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‘It looks better than a bowl of mush’: Views on the use of food design strategies, including 3D food printing, to improve meals for people with dysphagia 它看起来比一碗糊状食物更好":对使用食品设计策略(包括 3D 食品打印)改善吞咽困难患者膳食的看法
Q1 Arts and Humanities Pub Date : 2024-07-17 DOI: 10.1386/ijfd_00071_1
Rebecca Smith, Lucy Bryant, Bronwyn Hemsley
To improve meals for people with dysphagia, we explored the views of people with dysphagia, their supporters and allied health professionals on a range of food design strategies (e.g. food shaping and food presentation techniques), including 3D food printing. From November 2021 to February 2022, an online survey of (1) adults with dysphagia (n = 30) and (2) supporters of people with dysphagia and allied health professionals (n = 22) was conducted. The survey included multiple choice, Likert scale and open-ended questions. Data was analysed descriptively. Most participants across the two groups had used at least one food design strategy for texture-modified foods and none had used 3D food printing. People with dysphagia were less likely to use food shaping techniques in preparing their texture-modified meals than other respondents. Supporters of people with dysphagia and allied health professionals were more likely than people with dysphagia to use food shaping techniques and to consider that 3D food printing could improve the visual appeal and enjoyment of texture-modified foods. A range of issues impacting the feasibility of 3D food printing were identified. The use of food design strategies for texture-modified foods may increase the food choices and mealtime enjoyment of people with dysphagia. Further research exploring how people with dysphagia and their supporters engage with 3D food printing could identify further influences on their future use of these technologies.
为了改善吞咽困难患者的膳食,我们探讨了吞咽困难患者、他们的支持者和专职医疗人员对一系列食品设计策略(如食品造型和食品展示技术)(包括 3D 食品打印)的看法。2021 年 11 月至 2022 年 2 月期间,对以下人员进行了在线调查:(1)患有吞咽困难的成年人(n = 30);(2)吞咽困难患者的支持者和专职医疗人员(n = 22)。调查包括多项选择、李克特量表和开放式问题。对数据进行了描述性分析。两组的大多数参与者至少使用过一种质地改良食品的设计策略,但没有人使用过 3D 食品打印技术。与其他受访者相比,吞咽困难患者在制作质地改良餐时使用食物成型技术的可能性较低。与吞咽困难患者相比,吞咽困难患者的支持者和专职医疗人员更倾向于使用食物塑形技术,并认为 3D 食品打印技术可以提高质地改良食品的视觉吸引力和享受度。研究发现了一系列影响 3D 食品打印可行性的问题。对质地改良食品采用食品设计策略可增加吞咽困难患者的食品选择和用餐乐趣。对吞咽困难患者及其支持者如何使用 3D 食品打印技术的进一步研究,可以确定对他们未来使用这些技术的进一步影响。
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引用次数: 0
Adding some zest to product development articles: How food technology findings can spark designers’ interest 为产品开发文章增添活力:食品技术研究成果如何激发设计师的兴趣
Q1 Arts and Humanities Pub Date : 2024-04-01 DOI: 10.1386/ijfd_00069_2
H. Schifferstein
To qualify as food design, technological details must be placed in perspective of the all-encompassing challenge of designing a successful, tasty food product that contributes to a desirable society. Articles describing food product development typically focus on technological issues, while they should provide a broader, multidisciplinary perspective to inform food design. Furthermore, food design articles also consider the creative and developmental processes followed to innovate. Including a description of the future consumption context can complete the discourse.
