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Bronze age settlement and necropolis of Trnjane, near Bor - revision and new research results 波尔附近特恩简青铜时代聚落与墓地——修正与新研究成果
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070051k
A. Kapuran, M. Gavranović, M. Mehofer
In archaeological literature, the site of Trnjane, near Bor in eastern Serbia is known as an urn necropolis, with 43 discovered urn graves. The excavations in Trnjane took place between 1985 and 1987-1989, and continued in 1998. The investigations also included an excavation of a nearby settlement, but the results of this research were never published. In most of the previous studies, Trnjane was assigned to the Middle and Late Bronze Age, while the necropolis was often connected with the spread of the Urnfield Phenomena from Central Europe toward the Balkans. New investigations started in 2017 as cooperation between the Archaeological Institute in Belgrade and the Institute for Oriental and European Archaeology (OREA) of the Austrian Academy of Sciences shed new light on the chronology and cultural assignment of Trnjane and other similar surrounding sites in the region of eastern Serbia. The excavation of the settlement area in 2017 and 2018 yielded numerous finds indicating metallurgical activities connected with copper ore smelting (slag and ores), while pottery finds showed a typological resemblance with an Early and Middle Bronze Age repertoire. The radiocarbon dates from the settlement area and from urn graves of the neighbouring necropolis also point to a much earlier time than previously assumed. The new chronological determination of Trnjane raises a set of new questions, especially regarding the cultural connections between central Europe and the Balkans and transfers of copper ore smelting technology in the Bronze Age.
在考古文献中,塞尔维亚东部博尔附近的Trnjane遗址被称为骨灰盒墓地,共有43个骨灰盒坟墓。特恩詹的挖掘工作于1985年至1987-1989年间进行,并于1998年继续进行。调查还包括挖掘附近的一个定居点,但这项研究的结果从未发表。在之前的大多数研究中,特恩简被认为是青铜时代中晚期,而墓地通常与乌恩菲尔德现象从中欧向巴尔干地区的传播有关。2017年,贝尔格莱德考古研究所与奥地利科学院东方和欧洲考古研究所(OREA)的合作开始了新的调查,为特恩詹和塞尔维亚东部地区其他类似周边遗址的年代学和文化分配提供了新的线索。2017年和2018年对定居地区的挖掘发现了许多与铜矿石冶炼(矿渣和矿石)有关的冶金活动,而陶器的发现显示了与青铜时代早期和中期的类型学相似性。来自聚落地区和邻近墓地的骨灰盒坟墓的放射性碳年代也表明比先前假设的时间要早得多。对特恩珍妮的新的时间确定提出了一系列新的问题,特别是关于中欧和巴尔干半岛之间的文化联系以及青铜时代铜矿石冶炼技术的转移。
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引用次数: 4
Revisiting “Tin in South-eastern Europe?” 重温“锡在东南欧?”
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070085p
W. Powell, Ognjen Mladenović, Steffanie R. Cruse, A. Bankoff, R. Mathur
The important role of the Balkans in the origin and development of metallurgy is well established with respect to copper. In addition, Aleksandar Durman, in his 1997 paper ?Tin in South-eastern Europe??, essentially initiated studies into the role of the Balkans in Europe?s Bronze Age tin economy. He identified six geologically favourable sites for tin mineralisation and associated fluvial placer deposits in the former Yugoslavian republics, and suggested that these may have added to the tin supply of the region. The viability of two of these sites has been confirmed (Mt Cer and Bukulja, Serbia) but the exploitation potential for the other locations has remained untested. River gravels from these four sites (Motajica and Prosara in Bosnia and Herzegovina; Bujanovac in Serbia; Ograzden in North Macedonia) were obtained by stream sluicing and panning. The sites of Prosara and Bujanovac were found to be barren with respect to cassiterite (SnO2). Streams flowing from Motajica and Ograzden were both found to contain cassiterite, but in amounts several orders of magnitude less than at Mt Cer and Bukulja. Although it is possible that minor tin recovery occurred at Motajica and Ograzden, it is unlikely that they could have contributed meaningfully to regional tin trade. This is supported by the fact that the isotopic signature (?124Sn) of cassiterite from Motajica is highly enriched in light isotopes of tin compared to that associated with Late Bronze Age artefacts of the region.
