Pub Date : 2022-04-07DOI: 10.5604/01.3001.0015.8229
J. Święch
On 17 April 2021, Roman Tubaja, an ethnographer, museum curator, and a long-standing director of the Ethnographic Museum in Toruń named after Maria Znamierowska-Prüffer, passed away. Born on 16 February 1944 in Warlubie, Kociewie, he graduated in ethnography from the Jagiellonian University in 1966. As of 1967, he worked at the Ethnographic Museum in Toruń continuing there throughout all his career, and moving up the entire promotion ladder. Having been appointed Head of the Folk Architecture Department in 1970, in 1978, he was promoted to become Deputy Director for Research, while on 1 April 1980, he was assigned to become Director of the Ethnographic Museum in Toruń, which he remained for almost 30 years until his retirement in 2009. An excellent logistician, during his term of office he consistently extended and modernized the Museum, doubling the volume of the collection; furthermore, he held team stationary ethnographic research in the regions forming Gdansk Pomerania. Roman Tubaja’s academic output is made up of almost 40 papers tackling folk architecture as well as history and theory of ethnographic museology, of conceptual works, and of numerous conference speeches. He also authored several museum exhibitions.
{"title":"ROMAN TUBAJA (1944–2021)","authors":"J. Święch","doi":"10.5604/01.3001.0015.8229","DOIUrl":"https://doi.org/10.5604/01.3001.0015.8229","url":null,"abstract":"On 17 April 2021, Roman Tubaja, an ethnographer,\u0000museum curator, and a long-standing director\u0000of the Ethnographic Museum in Toruń named after Maria\u0000Znamierowska-Prüffer, passed away. Born on 16 February\u00001944 in Warlubie, Kociewie, he graduated in ethnography\u0000from the Jagiellonian University in 1966. As of 1967, he\u0000worked at the Ethnographic Museum in Toruń continuing\u0000there throughout all his career, and moving up the entire\u0000promotion ladder. Having been appointed Head of the Folk\u0000Architecture Department in 1970, in 1978, he was promoted\u0000to become Deputy Director for Research, while on 1 April\u00001980, he was assigned to become Director of the Ethnographic\u0000Museum in Toruń, which he remained for almost 30 years\u0000until his retirement in 2009. An excellent logistician, during his\u0000term of office he consistently extended and modernized the\u0000Museum, doubling the volume of the collection; furthermore,\u0000he held team stationary ethnographic research in the regions\u0000forming Gdansk Pomerania. Roman Tubaja’s academic output\u0000is made up of almost 40 papers tackling folk architecture as\u0000well as history and theory of ethnographic museology, of\u0000conceptual works, and of numerous conference speeches.\u0000He also authored several museum exhibitions.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46745610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-28DOI: 10.5604/01.3001.0015.7119
P. Majewski
The revised publication (Muzeum w kulturze pamięci Rzeczpospolitej Obojga Narodów. Antologia najwcześniejszych tekstów [Museum in Memory Culture of the Polish-Lithuanian Commonwealth. Anthology of the Earliest Texts], Vol. 1: 1766–1882, Vol. 2: 1882–1917, eds. Tomasz F. de Rosset, Michał F. Woźniak, Ewelina Bednarz Doiczmanowa, Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, Toruń 2020), prepared as part of the research project financed with a grant from the National Programme of the Development of Humanities, constitutes a valuable example of primary source analyses which form grounds for the reflection on the history of Polish museology, particularly during Poland’s partitions, consistently leading to its synthesis. The publication is a precious reading supporting the research programme and the curriculum in disciplines related to museology and preservation of cultural heritage.