要使食品设计合格,就必须将技术细节与设计一种成功、美味的食品并为理想社会做出贡献这一全方位挑战联系起来。描述食品产品开发的文章通常侧重于技术问题,而它们应该提供更广泛的多学科视角,为食品设计提供信息。此外,食品设计文章还应考虑创新所遵循的创意和发展过程。包括对未来消费环境的描述可以使论述更加完整。
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引用次数: 0
The role of ritual communication in consumption: A consumer coffee experience 仪式传播在消费中的作用:消费者的咖啡体验
Q1 Arts and Humanities Pub Date : 2023-11-24 DOI: 10.1386/ijfd_00067_1
Eleanor Ratcliffe, Weston L. Baxter, M. Aurisicchio, Peter Childs, Nathalie Martin
Rituals are part of the consumer experience of goods, especially food and drink, and can contribute to consumer enjoyment of and fidelity to a specific product. However, we lack detailed description of food/beverage-related rituals and their potential impact on consumer perceptions, in particular whether and how communicating those rituals to consumers influences their attitudes. Here we use coffee as an example of a ritualized product within the UK market to explore this potential relationship and identify opportunities for design. In Study 1, we identified rituals associated with coffee preparation and consumption. In Study 2, we found that several procedural aspects of the rituals identified in Study 1 were not consistently conveyed in coffee advertising, indicating a potential gap in communication with consumers. In Study 3, we showed that communicating such rituals to consumers resulted in significantly greater willingness to pay for coffee, mediated by perceptions of social attention. This work connects growing interest in the psychological mechanisms of ritual with work on consumer perceptions and behaviour and carries significant implications for the design of messaging around food experience.
仪式是消费者对商品(尤其是食品和饮料)体验的一部分,可以促进消费者对特定产品的喜爱和忠诚度。然而,我们缺乏对食品/饮料相关仪式及其对消费者认知的潜在影响的详细描述,尤其是向消费者传达这些仪式是否会影响他们的态度以及如何影响他们的态度。在此,我们以英国市场上的仪式化产品咖啡为例,探讨这种潜在的关系,并确定设计机会。在研究 1 中,我们确定了与咖啡制作和消费相关的仪式。在研究 2 中,我们发现在研究 1 中确定的仪式的几个程序方面并没有在咖啡广告中得到一致的传达,这表明在与消费者的沟通中存在潜在的差距。在研究 3 中,我们发现,向消费者传达这些仪式会显著提高消费者购买咖啡的意愿,而这种意愿是以对社会关注的感知为中介的。这项研究将人们对仪式心理机制日益增长的兴趣与消费者感知和行为方面的研究联系起来,对围绕美食体验设计信息具有重要意义。
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引用次数: 0
Food and Fashion, Melissa Marra-Alvarez and Elizabeth Way (Eds) 《美食与时尚》,梅丽莎·马拉-阿尔瓦雷斯和伊丽莎白·韦主编。
Q1 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1386/ijfd_00066_5
Lara Rössig
Review of: Food and Fashion, Melissa Marra-Alvarez and Elizabeth Way (Eds) London: Bloomsbury Publishing, 320 pp., ISBN 978-1-35016-434-5, h/bk, $40.50
书评:《食品与时尚》,Melissa Marra-Alvarez和Elizabeth Way主编,伦敦:Bloomsbury出版社,320页,ISBN 978-1-35016-434-5, h/bk, 40.50美元
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引用次数: 0
Concept of artisan chocolate from the perspective of chocolatiers 从巧克力师的角度看工匠巧克力的概念
Q1 Arts and Humanities Pub Date : 2023-08-05 DOI: 10.1386/ijfd_00064_1
Berkay Seçuk, Yılmaz Seçim
Artisan chocolate is the name given to chocolate products made with reference to the traditional production process, which is followed and consumed with interest by many consumers today. The study aims to determine the framework of the concept of artisan chocolate with the aspects of professionals working on chocolate and to evaluate the chocolate production processes in terms of artisan applications. In the study that used the focus group interview method, interviews were conducted with experts in the field of artisan chocolate in different countries. The obtained data were analysed by a descriptive analysis method. As a result of the evaluations, five different themes were emerged. These include ‘Artisan Chocolate: A Passion Story’, ‘Chocolate Types and Quality in Artisan Production’, ‘Chocolate and Health’, ‘Professional Development and Change in Artisan Chocolate’ and ‘Future of Artisan Chocolate’. In light of these findings, the conceptual framework of artisan chocolate has been expanded and a new definition has been made. Participants generally associated the concept of artisan chocolate with passion, high quality, art and happiness. Tablets, bonbons, pralines, truffles and bark chocolates produced by artisan chocolatiers are considered healthful, contingent upon their cocoa ratio. Considering the study data, it is understood that artisan chocolate-making is valuable for sustainable cocoa farming. It is thought that the consumption of artisan chocolate will increase with the expanding interest in fair food, quality and naturalness in the future.