在铜方面,巴尔干地区在冶金学的起源和发展中所起的重要作用是公认的。此外,亚历山大·杜尔曼(Aleksandar Durman)在其1997年的论文《锡在东南欧?》从本质上开始研究巴尔干在欧洲的角色?青铜时代的锡经济。他在前南斯拉夫共和国确定了6个有利于锡矿化和相关河流砂矿的地质地点,并提出这些地点可能增加了该地区的锡供应。其中两个地点(塞尔山和塞尔维亚布库尔贾)的可行性已得到证实,但其他地点的开发潜力仍未得到检验。这四个地点的河流砾石(波斯尼亚和黑塞哥维那的莫塔希卡和普罗萨拉;塞尔维亚的布雅诺瓦奇;Ograzden(北马其顿)是通过河道泄洪和淘沙获得的。发现Prosara和Bujanovac遗址在锡石(SnO2)方面是贫瘠的。从莫塔吉卡和奥格拉登流出的河流都被发现含有锡石,但数量比Cer山和Bukulja山少几个数量级。虽然在Motajica和Ograzden可能有少量的锡回收,但它们不太可能对区域锡贸易作出有意义的贡献。Motajica锡石的同位素特征(- 124Sn)与该地区的青铜时代晚期文物相比,锡的轻同位素高度富集,这一事实支持了这一观点。
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引用次数: 1
Block-type military balneum in Timacum Minus its spatial arrangement, social impacts, and architectural analogies Timacum的块状军事平衡减去其空间安排,社会影响和建筑类比
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070145b
Igor S. Bjelić
The remains of a Roman bath are situated northeast of the remains of the Timacum Minus castrum. The discovered building is small in size, with a total area of about 242 m?. According to the specific layout of rooms, with a reduced spatial organization of its plan, the building belongs to the reduced block-type of military small baths - balneae. In the territory of Serbia, no military balneae of this type have been discovered so far, which are otherwise common for border areas throughout the Roman Empire. The specific spatial relationship between the individual rooms and the characteristic building forms registered in the building plan indicate that the origin of the architecture of the military balneum in Timacum Minus should be associated with the Roman architecture of the balneae that belong to the villae rusticae in Central Europe.
罗马浴场的遗迹位于蒂玛库姆遗址的东北部。发现的建筑面积不大,总面积约242平方米。根据房间的具体布局,其平面的空间组织减少,该建筑属于军用小浴池-浴池的减少块状。在塞尔维亚境内,到目前为止还没有发现这种类型的军事巴尼,而在整个罗马帝国的边境地区,这种情况很常见。单个房间与建筑平面图中记录的特色建筑形式之间的特定空间关系表明,Timacum Minus军事balneae建筑的起源应该与中欧乡村的罗马balneae建筑有关。
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引用次数: 0
A message from beyond the grave: Hercules rescuing Hesione on a Stojnik funerary monument 来自坟墓之外的信息:赫拉克勒斯在斯托伊尼克的葬礼纪念碑上拯救了赫西奥内
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070111g
Nadezda Gavrilovic-Vitas, Jelena Andjelkovic-Grasar
The research of this study is dedicated to a unique iconographical scene in the territory of the Central Balkan Roman provinces, of Hercules rescuing Hesione from a sea-monster (ketos), depicted on a funerary monument found in 1931 at the site of Stojnik, in the vicinity of Belgrade, antique Singidunum, and now displayed in the lapidarium of the National Museum in Belgrade. The funerary monument was erected for the deceased, a veteran of cohors II Aurelia nova, Publius Aelius Victorinus, by his wife Aurelia Rufina and their son Publius Aelius Acutianus. The rich iconography of the monument makes it a very important example of funerary art in the period from the end of the 2nd and the beginning of the 3rd century - the eschatological symbolism of the presented scenes and motifs is more than clear and underlines not only the hope of the deceased?s family for his eternal and blessed life after death, but also the deceased?s victory over death and presents him as a symbol of courage and virtue. The architectural scheme of the monument, along with its iconography, suggests strong artistic influences from Noricum and both the Pannonian provinces, while the the mythical tale of Hercules and Hesione was chosen, it is argued, not only because Hercules was one of the most favoured gods in the Roman army, but also because he was a protector of miners and mines.