修订版(museum w kulturzepamięci rzeczposolitej Obojga Narodów)。Antologianajwcześniejszych tekstów[波兰立陶宛联邦记忆文化博物馆]。最早的文本选集]，卷1:1766-1882，卷2:1882-1917，编辑。Tomasz F. de Rosset, michaowf . Woźniak, Ewelina BednarzDoiczmanowa, Wydawnictwo Naukowe UniwersytetuMikołaja Kopernika, toruski 2020)，作为国家人文发展计划资助的研究项目的一部分，构成了主要来源分析的有价值的例子，为反思波兰博物馆学的历史，特别是在波兰的分裂期间，形成了一个有价值的综合。该出版物是支持博物馆学和文化遗产保护相关学科的研究计划和课程的宝贵读物。
{"title":"MUSEUM IN MEMORY CULTURE","authors":"P. Majewski","doi":"10.5604/01.3001.0015.7119","DOIUrl":"https://doi.org/10.5604/01.3001.0015.7119","url":null,"abstract":"The revised publication (Muzeum w kulturze\u0000pamięci Rzeczpospolitej Obojga Narodów. Antologia\u0000najwcześniejszych tekstów [Museum in Memory Culture\u0000of the Polish-Lithuanian Commonwealth. Anthology of the\u0000Earliest Texts], Vol. 1: 1766–1882, Vol. 2: 1882–1917, eds.\u0000Tomasz F. de Rosset, Michał F. Woźniak, Ewelina Bednarz\u0000Doiczmanowa, Wydawnictwo Naukowe Uniwersytetu\u0000Mikołaja Kopernika, Toruń 2020), prepared as part of the\u0000research project financed with a grant from the National\u0000Programme of the Development of Humanities, constitutes\u0000a valuable example of primary source analyses which form\u0000grounds for the reflection on the history of Polish museology,\u0000particularly during Poland’s partitions, consistently leading to\u0000its synthesis. The publication is a precious reading supporting\u0000the research programme and the curriculum in disciplines\u0000related to museology and preservation of cultural heritage.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47130939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-16DOI: 10.5604/01.3001.0015.5199
Redakcja Muzealnictwo
-
-
{"title":"From the Editors","authors":"Redakcja Muzealnictwo","doi":"10.5604/01.3001.0015.5199","DOIUrl":"https://doi.org/10.5604/01.3001.0015.5199","url":null,"abstract":"<jats:p>-\u0000\u0000</jats:p>","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47156876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-16DOI: 10.5604/01.3001.0015.8757
Tomasz Zaucha
In 2017–2021, the Museum Boijmans Van Beuningen in Rotterdam raised Depot, its new storage facility. Located centrally, the Depot is surrounded by the park close to the main Museum building. A unique 40m-high ovoid bowl-like shape is covered with mirrors reflecting everything around, and the facility is to house the Museum’s entire collection (over 150,000 exhibits). Fully accessible to the public, the Deport features a rooftop city viewing platform and a restaurant. The costs and challenges implied by the construction of a storage facility located in the city centre, and in a park, substantially exceeded those of ordinary facilities of the kind in city outskirts. However, owing to its bold and fascinating design, the Depot can undeniably become one of Rotterdam’s architectural icons, turning into an unquestionable tourist attraction. At the same time, the Depot has provided the solution to the problem of the collection storage, previously amassed in underground rooms vulnerable to flooding due to the high water level. A skilful synthesis of the collection accessibility and modern storage functions, supported by an attractive location and an unusual architectural form make the Depot an extremely attractive solution for museum storage facilities.
