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Filmová studia v předsálí svých zdejších dějin 当地历史大厅里的电影制片厂
Q3 Arts and Humanities Pub Date : 2021-02-05 DOI: 10.14712/23366680.2020.3.10
Ivan Klimeš
SYNOPSIS Film Studios in the Lobby of Their Local History In the context of higher education, cinema studies first emerged during the 1950s with the FAMU Film School in Prague, though it was taught by publicists rather than scholars of the field. By the end of the 1960s, cinema studies had moved to the Charles University Faculty of Arts, and, in Brno, to the Faculty of Arts of the Jan Evangelista Purkyně University (now Masaryk University). When in the context of normalisation these departments were dissolved, it would take several years to re ‐establish them, and only then merged together with theatre studies. Film research gained a promising new home once more in the 1960s at the Film Institute, established as a departmental institution in 1963 under the auspices of the state film initiative. However, the so ‐called interdisciplinary research administration was dissolved in 1973 for political reasons, and meaningful research all but died out for many years. In the memoir section of the article, the author describes the revival of research in the second half of the 1980s and founding of Illumination, a quarterly for the theory, history and aesthetics of film.
在高等教育的背景下,电影研究最早出现在20世纪50年代的布拉格FAMU电影学校,尽管它是由公关人员而非该领域的学者教授的。到20世纪60年代末,电影研究转移到了查尔斯大学艺术学院,在布尔诺,转移到了扬·伊万杰利斯塔·普金大学(现为马萨里克大学)的艺术学院。当这些部门在正常化的背景下解散时,需要几年时间才能重新建立,然后才与戏剧研究合并在一起。电影研究在20世纪60年代在电影学院再次获得了一个充满希望的新家,该学院于1963年在国家电影倡议的赞助下成立,是一个部门机构。然而,由于政治原因,所谓的跨学科研究管理局于1973年解散,多年来有意义的研究几乎绝迹。在文章的回忆录部分,作者描述了20世纪80年代后半叶研究的复兴以及电影理论、历史和美学季刊《照明》的成立。
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引用次数: 0
Jak zabít utrpení. O filozofické praxi Ladislava Klímy 如何消除痛苦。关于拉迪斯拉夫·克利玛的哲学实践
Q3 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.14712/23366680.2020.1.3
Marek Pocestný
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引用次数: 0
Vypravěčský komentář u Václava Beneše Třebízského. Sonda do autorské strategie české literatury konce 19. století
Q3 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.14712/23366680.2020.1.1
Pavel Šidák
A Narrative Commentary by Václav Beneš Třebízský: Probing Authorial Strategies in Czech Literature of the Late 19th Century This study deals with the form and function of narrative commentary in Czech prose works of the period 1830–1880, with a focus on V. B. Třebízský’s novel Wandering Souls , in which the commentary material is particularly rich and diverse. What this analysis makes possible, first, is a number of in-terpretative insights into Třebízský’s work and a mapping of some of his most common narrative figures. Second, it allows us to generalize the form and function of narrative commentary in the broader literary period under consideration, for which Wandering Souls provides a workable syn-ecdoche.