本研究致力于研究中巴尔干罗马省领土上的一个独特的图像场景,即赫拉克勒斯从海怪(ketos)手中救出赫西奥尼(Hesione),这一场景被描绘在1931年在贝尔格莱德附近的斯托伊尼克(Stojnik)遗址发现的一个丧葬纪念碑上,这是一个古老的Singidunum,现在陈列在贝尔格莱德国家博物馆的lapidarium。这座葬礼纪念碑是为已故的奥雷里亚二世的老兵布布利乌斯·埃利乌斯·维克托里努斯建造的,由他的妻子奥雷里亚·鲁菲娜和他们的儿子布布利乌斯·埃利乌斯·阿克提阿努斯建造的。丰碑上丰富的图像使其成为2世纪末3世纪初丧葬艺术的一个重要例子——所呈现的场景和主题的末世象征主义非常清晰,不仅强调了死者的希望?他的家人为他死后的永恒和幸福的生活,还逝者?他战胜了死亡,并把他描绘成勇敢和美德的象征。纪念碑的建筑方案,以及它的肖像,表明了来自诺里库姆和潘诺尼亚省的强烈艺术影响,而赫拉克勒斯和赫西奥涅的神话故事被选中,这是有争议的,不仅因为赫拉克勒斯是罗马军队中最受欢迎的神之一,而且因为他是矿工和矿山的保护者。
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引用次数: 0
Local provenance of raw materials for prehistoric pottery production at the Spasovine tin placer site (Western Serbia) Spasovine锡砂矿遗址史前陶器生产原料的当地来源(塞尔维亚西部)
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070041p
W. Powell, Lina Pacifico, Terrence E. Mitchell, Steffanie R. Cruse, H. Bankoff
Archaeological finds at Spasovine, on the south flank of Mt Cer, near the town of Milina, indicate that it was settled in the Eneolithic and seasonally inhabited for tin placer mining in the Late Bronze Age. The site is highly disturbed and abraded domestic pottery is the most common material found. An analysis of the mineralogical assemblages that comprise the temper sand in a subset of the prehistoric pottery sherds from the site indicate that the sand was obtained from the adjacent Milinska River. Key minerals that link the pottery to on-site production from local materials include almandine-spessartine series garnets, the tin-bearing mineral cassiterite (SnO2) and a microlite group mineral ([Ca,Sn,U]2[Ta,Nb]2O6(OH,F]). The unusually common occurrence of cassiterite within the pottery sherds relative to the abundance in the Milinska today suggests that the tin ore grade in the Milinska River may have been significantly higher in prehistory.
考古发现,位于Cer山南侧,靠近Milina镇的Spasovine,表明它在新石器时代就有人定居,在青铜时代晚期,季节性地有人居住,开采锡砂矿。该遗址受到高度干扰,磨损的家用陶器是最常见的材料。对该遗址史前陶器碎片子集中的回火砂的矿物学组合分析表明,这些砂来自邻近的米林斯卡河。将陶器与当地材料的现场生产联系起来的关键矿物包括铝镁铁石榴石系列石榴石,含锡矿物锡石(SnO2)和微石族矿物([Ca,Sn,U]2[Ta,Nb]2O6(OH,F])。相对于今天米林斯卡河的丰富程度,陶器碎片中罕见的锡石含量表明,米林斯卡河的锡矿品位在史前可能要高得多。
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引用次数: 1
From an element to a composition: Reconstruction of a vault of terracotta tubes from Timacum Minus, Serbia 从一个元素到一个组成:重建塞尔维亚Timacum Minus的陶土管拱顶
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070173b
Igor S. Bjelić, Emilija Nikolic
The renewal of the archaeological excavations of Timacum Minus in 2019 initiated extensive analyses and an additional interpretation of the results of previous excavations of its buildings. One of the buildings outside the fortification has attracted special attention, because of both its constructive solutions and its dimensions. Although the archaeological research of ?the building with a hypocaust? has never been completed, there are enough discovered segments that indicate the applied building techniques and constructions. In addition to under-floor and wall heating systems, this building had vaults built of terracotta tubes. The rarely discovered and insufficiently documented examples of this type of vaulted structure in Roman architecture in south-eastern Europe necessitate a deeper analysis of their remains in Timacum Minus, with the aim of obtaining relevant information important not only for the reconstruction of the construction process and appearance of ?the building with a hypocaust?, but also for future architectural analyses of Roman buildings in the territory of Serbia and in the surrounding region.