{"title":"DEPOT. NEW STORAGE FACILITY AT THE MUSEUM\u0000BOIJMANS VAN BEUNINGEN IN ROTTERDAM","authors":"Tomasz Zaucha","doi":"10.5604/01.3001.0015.8757","DOIUrl":"https://doi.org/10.5604/01.3001.0015.8757","url":null,"abstract":"In 2017–2021, the Museum Boijmans Van\u0000Beuningen in Rotterdam raised Depot, its new storage facility.\u0000Located centrally, the Depot is surrounded by the park close\u0000to the main Museum building. A unique 40m-high ovoid\u0000bowl-like shape is covered with mirrors reflecting everything\u0000around, and the facility is to house the Museum’s entire\u0000collection (over 150,000 exhibits). Fully accessible to the\u0000public, the Deport features a rooftop city viewing platform\u0000and a restaurant. The costs and challenges implied by the\u0000construction of a storage facility located in the city centre,\u0000and in a park, substantially exceeded those of ordinary\u0000facilities of the kind in city outskirts. However, owing to\u0000its bold and fascinating design, the Depot can undeniably\u0000become one of Rotterdam’s architectural icons, turning\u0000into an unquestionable tourist attraction. At the same time,\u0000the Depot has provided the solution to the problem of the\u0000collection storage, previously amassed in underground rooms\u0000vulnerable to flooding due to the high water level. A skilful\u0000synthesis of the collection accessibility and modern storage\u0000functions, supported by an attractive location and an unusual\u0000architectural form make the Depot an extremely attractive\u0000solution for museum storage facilities.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42671528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-11DOI: 10.5604/01.3001.0015.3616
Jarosław Łuczak
The beginning of historical-military museology in Poznan dates back to the mid-19th century when the Poznan Society of Friends of Learning assumed the responsibility to save historic monuments, and began to establish the Museum of Polish and Slavic Antiquities in the Grand Duchy of Posen (Poznan). The task was to collect archival, library, and museum materials, including militaria. As a result of these efforts, in 1882, the Mielżynski Museum was established which boasted an exquisite painting gallery, containing historical painting, a rich archaeological and military collection, and a sizeable collection of so-called historical mementoes: weapons, orders, decorations, etc. In the aftermath of the Greater Poland Uprising 1918 –1919, the Hindenburg Museum founded in 1916–1918 was transformed into a Military Museum. The ceremonial opening was held on 27 October 1919 by Józef Piłsudski, Poland’s Chief of State. The quickly growing collection was moved from Marcinkowskiego Avenue to the barracks in Bukowska Street, and subsequently to a new seat at 1 Artyleryjska Street in Poznan. The solemn opening of the Wielkopolska Military Museum was held on 22 April 1923 by the Commander of the 7th Corps District Major-General Kazimierz Raszewski. In 1939, anticipating the threat of war, the most precious objects were evacuated eastwards, and looted there. The items which stayed behind ended up in German museums. The mementoes connected with the history of the Polish military were destroyed, and the Museum was wound up. The first attempts at reactivating the Museum following WW II failed. It was only with the 1956 revolt that civil and military authorities changed their approach, The National Museum in Poznan undertook the first efforts. The Museum did not go back to its pre-WW II seat, but found home in a modern building in the Old Market Square in Poznan, to be ceremoniously launched on 22 February 1963 by the Commander of the Operational Air Force in Poznan Brigadier General Pilot Jan Raczkowski. Having recreated its collection, the Wielkopolska Military Museum, already as a Branch of the National Museum in Poznan, has held many exhibitions and shows. Moreover, it has released many publications, and run a broad range of educational activities. Among other projects, it has also made reference to the pre-WW II Museum. On 27 December 2019, a new jubilee exhibition ‘Wielkopolska Military Museum 1919–2019’ recording the 100-years’ history of the oldest historical-military museum in Poland was inaugurated.