Václav BenešTřebízský。这一分析使之成为可能,首先,是对Třebízský作品的一些解读性见解,以及对他一些最常见的叙事人物的映射。其次,它使我们能够在所考虑的更广泛的文学时期概括叙事评论的形式和功能,《流浪灵魂》为其提供了一个可行的syn-edoche。
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引用次数: 0
Russisches für die Insel-Bücherei. Zum Übersetzungskonzept Alexander Eliasbergs im Spiegel der Verlagskorrespondenz 苏俄人买图书馆要熟悉Alexander eliasberg的翻译为合著报纸的处理
Q3 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.14712/23366680.2020.1.9
Carmen Sipple
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引用次数: 0
„Zaujetí kvalitou“ jako protoestetická událost “对质量的承诺”作为一个原型美学事件
Q3 Arts and Humanities Pub Date : 2019-12-16 DOI: 10.14712/23366680.2019.2.10
V. Zuska
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引用次数: 0
Raný Mallarmé v českých překladech
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.3
Záviš Šuman, Catherine Ébert-Zeminová
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引用次数: 0
Duch Havlíčkův a jiné problémy. O vydávání klasického autora Havleček的鬼魂和其他问题。关于出版一位经典作家
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.5
Václav Vaněk
SYNOPSIS The Ghost of Havlíček and Other Problems: On the Publication of a Classical Author Since his death, Karel Havlíček Borovský (1821–1856) has been seen by the Czech public as a ‘national martyr’ (a view not entirely upheld by historical facts), as well as a symbol of courage, defiance and forthrightness. Similar qualities have been attributed to his fiction, a vivid and humorous reflection of the state of affairs in the culture and politics of his time. However, Havlíček’s poems and epigrams were created in the trying circumstances of Metternich’s Austria, during the revolutionary years of 1848 and 1849 and subsequent years of social depression. Throughout this period his publishing possibilities were limited to the demands of censorship, at risk of losing his literary existence. He wrote his best-known poems while detained in Brixen, with no hope of publication. During his lifetime he was unable to publish a single book of his own fiction, and for years after his death his works were known primarily through unauthorized copies. The first posthumous comprehensive editions of his writings (esp. Zelený 1870, Tůma 1886, Quis 1889 and 1906) were similarly limited by the political conditions of the Austro-Hungarian monarchy. At the same time, however, they aimed at presenting an idealized image of the national poet by modifying and redacting the original texts. This study follows the situation outlined here from a textological perspective. In the first part, it notes the uncertain boundaries of Havlíček’s works in terms of textual units, author attribution and delimitation of genre. In the second part, it presents examples of censorship and self-censorship. In the third part, it deals with changes to Havlíček’s texts after the author’s death, mainly due to inaccurate copies and editorial interventions (e.g. the removal and concealment of taboo words). It is this aspect of publishing practice in the second half of the 19th century that results in a particularly problematic, flat and banal image of Havlíček’s work. The study is accompanied by analysis of several specific textual problems that remain unresolved.
哈夫利切克的幽灵和其他问题:论一位古典作家的出版自他去世以来,卡雷尔·哈夫利奇克·博罗夫斯基(1821–1856)一直被捷克公众视为“民族烈士”(一种不完全由历史事实支持的观点),以及勇气、反抗和直率的象征。他的小说也具有类似的品质,生动幽默地反映了他那个时代的文化和政治状况。然而,哈维切克的诗歌和警句是在1848年和1849年革命年代以及随后的社会萧条时期,梅特涅统治下的奥地利的艰难环境中创作的。在这段时间里,他的出版可能性仅限于审查制度的要求,面临着失去文学存在的风险。他在布里森被拘留期间写下了他最著名的诗歌,没有出版的希望。在他的一生中,他无法出版一本自己的小说,在他去世后的几年里,他的作品主要通过未经授权的复制品而为人所知。他的著作的第一个死后综合版本(特别是Zelený1870、Tůma 1886、Quis 1889和1906)同样受到奥匈帝国君主制政治条件的限制。然而,同时,他们旨在通过修改和编辑原文来呈现一个理想化的民族诗人形象。这项研究从文本学的角度遵循了这里概述的情况。在第一部分中,从文本单位、作者归属和体裁界定等方面指出了哈维切克作品的不确定性边界。第二部分介绍了审查制度和自我审查制度的例子。在第三部分中,它处理了作者去世后Havlíček文本的变化,主要是由于不准确的复制和编辑干预(例如删除和隐藏禁忌词)。正是19世纪下半叶出版实践的这一方面导致了哈维切克作品的一个特别有问题、平淡和平庸的形象。本研究同时分析了几个尚未解决的具体文本问题。
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引用次数: 0
„Neposlouchám, co mi říká, zato slyším, co nepovídá.“ Vyprávěcí postupy a kompozice próz Anny Blažíčkové “我不听他说什么,但我听他没说什么。Anna Blažíčková散文的叙述程序和构成
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.10
Magdaléna Smějsíková
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引用次数: 0
Life in Amplitude: Pathos, Passion and Thinking on Art and Aesthetics in Occupied Prague (1939–1945) 波澜起伏的生活:被占领布拉格的悲情、激情与艺术美学思考(1939-1945)
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.9
J. Vojvodík
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引用次数: 0
Cervantes a tolerance 塞万提斯的宽容
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.2
J. A. Sánchez
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引用次数: 0
期刊
Slovo a Smysl
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