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Chronotopic (non)modernity in translocal mobile messaging among Chinese migrants in the UK 在英国的中国移民的跨地区移动通讯中的时间(非)现代性
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-17 DOI: 10.1075/ip.00043.lyo
Agnieszka Lyons, Caroline Tagg, R. Hu
Migration is often seen as crossing both space and time, from the traditional past to the modern present, while leading to perceived changes in migrants themselves. This article draws on data from a large ethnographic project to explore the ways in which Chinese translocal families dispersed between China, Hong Kong and the UK exploit mobile messaging apps to negotiate the post-migration value of Chinese-ness and Chinese tradition in geographically dispersed family and social contexts. Drawing on the concept of the mobile chronotope, we show how Chinese families and friends employ textual and multimodal resources to negotiate mobile chronotopes of (non)modernity in translocal mobile messaging interactions. Our discourse analysis focuses on critical junctures at which modernist chronotopic negotiations are most visible. The article contributes to an understanding of the discursive construction of multiple (non)modernities by showing how migrants (re)position themselves along a gradient of chronotopic modernity in everyday mobile messaging encounters.
移民通常被视为跨越空间和时间,从传统的过去到现代的现在,同时导致移民本身的感知变化。本文借鉴了一个大型民族志项目的数据,探讨了分散在中国、香港和英国之间的中国跨国家庭如何利用移动通讯应用程序,在地理分散的家庭和社会背景下,协商华人性和中国传统的迁移后价值。根据移动时位的概念,我们展示了中国家庭和朋友如何利用文本和多模态资源在跨本地移动消息交互中协商(非)现代性的移动时位。我们的话语分析集中在现代主义时位谈判最明显的关键时刻。本文通过展示移民如何在日常移动通讯遭遇中沿着时间主题现代性的梯度(重新)定位自己,有助于理解多重(非)现代性的话语建构。
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引用次数: 1
How much reading between the lines is there in online game playing? 在线游戏中,字里行间的阅读量是多少?
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1075/ip.00039.sak
Noboru Sakai
This paper discusses to what extent people can convey and understand intentions and messages in Monster Strike, which has only one tool for intentional messaging – called ‘good job’ (GJ) – to send messages to other players, and it is, therefore, interesting to analyze how players exchange ideas and infer each other’s communicative intentions using a limited means of communication towards a common goal. This paper describes the significance of GJ first through an analysis of actual game playing, with supplemental information from players’ discussion spaces on line. The communications encompass (1) the original meaning (i.e., ‘good job’); (2) extended interpretations; and (3) an attention signal, with shared temporary and cumulative knowledge of the game and the players’ own dispositions.
本文讨论了人们在《怪物弹珠》中传达和理解意图和信息的程度,这款游戏只有一种故意传递信息的工具——“good job”(GJ)——向其他玩家发送信息,因此,分析玩家如何通过有限的交流手段来交流想法并推断彼此的交流意图是很有趣的。本文首先通过对实际游戏过程的分析来说明GJ的意义,并辅以在线玩家讨论空间的信息。沟通包含(1)原意(即“干得好”);(2)引申解释;(3)一种注意力信号,具有共同的暂时和累积的游戏知识以及玩家自己的性情。
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引用次数: 0
Dániel Z. Kádár, Politeness, Impoliteness and Ritual: Maintaining the Moral Order in Interpersonal Interaction Dániel Z.KáDár,礼貌、不礼貌与仪式:维护人际交往中的道德秩序
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1075/ip.00034.wan
Jiayi Wang
Daniel Z. Kadar has been the most vocal scholar of ritual in the field of pragmatics. His recently published monograph epitomises his ground-breaking exploration of the broad interface that exists between politeness, impoliteness and ritual. Its aim is to provide a research framework that captures the interface area. Specifically, it sets up the first (im)politeness-focused interactional model of ritual. Ritual is not a completely new concept for politeness researchers due to the fundamental impact of the works of renowned sociologist Erving Goffman (1955, 1967) on the theorising of politeness. Brown and Levinson (1978/1987) loosely adopted the notion of face from Goffman to build their seminal theory of politeness, which has been widely adopted and criticised, and recently there has been a call to return to the original Goffmanian notion of face (see Wang and Spencer-Oatey 2015 for a detailed discussion). Goffman used ritual to refer to all types of interpersonal interactions that involve face work. Within politeness research, it is Kadar and colleagues who, through a series of published studies (e.g. Kadar 2013; Kadar and de la Cruz 2016; Kadar and Ran 2015; Kadar and Robinson Davies 2016), have brought ritual to the fore of our attention. This volume defines it as a recurrent, emotively invested action that reinforces or transforms interpersonal relationships (p.12). Kadar’s definition is somewhat different from Goffman’s in that it aims to ‘capture the formal and functional interactional characteristics of ritual practices from the politeness researchers’ data-driven perspective’ (p.54). By focusing on the relational function of ritual action, Kadar approaches this phenomenon through an analysis of its role in maintaining a perceived communal moral order in interactions.
