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Review of Zottola (2021): Transgender Identities in the Press: A Corpus-Based Discourse Analysis 回顾Zottola(2021):跨性别身份的新闻:基于语料库的话语分析
IF 2.1 Q2 COMMUNICATION Pub Date : 2022-02-11 DOI: 10.1075/jls.00021.reu
M. Reuvers
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引用次数: 0
Pink Dot 粉红点
IF 2.1 Q2 COMMUNICATION Pub Date : 2021-07-16 DOI: 10.1075/jls.10.2
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引用次数: 0
Sexuality and the discursive construction of the digital self in the Global South 性与全球南方数字自我的话语建构
IF 2.1 Q2 COMMUNICATION Pub Date : 2020-02-24 DOI: 10.1075/jls.9.1
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引用次数: 0
Cashman, Holly R. 2018. Queer, Latinx, and Bilingual: Narrative Resources in the Negotiation of Identities 现金男,Holly R.2018。酷儿、拉丁裔和双语:身份协商中的叙事资源
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-08-20 DOI: 10.1075/JLS.00004.WRI
L. Wright
This article reviews Queer, Latinx, and Bilingual: Narrative Resources in the Negotiation of Identities
本文回顾了酷儿、拉丁裔和双语:身份协商中的叙事资源
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引用次数: 0
“Girl-on-girl culture” “女子同性亲热文化”
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-08-20 DOI: 10.1075/JLS.18013.BAI
A. Bailey
This article investigates the construction of sex advice for queer women as it features on the world’s most popular lesbian website, Autostraddle. Based in the United States, the website is a “progressively feminist” online community for lesbian, bisexual and other queer women. Using multimodal critical discourse analysis and corpus linguistics, this article explores how representations of sexual and gender identity facilitate the construction of homonormativity on the website. It argues that these representations involve a tension between exclusivity and inclusivity. On the one hand, Autostraddle wants to construct an exclusive markedly lesbian subjectivity and a subcultural model of lesbian sex, which is lacking in mainstream culture. On the other hand, it aims to be inclusive of transgender and bisexual women, and to deconstruct the idea of sexual homogeneity. Findings show that Autostraddle discursively negotiates these competing goals to construct a distinctly “queer female” normativity centred on young cisgender feminine lesbians.
这篇文章调查了世界上最受欢迎的女同性恋网站Autostraddle上为酷儿女性提供的性建议的构建。该网站总部位于美国,是一个面向女同性恋、双性恋和其他酷儿女性的“渐进女权主义”在线社区。本文运用多模态批评语篇分析和语料库语言学,探讨性和性别认同的表征如何促进网站上的同源性构建。它认为,这些表述涉及排他性和包容性之间的紧张关系。一方面,Autostraddle希望构建一种独特的、明显的女同性恋主体性和女同性恋性的亚文化模式,这是主流文化所缺乏的。另一方面,它旨在包容跨性别和双性恋女性,并解构性同质性的观念。研究结果表明,Autostraddle对这些相互竞争的目标进行了讨论,以构建一种以年轻的顺性别女性女同性恋为中心的明显的“酷儿女性”规范。
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引用次数: 5
Milani, Tommaso (ed). 2018. Queering Language, Gender and Sexuality 米兰尼,托马索(编)。2018. 酷儿语言,性别和性
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-08-20 DOI: 10.1075/JLS.00005.COM
Joseph Comer
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引用次数: 0
Discourses of (hetero)sexism in popular music 流行音乐中(异性恋)性别歧视的论述
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-08-20 DOI: 10.1075/JLS.18007.HAN
Laura Coffey-Glover, R. Handforth
This article analyses interview data to explore how participants negotiated discourses of (hetero)sexism in relation to the controversial pop song Blurred Lines. Our previous work, based on questionnaire data, interrogated interpretations of Blurred Lines (Handforth, Paterson, Coffey-Glover & Mills 2017) and showed how participants drew on discourses of sexism in their responses. Several participants experienced significant conflict in their interpretations, and here we focus on these more complex interpretations, considering the “small stories” (Bamberg & Georgakopoulou 2008) identified in follow-up interviews with participants. Individual narratives acted as mechanisms through which participants linked Blurred Lines to wider issues such as rape culture, drawing parallels between these and their own lives. Following research in queer linguistics (King 2014; Leap 2014; Motschenbacher 2010) our use of thematic analysis, corpus linguistic tools and narrative analysis highlights the various subject positions that participants negotiated in their storytelling, and how these positions both echoed and challenged normative understandings of gender and sexuality.
