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Slovo a Smysl最新文献

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Polská a německá versologie z českého pozorovacího stanoviště 从捷克观察点看波兰与德国诗歌
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.11
Klára Čermochová
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引用次数: 0
Emil Saudek neboli homo translatorus Emil Saudek不是一个同性恋翻译
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.6
Michal Topor
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引用次数: 0
Metodologické vlivy v současných didaktických interpretacích na střední škole 当代中学教学解释的方法论影响
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.12
Ondřej Vojtíšek
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引用次数: 0
František Drtikol — mezi teozofií a komunizací buddhismu
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.7
Joanna Królak, Piotr Ślusarczyk
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引用次数: 0
Pohyby české textologie 捷克语篇学运动
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.13
M. Špirit
SYNOPSIS Trends in Czech Textology The article describes the state of Czech textual criticism at the time of the publication of Editologie (2018), a methodological compendium in which its main authors, Michal Kosák and Jiří Flaišman, summarize, evaluate and elaborate procedures established by the handbook Editor and Text in 1971. One of the characteristics of today’s situation in the field of textology is the existence of multiple book series. The Variants series (Edice Varianty), which was launched in 2009, focuses on both original works and translations of textual criticism. The Hybrid Scholarly Edition series (Kritická hybridní edice), starting in 2012, is released in both electronic and print media, allowing for scientific and readership editions. The oldest series, The Czech Library (Česká knižnice), which began in 1997, provides a platform for the professional preparation of texts, from the earliest publications to living authors. The publishing industry has been simultaneously sidelining the textological profession, and the contemporary reader is faced with an increasing number of unidentified editions.
捷克语篇学简编趋势本文描述了《编辑》(2018)出版时捷克语篇批评的状况,这是一本方法简编,其主要作者Michal Kosák和JiříFlaišman在其中总结、评估和阐述了1971年《编辑与文本》手册制定的程序。当今文本学领域的一个特点是存在多个系列丛书。变体系列(Edice Varianty)于2009年推出,专注于文本批评的原创作品和翻译。混合学术版系列(Kritickáhybridníedice)始于2012年,在电子和印刷媒体上发布,允许科学版和读者版。最古老的系列是捷克图书馆(Českáknižnice),始于1997年,为从最早的出版物到在世的作者的文本专业准备提供了一个平台。出版业同时也在排挤文本学专业,当代读者面临着越来越多的不明版本。
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引用次数: 0
Dvě hostiny a (středověká) parodie 两场盛宴和一场(中世纪)戏仿
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.1
Kateřina Smyčková
SYNOPSIS Two Banquets and (Medieval) Parody This article examines parody in medieval literature and in folk literature and culture up to the 19th century. It analyses sacred parody (Bible parody), its significant aspects and role in literature and culture. The study focuses primarily on Cena Cypriani and Mesiáš přišel na svět pravdivý [The True Messiah Has Come into the World]. The Cena Cypriani is an anonymous prose work written in Latin. The text was probably written around 400 and tells the story of a banquet held at Cana in Galilee, where a king invites many biblical figures to attend a wedding. The song Mesiáš přišel na svět pravdivý is written in Czech, comes from the 18th century and narrates the story of a wedding feast at Cana. This article examines the origin of the song Mesiáš přišel na svět pravdivý and its dissemination throughout central Europe (in Slavic literatures, primarily in Polish).
两次宴会与(中世纪)戏仿本文考察了直到19世纪,中世纪文学以及民间文学和文化中的戏仿。分析了神圣戏仿(圣经戏仿)及其重要方面及其在文学和文化中的作用。这项研究主要集中在Cena Cypriani和Mesiášpřišel na svŞt pravdivý[真正的弥赛亚来到了世界]。《赛纳·赛普里亚尼》是一部用拉丁文写成的匿名散文作品。这段文字可能写于400年左右,告诉了在加利利的迦拿举行宴会的故事,国王邀请许多圣经人物参加婚礼。歌曲《Mesiášpřišel na svŞt pravdivý》是用捷克语创作的,来自18世纪,讲述了在卡纳举行婚礼的故事。本文考察了歌曲Mesiášpřišel na svŞt pravdivý的起源及其在中欧的传播(斯拉夫文学,主要是波兰语)。
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引用次数: 0
Psát okem na zeď cely… Črta k vězeňské lyrice Václava Renče 用眼睛在牢房的墙上写字…Václav Renč监狱歌词草图
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.8
Jan Wiendl
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引用次数: 0
Krátké formy v tvorbě Samuela Becketta ve vztahu k otázce poznání 塞缪尔·贝克特作品中与知识问题有关的简短形式
Q3 Arts and Humanities Pub Date : 2019-09-10 DOI: 10.14712/23366680.2019.1.4
Żaneta Nalewajk
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引用次数: 0
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Slovo a Smysl
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