{"title":"WIELKOPOLSKA (GREATER POLAND) MILITARY\u0000MUSEUM: HISTORY OF AN UNUSUAL MUSEUM","authors":"Jarosław Łuczak","doi":"10.5604/01.3001.0015.3616","DOIUrl":"https://doi.org/10.5604/01.3001.0015.3616","url":null,"abstract":"The beginning of historical-military museology\u0000in Poznan dates back to the mid-19th century when the\u0000Poznan Society of Friends of Learning assumed the responsibility\u0000to save historic monuments, and began to establish the\u0000Museum of Polish and Slavic Antiquities in the Grand Duchy of\u0000Posen (Poznan). The task was to collect archival, library, and\u0000museum materials, including militaria. As a result of these\u0000efforts, in 1882, the Mielżynski Museum was established\u0000which boasted an exquisite painting gallery, containing historical\u0000painting, a rich archaeological and military collection,\u0000and a sizeable collection of so-called historical mementoes:\u0000weapons, orders, decorations, etc.\u0000In the aftermath of the Greater Poland Uprising 1918\u0000–1919, the Hindenburg Museum founded in 1916–1918\u0000was transformed into a Military Museum. The ceremonial\u0000opening was held on 27 October 1919 by Józef Piłsudski,\u0000Poland’s Chief of State. The quickly growing collection was\u0000moved from Marcinkowskiego Avenue to the barracks\u0000in Bukowska Street, and subsequently to a new seat at\u00001 Artyleryjska Street in Poznan. The solemn opening of the\u0000Wielkopolska Military Museum was held on 22 April 1923\u0000by the Commander of the 7th Corps District Major-General\u0000Kazimierz Raszewski. In 1939, anticipating the threat of war,\u0000the most precious objects were evacuated eastwards, and\u0000looted there. The items which stayed behind ended up in\u0000German museums. The mementoes connected with the history\u0000of the Polish military were destroyed, and the Museum\u0000was wound up.\u0000The first attempts at reactivating the Museum following\u0000WW II failed. It was only with the 1956 revolt that civil and\u0000military authorities changed their approach, The National\u0000Museum in Poznan undertook the first efforts. The Museum\u0000did not go back to its pre-WW II seat, but found home in\u0000a modern building in the Old Market Square in Poznan, to\u0000be ceremoniously launched on 22 February 1963 by the\u0000Commander of the Operational Air Force in Poznan Brigadier\u0000General Pilot Jan Raczkowski.\u0000Having recreated its collection, the Wielkopolska Military\u0000Museum, already as a Branch of the National Museum in\u0000Poznan, has held many exhibitions and shows. Moreover,\u0000it has released many publications, and run a broad range\u0000of educational activities. Among other projects, it has also\u0000made reference to the pre-WW II Museum. On 27 December\u00002019, a new jubilee exhibition ‘Wielkopolska Military\u0000Museum 1919–2019’ recording the 100-years’ history of the\u0000oldest historical-military museum in Poland was inaugurated.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43823055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-11DOI: 10.5604/01.3001.0015.3626
Piotr Górajec, Magdalena Pasternak-Zabielska
In the paper the results of research titled Cultural Institutions during COVID-19. Museum Strategies for Reaching the Public are presented. It was conducted by the Forum of Museum Educators as commissioned by the National Institute for Museums and Public Collections (NIMOZ). The main purpose was to show the impact of the pandemic on the operations of museums after 12 March 2020 when the decision was made in Poland to close the culture sector to the public; the aim was also to diagnose and analyse problems that the pandemic caused, and to point to the directions of impact on cultural institutions possible in the future, namely after restoring ‘normality’. The perspective adopted in the research, i.e., institutional and individual one, enables a multifaceted analysis of the processes initiated by museums in response to unclear and often complicated mechanisms of the new pandemic reality, which still today, some dozen months since its outbreak, continues for museums the source of challenges as far as logistics and financing issues are concerned.
{"title":"(R)EVOLUTION OF MUSEUM EDUCATION\u0000DURING THE COVID-19 PANDEMIC","authors":"Piotr Górajec, Magdalena Pasternak-Zabielska","doi":"10.5604/01.3001.0015.3626","DOIUrl":"https://doi.org/10.5604/01.3001.0015.3626","url":null,"abstract":"In the paper the results of research titled\u0000Cultural Institutions during COVID-19. Museum Strategies\u0000for Reaching the Public are presented. It was conducted\u0000by the Forum of Museum Educators as commissioned by\u0000the National Institute for Museums and Public Collections\u0000(NIMOZ). The main purpose was to show the impact\u0000of the pandemic on the operations of museums after\u000012 March 2020 when the decision was made in Poland\u0000to close the culture sector to the public; the aim was\u0000also to diagnose and analyse problems that the pandemic\u0000caused, and to point to the directions of impact on\u0000cultural institutions possible in the future, namely after\u0000restoring ‘normality’. The perspective adopted in the\u0000research, i.e., institutional and individual one, enables\u0000a multifaceted analysis of the processes initiated by\u0000museums in response to unclear and often complicated\u0000mechanisms of the new pandemic reality, which still\u0000today, some dozen months since its outbreak, continues\u0000for museums the source of challenges as far as logistics\u0000and financing issues are concerned.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43027856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-06DOI: 10.5604/01.3001.0015.3455
Alicja Jagielska-Burduk, Piotr Stec
In the paper the analysis of two newly published commentaries (2021) on the Act on Museums is conducted: the first commentary by A. Barbasiewicz, a lawyer specializing in cultural heritage, and the other by a team of scholars: Z. Cieślik, I. Gredka-Ligarska, P. Gwoździewicz- -Matan, I. Lipowicz, A. Matan, K. Zeidler specializing in administrative proceedings and legal protection of historic monuments. Both publications represent various perspectives on the same issue, thus complementing one another. The difference in the approach makes them both useful to experienced practitioners on the one hand and those who happen to confront these topics for the first time one the other. Importantly, both have been written in a clear language comprehensible to non-lawyers. Their high-rating cannot be diminished by the few critical remarks formulated in the paper.