手工巧克力是指采用传统生产工艺制作的巧克力产品,如今许多消费者都对这种工艺感兴趣。本研究旨在确定工匠巧克力概念的框架,并从巧克力专业人员的角度来评估工匠巧克力的生产过程。在使用焦点小组访谈法的研究中,对不同国家的手工巧克力领域的专家进行了访谈。所得数据用描述性分析方法进行分析。评价的结果是出现了五个不同的主题。其中包括“手工巧克力:一个激情的故事”、“手工巧克力生产中的巧克力类型和质量”、“巧克力与健康”、“手工巧克力的专业发展和变化”和“手工巧克力的未来”。根据这些发现,手工巧克力的概念框架得到了扩展,并做出了新的定义。参与者普遍将手工巧克力的概念与激情、高品质、艺术和幸福联系在一起。手工巧克力制造商生产的片剂、软糖、果仁糖、松露巧克力和树皮巧克力被认为是健康的,这取决于它们的可可含量。考虑到研究数据,可以理解手工巧克力制作对于可持续的可可种植是有价值的。据认为,随着人们对公平食品、质量和自然的兴趣日益浓厚,手工巧克力的消费量将会增加。
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引用次数: 0
Insect consumption and aesthetic disgust: Using design fiction to imagine novel food experiences 昆虫消费与审美厌恶:用设计小说想象新奇的食物体验
Q1 Arts and Humanities Pub Date : 2023-07-21 DOI: 10.1386/ijfd_00065_1
B. Boer, Mailin Lemke
Disgust is a strong emotion influencing human behaviour in many domains, including food choices. For example, many western consumers are hesitant about eating insects. This is understandable as insects have been connected with the emotion of disgust. We conducted two design workshops to gain a better understanding of factors that can give rise to the emotion of disgust in the context of grasshoppers and explore alternative food design solutions. Based on the insights, we created four design fiction examples to illustrate how disgust can be an integral part of grasshopper consumption. We argue that changing the attitude of Europeans towards novel food items like grasshoppers requires exploring design strategies that neither solely focus on the sustainability benefits of insect consumption nor take disgust to be something that must be circumvented.
厌恶是一种强烈的情绪,在许多领域影响着人类的行为,包括食物的选择。例如,许多西方消费者对食用昆虫犹豫不决。这是可以理解的,因为昆虫一直与厌恶的情绪联系在一起。我们举办了两次设计研讨会,以更好地了解在蚱蜢的背景下引起厌恶情绪的因素,并探索替代食品设计解决方案。基于这些见解,我们创造了四个设计虚构的例子来说明厌恶是如何成为蚱蜢消费的组成部分的。我们认为,要改变欧洲人对蚱蜢等新食物的态度,就需要探索设计策略,既不能只关注食用昆虫的可持续效益,也不能把厌恶当作必须避免的事情。
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引用次数: 0
Alimenta: A design-led systemic action against homelessness-related food poverty Alimenta:以设计为主导的系统性行动,对抗与无家可归相关的食物贫困
Q1 Arts and Humanities Pub Date : 2023-07-17 DOI: 10.1386/ijfd_00063_1
C. Campagnaro, R. Passaro, Giorgia Curtabbi
This article presents a project carried out as a design-led systemic action aimed at tackling food poverty among people experiencing homelessness in Turin, Italy. Building on their experience in this project, the authors discuss the complex and multidimensional nature of homelessness-related food poverty within a mature socio-economic context and argue how design enabled systemic actions to understand and tackle this phenomenon. First, the article describes the birth and development of the ongoing project. It outlines the background scenario within which Alimenta started eight years ago, by presenting the issues and the spotty response to food poverty performed by the civil society and the city administration at that time. Then, it outlines how Alimenta was designed to address the health and social needs related to the scarcity and the qualitative deficiencies of food resources for the people hosted in the city’s public shelters. It highlights the relevance of the multi-stakeholder perspective and of the co-design and co-production approach – promoted by the project team – in allowing the city actors to better deal with food poverty and to counter the several criticalities at stake. Second, the authors describe how by enabling multi-level relationships between local actors, and by coordinating and facilitating actions pursuing different objectives, Alimenta has contributed to a systemic response to the material and immaterial aspects of food poverty. The article thus presents the achievements of the project regarding the well-being of the beneficiaries and the new local food system created. Finally, a focus is given to the knowledge that the project has generated in relation not only to the phenomenon of food poverty and to the possible ways of facing it but also to the possible role of designers in this kind of contexts. Thus, the authors discuss the limits of Alimenta and the potential scalability of the designed interventions from a ‘design for policy’ perspective.
