Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.2.03
Gabriela Brůhová, Kateřina Vašků
The aim of this paper is to explore how Czech learners of English use lexical bundles ending in that in their academic texts in comparison with novice and professional L1 authors. The analysis is based on three corpora (VESPA-CZ, BAWE and our own cor- pus of papers published in academic journals). The results suggest that Czech learners of English do not use a more limited repertoire of lexical bundles ending in that than pro- fessional writers. However, there are differences between the groups studied, especially in the range of various shell nouns used in nominal bundles. Novice writers, both L1 and L2, use bundles ending in that to express stance more frequently than professional writers.
{"title":"Lexical Bundles Ending in that in Academic Writing by Czech Learners and Native Speakers of English","authors":"Gabriela Brůhová, Kateřina Vašků","doi":"10.7311/0860-5734.30.2.03","DOIUrl":"https://doi.org/10.7311/0860-5734.30.2.03","url":null,"abstract":"The aim of this paper is to explore how Czech learners of English use lexical bundles ending in that in their academic texts in comparison with novice and professional L1 authors. The analysis is based on three corpora (VESPA-CZ, BAWE and our own cor- pus of papers published in academic journals). The results suggest that Czech learners of English do not use a more limited repertoire of lexical bundles ending in that than pro- fessional writers. However, there are differences between the groups studied, especially in the range of various shell nouns used in nominal bundles. Novice writers, both L1 and L2, use bundles ending in that to express stance more frequently than professional writers.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43323602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.1.05
Barbara Klonowska
The article discusses how Peter Carey’s 1980 novel Bliss constructs and exam- ines various counterspaces both in and beyond the text. First, it shows how the plot jux- taposes the consumerist middle-class suburban model of life with an alternative lifestyle, presenting the attractions and limitations of both, yet preferring rather the latter. Secondly, at the level of literary convention, the text activates the strategies of comic social realism only to juxtapose them with elements of fantasy, fairy tale and myth, thus undermining the representational powers of the former and hinting at other possibilities of representation. Finally, the film adaptation of the novel shows how even rebellious or critical texts may become ‘domesticated’ or absorbed by the dominating logic of cultural production, thus once again demonstrating the ambivalent position of works of art in general, and this nov- el in particular. The article argues that the ambivalence engrained in the text is an intrinsic feature, not only of Australian culture or heterotopias but of most cultural products and practices inevitably entangled in the double logic of conforming and resistance.
{"title":"Counterspaces of Resistance: Peter Carey’s Bliss","authors":"Barbara Klonowska","doi":"10.7311/0860-5734.30.1.05","DOIUrl":"https://doi.org/10.7311/0860-5734.30.1.05","url":null,"abstract":"The article discusses how Peter Carey’s 1980 novel Bliss constructs and exam- ines various counterspaces both in and beyond the text. First, it shows how the plot jux- taposes the consumerist middle-class suburban model of life with an alternative lifestyle, presenting the attractions and limitations of both, yet preferring rather the latter. Secondly, at the level of literary convention, the text activates the strategies of comic social realism only to juxtapose them with elements of fantasy, fairy tale and myth, thus undermining the representational powers of the former and hinting at other possibilities of representation. Finally, the film adaptation of the novel shows how even rebellious or critical texts may become ‘domesticated’ or absorbed by the dominating logic of cultural production, thus once again demonstrating the ambivalent position of works of art in general, and this nov- el in particular. The article argues that the ambivalence engrained in the text is an intrinsic feature, not only of Australian culture or heterotopias but of most cultural products and practices inevitably entangled in the double logic of conforming and resistance.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44897366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.1.08
B. Błaszkiewicz
The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of the fantastic which has taken place between the traditional medieval paradigm and contemporary fantasy fiction.
