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Lock, Stock and Barrel: Story, Song, and Image in Early Modern Vaspurakan 锁、股票和桶:现代早期瓦斯普拉坎的故事、歌曲和形象
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.07
E. Piñon
Abstract:In the seventeenth century an artist painted guns in the hands of fifth-century soldiers at the Battle of Avarayr—an anachronistic interjection in the telling of a key moment of Armenia's history. This article discusses the utility of this image and the medium that hosted it—a small manuscript of religious songs and poems called the sharaknots‛—in order to understand the mechanisms by which Armenians physically reconstituted, virtually reimagined, and sensually revivified their own histories in the late-medieval and early modern periods. Despite its central role as a historical intermediary, the illuminated sharaknots‛ made no promises to deliver the realities of Armenian history through its textual and visual contents. This study traces how the sharaknots‛ managed to repackage both history and prose as religious song and ritual—refracting both through the lens of an evolving devotional apparatus. The illuminated sharaknots‛ remains an underexplored source of the Armenian condition on the eastern fringes of the Ottoman Empire. Using a single case study—Boston Public Library MS q Med.199—this article attempts to show how the sharaknots‛ became a receptacle of Armenian historical imagination and a critical contact zone between the past and the present by exploring the many levels of separation between battle, historical record, song, and image.
摘要:17世纪,一位艺术家在阿瓦雷耶战役中绘制了五世纪士兵手中的枪支——这是讲述亚美尼亚历史关键时刻的一个不合时宜的插话。这篇文章讨论了这幅图像的实用性和承载它的媒介——一本名为“sharaknots”的宗教歌曲和诗歌的小手稿——以了解亚美尼亚人在中世纪晚期和现代早期对自己的历史进行身体重建、虚拟重新想象和感官复兴的机制。尽管它作为历史中介发挥着核心作用,但被照亮的sharaknots没有承诺通过其文本和视觉内容来呈现亚美尼亚历史的现实。这项研究追溯了沙拉克诺人是如何将历史和散文重新包装为宗教歌曲和仪式的——通过一个不断发展的虔诚机构的镜头折射这两者。被照亮的sharaknotś仍然是奥斯曼帝国东部边缘亚美尼亚人状况的一个未被充分挖掘的来源。波士顿公共图书馆MS q Med.199的这篇文章试图通过探索战争、历史记录、歌曲和图像之间的多个层面的分离,展示sharaknots是如何成为亚美尼亚历史想象力的容器和过去与现在之间的关键接触区的。
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引用次数: 0
History and Activism Combined: An Interview with Machiel Kiel on his Life-Long Efforts to Save Ottoman Monuments 历史与行动主义的结合:采访马赫埃尔·基尔,谈他为拯救奥斯曼纪念碑所做的毕生努力
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.27
Faruk Yaslıçimen
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引用次数: 0
The Social and Intellectual World of a Fifteenth-Century Poem 15世纪诗歌中的社会与知识世界
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.05
Oscar Aguirre-Mandujano
Abstract:In the early modern Ottoman world, poetry was an important mode of political and spiritual expression for social elites. Sultans, princes, generals, judges, and merchants tried their hand at composing poetry. In this essay, it is argued that the consumption of Ottoman divan poetry, from its composition to its reception, was an act of political and spiritual negotiation between poets, Sufi masters, and sultans. The efficacy of this negotiation depended on genre as much as it did on occasion. To this end, sections of a panegyric composed by Ahmet Pasha (d. 1496/7), poet laureate in Mehmed II's court, in praise of Sufi shaykh Tacüddin İbrahim-i Karamani (d.1467) are analyzed. Poems written for Sufi shaykhs in the second half of the fifteenth century show how scholars in the imperial court communicated with charismatic Sufi masters.
摘要:在奥斯曼帝国早期,诗歌是社会精英政治和精神表达的重要方式。苏丹、王子、将军、法官和商人都在努力创作诗歌。在这篇文章中,有人认为,奥斯曼迪万诗歌的消费,从创作到接受,都是诗人、苏菲大师和苏丹之间的政治和精神谈判行为。这次谈判的效果取决于类型,有时也取决于类型。为此,分析了穆罕默德二世宫廷的桂冠诗人艾哈迈德·帕沙(公元1496/7年)创作的赞美苏菲·沙伊赫·塔库丁·伊布拉希姆-卡拉马尼(公元1467年)的诗歌。15世纪下半叶为苏菲谢赫写的诗展示了朝廷学者如何与富有魅力的苏菲大师交流。
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引用次数: 0
Alevi-Bektashi Literature as a Discursive Tradition: Interpretive Strategies, Orality, Charisma-Loyalty 作为话语传统的阿列维-别克塔什文学:解释策略、口头性、魅力-忠诚
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.04
Zeynep Oktay-Uslu
ABSTRACT:Focusing on a particular textual and oral tradition of the Ottoman context, that of the Alevi-Bektashi written corpus, this article defines Alevi-Bektashi literature as a discursive tradition and stresses that different types of discourses, literary or otherwise, require different interpretive strategies. Understanding the type of discourse embodied by a given text can inform us on the interpretive communities involved. In the context of Alevi-Bektashi literature, this can help us to characterize the various social contexts of the heterogeneous body of texts at hand. In an aim to map the discursive field, three types of discourses are identified which are adapted from the terminologies proposed by Shahab Ahmed and Markus Dressler. These discourse types—named "prescriptive," "explorative," and "charisma-loyal"—are distinguished in selections from the poetry of seventeenth-century abdal poet Virani. The article proposes a method to combine a close reading of the texts with study of the social contexts in which they are consumed, thus hoping to open room for theoretical perspectives that go beyond disciplinary divisions.
