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Who Was He? Internment, Exile and Ambiguity in Norbert Gstrein’s Novel Die englischen Jahre (The English Years) (1999) 他是谁?诺伯特·格斯特因小说《英伦岁月》中的拘禁、流放与模糊
Q3 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.7311/0860-5734.30.3.04
M. Löschnigg
Winner of the Alfred Döblin Preis in 1999, the novel Die englischen Jahre by the Austrian novelist Norbert Gstrein deals with internment and exile in Britain dur- ing and after the Second World War. It centres on the (fictitious) character of Gabriel Hirschfelder, a writer and refugee from Nazi-occupied Austria who is detained, with oth- er ‘enemy aliens,’ in a camp on the Isle of Man. There, Nazi sympathisers are interned together with Jewish and political refugees, and the central chapters in the novel depict the conditions and resulting conflicts in the internment camp. Hirschfelder dies in exile at Southend-on-Sea, having confessed shortly before his death that he killed a fellow inmate. This confession as well as reports of a transport of internees sunk off the coast of Scotland in 1940 incite a young Austrian woman to try to solve the mystery surrounding Hirschfelder and his allegedly lost autobiography The English Years. The paper discusses how Gstrein combines different genres like the historical novel/historiographic metafic- tion and the whodunit as well as using multiple narrative perspectives and refractions to pinpoint questions of shifting identities and allegiances, and of belonging and alienation in the wake of internment and exile.
1999年,奥地利小说家诺伯特·格斯特雷恩的小说《英国人的童年》获得了阿尔弗雷德Döblin文学奖。这本小说讲述了二战期间和战后英国的拘留和流亡生活。故事围绕(虚构的)作家加布里埃尔·赫斯菲尔德展开,他是纳粹占领下的奥地利的一名难民,与其他两名“敌国侨民”一起被关押在马恩岛的一个营地。在那里,纳粹同情者与犹太人和政治难民一起被拘留,小说的中心章节描述了拘留营的条件和由此产生的冲突。赫斯菲尔德在被流放的滨海绍森德去世,他在死前不久承认杀害了一名狱友。这段自白,以及1940年在苏格兰海岸沉没的一批被拘留者的报道,激起了一位年轻的奥地利女子试图解开围绕赫施菲尔德和他据称丢失的自传《英国岁月》的谜团。本文讨论了格林如何结合不同的体裁,如历史小说/史学元小说和侦探小说,以及使用多种叙事视角和折射来精确定位身份和忠诚的转变,以及在拘禁和流放之后的归属和异化问题。
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引用次数: 0
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal 性,博士(a)gs和摇滚:华丽金属,低俗金属和毛金属的不同男性气质
Q3 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.7311/0860-5734.30.1.11
Celina Jeray
The following essay retraces the genre development and correlations of three 1980s hard rock subgenres: glam metal, sleaze metal and hair metal. This issue is consid- ered, primarily, with reference to the theory of hegemonic and non-hegemonic masculini- ties developed by Raewyn Connell and reviewed against the theory of genre development by Jennifer C. Lena and Richard A. Peterson. Both theories are employed in order to un- derline the subtle differences between the subgenres, arguably linked to the masculinities performed by the artists’ assumed stage personas. Aside from the scholarly references, the research includes various interviews with the artists and music journalists, an analysis of over a hundred song lyrics and the vast repertoire of visual arts accompanying the music.