本文分析了访谈数据,以探讨参与者如何就有争议的流行歌曲《模糊的线条》中的(异性恋)性别歧视话语进行协商。我们之前的工作基于问卷数据,询问了对模糊线条的解释(Handforth,Paterson,Coffey Glover&Mills 2017),并展示了参与者如何在回答中利用性别歧视的话语。一些参与者在他们的解释中经历了重大冲突,在这里,我们关注这些更复杂的解释,考虑到在对参与者的后续采访中发现的“小故事”(Bamberg&Georgakopoulou,2008)。个体叙事充当了参与者将模糊线与强奸文化等更广泛问题联系起来的机制,将这些问题与他们自己的生活联系起来。继酷儿语言学研究之后(King 2014;Leap 2014;Motschenbacher 2010),我们使用主题分析、语料库语言工具和叙事分析,突出了参与者在讲故事时协商的各种主题立场,以及这些立场如何呼应和挑战对性别和性的规范理解。
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引用次数: 3
Sexuality in Goytisolo’s Antagonía 性在Goytisolo的Antagonía
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-03-07 DOI: 10.1075/JLS.18011.JOD
José Antonio Jódar-Sánchez
Antagonía is Luis Goytisolo’s masterpiece. In this article I present a quantitative and qualitative study of his prose with regards to sexuality. Through an analysis of keywords, concordances, dispersion, and discourses, I show that Antagonía feeds from two historical periods, namely the ending dictatorship and the new democratic transition. Some of its discourses are the product of the Spain of the 1970s and 80s. Among them, we find sexist, male chauvinist, and homophobic discourses latent during those times. Women and queer people are frequently characterized in a negative fashion. However, we also find more subversive discourses that empower women. In sum, I consider Goytisolo’s tetralogy a “fluid” or “transitional” novel in that it is imbued with contradictory discourses rooted in different historical periods.
《安塔利亚》是路易斯·戈蒂索洛的代表作。在这篇文章中,我对他的性散文进行了定量和定性的研究。通过对关键词、一致性、分散性和话语的分析,我发现Antagonía源于两个历史时期,即结束独裁统治和新的民主过渡。它的一些论述是20世纪70年代和80年代西班牙的产物。其中,我们发现性别歧视、大男子主义和恐同的话语在那个时代潜伏着。女性和酷儿经常被认为是负面的。然而,我们也发现了更多赋予女性权力的颠覆性话语。总之,我认为Goytisolo的四部曲是一部“流动的”或“过渡的”小说,因为它充满了植根于不同历史时期的矛盾话语。
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引用次数: 1
Materializing gay identity 同性恋身份物质化
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-03-07 DOI: 10.1075/JLS.17013.OSA
Varisa Osatananda, Savitri Gadavanij
This paper aims at investigating (1) whether young Thai adults can distinguish between straight male and gay-sounding speech and (2) how listeners feel about speech sounds performed by Thai straight and gay speakers in varying situations in terms of likeability and annoyance. Two experiments were conducted: first, straight males, gay males and females listened to voice stimuli of self-identified straight males and gay males and were asked to identify the sexual orientation of the speakers; second, another three groups of listeners were asked to rate the speakers’ levels of likeability and annoyance using a 5-point Likert scale. The findings indicate that there exist voice characteristics of gay- as opposed to straight-male sounding speech. Regarding the listeners’ perception in relation to speech style in four varying situations, the results indicate that listeners’ perception is not affected by situations in which the speech is delivered.
本文旨在调查(1)泰国年轻人是否能够区分异性恋男性和同性恋发音;(2)听众如何感受泰国异性恋和同性恋演讲者在不同情况下的讨人喜欢和讨厌的语音。实验分为两个部分:一是让异性恋男性、同性恋男性和女性分别听自认为是异性恋男性和同性恋男性的声音刺激,并让他们识别说话者的性取向;第二,另外三组听众被要求用5分李克特量表给说话者的讨人喜欢程度和讨厌程度打分。研究结果表明,同性恋者的声音特征与异性恋者的声音不同。对于四种不同情境下听者对演讲风格的感知,结果表明听者的感知不受演讲情境的影响。
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引用次数: 3
Barrett, Rusty. 2017. From Drag Queens to Leathermen: Language, Gender and Gay Male Subcultures 鲁斯蒂·巴雷特。2017.从变装皇后到Leathermen:语言、性别和男同性恋亚文化
IF 2.1 Q2 COMMUNICATION Pub Date : 2019-03-07 DOI: 10.1075/JLS.00003.CAN
C. Canakis
This article reviews From Drag Queens to Leathermen: Language, Gender and Gay Male Subcultures
这篇文章回顾了从变装皇后到皮革男:语言、性别和男同性恋亚文化
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引用次数: 0
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Journal of Language and Sexuality
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