{"title":"On the Idea of the Secondary World in Susanna Clarke’s Piranesi","authors":"B. Błaszkiewicz","doi":"10.7311/0860-5734.30.1.08","DOIUrl":"https://doi.org/10.7311/0860-5734.30.1.08","url":null,"abstract":"The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of the fantastic which has taken place between the traditional medieval paradigm and contemporary fantasy fiction.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49554348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.2.06
Anita Buczek-Zawiła
The paper explores the phonological awareness of L1 among advanced adult speakers of EFL in the context of L2 pronunciation training. The subjects are students of English with Polish, Spanish, Turkish and Russian L1 background. All subjects have participated in intensive English pronunciation instruction as part of their degree training, in the English Department at the Pedagogical University in Kraków. Two aspects are tar- geted for examination: perception of sound contrasts and awareness of contextual variants in L1, mostly those pertaining to the consonantal and vocalic inventories, all related to their L2 (English) production goals. The material is based on longitudinal examination of course test results over the span of 3 years. The analysis reveals low sound discrimination skills in the subjects’ L1, largely based on letter-to-sound correspondences and inability to see beyond print. Through explicit training in their L2 they become more sensitive to the inventory and the details of their L1 sound system, the awareness they can use to the advantage when targeting L2 sound production.
{"title":"Phonological Awareness of L1 Systemic Segmental Contrasts among Advanced ESL Speakers with Varied L1 Backgrounds","authors":"Anita Buczek-Zawiła","doi":"10.7311/0860-5734.30.2.06","DOIUrl":"https://doi.org/10.7311/0860-5734.30.2.06","url":null,"abstract":"The paper explores the phonological awareness of L1 among advanced adult speakers of EFL in the context of L2 pronunciation training. The subjects are students of English with Polish, Spanish, Turkish and Russian L1 background. All subjects have participated in intensive English pronunciation instruction as part of their degree training, in the English Department at the Pedagogical University in Kraków. Two aspects are tar- geted for examination: perception of sound contrasts and awareness of contextual variants in L1, mostly those pertaining to the consonantal and vocalic inventories, all related to their L2 (English) production goals. The material is based on longitudinal examination of course test results over the span of 3 years. The analysis reveals low sound discrimination skills in the subjects’ L1, largely based on letter-to-sound correspondences and inability to see beyond print. Through explicit training in their L2 they become more sensitive to the inventory and the details of their L1 sound system, the awareness they can use to the advantage when targeting L2 sound production.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49483924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.2.04
Dorota Watkowska
English as a lingua franca (henceforth ELF) is a contact language that has attracted great attention due to its unique global role. Thus, numerous studies have been conducted to determine its characteristics, among which research on such processes as, for example, simplification, added prominence or redundancy underlying language use in the ELF context is of the main interest. Therefore, the paper aims to broaden the per- spective on redundancy in ELF, focusing on negative and modal concord in spoken and written data. With the reliance on VOICE, ELFA, and WrELFA corpora, the analysis shows that both phenomena are noticeable in ELF; however, while redundancy in terms of modal concord appears in spoken and written ELF, negative concord is characteristic only of spoken data.
{"title":"Redundancy in ELF: A Corpus-Based Study on Negative and Modal Concord","authors":"Dorota Watkowska","doi":"10.7311/0860-5734.30.2.04","DOIUrl":"https://doi.org/10.7311/0860-5734.30.2.04","url":null,"abstract":"English as a lingua franca (henceforth ELF) is a contact language that has attracted great attention due to its unique global role. Thus, numerous studies have been conducted to determine its characteristics, among which research on such processes as, for example, simplification, added prominence or redundancy underlying language use in the ELF context is of the main interest. Therefore, the paper aims to broaden the per- spective on redundancy in ELF, focusing on negative and modal concord in spoken and written data. With the reliance on VOICE, ELFA, and WrELFA corpora, the analysis shows that both phenomena are noticeable in ELF; however, while redundancy in terms of modal concord appears in spoken and written ELF, negative concord is characteristic only of spoken data.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41966544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.3.03
A. Branach-Kallas
This article offers an analysis of the representation of captivity in Ahmed Ben Mostapha, goumier. The novel, published by Algerian writer Mohammed Bencherif in 1920, was partly inspired by his own experience as a prisoner of war during the First World War. Relying on historical, sociological and anthropological sources, the article focuses on the protagonist’s experience as a POW in German camps and in Switzerland. It also proposes a metaphorical interpretation of captivity in the colonial context, reading Ben Mostapha as a “conscript of modernity,” conditioned by French republican ideals. Fi- nally, it examines thought-provoking analogies between colony and camp in Bencherif’s novel.