下面的文章回顾了20世纪80年代硬摇滚的三个分支:华丽金属、肮脏金属和毛金属的类型发展和相关性。对这一问题的思考,主要参考了莱温·康奈尔提出的霸权和非霸权的男性气质理论,并与詹妮弗·莉娜和理查德·彼得森的体裁发展理论进行了对比。这两种理论都是为了强调亚流派之间的微妙差异,可以说与艺术家所扮演的舞台角色所表现的男子气概有关。除了学术参考,研究还包括对艺术家和音乐记者的各种采访,对一百多首歌曲的歌词和伴随音乐的大量视觉艺术曲目的分析。
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引用次数: 0
Remembering Mudrooroo (1938–2019) 缅怀穆德罗鲁(1938–2019)
Q3 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.7311/0860-5734.30.1.01
G. Fischer
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引用次数: 0
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus 丰富的装饰和令人愉悦的引擎:莎士比亚《提图斯·安多洛尼克斯》中失败的节日和人物自动化的诗学
Q3 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.7311/0860-5734.30.1.06
A. Żukowska
The present study focuses on the poetics of failed festivity in William Shakespeare’s Titus Andronicus, tracing analogies between early modern festival culture, in particular the Joyous Entry of the Renaissance prince into the city, and the machinery of the play, which is set in motion by Titus. The principal element of this machinery is the figure of Lavinia, who can be seen as the inverted version of such wonders of occa- sional architecture and civic pageantry as the automaton, the breathing sculpture and the automatic waterwork. One of the major problems explored is the confrontation of reality and fiction, or human flesh and art, in the manifestly echoic universe of the play, where the objectified automaton-like figure responds to the actions of its animators with its own stirring.
本研究的重点是威廉·莎士比亚的《提图斯·安德洛尼克斯》中失败的节日诗学,追踪早期现代节日文化之间的类比,特别是文艺复兴时期王子进入城市的喜悦,以及由提图斯启动的戏剧机制。这台机器的主要元素是拉维尼娅的形象,她可以被看作是偶尔出现的建筑奇迹和城市壮观景象的倒立版本,比如自动装置、呼吸雕塑和自动喷水装置。探索的主要问题之一是现实与虚构的对抗,或者人肉与艺术的对抗,在戏剧的明显回声宇宙中,物化的机器人般的人物以自己的激动回应动画师的行动。
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引用次数: 0
Misgendered in Translation?: Genderqueerness in Polish Translations of English-language Television Series 翻译中的性别错误?英语电视连续剧波兰语翻译中的性别酷儿
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.2.09
Szymon Misiek
In recent years, the English-speaking world observed growing awareness of the gender non-binary/genderqueer community. Among other things, this involved the issue of inclusive language, e.g. the singular they pronoun has been declared the word of the year by the American Dialect Society in 2015, and by Merriam-Webster in 2019. There is also growing media representation of characters using singular they in popular culture. This, however, poses a challenge to translators, as some languages – like Polish – are much more heavily gendered and lack an obvious equivalent of singular they. This article analyses Polish translations of three English-language television series featuring non-binary characters and discusses good practices one can employ when dealing with similar trans-
近年来,英语世界对非二元性别/性别酷儿群体的意识日益增强。除此之外,这还涉及到包容性语言的问题,例如,他们的单数代词在2015年被美国方言协会宣布为年度词汇,在2019年被韦氏词典宣布为年度词汇。在流行文化中,越来越多的媒体人物使用单数they。然而,这给翻译带来了挑战,因为一些语言——比如波兰语——性别更加严重,缺乏一个明显的对应的单数they。本文分析了三部以非二元角色为特征的英语电视连续剧的波兰语翻译,并讨论了处理类似翻译时可以采用的良好做法
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引用次数: 6
Corpus-based Analysis of Verbal and Nominal Reduplication in Colloquial Singapore English 基于语料库的新加坡口语化英语词性重复分析
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.2.03
Paweł Ziomek
Reduplication has always been an important subject of morphology and language typology. Cross-linguistic studies have identifi ed 45 functions of reduplication in 108 languages. Total reduplication is recognised as productive and systematic in Colloquial Singapore English (CSE), possibly due to language contact. The paper aims to present the cases of verbal and nominal reduplication in CSE described in the linguistic literature, and juxtapose them with the examples from the Singapore component of the International Corpus of English (ICE-SIN), which seem to be indicative of discrepancies in form and functions.
重复一直是形态学和语言类型学的一个重要课题。跨语言研究已经确定了108种语言中的45种重复功能。完全重复在新加坡口语英语(CSE)中被认为是富有成效和系统的,可能是由于语言接触。本文旨在介绍语言文献中描述的CSE中言语和名义重复的情况,并将其与国际英语语料库(ICE-SIN)新加坡部分的例子并列,这些例子似乎表明了形式和功能上的差异。
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引用次数: 0
From leech to doctor: The Lexical and Semantic Evolution of Terms for ‘physician’ in Non-Medical Prose Texts 从水蛭到医生:非医学散文文本中“医生”的词汇和语义演变
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.2.04
Maja Gajek
The study examines fi ve names of medieval medical practitioners: barber, doctor, leech, physician, and surgeon. The aim is to view the semantic change of those names in nonmedical prose texts from the Middle English period. The analysis also considers their origin, frequency, semantic fi elds, function and both metaphorical and non-metaphorical meanings in Middle English and later. Furthermore, the research verifi es to what extent the fi ndings of Sylwanowicz (2003) are confi rmed by the results of a similar examination of a non-medical corpus. The data for the study come from the Innsbruck Corpus of Middle English Prose, with the support of historical dictionaries.
