humanities Pub Date : 2020-03-31 DOI: 10.18172/jes.4195
Ángel L. Jiménez-Fernández
This paper discusses information structure-based strategies that could be used in translating from English to Spanish. It is widely observed that many problems arise in translation when establishing the theme/topic and providing the focus content in the target language, given the grammatical instruments available in the source language. It is extremely important to use similar discourse mechanisms to present the same message in exactly the same terms from an information-structure point of view. This means that the syntactic configuration may be different in the source and target texts. I focus on three information structure phenomena, namely Passive, Topic Fronting and Negative Preposing in the two languages, to analyse the preservation of the discourse flow in various translations for the optimal use of the relevant constructions. 
本文讨论了基于信息结构的英语西班牙语翻译策略。人们普遍认为,鉴于源语言中可用的语法工具,在确定主题/主题和提供目标语言的重点内容时,翻译中会出现许多问题。从信息结构的角度来看,使用相似的话语机制以完全相同的术语表达相同的信息是极其重要的。这意味着源文本和目标文本的句法结构可能不同。本文着重分析了两种语言中的三种信息结构现象,即被动、话题前置和否定介词,分析了不同翻译中话语流的保留,以期更好地利用相关结构。
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引用次数: 1
Hot Potatoes activities to improve grammatical accuracy across different proficiency courses 烫手山芋活动,以提高不同熟练程度课程的语法准确性
Q1 Arts and Humanities Pub Date : 2020-03-31 DOI: 10.18172/jes.3969
Izaskun Villarreal, Esther Gómez Lacabex, Francisco Gallardo del Puerto, M. Adrián, Juncal Gutiérrez Mangado
Few studies have gauged the effects of Computer Assisted Language Learning –CALL– on the verbal accuracy of students. The current study explores the use of Hot Potatoes JCloze-type exercises as supplementary classroom work to enhance the English tense accuracy of university students enrolled in three EFL proficiency level courses -high-intermediate (B2) and advanced (C1 and C2). Tense marking was measured before and after a period of autonomous, self-paced CALL work in which students could access theoretical information and practiced with Hot Potatoes exercises. The comparisons revealed that the experience was mainly beneficial for the C1 level course group, the other two experimenting non-significant gains. Results only partially support a boosting effect of CALL additional practice. They also suggest that proficiency should be taken into consideration as it can affect the effect of treatment as not all the proficiency level courses experienced advantages. Alternatives to improve effectiveness are then suggested.
很少有研究评估计算机辅助语言学习(CALL)对学生语言准确性的影响。本研究探讨了将Hot Potatoes JCloze型练习作为补充课堂作业,以提高参加高中(B2)和高级(C1和C2)三门英语水平课程的大学生的英语时态准确性。时态标记是在一段自主、自定节奏的CALL学习前后进行测量的,在这段时间里,学生可以获得理论信息,并进行土豆练习。比较显示,这一经验主要对C1级课程组有益,其他两个实验组的收益并不显著。结果仅部分支持CALL额外练习的促进作用。他们还建议,应该考虑熟练程度,因为这可能会影响治疗效果,因为并非所有的熟练程度课程都有优势。然后提出了提高效率的替代方案。
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引用次数: 0
Margaret Atwood’s Visions and Revisions of "The Wizard of Oz" 玛格丽特·阿特伍德对《绿野仙踪》的设想与修改
Q1 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.18172/JES.3578
Teresa Gibert
L. Frank Baum’s The Wonderful Wizard of Oz (1900) and Victor Fleming’s film The Wizard of Oz (1939) play an important intertextual role in Margaret Atwood’s critical and fictional writings. Atwood has often been inspired by both versions of this modern fairy tale and has drawn attention to the main issues it raises (e.g. the transformative power of words, gendered power relationships, the connection between illusion and reality, the perception of the artist as a magician, and different notions of home). She has creatively explored and exploited themes, settings, visual motifs, allegorical content and characters (Dorothy, her three companions, the Wizard and the witches, especially Glinda the Good and the Wicked Witch of the West), subversively adapting her literary borrowings with a parodic twist and satirical intent. Parts of Life Before Man (1979) may be interpreted as a rewrite of a story defined by Atwood as “the great American witchcraft classic”.