2019年,蒂马库姆遗址考古发掘的更新启动了广泛的分析,并对之前对其建筑的发掘结果进行了额外的解释。防御工事外的一座建筑引起了特别的关注,因为它的建设性解决方案和它的尺寸。尽管考古研究发现,这座建筑曾发生过地下大火。从未完成,有足够的发现片段表明应用的建筑技术和结构。除了地板下和墙壁上的供暖系统外,这座建筑还有用陶土管建造的拱顶。在东南欧的罗马建筑中,这种类型的拱形结构很少被发现,也没有充分的文献记录,因此有必要对它们在Timacum Minus的遗迹进行更深入的分析,目的是获得相关信息,这些信息不仅对重建建筑过程和建筑外观很重要。也是为了将来对塞尔维亚境内及周边地区的罗马建筑进行建筑分析。
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引用次数: 1
Roman sarcophagus from Titel 提尔的罗马石棺
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070201d
B. Djuric
The unusual Roman sarcophagus of green volcaniclastic rock that was found in Titel, a small town in Vojvodina (SRB), and is now kept in the Muzeul National al Banatului, in Timi?oara (RO), caused considerable unease among scholars in the past as it could not be convincingly connected with any of the productions in Pannonia and Moesia Superior. Only Silvio Ferri, albeit a long time ago, correctly identified its connection with the sarcophagus production in Sirmium and with the sarcophagus of Asclepiodota in particular, made of Dardagani limestone. Sarcophagi of volcaniclastic rock have only been recorded in the region of Srem and its immediate vicinity, and were all produced in Sirmium. The material most likely arrived there from the south, quarried near the village of Rajici, ca 25 km west of Domavia, in the valley of the River Drina. The structure and decoration of the sarcophagus from Titel reveal it as essentially the type produced by the workshops at Salona using models from Prokonessos. Having said that, its decorative details reveal a more complex picture. The decoration of narrow strips of plant motifs indicates a close relationship between the sarcophagus workshops at Sirmium and the workshops active in the middle and upper valley of the River Drina with its tributaries, with the centre at Skelani (municipium Malvesiatium), which, in turn, had close ties with the Salona production. The use of the Norico-Pannonian volute of Type 6 (after Pochmarski) on the inscription panel frame of the sarcophagus from Titel shows another area of influence - the travertine sarcophagus production of Aquincum - on the appearance of the sarcophagi from Sirmium that freely use these motifs (including Type 7) to form the frames of the inscription and figural panels. Available evidence clearly shows that the sarcophagus from Titel can be attributed to the Sirmium sarcophagus production of the 3rd century, more precisely its second half.
这个不寻常的罗马绿色火山碎屑石棺是在伏伊伏丁那省(SRB)的一个小镇提泰尔(Titel)发现的,现在保存在蒂米?oara (RO),在过去引起了学者们的相当大的不安,因为它不能令人信服地与Pannonia和Moesia Superior的任何作品联系起来。只有西尔维奥·费里(Silvio Ferri),尽管是很久以前,正确地确定了它与锡尔米乌姆石棺生产的联系,特别是与由达尔达格尼石灰石制成的Asclepiodota石棺的联系。火山碎屑岩石棺只在斯雷姆及其邻近地区有记录,全部产自锡尔米乌姆。这些材料很可能来自南部,在多马维亚以西约25公里的德里纳河流域的拉吉西村附近采石。从提泰尔石棺的结构和装饰来看,它基本上是萨洛纳作坊使用普罗科内索斯的模型制作的。话虽如此,它的装饰细节揭示了一个更复杂的画面。窄条植物图案的装饰表明,锡尔米乌姆的石棺作坊与德里纳河及其支流中上游河谷活跃的作坊之间有着密切的关系,与斯卡拉尼(Malvesiatium)的中心有密切的关系,而斯卡拉尼又与萨洛纳的生产有密切的联系。在提泰尔石棺的铭文面板框架上使用了Norico-Pannonian第6型(在Pochmarski之后)的外壳,这表明锡尔米乌姆石棺的外观受到了另一个领域的影响——阿奎姆石棺的石灰华制作——它自由地使用这些图案(包括第7型)来形成铭文和图形面板的框架。现有证据清楚地表明,提尔石棺可以归因于3世纪的锡尔米乌姆石棺生产,更准确地说,是它的下半叶。
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引用次数: 0
Re-conservation and reinpretation of a Roman Fresco from Sirmium 锡尔米乌姆罗马壁画的重新保护和再现
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070225g
Dragan J. Gavrilović, Kristina Ponjavić
This paper deals with the re-conservation of an old conserved unit and the new iconographic analysis of a wall painting that was kept in the Museum of Srem?s (Sremska Mitrovica, Serbia) storage depot. Experts from the Provincial Institute for the Protection of Cultural Monuments started but did not finish the reconstruction in the 1990s, which has led to its further deterioration. Their conservation and restoration work on these fragments were extensive and offered a wealth of extraordinary technological and iconographic information.
