Pub Date : 2020-10-26DOI: 10.14712/23366729.2020.3.1
Katalin Bartha-Kovács
NOSTALGIC REMINISCENCES: LIGHT AND NOTHING IN MARINE PAINTINGS BY CLAUDE LORRAIN The article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not evoke concrete myths, but inspire less obvious reminiscences in the viewer. Lorrain’s paintings can be conceived therefore as allegories of nostalgia, a category that the article approaches with the help of that of Nothing. It aims to show that it is through the particular light effects that Lorrain’s landscapes and marine paintings suggest a sense of timeless and nostalgic reminiscences to the viewer.
{"title":"Réminiscences nostalgiques : la lumière et le Rien dans les marines de Claude Lorrain","authors":"Katalin Bartha-Kovács","doi":"10.14712/23366729.2020.3.1","DOIUrl":"https://doi.org/10.14712/23366729.2020.3.1","url":null,"abstract":"NOSTALGIC REMINISCENCES: LIGHT AND NOTHING IN MARINE PAINTINGS BY CLAUDE LORRAIN The article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not evoke concrete myths, but inspire less obvious reminiscences in the viewer. Lorrain’s paintings can be conceived therefore as allegories of nostalgia, a category that the article approaches with the help of that of Nothing. It aims to show that it is through the particular light effects that Lorrain’s landscapes and marine paintings suggest a sense of timeless and nostalgic reminiscences to the viewer.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45997899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-26DOI: 10.14712/23366729.2020.3.10
Vojtěch Šarše
Today, it is perfectly possible to establish a corpus of sub-Saharan francophone authors of auto-biographical novels who are already considered to be the classics of African literatures. The main characters, young Africans fascinated by French culture, suffer from identity alienation and spiri-tual degradation which causes a process of decomposition followed by an artificial re-composition of their past. The homeland, Africa, as a point of reference, is lost in this process. The protagonist isolates himself from his milieu and it is no more possible to distinguish whether he ignores or re-fuses his past in homeland. In this article, we will analyze the involuntary reminiscences occurring when the main character is in Paris. Those fragments of memory force him to reconsider his status, origins and allegiance.
{"title":"L’oubli volontaire et la réminiscence involontaire dans la perspective des littératures subsahariennes d’expression française","authors":"Vojtěch Šarše","doi":"10.14712/23366729.2020.3.10","DOIUrl":"https://doi.org/10.14712/23366729.2020.3.10","url":null,"abstract":"Today, it is perfectly possible to establish a corpus of sub-Saharan francophone authors of auto-biographical novels who are already considered to be the classics of African literatures. The main characters, young Africans fascinated by French culture, suffer from identity alienation and spiri-tual degradation which causes a process of decomposition followed by an artificial re-composition of their past. The homeland, Africa, as a point of reference, is lost in this process. The protagonist isolates himself from his milieu and it is no more possible to distinguish whether he ignores or re-fuses his past in homeland. In this article, we will analyze the involuntary reminiscences occurring when the main character is in Paris. Those fragments of memory force him to reconsider his status, origins and allegiance.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43779992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-26DOI: 10.14712/23366729.2020.3.2
Andrea Tureková
This paper dedicated to the issue of the memory and the novel in the 18 th century aims at question-ing the memoir-novels, as a privileged form of the fiction during the first half of the century. The memoir-novel is indeed based on memories of a hero-narrator reminiscing about his past love life. As memory and imagination are strongly linked in the thought of the 17 th and 18 th century, the question of their relationship is particularly relevant in the novels by Antoine Prévost, insofar as his heroes claim to produce a pathetic effect and seduce their interlocutor/reader. Our reflection takes as an example La Jeunesse du Commandeur (1741) — a kind of “reverse story” to that of the Chevalier Des Grieux — where memory and imagination are put at the service of a burlesque treatment of passion.
{"title":"Mémoire et imagination dans La Jeunesse du Commandeur de l’abbé Prévost","authors":"Andrea Tureková","doi":"10.14712/23366729.2020.3.2","DOIUrl":"https://doi.org/10.14712/23366729.2020.3.2","url":null,"abstract":"This paper dedicated to the issue of the memory and the novel in the 18 th century aims at question-ing the memoir-novels, as a privileged form of the fiction during the first half of the century. The memoir-novel is indeed based on memories of a hero-narrator reminiscing about his past love life. As memory and imagination are strongly linked in the thought of the 17 th and 18 th century, the question of their relationship is particularly relevant in the novels by Antoine Prévost, insofar as his heroes claim to produce a pathetic effect and seduce their interlocutor/reader. Our reflection takes as an example La Jeunesse du Commandeur (1741) — a kind of “reverse story” to that of the Chevalier Des Grieux — where memory and imagination are put at the service of a burlesque treatment of passion.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43197745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.14712/23366729.2020.2.3
Petr Chalupský
{"title":"Hravá autentičnost fiktivní historie v románu Jeho krvavé dílo Graeme Macrae Burneta","authors":"Petr Chalupský","doi":"10.14712/23366729.2020.2.3","DOIUrl":"https://doi.org/10.14712/23366729.2020.2.3","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46076180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.14712/23366729.2020.2.6
Anna Housková
{"title":"Polemiky na cestě literárním polem","authors":"Anna Housková","doi":"10.14712/23366729.2020.2.6","DOIUrl":"https://doi.org/10.14712/23366729.2020.2.6","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43945096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.14712/23366729.2020.2.2
Trinidad Barrera
{"title":"Chilská avantgarda z pohledu Pabla Nerudy","authors":"Trinidad Barrera","doi":"10.14712/23366729.2020.2.2","DOIUrl":"https://doi.org/10.14712/23366729.2020.2.2","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48745738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-09DOI: 10.14712/23366729.2020.1.11
S. Elmoudden
ON “THE OTHER SIDE” OF HISTORY IN AMIN MAALOUF’S NOVELS The article aims to analyze the relationship between history and fiction in Amin Maalouf ’s novels. Fascinated by history and literature, the Franco-Lebanese writer, tries, in several of his works, to combine history and romance and to make real and fictitious characters coexist in one universe. However, far from being limited to a simple transcription of history, Amin Maalouf has set himself the audacious goal of shedding light on the other side of history, as it was seen and lived on the “other side”; and at the same time he tries to revive the memory of certain figures forgotten or even denigrated by the official historiography. Thus, by rediscovering and reinterpreting history from a new perspective, Amin Maalouf aspires to understand the present and to build bridges between the two shores of the Mediterranean, between the North and the South, and between the East and the West.
{"title":"L’Histoire vue de « l’Autre côté » dans les récits d’Amin Maalouf","authors":"S. Elmoudden","doi":"10.14712/23366729.2020.1.11","DOIUrl":"https://doi.org/10.14712/23366729.2020.1.11","url":null,"abstract":"ON “THE OTHER SIDE” OF HISTORY IN AMIN MAALOUF’S NOVELS The article aims to analyze the relationship between history and fiction in Amin Maalouf ’s novels. Fascinated by history and literature, the Franco-Lebanese writer, tries, in several of his works, to combine history and romance and to make real and fictitious characters coexist in one universe. However, far from being limited to a simple transcription of history, Amin Maalouf has set himself the audacious goal of shedding light on the other side of history, as it was seen and lived on the “other side”; and at the same time he tries to revive the memory of certain figures forgotten or even denigrated by the official historiography. Thus, by rediscovering and reinterpreting history from a new perspective, Amin Maalouf aspires to understand the present and to build bridges between the two shores of the Mediterranean, between the North and the South, and between the East and the West.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49099070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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