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Racist discourse in the years of the Greek financial crisis: Evidence from the Greek press 希腊金融危机时期的种族主义言论:来自希腊媒体的证据
Q2 Social Sciences Pub Date : 2019-04-01 DOI: 10.1386/JGMC.5.1.45_1
C. Lees, Antonis Alfieris
In the wake of Greece’s economic crisis, expressions and acts of racism have become noticeably more prevalent, particularly in light of the rise of the neo-Nazi Golden Dawn party. Two significant topics in public discourse that gave rise to expressions of racism were the amendment of the Greek citizenship law, which came into effect in 2010 and was heavily debated in the run up to the 2012 Greek general elections, as well as the perceived increase in immigration at the start of the refugee crisis. By investigating newspaper articles from Greek newspapers of different political affiliations during the period around the Greek general elections of 2012, we intend to provide examples of how racism was constructed in the language of the press at the time and analyse this against the background of the economic crisis in Greece.
在希腊经济危机之后,种族主义的言论和行为明显变得更加普遍,特别是在新纳粹金色黎明党崛起的背景下。公共话语中引起种族主义表达的两个重要话题是2010年生效的希腊公民法修正案,并在2012年希腊大选之前进行了激烈的辩论,以及难民危机开始时移民的增加。通过调查2012年希腊大选前后不同政治派别的希腊报纸上的文章,我们打算提供种族主义是如何在当时的媒体语言中构建的例子,并在希腊经济危机的背景下进行分析。
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引用次数: 0
Performing euphoric cosmopolitanism: The aesthetics of life and public space in psytrance phantasmagoria 表现欣快感的世界主义:psytrance幻境中的生活美学与公共空间美学
Q2 Social Sciences Pub Date : 2019-04-01 DOI: 10.1386/JGMC.5.1.69_1
Leandros Kyriakopoulos
How can we conceive the cosmopolitan ideal of travelling and experiencing exotic difference, so much embraced by ‘countercultural’ practices, once it is aestheticized into phantasmagorical dream-worlds? How can we think of people getting wasted due to drug-fuelled, long-lasting dancing without resorting to idealisms of ‘alternate experiences’ and romanticisms about ideal ways of belonging? This article explores psytrance festivals ‐ a cultural product of the Electronic Dance Music (EDM) carnivalesque celebrations, drug consumption (for the most part LSD and MDMA) and euphoric travelling of the 1960s ‐ with an emphasis on cosmopolitanism, aesthetic intimacy and the care of the self. By examining the mobility of Greek aficionados in EDM festivals in Europe, which have gained great popularity since the first decade of the twenty-first century, I discuss the enactment of the chemical celebration in accordance with the sensorial formations, desiring-images and narratives that weave the imagination of psytrance music culture. In contrast with most of the academic literature that views EDM events as a ‘heterotopic’ set-up that facilitates ‘liminal experiences’ ‐ supposedly evidence of the possibility of an out-of-the-ordinary lifestyle as opposed to everyday normativity ‐ I propose to investigate the excesses of consumption and bodily expenditure within metaphors that support psytrance technoaesthetics.