这项研究调查了中世纪医生的五个名字:理发师、医生、水蛭、内科医生和外科医生。目的是观察中古英语时期非医学散文文本中这些名称的语义变化。本文还分析了中古英语及以后英语中这些词的来源、使用频率、语义场、功能以及隐喻和非隐喻意义。此外,该研究还验证了Sylwanowicz(2003)的发现在多大程度上得到了对非医学语料库进行类似检查的结果的证实。这项研究的数据来自因斯布鲁克中古英语散文语料库,并得到了历史词典的支持。
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引用次数: 0
Scotland with a Pinch of Westeros? The Case of Justin Kurzel’s Macbeth 苏格兰加一点维斯特洛?贾斯汀·库泽尔的《麦克白
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.3.11
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引用次数: 0
Finding Your Way Home: Explorations of the Journey Motif in Alan Riach’s Homecoming 寻找回家的路:探索旅程主题在艾伦里亚奇的回家
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.3.05
I. Szymańska, B. Keane
This article endeavours to explore how Alan Riach in his poetry collection Homecoming (2009) treats the motif of home as an internationalist summation which locates and bolsters Scotland’s own sense of identity, contextualised in terms of the poet’s personal understanding of his own poetic purchase on the themes of remembering, leaving, fi nding, and rediscovering home. Moreover, critical attention is paid to the way Riach’s poems forge a construct wherein a cultural agenda represents the clearest way forward for the accomplishment of Scotland’s nationalist aspirations.
本文试图探讨艾伦·里亚奇在他的诗集《回家》(2009)中如何将家的主题作为一种国际主义的总结,定位和支持苏格兰自己的认同感,并将其置于诗人个人对自己的诗歌购买的理解的背景下,这些主题是关于记忆、离开、寻找和重新发现家。此外,作者还对里亚奇的诗歌如何构建一种结构给予了批判性的关注,在这种结构中,文化议程代表了苏格兰民族主义愿望实现的最清晰的前进道路。
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引用次数: 0
A Corpus-based Study on Question Tags in ELF. An Attempt to Determine an Emergent Construction 基于语料库的ELF问题标签研究。试图确定一个紧急结构
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7311/0860-5734.29.2.07
Dorota Watkowska
Recent research on English as a Lingua Franca (henceforth ELF) has indicated that ELF can be analyzed in accordance with the main principles of the Construction Grammar approach (Pirc 2013). Admittedly, while the majority of studies have been devoted to its creative and unpredictable character, little attention has been paid to how ELF can be conceptualized if its emergent elements are treated as constructions. Thus, the present paper conducts a corpusbased study on the Question Tag Construction (henceforth the QTxC) in ELF with a view to indicating in what way the QTxC can be determined. With the support of the VOICE and BNC corpora, the performed analysis has shown that the analyzed realizations of the QTxC in ELF, while having formal properties that deviate from the norms of English, can also be characterized as exhibiting various sub-types of the prototypical function of the QTxC.
最近关于英语作为通用语(以下简称ELF)的研究表明,ELF可以根据结构语法方法的主要原则进行分析(Pirc 2013)。诚然,虽然大多数研究都致力于其创造性和不可预测的特征,但很少有人关注如果将其突现元素视为结构,则如何将ELF概念化。因此,本文基于语料库对ELF中疑问标签结构(以下简称QTxC)进行了研究,以期揭示QTxC的确定方法。在VOICE语料库和BNC语料库的支持下,分析结果表明,ELF语言中所分析的QTxC实现在具有偏离英语规范的形式特征的同时,也表现出了QTxC原型功能的各种子类型。
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Anglica
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