丹尼尔·z·卡达尔是语用学领域研究仪式的权威学者。他最近出版的专著集中体现了他对礼貌、不礼貌和仪式之间广泛界面的开创性探索。它的目的是提供一个捕捉界面区域的研究框架。具体而言,它建立了第一个以礼貌为中心的仪式互动模型。礼仪对于礼貌研究者来说并不是一个全新的概念,因为著名社会学家欧文·戈夫曼(Erving Goffman, 1955,1967)的研究对礼貌的理论化产生了根本性的影响。Brown和Levinson(1978/1987)粗略地采用了Goffman的面子概念来构建他们的开创性礼貌理论,该理论被广泛采用和批评,最近有一种呼吁回归到最初的Goffmanian面子概念(参见Wang和Spencer-Oatey 2015年的详细讨论)。戈夫曼用仪式来指代所有涉及面部表情的人际互动。在礼貌研究中,卡达尔及其同事通过一系列已发表的研究(如卡达尔2013;卡达尔和德拉克鲁兹2016;Kadar and Ran 2015;卡达尔和罗宾逊戴维斯2016),把仪式带到我们关注的前沿。本卷将其定义为一种经常性的、情感投入的行为,可以加强或改变人际关系(第12页)。Kadar的定义与Goffman的定义有些不同,因为它旨在“从礼貌研究人员的数据驱动角度捕捉仪式实践的形式和功能互动特征”(第54页)。通过关注仪式行为的关系功能,卡达尔通过分析其在互动中维持感知的公共道德秩序方面的作用来研究这一现象。
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引用次数: 0
Why is Twitter so popular in Japan? 为什么Twitter在日本如此受欢迎?
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1075/IP.00030.IZU
Mitsuko Narita Izutsu, Katsunobu Izutsu
Across the countries of the world, Japan can rightly claim to be a great “Twitter nation” (Akimoto 2011). Japanese people like to tweet anytime and anywhere. Although the popularity of Twitter in Japan is often associated with the large information capacity of Japanese character sets (Wagner 2013),Neubig and Duh (2013)prove that this is not necessarily the case. Our research compares two sets of data (300 tweets for each) posted by Japanese and Americans, and demonstrates that Japanese tweets contain more monologic features, or show a higher degree of monologicity, than Americans’ tweets. Also, more than 60% of the sentence-ending forms in the Japanese tweets do not encode explicit addressee orientation. The study reveals that it is not the Japanese unique character sets, but the grammatical devices for monologization that linguistically allow Japanese users to enjoy the fullest benefits of online anonymity and addressee underspecification provided by Twitter.