本文介绍了一个以设计为主导的系统性行动项目,旨在解决意大利都灵无家可归者的粮食贫困问题。基于他们在该项目的经验,作者在成熟的社会经济背景下讨论了与无家可归相关的食物贫困的复杂性和多维性,并论证了设计如何使系统行动能够理解和解决这一现象。首先,文章描述了正在进行的项目的诞生和发展。它概述了八年前Alimenta成立的背景,介绍了当时民间社会和城市管理部门对粮食贫困的问题和参差不齐的反应。然后,它概述了Alimenta是如何设计的,以解决与城市公共庇护所收容的人的粮食资源稀缺和质量不足有关的健康和社会需求。它强调了多方利益相关者视角和项目团队倡导的共同设计和共同生产方法的相关性,使城市行为者能够更好地处理粮食贫困问题,并应对几个关键问题。其次,作者描述了如何通过建立地方行动者之间的多层次关系,以及通过协调和促进追求不同目标的行动,Alimenta对粮食贫困的物质和非物质方面做出了系统的反应。因此,本文介绍了该项目在受益者的福祉和创造的新的当地粮食系统方面的成就。最后,重点是该项目所产生的知识,不仅与食物贫困现象和面对它的可能方式有关,而且与设计师在这种情况下可能发挥的作用有关。因此,作者从“政策设计”的角度讨论了Alimenta的局限性和设计干预措施的潜在可扩展性。
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引用次数: 0
Designing Michelin-starred menus from the perspective of chefs: Is the presence of local food worth a trip? 从厨师的角度设计米其林星级菜单:本地美食值得一游吗?
Q1 Arts and Humanities Pub Date : 2023-07-12 DOI: 10.1386/ijfd_00062_1
Francesc Fusté-Forné, Ester Noguer-Juncà
This article builds on the understanding of restaurants as food tourism attractions that contribute to the protection and promotion of terroir. This is specifically relevant in relation to Michelin-starred restaurants which are recognized as must-go places worldwide. Menu design is one of the elements that inform the relationships between locality and luxury in restaurants through food. Drawing on a qualitative study based on interviews with ten chefs of Michelin-starred restaurants in the region of Girona (Catalonia, Spain), the article analyses the role of local food in the design of menus in luxury gastronomy. Results show that while food with a local origin is crucial in menu design, chefs acknowledged the difficulty of building seasonal and sustainable supply chains and the impact of global influences on the restaurant experiences. Also, the article discusses the relationships between producers and chefs in terms of economic and environmental situations that inform the territorial connection between production and consumption. The implications for food tourism management and marketing are also explained.
本文建立在对餐馆作为食品旅游景点的理解,有助于保护和促进风土。这与米其林星级餐厅特别相关,米其林星级餐厅是全球公认的必去之地。菜单设计是通过食物传达当地与奢华之间关系的元素之一。通过对赫罗纳(西班牙加泰罗尼亚)地区米其林星级餐厅十位厨师的访谈,本文分析了当地食物在豪华美食菜单设计中的作用。结果显示,虽然当地食物在菜单设计中至关重要,但厨师们承认建立季节性和可持续供应链的困难,以及全球影响对餐厅体验的影响。此外,本文还从经济和环境的角度讨论了生产者和厨师之间的关系,这些关系为生产和消费之间的领土联系提供了信息。对食品旅游管理和营销的影响也进行了解释。
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引用次数: 1
How to include the sociocultural context in food design: Insights, tools and strategies 如何将社会文化背景纳入食品设计:见解、工具和策略
Q1 Arts and Humanities Pub Date : 2023-07-11 DOI: 10.1386/ijfd_00061_1
Annemiek G. C. van Boeijen, H. Schifferstein
Designers hope that their innovations will be adopted by the people they are designed for. How well their designs align with consumers’ cultural contexts is a key determinant of whether they are accepted or rejected. This is especially important for food solutions, as eating habits are deeply rooted in local cultures. However, academic disciplines from the humanities and social sciences that study food culture not always provide the knowledge, methods and tools that food designers need. Whereas these disciplines mainly investigate the past and present, designers look to the future to create new possibilities. In addition, designers often look for concrete, physical touchpoints they can use, whereas the other disciplines may look for sources of underlying meaning and, thereby, may generate conclusions that remain rather generic or abstract. In this article we discuss how culture and cultural context can be understood and utilized by designers. We describe models and tools designers can use to gain sociocultural insights, and we describe different strategies designers can employ to build on such knowledge in their design process. We conclude with suggestions to close the gaps between designers, design researchers and the other disciplines that study food culture.