我们怎么能想象旅行和体验异域风情的世界性理想,一旦它被审美化成虚幻的梦境世界,就会被“反主流文化”实践所接受?我们怎么能不诉诸于“另类体验”的理想主义和关于理想归属方式的浪漫主义,就想到人们因毒品而变得酩酊大醉、长时间跳舞呢?这篇文章探讨了精神恍惚节——20世纪60年代电子舞曲(EDM)狂欢式庆祝活动、毒品消费(主要是LSD和MDMA)和愉悦旅行的文化产物——强调世界主义、审美亲密和对自我的照顾。通过考察自21世纪第一个十年以来欧洲EDM音乐节中希腊狂热爱好者的流动性,我讨论了化学庆祝活动的制定与编织精神音乐文化想象力的感官形成、欲望图像和叙述相一致。与大多数将EDM事件视为促进“阈限体验”的“异位”设置的学术文献相反,我建议在支持心理技术美学的隐喻中调查过度消费和身体支出。阈限体验被认为是一种不同寻常的生活方式的可能性的证据。
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引用次数: 1
On the politics of queer resistance and survival: Athena Athanasiou in conversation with Vassiliki Kolocotroni and Dimitris Papanikolaou 论酷儿抵抗与生存的政治:Athena Athanasiou与Vassiliki Kolocotroni和Dimitris Papanikolaou的对话
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.269_7
A. Athanasiou, V. Kolocotroni, D. Papanikolaou
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引用次数: 2
O Nikos Kazantzakis ston kinimatografo (Nikos Kazantzakis in Cinema), Thanasis Agathos (2017) Nikos Kazantzakis Stone电影记录(Nikos Kahantzakis在电影中),Thanasis Agathos(2017)
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.285_5
P. Mini
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引用次数: 0
Queer subjectivities within political scenes: Traumatic relations, exposed vulnerabilities 政治场景中的酷儿主体性:创伤关系,暴露的弱点
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.151_1
Soula Marinoudi
This article examines the lives of queer people as performed in the biographies of ten interlocutors who participated in the queer political scene during the decade 2000–10. In recent years, a wide range of queer/feminist subjectivities, groups and spaces have emerged within collective social movements in Greece. These new approaches to radical feminism and queer life-forms often convey a sense of discontinuity with the recent past, as queer voices have been marginalized in the anti-authoritarian and the radical leftist political scene until recently. I argue that the anti-authoritarian and leftist political space in and around the various social grassroots movements constituted – in their own right – disciplinary fields as well as gender-constructing mechanisms. Gendered subjectivities, either entirely excluded or included on restrictive terms, exposed the limits of the political body. In this article, I explore how these new queer contexts can work through the traumas out of which they have emerged, and I argue that the emergence of a queer political scene in Greece signals a shift from passionate attachments to new modes of relationality. These new modes of relating expose vulnerabilities and emerge as negotiations of intimacy between the self and the other.
本文考察了在2000 - 2010年间参与酷儿政治舞台的10位对话者的传记中表现出来的酷儿人群的生活。近年来,在希腊的集体社会运动中,出现了广泛的酷儿/女权主义主体性、群体和空间。这些激进女权主义和酷儿生活形式的新方法往往传达出一种与最近的过去不连贯的感觉,因为直到最近,酷儿的声音在反威权主义和激进左翼政治舞台上一直被边缘化。我认为,在各种社会基层运动内部和周围的反威权主义和左翼政治空间,以其自身的权利,构成了学科领域和性别建构机制。性别的主体性,要么被完全排除,要么被限制地包括在内,都暴露了政治主体的局限性。在这篇文章中,我探讨了这些新的酷儿背景是如何通过他们所产生的创伤来发挥作用的,我认为希腊酷儿政治场景的出现标志着从激情依恋到新的关系模式的转变。这些新的关系模式暴露了脆弱性,并以自我与他人之间亲密关系的谈判形式出现。
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引用次数: 1
Epithymies kai politiki; i queer istoria tou ellinikou kinimatografou (1924–2016) (Politics and Desire: The Queer History of Greek Cinema (1924–2016)), Konstantinos Kyriakos (2017)
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.281_5
Phevos Kallitsis
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引用次数: 0
Bodies of truth: The terrible beauty of queer performance 真理的身体:酷儿表演的可怕之美
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.255_1
G. Sampatakakis
This piece examines five recent performances from Greece in an attempt to map both their interventions and contributions to the development of Greek queer aesthetics. It provides a chart of this relatively unknown performative landscape and explains how the queering process works in constructing queer ‘freaks’, cultural mourning and a new iconography of Greekness.