在世界各国,日本可以正确地宣称自己是一个伟大的“推特国家”(Akimoto 2011)。日本人喜欢随时随地发推特。尽管推特在日本的流行通常与日本人物集的大量信息容量有关(Wagner 2013),但Neubig和Duh(2013)证明了事实并非如此。我们的研究比较了日本人和美国人发布的两组数据(每条推文300条),并表明日本人的推文比美国人的推文包含更多的单一逻辑特征,或显示出更高的单一逻辑程度。此外,日本推文中超过60%的句子结尾形式没有明确的收件人方向编码。这项研究表明,并不是日语特有的字符集,而是单一语言的语法手段使日本用户能够在语言上享受推特提供的在线匿名和收件人不明确的最大好处。
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引用次数: 4
A study of phatic emoji use in WhatsApp communication 在WhatsApp通信中使用“发”表情符号的研究
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1075/IP.00029.AUL
Bethany Aull
Mobile messaging is considered as a prominent site for phatic communication, where interpersonal connection is often foregrounded over information transaction. Though frequently overlooked, a large amount of this interpersonal work is done nonverbally through regular and meaningful emoji use. This exploratory study deals with emoji use within Laver’s (1975) phatic token framework, showing that different relationship structures (e.g., status-differential vs. solidary) correspond to distinct phatic token norms. The article analyzes phatic emoji use in a small-scale corpus of WhatsApp interactions between (a) a teacher and her L2-English students and (b) a teacher and her friends/family. Qualitative and quantitative analyses reveal patterns which widely corroborate Laver’s account of socially marked and unmarked token options: the teacher, the students, and the friends/family members tend towards addressee-specific use of neutral, other-oriented, and self-oriented phatic emojis.
手机短信被认为是一个重要的网络通信平台,在这里,人与人之间的联系往往比信息交易更重要。尽管经常被忽视,但大量的人际关系工作是通过定期和有意义的表情符号的使用来完成的。这项探索性研究在Laver(1975)的表情符号框架中处理表情符号的使用,表明不同的关系结构(例如,地位差异与团结)对应于不同的表情符号规范。本文分析了WhatsApp互动的小规模语料库中表情符号的使用(a)一位老师和她的l2英语学生以及(b)一位老师和她的朋友/家人。定性和定量分析揭示的模式广泛证实了Laver对社会标记和未标记符号选项的描述:教师、学生和朋友/家人倾向于使用中性、他人导向和自我导向的表情符号。
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引用次数: 23
Monika Kopytowska, ed. Contemporary Discourses of Hate and Radicalism across Space and Genres Monika Kopytowska主编《跨越空间和流派的仇恨与激进主义当代话语》
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1075/ip.00037.dau
Gintaras Dautartas
This article reviews Contemporary Discourses of Hate and Radicalism across Space and Genres 978-90-272-4281-5
本文综述了跨时空、跨流派的当代仇恨与激进主义话语978-90-272-4281-5
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引用次数: 0
“The murderer is him ✓” “凶手就是他。”
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-10-16 DOI: 10.1075/ip.00038.zha
L. Zhang, Daniel Cassany
This paper analyzes humorous comments created through a popular viewing-and-commenting system used in China and Japan, known as danmu (or danmaku). This system enables its users to superimpose anonymous comments on the video frame, which are displayed in subsequent viewing. We collected 327 user-selected ‘funniest’ screenshots of comments from danmu video sharing sites. Using content and discourse analysis, we re-contextualized the comments and identified main mechanisms of humor. Results show that speakers make fun of the plot, characters and of each other, relating to the video frame, Chinese culture and Japanese fandom. They rely on non-aggressive but rather playful teasing, allusions and retorts, and apply multimodal resources such as color, layout, and symbols to enhance the humorous effect. Our study contributes to the emerging research focus on multimodal humor (Yus 2016), social semiotics and a discursive approach to danmu-mediated communication.
