Pub Date : 2022-06-28DOI: 10.14712/23366729.2022.3.2
Petr Kyloušek
{"title":"Fin de l’art ? Noétique de la littérature","authors":"Petr Kyloušek","doi":"10.14712/23366729.2022.3.2","DOIUrl":"https://doi.org/10.14712/23366729.2022.3.2","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49088963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-28DOI: 10.14712/23366729.2022.3.16
Anne-Claire Marpeau
{"title":"Lire un classique : temporalité, (dé)plaisirs et résonance de l’oeuvre littéraire","authors":"Anne-Claire Marpeau","doi":"10.14712/23366729.2022.3.16","DOIUrl":"https://doi.org/10.14712/23366729.2022.3.16","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48376916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-28DOI: 10.14712/23366729.2022.3.5
Anna Luňáková
Based on the theory of Arthur Coleman Danto I try to outline possible similarities between the state of art after its end and the state of melancholy. The melancholic breaks the order, thus paradoxically drawing its boundaries. Aristotle’s Problems , Robert Burton’s Melancholia , and a study of Melancholia of theorist László F. Földényi help us to name characteristics of this state.
根据丹托的理论，我试图勾勒出艺术结束后的状态与忧郁状态之间可能存在的相似之处。忧郁打破了秩序，从而矛盾地画出了它的边界。亚里士多德的《问题》，罗伯特·伯顿的《忧郁症》，以及理论家László F. Földényi对忧郁症的研究，帮助我们命名这种状态的特征。
{"title":"Fin de l’art et la mélancolie","authors":"Anna Luňáková","doi":"10.14712/23366729.2022.3.5","DOIUrl":"https://doi.org/10.14712/23366729.2022.3.5","url":null,"abstract":"Based on the theory of Arthur Coleman Danto I try to outline possible similarities between the state of art after its end and the state of melancholy. The melancholic breaks the order, thus paradoxically drawing its boundaries. Aristotle’s Problems , Robert Burton’s Melancholia , and a study of Melancholia of theorist László F. Földényi help us to name characteristics of this state.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44092501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-28DOI: 10.14712/23366729.2022.3.9
Radek Karkovský
{"title":"Pauvre Lampil et la « décadence » de la BD belge : la souffrance de l’artiste de nos jours racontée sous forme de gags","authors":"Radek Karkovský","doi":"10.14712/23366729.2022.3.9","DOIUrl":"https://doi.org/10.14712/23366729.2022.3.9","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47647382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-28DOI: 10.14712/23366729.2022.3.8
Anna Paola Bellini
{"title":"La Fin de l’art dans les « paysages de la mort ». Les artistes des camps de concentration","authors":"Anna Paola Bellini","doi":"10.14712/23366729.2022.3.8","DOIUrl":"https://doi.org/10.14712/23366729.2022.3.8","url":null,"abstract":"","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47828917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-12DOI: 10.14712/23366729.2022.1.2
Markéta Riebová
The following study deals with the evolution of the centre-periphery dynamics in Chicano/a cultural and literary space of the Mexican American borderland region. With a brief overview of the socio-historical and geopolitical context in the background the article offers insight into the gradual formation of the cultural/literary capital of the Mexican American and later Chicano/a community, and inquiries into its possible emergence out of the formerly peripheral position in relation to the literary centres of Spain, Mexico or United States.
