Il suffit de pousser les portes du TNP nouvellement renove et de laisser errer son regard dans les couloirs du bâtiment pour comprendre que ce lieu de theâtre est aussi un lieu charge d’Histoire. Si les differentes salles vouees a la representation accueillent le spectacle vivant, les divers espaces qui y menent (hall, foyer, escaliers...) se font l’ecrin des souvenirs, des grands moments qui ont fait ce pour quoi le TNP est aujourd’hui tout a la fois une maison, un esprit, des histoires plut...
{"title":"Ce qu’il reste de vivant : mémoire(s) du TNP","authors":"Émilie Charlet, A. Pellois","doi":"10.4000/agon.2661","DOIUrl":"https://doi.org/10.4000/agon.2661","url":null,"abstract":"Il suffit de pousser les portes du TNP nouvellement renove et de laisser errer son regard dans les couloirs du bâtiment pour comprendre que ce lieu de theâtre est aussi un lieu charge d’Histoire. Si les differentes salles vouees a la representation accueillent le spectacle vivant, les divers espaces qui y menent (hall, foyer, escaliers...) se font l’ecrin des souvenirs, des grands moments qui ont fait ce pour quoi le TNP est aujourd’hui tout a la fois une maison, un esprit, des histoires plut...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130587011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Souvenirs superposés","authors":"Denise Gaspard-Huit, Mélissa Golebiewski, Mariana Marcondes Braga","doi":"10.4000/agon.2640","DOIUrl":"https://doi.org/10.4000/agon.2640","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129475712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre coulisses et scène","authors":"C. Grossmann, Anaïs Marty, Flora Souchier","doi":"10.4000/agon.2647","DOIUrl":"https://doi.org/10.4000/agon.2647","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128831668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Conte, Clarisse Bernez-Cambot Labarta, Lucile Tanoh-Koutoua
{"title":"Ce que prodigieux veut dire","authors":"M. Conte, Clarisse Bernez-Cambot Labarta, Lucile Tanoh-Koutoua","doi":"10.4000/agon.2626","DOIUrl":"https://doi.org/10.4000/agon.2626","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128572947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Heidi Weiler, qui sauvegarde trace apres trace la memoire du TNP de Villeurbanne, est elle-meme presque invisible sur la toile. Pour en savoir plus sur cette figure dont la discretion est proportionnelle a l’importance capitale du travail qu’elle effectue, il faut la rencontrer. La, elle vous dira qu’apres avoir vecu et etudie en Allemagne, elle est arrivee en France en 1982. Elle vous dira qu’apres avoir repris des etudes de lettres, on lui a demande de faire de l’interpretariat pour les ven...
{"title":"La rigueur de la mémoire et la pudeur des souvenirs","authors":"Heidi Weiler, P. Picot","doi":"10.4000/agon.2636","DOIUrl":"https://doi.org/10.4000/agon.2636","url":null,"abstract":"Heidi Weiler, qui sauvegarde trace apres trace la memoire du TNP de Villeurbanne, est elle-meme presque invisible sur la toile. Pour en savoir plus sur cette figure dont la discretion est proportionnelle a l’importance capitale du travail qu’elle effectue, il faut la rencontrer. La, elle vous dira qu’apres avoir vecu et etudie en Allemagne, elle est arrivee en France en 1982. Elle vous dira qu’apres avoir repris des etudes de lettres, on lui a demande de faire de l’interpretariat pour les ven...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116929079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Isabelle Sadoyan, Inès Guégo-Rivalan, Iara Fonseca, Flora Souchier
{"title":"Matériau brut, mémoire vive","authors":"Isabelle Sadoyan, Inès Guégo-Rivalan, Iara Fonseca, Flora Souchier","doi":"10.4000/agon.2629","DOIUrl":"https://doi.org/10.4000/agon.2629","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129640074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Il n’y a pas un soir qui ressemble à un autre soir”","authors":"Béatrice Chavaux, Caroline Mounier-Vehier, Samantha Pelé","doi":"10.4000/agon.2611","DOIUrl":"https://doi.org/10.4000/agon.2611","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115013999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le refus de l’anecdote","authors":"M. Raskine, Adèle Gascuel, Marine Helmlinger","doi":"10.4000/agon.2620","DOIUrl":"https://doi.org/10.4000/agon.2620","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121993010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De l’image au paysage sonore, la passion du théâtre public","authors":"A. Serré, Juliette Riedler","doi":"10.4000/agon.2615","DOIUrl":"https://doi.org/10.4000/agon.2615","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121669456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lumières d’un homme de l’ombre","authors":"André Diot, S. Bornstein, Baptiste Mongis","doi":"10.4000/agon.2605","DOIUrl":"https://doi.org/10.4000/agon.2605","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123737262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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