本文分析了中国和日本流行的观看和评论系统danmu(或danmaku)所创造的幽默评论。该系统允许用户在视频帧上叠加匿名评论,并在随后的观看中显示。我们从丹木视频分享网站上收集了327张用户选择的“最有趣”的评论截图。通过内容分析和话语分析,我们将评论重新置于语境中,并确定了幽默的主要机制。研究结果表明,演讲者在视频框架、中国文化和日本粉丝群体方面,对情节、人物和彼此进行了调侃。他们依靠非攻击性但相当戏谑的调侃、典故和反驳,并运用色彩、布局和符号等多模式资源来增强幽默效果。我们的研究有助于新出现的对多模态幽默(Yus 2016)、社会符号学和丹木中介交际的话语方法的研究。
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引用次数: 19
Internet pragmatics and the future 互联网语用学及其未来
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-05-20 DOI: 10.1075/IP.00022.YUS
Francisco Yus
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引用次数: 2
Daria Dayter, Discursive Self in Microblogging: Speech acts, stories and self-praise Daria Dayter,微博中的散漫自我:言语行为、故事和自我赞扬
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-05-20 DOI: 10.1075/IP.00027.JOH
Marjut Johansson
This article reviews Discursive Self in Microblogging: Speech acts, stories and self-praise 978-90-272-5665-2
本文回顾了微博中的话语自我:言语行为、故事和自我赞扬98-90 -272-5665-2
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引用次数: 0
Place identity construction in Greek neomigrants’ social media discourse 希腊新移民社交媒体话语中的身份建构
IF 1.1 Q1 Arts and Humanities Pub Date : 2019-05-20 DOI: 10.1075/IP.00026.GEO
Mariza Georgalou
The phenomenon of brain drain migration from Greece, also known as Greek neomigration, has acquired an astoundingly massive character due to the ongoing economic crisis in the country. Considering that a migrant’s identity is defined by a physical move from one place to another, this paper aims at exploring the discourse practices of place-making by Greek neomigrants, focusing on the role of social media in this endeavour. Drawing on discourse analysis (Myers 2010; Aguirre and Graham Davies 2015), identity construction theories (Blommaert 2005; Benwell and Stokoe 2006), environmental psychology (Proshansky, Fabian and Kaminoff 1983) and discourse-centred online ethnography (Androutsopoulos 2008), this study presents and discusses empirical data from a Greek neomigrant settled in the UK, who writes about his migration experience on his blog as well as on his Twitter and Facebook accounts. The analysis demonstrates that the Greek neomigrant place identity construction can be realized through a complex of linguistic and discourse strategies, including comparison and evaluation, construction of in-groups and out-groups, language and script alternations, entextualisation of other voices, and visual connotations. It is shown that, for migrants, social media constitute significant outlets for place-making, constructing place identity and asserting (or eschewing) belonging. In so doing, it also brings to the surface crucial social, cultural and psychological aspects of the current Greek neomigration phenomenon and confirms the potential of social media discourses to heighten awareness of neomigrants’ dis/integrating processes, placing discourse analysis at the service of global mobility phenomena.
由于希腊持续的经济危机,来自希腊的人才外流移民现象,也被称为希腊新移民,已经具有了惊人的巨大特征。考虑到移民的身份是由从一个地方到另一个地方的身体移动来定义的,本文旨在探索希腊新移民在创造场所方面的话语实践,重点关注社交媒体在这一努力中的作用。本研究借鉴话语分析(Myers 2010;Aguirre和Graham Davies 2015)、身份建构理论(Blommaert 2005;Benwell和Stokoe 2006)、环境心理学(Proshansky、Fabian和Kaminoff 1983)和以话语为中心的在线民族志(Androutsopoulos 2008),呈现并讨论了一名定居英国的希腊新移民的经验数据,他在自己的博客以及推特和脸书账户上写下了自己的移民经历。分析表明,希腊新移民的地方认同建构可以通过复杂的语言和话语策略来实现,包括比较和评价、群内和群外的建构、语言和脚本的转换、其他声音的互文化以及视觉内涵。研究表明,对于移民来说,社交媒体是创造场所、构建场所身份和维护(或回避)归属感的重要渠道。通过这样做,它还揭示了当前希腊新移民现象的关键社会、文化和心理方面,并证实了社交媒体话语的潜力,以提高对新移民的分离/融合过程的认识,将话语分析置于全球流动现象的服务中。
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引用次数: 2
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Internet Pragmatics
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