{"title":"TWO PERSPECTIVES ON THE ACT ON MUSEUMS","authors":"Alicja Jagielska-Burduk, Piotr Stec","doi":"10.5604/01.3001.0015.3455","DOIUrl":"https://doi.org/10.5604/01.3001.0015.3455","url":null,"abstract":"In the paper the analysis of two newly published\u0000commentaries (2021) on the Act on Museums is conducted:\u0000the first commentary by A. Barbasiewicz, a lawyer\u0000specializing in cultural heritage, and the other by a team\u0000of scholars: Z. Cieślik, I. Gredka-Ligarska, P. Gwoździewicz-\u0000-Matan, I. Lipowicz, A. Matan, K. Zeidler specializing\u0000in administrative proceedings and legal protection of\u0000historic monuments. Both publications represent various\u0000perspectives on the same issue, thus complementing one\u0000another. The difference in the approach makes them both\u0000useful to experienced practitioners on the one hand and\u0000those who happen to confront these topics for the first time\u0000one the other. Importantly, both have been written in a clear\u0000language comprehensible to non-lawyers. Their high-rating\u0000cannot be diminished by the few critical remarks formulated\u0000in the paper.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45884024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-28DOI: 10.5604/01.3001.0015.3120
Eliza Hamrol-Grobelna, Mirella Kryś
Two theses are formulated by the paper’s authors. The first speaks of the mission of making culture products available to the public, which was precisely the one Count Raczyński followed at the moment of founding the Library in 1829, and of the validity of this mission in the operations of the museum branches of the Raczyński Library: the Literary Museum of Henryk Sienkiewicz (MLHS) and the Flat-Studio of Kazimiera Iłłakowiczówna (MPKI). The second thesis claims that the book collections of both institutions are very special: they contain exceptional books and their book collections as such can become the object of research for literary scholars and linguists. Furthermore, information on the creation of the Raczyński Library and on the foundation of its museum branches is provided. In their analyses the authors classify the book collections into three basic categories: donated items, books that stand out as for their appearance, works created by the institutions’ donors, and an additional category for MPKI: books serving as tools for writers. The most interesting items within each category have been distinguished and described.