摘要:本文围绕奥斯曼语境中一个特殊的文本和口头传统,即阿勒维-贝克塔什书面语料库,将阿勒维-贝克塔什文学定义为一种话语传统,并强调不同类型的话语,无论是文学的还是其他的,都需要不同的解释策略。理解特定文本所包含的话语类型可以为我们了解所涉及的解释群体提供信息。在Alevi Bektashi文学的背景下,这可以帮助我们描述手头异质文本的各种社会背景。为了绘制话语场,根据Shahab Ahmed和Markus Dressler提出的术语,确定了三种类型的话语。这些话语类型——被命名为“规定性的”、“探索性的”和“魅力忠诚的”——在17世纪阿卜杜勒诗人维拉尼的诗歌中有所不同。本文提出了一种方法,将对文本的细读与对文本消费的社会背景的研究相结合,从而希望为超越学科划分的理论视角开辟空间。
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引用次数: 0
The Ottoman Consuls in Boston, 1845–1914: An Untold Story 波士顿的奥斯曼帝国领事,1845–1914:不为人知的故事
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.12
Ömür Budak
Abstract:The Ottomans institutionalized and expanded their diplomatic and consular affairs in the first half of the nineteenth century. The bridgehead of the Ottoman consular initiative to the New World was Boston. In 1845, twenty-two years before the opening of the Ottoman legation in Washington, Boston became the first city in the Western Hemisphere to ever host an Ottoman consul. The Ottoman consular presence in this city, which lasted unremittingly until 1914, is unmapped, as is also the case with the rest of the US. The empire's consuls in Boston acted mostly in line with the playbook of nineteenth century diplomacy: While in the first three decades they mainly facilitated Ottoman-American maritime trade, from 1880s onwards, they gradually became more involved in carrying out political duties. This study, which sets to identify the six Ottoman consuls in Boston for the first time, mirrors through their stories such diverse issues as the development of trade, structural reforms, minorities, immigration, nationalist movements, and transcending ethnic and religious identities coloring the late Ottoman world. It also shows that with a belated and limited consular presence, the Ottomans remained rather unassertive in the US compared to rival European powers.
摘要:19世纪上半叶,奥斯曼帝国将外交和领事事务制度化并扩大。奥斯曼帝国向新大陆的领事倡议的桥头堡是波士顿。1845年,也就是奥斯曼公使馆在华盛顿设立22年前,波士顿成为西半球第一个接待奥斯曼领事的城市。奥斯曼帝国在这座城市的领事存在一直持续到1914年,没有绘制地图,美国其他地区也是如此。帝国在波士顿的执政官们的行为基本上与19世纪的外交剧本一致:虽然在最初的三十年里,他们主要是促进奥斯曼与美国的海上贸易,但从19世纪80年代开始,他们逐渐更多地参与到履行政治职责中来。本研究首次确定了波士顿的六位奥斯曼帝国执政官,通过他们的故事反映了贸易发展、结构改革、少数民族、移民、民族主义运动以及超越种族和宗教身份等各种各样的问题,这些问题为后期奥斯曼世界增添了色彩。它还表明,与欧洲竞争对手相比,由于姗姗来迟且领事存在有限,奥斯曼帝国在美国仍然相当不自信。
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引用次数: 0
A Hungry Population Stops Thinking About Resistance: Class, Famine, and Lebanon's World War I Legacy 饥饿人口停止思考抵抗:阶级、饥荒和黎巴嫩第一次世界大战的遗产
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.13
G. Pitts
Abstract:Conventional understandings of Mount Lebanon's World War I famine blamed outside forces for the tragedy. In particular, an Ottoman plot to starve the Lebanese has been the predominant explanation for the catastrophe. This view conflicts with how observers understood why the famine was happening as it unfolded. A rapacious capitalist class used its control over the apparatus of the state to accumulate profits while the poor and middling population of Beirut and Mount Lebanon faced starvation. The narrative that emerged subsequently deflected blame away from this class which maintained its control after the war.