l·弗兰克·鲍姆的《绿野仙踪》(1900)和维克多·弗莱明的电影《绿野仙踪》(1939)在玛格丽特·阿特伍德的评论和虚构作品中发挥了重要的互文作用。阿特伍德经常受到这个现代童话的两个版本的启发,并引起人们对它提出的主要问题的关注(例如,文字的变革力量,性别权力关系,幻觉与现实之间的联系,艺术家作为魔术师的感知,以及对家的不同概念)。她创造性地探索和利用了主题、背景、视觉主题、寓言内容和人物(多萝西,她的三个同伴,巫师和女巫,尤其是西方的好女巫和坏女巫葛琳达),颠覆性地改编了她的文学借用,以模仿和讽刺的意图。《人类出现之前的部分生活》(1979)可以被解读为阿特伍德定义为“伟大的美国巫术经典”的故事的重写。
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引用次数: 0
Designing the Lexical Rules for the Parsing of ASD-STE100 Function Words in ARTEMIS from a Role and Reference Grammar Perspective 从角色语法和参考语法的角度设计ARTEMIS中ASD-STE100虚词解析的词法规则
Q1 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.18172/JES.3935
M. C. Fumero-Pérez, A. Díaz-Galán
ARTEMIS (Automatically Representing Text Meaning via an Interlingua-based System), is a natural language processing device, whose ultimate aim is to be able to understand natural language fragments and arrive at their syntactic and semantic representation. Linguistically, this parser is founded on two solid linguistic theories: the Lexical Constructional Model and Role and Reference Grammar. Although the rich semantic representations and the multilingual character of Role and Reference Grammar make it suitable for natural language understanding tasks, some changes to the model have proved necessary in order to adapt it to the functioning of the ARTEMIS parser. This paper will deal with one of the major modifications that Role and Reference Grammar had to undergo in this process of adaptation, namely, the substitution of the operator projection for feature-based structures, and how this will influence the description of function words in ARTEMIS, since they are strongly responsible for the encoding of the grammatical information which in Role and Reference Grammar is included in the operators. Currently, ARTEMIS is being implemented for the controlled natural language ASD-STE100, the Aerospace and Defence Industries Association of Europe Simplified Technical English, which is an international specification for the preparation of technical documentation in a controlled language. This controlled language is used in the belief that its simplified nature makes it a good corpus to carry out a preliminary testing of the adequacy of the parser. In this line, the aim of this work is to create a catalogue of function words in ARTEMIS for ASD-STE100, and to design the lexical rules necessary to parse the simple sentence and the referential phrase in this controlled language.
ARTEMIS (automatic representation Text Meaning via a Interlingua-based System)是一种自然语言处理设备,其最终目的是能够理解自然语言片段并得到它们的句法和语义表示。在语言学上,这个解析器建立在两个坚实的语言学理论基础上:词汇结构模型和角色和指称语法。尽管角色和参考语法丰富的语义表示和多语言特性使其适合于自然语言理解任务,但为了使其适应ARTEMIS解析器的功能,对模型进行一些更改已被证明是必要的。本文将讨论角色和参考语法在这一适应过程中必须经历的主要修改之一,即用算子投影代替基于特征的结构,以及这将如何影响ARTEMIS中虚词的描述,因为它们强烈负责编码角色和参考语法中包含在算子中的语法信息。目前,ARTEMIS正在为受控自然语言ASD-STE100(欧洲航空航天和国防工业协会简化技术英语)实施,这是一种用受控语言编写技术文档的国际规范。使用这种受控语言的理由是,它的简化性质使其成为执行解析器充分性初步测试的良好语料库。在这一行中,本工作的目的是为ASD-STE100在ARTEMIS中创建一个功能词目录,并设计在这种受控语言中解析简单句和参考短语所需的词汇规则。
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引用次数: 1
Leadership and cultural frames in Wole Soyinka’s “The strong breed” 沃·索因卡的《强者》中的领导力和文化框架
Q1 Arts and Humanities Pub Date : 2018-12-18 DOI: 10.18172/JES.3286
Ifeyinwa Obiegbu
Based on insights from sociology and critical discourse analysis, this study examines how religion enables persons and institutions to legitimise power and social control in a traditional African society. It shows that religion, besides being an instrument of social cohesion and harmony, can also serve the interest of the dominant group in the curtailment of the rights of the weak and the minority. This is built on the framework that the authorisation exercised by religious institutions and their agents is essentially derived from custom, tradition and conformity. The authorities of tradition and conformity ensure that agents sustain the cultural pattern irrespective of its consequences on human rights. This paper therefore examines how religious agents in Wole Soyinka’s “The Strong Breed” (1973) use the authorities of tradition and conformity to entrench tyranny. Analyses indicate that the social contradictions and conflicts that are immanent in the society of the play are functions of distinct ideological categories/cultural frames in dramatic conflicts which make social change inevitable.
基于社会学和批判性话语分析的见解,本研究探讨了宗教如何使个人和机构在传统非洲社会中使权力和社会控制合法化。这表明,宗教除了是社会凝聚力与和谐的工具之外,还可以在削弱弱者和少数人的权利方面为优势群体的利益服务。这是建立在这样一个框架之上的,即宗教机构及其代理人所行使的权力基本上来自习俗、传统和顺从。传统和顺从的权威确保代理人维持这种文化模式,而不管其对人权的影响。因此,本文考察了索因卡(woll soinka)的《坚强的品种》(The Strong Breed, 1973)中的宗教代理人是如何利用传统和顺从的权威来巩固暴政的。分析表明,戏剧社会内在的社会矛盾和冲突是不同的意识形态范畴/文化框架在戏剧冲突中的作用,这使得社会变革不可避免。
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引用次数: 0
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Journal of English Studies
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