{"title":"SPECIFICITY OF THE COLLECTIONS AT MUSEUM\u0000BRANCHES OF THE RACZYŃSKI LIBRARY\u0000IN POZNAN","authors":"Eliza Hamrol-Grobelna, Mirella Kryś","doi":"10.5604/01.3001.0015.3120","DOIUrl":"https://doi.org/10.5604/01.3001.0015.3120","url":null,"abstract":"Two theses are formulated by the paper’s\u0000authors. The first speaks of the mission of making culture\u0000products available to the public, which was precisely\u0000the one Count Raczyński followed at the moment of\u0000founding the Library in 1829, and of the validity of this\u0000mission in the operations of the museum branches of\u0000the Raczyński Library: the Literary Museum of Henryk\u0000Sienkiewicz (MLHS) and the Flat-Studio of Kazimiera\u0000Iłłakowiczówna (MPKI). The second thesis claims that\u0000the book collections of both institutions are very special:\u0000they contain exceptional books and their book collections\u0000as such can become the object of research for literary\u0000scholars and linguists. Furthermore, information on the\u0000creation of the Raczyński Library and on the foundation\u0000of its museum branches is provided. In their analyses\u0000the authors classify the book collections into three basic\u0000categories: donated items, books that stand out as for\u0000their appearance, works created by the institutions’\u0000donors, and an additional category for MPKI: books\u0000serving as tools for writers. The most interesting items\u0000within each category have been distinguished and\u0000described.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41615934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-13DOI: 10.5604/01.3001.0015.2686
Wojciech Szafrański
The ‘National Collections of Contemporary Art’ Programme run by the Ministry of Culture and National Heritage (MKiDN) in 2011–2019 constituted the most important since 1989 financing scheme for purchasing works of contemporary art to create and develop museum collections. Almost PLN 57 million from the MKiDN budget were allocated by means of a competition to purchasing works for such institutions as the Museum of Modern Art in Warsaw (MSN), Museum of Art in Lodz (MSŁ), Wroclaw Contemporary Museum (MNW), Museum of Contemporary Art in Cracow (MOCAK), or the Centre of Polish Sculpture in Orońsko (CRP). The programme in question and the one called ‘Signs of the Times’ that had preceded it were to fulfil the following overall goal: to create and develop contemporary art collections meant for the already existing museums in Poland, but particularly for newly-established autonomous museums of the 20th and 21st century. The analysis of respective editions of the programmes and financing of museums as part of their implementation confirms that the genuine purpose of the Ministry’s ‘National Contemporary Art Collections’ Programme has been fulfilled.
{"title":"‘NATIONAL COLLECTIONS OF CONTEMPORARY\u0000ART’: PROGRAMME OF THE MINISTER OF\u0000CULTURE AND NATIONAL HERITAGE TO FINANCE\u0000PURCHASES OF CONTEMPORARY ART WORKS\u0000IN 2011–2019 PART 1. HISTORY: FINANCING","authors":"Wojciech Szafrański","doi":"10.5604/01.3001.0015.2686","DOIUrl":"https://doi.org/10.5604/01.3001.0015.2686","url":null,"abstract":"The ‘National Collections of Contemporary Art’\u0000Programme run by the Ministry of Culture and National\u0000Heritage (MKiDN) in 2011–2019 constituted the most\u0000important since 1989 financing scheme for purchasing\u0000works of contemporary art to create and develop museum\u0000collections. Almost PLN 57 million from the MKiDN budget\u0000were allocated by means of a competition to purchasing\u0000works for such institutions as the Museum of Modern\u0000Art in Warsaw (MSN), Museum of Art in Lodz (MSŁ),\u0000Wroclaw Contemporary Museum (MNW), Museum of\u0000Contemporary Art in Cracow (MOCAK), or the Centre of\u0000Polish Sculpture in Orońsko (CRP). The programme in\u0000question and the one called ‘Signs of the Times’ that had\u0000preceded it were to fulfil the following overall goal: to\u0000create and develop contemporary art collections meant for\u0000the already existing museums in Poland, but particularly\u0000for newly-established autonomous museums of the 20th\u0000and 21st century. The analysis of respective editions of the\u0000programmes and financing of museums as part of their\u0000implementation confirms that the genuine purpose of\u0000the Ministry’s ‘National Contemporary Art Collections’\u0000Programme has been fulfilled.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47521425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-09DOI: 10.5604/01.3001.0015.2632