摘要:对第一次世界大战黎巴嫩山饥荒的传统理解是外部力量造成了这场悲剧。特别是,奥斯曼帝国企图使黎巴嫩人挨饿的阴谋一直是这场灾难的主要解释。这种观点与观察家们对饥荒发生原因的理解相冲突。贪婪的资产阶级利用其对国家机器的控制来积累利润,而贝鲁特和黎巴嫩山区的穷人和中产阶级却面临着饥饿。随后出现的叙述将责任转移到这个在战后保持控制的阶级身上。
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引用次数: 0
Safavid-Ottoman Encounters in Persian Travel Prose and Poetry (1505–1741) 萨法维人和奥斯曼人在波斯旅行散文和诗歌中的相遇(1505-1741)
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.08
M. Amjadi
Abstract:Safavid-Ottoman encounters in Persian travel texts, none of which explore Europe, transcend the one-dimensional accounts of Shiite-Sunni rivalry often propagated in historical, jurisprudential, and polemical texts, and instead offer more complex manners of theorizing diverse and first-hand encounters between Safavid and Ottoman subjects. Sunni travelers, who moved from Iran to Mecca and beyond, tend to reveal more affinity with the Ottoman Empire and Ottoman sultans, rather than the Safavid shahs, as the embodiment of Shiite Iran. By decoding these predominantly understudied and overlooked travel texts—particularly those composed in verse—as self-documented attempts at self-inscriptions, scholars might better assess how Safavid Shiite and Sunni travel writers navigate their selfhood and envision the Ottomans as they move away from Safavid Iran towards the Ottoman realms.
摘要:波斯旅行文本中的萨非-奥斯曼相遇,没有一本探索欧洲,超越了历史、法学和辩论文本中经常传播的什叶派-逊尼派对抗的一维描述,而是提供了更复杂的方式,将萨非和奥斯曼主体之间的多样性和第一手相遇理论化。从伊朗搬到麦加及其他地方的逊尼派旅行者往往更倾向于与奥斯曼帝国和奥斯曼苏丹亲近,而不是作为什叶派伊朗化身的萨非王朝国王。通过将这些主要研究不足和被忽视的旅行文本——尤其是那些用诗歌创作的文本——解读为自我记录的自我铭文尝试,学者们可能会更好地评估萨非什叶派和逊尼派旅行作家如何驾驭自己的自我,并想象奥斯曼人从萨非伊朗走向奥斯曼王国。
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引用次数: 0
Male Discourses of Gender and Sexuality: How History Omits the Ottoman Elites' Love of Literature 性别与性的男性话语:历史如何忽略了奥斯曼精英对文学的热爱
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.09
S. Kuru
Abstract:The large number of poems produced by Ottoman male elite testifies to the fact that composing and reading literary works were central to their lives. Ottoman literary production was male-centered, an aspect yet to be interrogated in historical and literary studies. This aspect points to the role of entangled nodes of gender and sexuality in Ottoman historical and literary studies. Through brief observations about scholarship on gender and sexuality, this essay provides a close reading exercise on two premodern verse-romances and identifies the function of literature in Ottoman Turkish, beyond its aesthetic dimension, as a means of expression for elite Ottoman men's dreams and fantasies.
摘要:奥斯曼男性精英创作的大量诗歌证明了创作和阅读文学作品是他们生活的中心。奥斯曼的文学创作是以男性为中心的,这一点在历史和文学研究中还有待探讨。这方面指出了在奥斯曼历史和文学研究中性别和性的纠缠节点的作用。通过对关于性别和性的学术研究的简要观察,本文提供了对两部前现代诗歌浪漫小说的仔细阅读练习,并确定了文学在奥斯曼土耳其语中的功能,超越了它的审美维度,作为表达奥斯曼精英男人梦想和幻想的手段。
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引用次数: 1
The Place of Early Modern Arabic Culture 早期现代阿拉伯文化的发源地
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.06
Dana Sajdi
Abstract:This essay argues for treating early modern Arabic literary and historical traditions as a unified cultural phenomenon in space. In proposing the consideration of the spatial around the text, such as the physical location of its production and consumption, and within the text, such as the place of formulaic speech and poetry in literary and historical works, we would be able to bring out the material, the sonic, and the corporeal through which we could construct vivid images of past social reality and arrive at clearer conceptions of communal identity and individual practice.
摘要:本文主张将早期现代阿拉伯文学和历史传统视为空间上统一的文化现象。在提出对文本周围空间的考虑时,例如文本生产和消费的物理位置,以及文本内的空间,例如文学和历史作品中公式化的演讲和诗歌的位置,我们将能够带出材料,声音和肉体,通过它们我们可以构建过去社会现实的生动图像,并获得更清晰的公共身份和个人实践概念。
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引用次数: 0
Introduction to Entangled Literatures and Histories in the Premodern Ottoman World 前现代奥斯曼世界中纠缠的文献和历史导论
Q3 Arts and Humanities Pub Date : 2021-04-29 DOI: 10.2979/JOTTTURSTUASS.7.2.03
N. İ. Hüner Cora, Michael Pifer
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引用次数: 0
期刊
Journal of the Ottoman and Turkish Studies Association
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