本文讨论了对一个旧的保存单元的重新保护,以及对一幅保存在Srem?s(塞尔维亚斯雷姆斯卡米特罗维察)仓库。省文化古迹保护研究所的专家们在20世纪90年代开始但没有完成重建,这导致了它的进一步恶化。他们对这些碎片进行了广泛的保护和修复工作,并提供了丰富的非凡技术和图像信息。
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引用次数: 0
Some remarks on the genesis of the early Eneolithic in the Central Balkans 对中巴尔干地区早期新石器时代起源的几点评述
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070009b
A. Bulatović, A. Bankoff, W. Powell, V. Filipović
The study addresses an imprecisely defined period between the end of the Neolithic and the beginning of the Eneolithic in the Central Balkans. The study primarily refers to the characteristic ceramic forms common to both the Vinca culture and the Early Eneolithic groups, especially the Bubanj-Hum I group. The pottery under consideration originates exclusively from absolutely dated sites, single-layered sites, and sites that possess a well-defined vertical stratigraphy. The analyses of pottery, combined with brief reviews on economic strategies, the chipped stone industry, settlement topography and the process of metallurgy indicate that the transitional period from the Vinca culture to the Bubanj-Hum I group was a gradual process in the Central Balkans, without major external factors, yet continuous cultural contacts with the neighbouring communities, especially into the east. This gradual process of vertical genetic transmission between the 47th and the 45th century calBC resulted in the formation of the Bubanj-Hum I group.
这项研究解决了在巴尔干中部新石器时代结束和新石器时代开始之间的一个不精确定义的时期。该研究主要参考了温卡文化和早期新石器时代群体共同的特征陶瓷形式,特别是Bubanj-Hum I群体。所考虑的陶器完全来自绝对有年代的遗址、单层遗址和具有明确垂直地层的遗址。对陶器的分析,结合对经济战略、凿石业、聚落地形和冶金工艺的简要回顾表明,在巴尔干中部,从温卡文化到布班吉-胡姆I群体的过渡时期是一个渐进的过程,没有主要的外部因素,但与邻近社区,特别是东部社区的文化接触是持续的。在公元前47世纪和45世纪之间,这种垂直遗传传递的渐进过程导致了Bubanj-Hum I群体的形成。
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引用次数: 2
Monumental altar from Singidunum with scenes of a sacrificial procession - pompa et immolatio 来自Singidunum的纪念性祭坛,有献祭队伍的场景- pompa et immolatio
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.2298/sta2070095g
Nadezda Gavrilovic-Vitas
A monumental altar was found in the very centre of Belgrade, ancient Singidunum, in 1932, with iconographic scenes of the sacrificial procession for a ritual animal sacrifice - immolatio. The scenes depict the procession of sacrificial animals to the altar known as pompa, by the victimarii, but also represent priests of a lower rank (flamines minores), with ritual utensils like a wine-pitcher, patera and acerra, used for the ritus of purification which precedes the sacrifice and for ritual acts during the sacrifice. The altar from Singidunum represents a unique monument with the described iconography in the territory of Moesia Superior and it has only been published in catalogue form to date, never fully analysed or interpreted. Through the analysis of its iconography, typology, function, geographically closest analogies and possible context of its finding, new conclusions regarding the praxis of public ritual sacrifice are brought to light related to the period from the second half of the 2nd century to the first decades of the 3rd century in Singidunum, one of the main centres of Moesia Superior.
1932年,在古老的Singidunum,贝尔格莱德的中心发现了一个巨大的祭坛,祭坛上有动物献祭仪式的祭祀队伍的图像场景。这些场景描绘了被称为pompa的祭坛上牺牲者的祭祀动物的队伍,但也描绘了较低级别的牧师(flamines minores),他们带着像酒壶、patera和acerra这样的仪式器具,用于祭祀前的净化仪式和祭祀期间的仪式行为。Singidunum的祭坛代表了一个独特的纪念碑,在Moesia Superior的领土上,它只以目录的形式出版,从未被完全分析或解释过。通过对其肖像学、类型学、功能、地理上最接近的类比及其发现的可能背景的分析,有关2世纪下半叶至3世纪前几十年在Singidunum (Moesia Superior的主要中心之一)进行的公共仪式献祭实践的新结论得以揭示。
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引用次数: 0
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Starinar
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