这篇文章考察了希腊最近的五场表演,试图描绘出他们对希腊酷儿美学发展的干预和贡献。它提供了这一相对不为人知的表演景观的图表,并解释了酷儿过程如何在构建酷儿“怪胎”,文化哀悼和希腊新形象方面发挥作用。
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引用次数: 0
Legal recognition of same-sex partnership as a political claim: Just aporias, critical (im)possibilities 同性伴侣关系作为一种政治主张在法律上得到承认:只是一种偶然的、关键的(不)可能性
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/jgmc.4.2.187_1
A. Papanagiotou
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引用次数: 1
New queer Greece: Performance, politics and identity in crisis 新酷儿希腊:危机中的表演、政治和身份
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.143_2
D. Papanikolaou, V. Kolocotroni
Dimitris Papanikolaou is Associate Professor of Modern Greek Studies at the University of Oxford. He has written the monographs: Singing Poets: Literature and Popular Music in France and Greece (Legenda, 2007), “Those people made like me”: C.P.Cavafy and the poetics of sexuality (Patakis, 2014, in Greek) and There is something about the family: Nation, desire and kinship in a time of crisis (Patakis, 2018, in Greek). His editorial work includes the new editions of the work of Costas Taktsis in Greek and the special issue of the Journal of Greek Media and Culture on Cavafy Pop (2014; co-edited with Eleni Papargyriou). He is currently completing the book Greek Weird Wave: A Cinema of Biopolitics, for Edinburgh University Press.
Dimitris Papanikolaou是牛津大学现代希腊研究副教授。他撰写了专著:《歌唱诗人:法国和希腊的文学和流行音乐》(Legenda,2007)、《那些像我一样的人》:C.P.Cavafy和性诗学(Patakis,2014,希腊语)和《家庭有一些东西:危机时期的国家、欲望和亲情》(Patakiis,2018,希腊文)。他的编辑工作包括新版希腊语Costas Taktsis的作品和《希腊媒体与文化杂志》关于Cavafy Pop的特刊(2014;与Eleni Papargyriou共同编辑)。他目前正在为爱丁堡大学出版社完成《希腊怪异的浪潮:生物政治电影》一书。
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引用次数: 4
Anamnesis and queer poe(/li)tics: Dissident sexualities and the erotics of transgression in Cyprus 健忘症和酷儿症:塞浦路斯不同的性行为和越轨的情色
Q2 Social Sciences Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.239_1
S. Karayanni
This article examines queer Cyprus issues in terms of national and sexual identity politics, queer historiography and a transgressive aesthetic of desire. It relies on the premise that focusing on the personal experience of desire offers a mode of narrative that may mitigate the displacement of queer experience and subvert systemic oppression. At various moments and most prominently in Part D, the writing attempts a discursive performance whose context, tone and character adjust themselves to the article’s engagement with queer politics of Cyprus. As an ultimate goal, this performance seeks to contribute less to the much-rehearsed debates on sexual identities and more to their attendant politics of power and to the poetics of desire. Along with the pursuit of sexual fulfilment, the poetics of desire become fundamental elements in constructing a sense of personal sexual history. As I examine the legacies of colonial orientalism within the context of queer desire, I explore the possibility of spaces where dissenting sexualities may inscribe a trajectory while in the grip of strictures that determine gender, sexual and national performance. By turning attention to personal spaces, this article delineates a subjective consciousness whose personal imaginings expand into queer embodiments that unfold across and beyond.
这篇文章从国家和性别认同政治、酷儿史学和欲望的越界美学的角度来探讨酷儿塞浦路斯问题。它所依赖的前提是,关注个人的欲望体验提供了一种叙事模式,这种模式可能会减轻酷儿经历的位移,并颠覆系统性的压迫。在不同的时刻,最突出的是在D部分,写作试图一个话语的表现,其背景,语气和性格调整自己的文章与塞浦路斯的酷儿政治的参与。作为最终目标,这一表演试图减少对反复排练的关于性别身份的辩论的贡献,更多地关注随之而来的权力政治和欲望的诗学。随着对性满足的追求,欲望的诗学成为建构个人性历史感的基本要素。当我在酷儿欲望的背景下审视殖民东方主义的遗产时,我探索了不同的性行为在决定性别、性和国家表现的束缚下可能铭刻轨迹的空间的可能性。通过将注意力转向个人空间,本文描绘了一种主观意识,其个人想象扩展为跨界和超越的酷儿体现。
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引用次数: 1
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Journal of Greek Media and Culture
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