设计师希望他们的创新能被设计对象所采用。他们的设计与消费者文化背景的契合程度是决定他们是否被接受的关键因素。这对于食物解决方案尤其重要,因为饮食习惯深深植根于当地文化。然而,研究饮食文化的人文和社会科学学科并不总能提供食品设计师所需的知识、方法和工具。这些学科主要研究过去和现在,而设计师则着眼于未来,创造新的可能性。此外,设计师通常会寻找他们可以使用的具体的物理接触点,而其他学科可能会寻找潜在意义的来源,因此可能会得出相当通用或抽象的结论。在本文中,我们将讨论设计师如何理解和利用文化和文化背景。我们描述了设计师可以用来获得社会文化洞察力的模型和工具,我们描述了设计师可以在设计过程中使用这些知识的不同策略。最后,我们提出了一些建议,以缩小设计师、设计研究者和其他研究饮食文化的学科之间的差距。
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引用次数: 0
Bottom-up visions for future of food growing in cities 自下而上对未来城市粮食种植的设想
Q1 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1386/ijfd_00059_1
Simran Chopra, C. Vasiliou, A. Clear, Rachel Clarke, S. Heitlinger, Özge Dilaver
We report on community food growing as an instance of practice-based sustainability research focused on the design of interactive systems for food growing in future cities. We present a case study with a series of workshops using speculative and participatory design approaches focused on creatively exploring futures of urban food growing with a local neighbourhood community. Working with local grassroots communities is often perceived as more egalitarian for promoting viable long-term and embedded change in cities, yet little work has studied this approach for urban food growing. To explore how we might better articulate and conceptualize collaborative food growing futures, we discuss the creation of bottom-up visions as contestations to hegemonic narratives of power and control in cities. These are affected by, limitations of present resources and infrastructures, inability to work at scale due to lack of buy-in of stakeholders, and erroneous promises of future technologies. Through these reflections on grassroots futures as complex assemblages of social and material realities, we provoke researchers and practitioners to look at envisioning future possibilities with participants, as a web of practices and stakeholders. We further suggest that researchers and practitioners explore these interconnections through assemblages of socio-material realities and visions of high- and low-tech futures. This work is important because it provides a new approach to looking at the design of future technologies for cities and addressing systemic issues of hegemonic food systems through bottom-up actionable futures.
我们将社区粮食种植作为基于实践的可持续性研究的一个实例,重点关注未来城市粮食种植互动系统的设计。我们提出了一个案例研究,通过一系列的研讨会,使用投机和参与式设计方法,专注于创造性地探索与当地社区一起种植的城市食物的未来。与当地基层社区合作通常被认为是促进城市可行的长期和嵌入式变化的更平等主义,但很少有工作研究这种方法用于城市粮食种植。为了探索我们如何更好地表达和概念化合作粮食种植的未来,我们讨论了自下而上愿景的创造,作为对城市权力和控制霸权叙事的争论。这些问题受到以下因素的影响:现有资源和基础设施的限制;由于缺乏利益攸关方的支持而无法大规模开展工作;以及对未来技术的错误承诺。通过这些对基层未来的思考,作为社会和物质现实的复杂组合,我们鼓励研究人员和实践者与参与者一起展望未来的可能性,作为一个实践和利益相关者的网络。我们进一步建议研究人员和实践者通过社会物质现实和高、低技术未来愿景的组合来探索这些相互联系。这项工作很重要,因为它提供了一种新的方法来研究城市未来技术的设计,并通过自下而上的可操作未来来解决霸权粮食系统的系统性问题。
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引用次数: 0
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International Journal of Food Design
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