R. Olkowski
Notes of a Curator at the National Museum published in 1970 in the second volume of the book Struggle for Cultural Goods is the only generally available testimony to saving the Wilanów historic monuments by Jan Morawiński, a forgotten hero from the times of WW II. Additionally priceless because of Morawiński documenting the looting of 137 paintings belonging to the pre-WW II Branicki collection at Wilanów. The above-mentioned Notes were published by the Państwowy Instytut Wydawniczy after the manuscript kept in the private archive of the author’s daughter Agnieszka Morawińska. The notes, however, resemble pieces of paper torn from a notebook in which an earlier chapter is missing. The missing chapter does exist, yet for unknown reasons was omitted in the two-volume Struggle for Cultural Goods. Warsaw 1939–1945 edited by Prof. Stanisław Lorentz. The present paper is based on Morawiński’s hand-written testimony, supported by archival sources and recollections of his colleagues from the National Museum in Warsaw (MNW). From August 1939 to August 1944, Jan Morawiński, together with others, was involved in saving precious museum exhibits in the Museum building, but also throughout Warsaw. He was involved in packing the historic monuments into crates which were to help them survive the toughest times, and he helped to put out fires at the Museum, risking his own life. Moreover, he rescued the Royal Castle collections during the hardest bombing of Warsaw, transporting them to the storages in Warsaw’s Jerozolimskie Avenue. For his dedication he was awarded the Virtuti Militari Cross of the 5th class by Gen. Juliusz Rómmel. After Warsaw’s surrender, he was assigned Head of MNW’s storerooms and inventories: when Director Lorentz was absent, he acted as his deputy. In the first period of the Nazi occupation he courageously faced German officials. Furthermore, he headed the clandestine action of inventorying and documenting German destructions and plundering. The knowledge amassed in this way was extremely helpful in the restitution of the looted historic monuments, not only museum ones. He also contributed to documenting the destruction of the Warsaw Castle. Imprisoned by the Nazis, he went through Gestapo’s hands at Daniłowiczowska Street in Warsaw. Later on, he became manager of the Museum of Old Warsaw in the Old Town, at the same time acting as a guardian of the Wilanów collection. Following the defeat of the Warsaw Uprising, he participated in the so-called Pruszków Action in whose course he was badly injured.
1970年出版的《为文化商品而奋斗》一书第二卷中的《国家博物馆馆长笔记》是Jan Morawiński拯救Wilanów历史古迹的唯一普遍可用的激励措施，第二次世界大战时期被遗忘的英雄。此外，由于莫拉文斯基记录了在威兰诺沃掠夺二战前布兰尼基收藏的137幅画作，这是无价的。上述笔记是在作者女儿Agnieszka Morawińska的私人档案中保存的手稿之后，由Państwowy Instytut Wydawniczy出版的。然而，这些笔记就像是从笔记本上撕下来的一张纸，上面的一章不见了。缺失的一章确实存在，但由于未知的原因，在两卷本的《文化商品的斗争》中被省略了。1939年至1945年，华沙，教授主编。Stanisław Lorentz。本文基于Morawiński的手写证词，并得到档案来源和他在华沙国家博物馆（MNW）同事的回忆的支持。从1939年8月到1944年8月，Jan Morawiński和其他人一起参与了在博物馆大楼保存珍贵博物馆展览的工作，但也贯穿了华沙。他参与了将历史遗迹打包到板条箱中，以帮助它们度过最艰难的时期，他还冒着生命危险帮助扑灭了博物馆的大火。此外，在华沙最猛烈的轰炸中，他救出了皇家城堡的收藏品，并将它们运到华沙杰罗佐姆斯基大道的仓库。由于他的奉献精神，他被Juliusz Rómmel将军授予了五级军事十字勋章。华沙投降后，他被任命为西北司令部仓库和库存负责人：洛伦兹局长缺席时，他担任他的副手。在纳粹占领的第一个时期，他勇敢地面对德国官员。此外，他还领导了清查和记录德国破坏和掠夺的秘密行动。通过这种方式积累的知识对归还被掠夺的历史遗迹非常有帮助，而不仅仅是博物馆。他还参与了华沙城堡被毁的记录工作。被纳粹监禁，在华沙的Daniłowiczowska街被盖世太保砍伤。后来，他成为了老城老华沙博物馆的经理，同时也是Wilanów藏品的监护人。华沙起义失败后，他参加了所谓的普鲁什科行动，在行动中他受了重伤。
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