本文分析了古米尔·艾哈迈德·本·莫斯塔法(Ahmed Ben Mostapha)的囚禁表现。这部小说由阿尔及利亚作家Mohammed Bencherif于1920年出版，部分灵感来自他在第一次世界大战期间作为战俘的亲身经历。依靠历史、社会学和人类学的资料，文章重点讲述了主人公作为战俘在德国集中营和瑞士的经历。它还提出了殖民背景下囚禁的隐喻解释，将Ben Mostapha解读为“现代性的应征入伍者”，受法国共和理想的制约。最后，探讨了本切里夫小说中殖民地和营地之间发人深省的类比。
{"title":"From Colony to Camp, From Camp to Colony: First World War Captivity in Ahmed Ben Mostapha, goumier by Mohammed Bencherif","authors":"A. Branach-Kallas","doi":"10.7311/0860-5734.30.3.03","DOIUrl":"https://doi.org/10.7311/0860-5734.30.3.03","url":null,"abstract":"This article offers an analysis of the representation of captivity in Ahmed Ben Mostapha, goumier. The novel, published by Algerian writer Mohammed Bencherif in 1920, was partly inspired by his own experience as a prisoner of war during the First World War. Relying on historical, sociological and anthropological sources, the article focuses on the protagonist’s experience as a POW in German camps and in Switzerland. It also proposes a metaphorical interpretation of captivity in the colonial context, reading Ben Mostapha as a “conscript of modernity,” conditioned by French republican ideals. Fi- nally, it examines thought-provoking analogies between colony and camp in Bencherif’s novel.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43167999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.7311/0860-5734.30.3.08
Rūta Šlapkauskaitė
This paper engages Cathy Caruth’s thinking about trauma, Marianne Hirsch’s notion of postmemory, and Giorgio Agamben’s theorising of bearing witness to examine the affective performance of remembering in Richard Flanagan’s novel The Narrow Road to the Deep North. Reading the narrative as a postmemorial account of Japan’s internment of Australian POWs in Burma during the Second World War, I focus on the body as a site of both wounding and witnessing to show how the affective relays between pleasure and pain reanimate the epistemological drama of lived experience and highlight the ambivalence of passion as a trope for both suffering and love. Framed by its intertextual homage to Matsuo Bashō’s poetic masterpiece of the same name, the Australian narrative of survival is shown to emerge from the collapse of the referential certainties underlying the binaries of victim/ victimiser, witness/perpetrator, human/inhuman, and remembering/forgetting. In Flanagan’s ethical imagination, bearing witness calls for a visceral rethinking of historical subjectivity that binds the world to consciousness as a source of both brutality and beauty.
{"title":"The He(A)rt of the Witness: Remembering Australian Prisoners of War in Richard Flanagan’s The Narrow Road to the Deep North","authors":"Rūta Šlapkauskaitė","doi":"10.7311/0860-5734.30.3.08","DOIUrl":"https://doi.org/10.7311/0860-5734.30.3.08","url":null,"abstract":"This paper engages Cathy Caruth’s thinking about trauma, Marianne Hirsch’s notion of postmemory, and Giorgio Agamben’s theorising of bearing witness to examine the affective performance of remembering in Richard Flanagan’s novel The Narrow Road to the Deep North. Reading the narrative as a postmemorial account of Japan’s internment of Australian POWs in Burma during the Second World War, I focus on the body as a site of both wounding and witnessing to show how the affective relays between pleasure and pain reanimate the epistemological drama of lived experience and highlight the ambivalence of passion as a trope for both suffering and love. Framed by its intertextual homage to Matsuo Bashō’s poetic masterpiece of the same name, the Australian narrative of survival is shown to emerge from the collapse of the referential certainties underlying the binaries of victim/ victimiser, witness/perpetrator, human/inhuman, and remembering/forgetting. In Flanagan’s ethical imagination, bearing witness calls for a visceral rethinking of historical subjectivity that binds the world to consciousness as a source of both brutality and beauty.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43038939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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