{"title":"Surviving the Borderlands: Living Sin Fronteras, Being a Crossroads The Deperipheralization of the Chicano/a Cultural/Literary Space","authors":"Markéta Riebová","doi":"10.14712/23366729.2022.1.2","DOIUrl":"https://doi.org/10.14712/23366729.2022.1.2","url":null,"abstract":"The following study deals with the evolution of the centre-periphery dynamics in Chicano/a cultural and literary space of the Mexican American borderland region. With a brief overview of the socio-historical and geopolitical context in the background the article offers insight into the gradual formation of the cultural/literary capital of the Mexican American and later Chicano/a community, and inquiries into its possible emergence out of the formerly peripheral position in relation to the literary centres of Spain, Mexico or United States.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43443064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-12DOI: 10.14712/23366729.2022.1.3
Jana Marešová
Traditional storytelling has been an essential constituent of Indigenous cultures in North America, including contemporary literary production. The perception of storytelling in Indigenous theories might, however, in some aspects differ from its Western literary critical understanding. This paper outlines the conceptual frameworks which shape and are reflected in Indigenous storytelling and examines relationality as the core principle of Indigenous knowledge system. Relationality does not only represent a frequent theme in Indigenous works, but it is also manifested in their narrative structure, and simultaneously can be used for their interpretation. In addition, the paper focuses on the equal role of the storyteller and the listener in Indigenous views on storytelling, the neces-sity to internalize a story to derive meaning, the power and animacy of stories and the importance of this for Indigenous typologies of stories, and on the issue of cultural appropriation, which stems from the different approaches to stories and knowledge as such in Indigenous and non-Indigenous perceptions.
{"title":"Pojetí vypravěčství v severoamerických indigenních kulturách a koncept vztahovosti","authors":"Jana Marešová","doi":"10.14712/23366729.2022.1.3","DOIUrl":"https://doi.org/10.14712/23366729.2022.1.3","url":null,"abstract":"Traditional storytelling has been an essential constituent of Indigenous cultures in North America, including contemporary literary production. The perception of storytelling in Indigenous theories might, however, in some aspects differ from its Western literary critical understanding. This paper outlines the conceptual frameworks which shape and are reflected in Indigenous storytelling and examines relationality as the core principle of Indigenous knowledge system. Relationality does not only represent a frequent theme in Indigenous works, but it is also manifested in their narrative structure, and simultaneously can be used for their interpretation. In addition, the paper focuses on the equal role of the storyteller and the listener in Indigenous views on storytelling, the neces-sity to internalize a story to derive meaning, the power and animacy of stories and the importance of this for Indigenous typologies of stories, and on the issue of cultural appropriation, which stems from the different approaches to stories and knowledge as such in Indigenous and non-Indigenous perceptions.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47314586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-12DOI: 10.14712/23366729.2022.1.5
Karolina Válová
phase of the house, the cor-ridors, and down the stairs, each room, a stopped time, rediscovers his past, and thinks about his and his dreams. There are four symbols that represent the four main rooms, which work as the keys to interpretation.
{"title":"Znovuzabydlování domu v románu Navždycky Vergília Ferreiry","authors":"Karolina Válová","doi":"10.14712/23366729.2022.1.5","DOIUrl":"https://doi.org/10.14712/23366729.2022.1.5","url":null,"abstract":"phase of the house, the cor-ridors, and down the stairs, each room, a stopped time, rediscovers his past, and thinks about his and his dreams. There are four symbols that represent the four main rooms, which work as the keys to interpretation.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48836221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-12DOI: 10.14712/23366729.2022.1.1
Tereza Kalkusová
The paper examines the potential influence of Wilhelm Dilthey on the works and thought of the Peruvian writer and ethnologist José María Arguedas. In 1953 Arguedas opened his ethnological article “Mountains in the Process of Peruvian Culture” with a quote from Dilthey’s book of essays Experience and Poetry (1910). Despite the fact that the two authors are distant in space and time, their herme-neutic approach and, above all, their faith in art as the highest possible form of knowledge, brings their reflections together. Dilthey’s triad experience — expression — understanding, which forms the core of the chosen quote, expresses the essence of art and its value: beauty, honest judgment, an authentic descent into the depth of linguistic expression and cultural identity. The three concepts also summarize Arguedas’s lifelong efforts to use art to make the underestimated Quechua and mes-tizo cultures a legitimate part of modern Peru and art in general.
本文考察了Wilhelm Dilthey对秘鲁作家和民族学家jos María Arguedas的作品和思想的潜在影响。1953年，阿格达斯在他的人种学文章《秘鲁文化进程中的山脉》的开头引用了狄尔泰的散文集《经验与诗歌》(1910)。尽管两位作者在空间和时间上相距遥远，但他们的诠释中立的方法，尤其是他们对艺术作为最高可能的知识形式的信仰，将他们的反思结合在一起。狄尔泰的“体验-表达-理解”三位一体构成了这段引文的核心，表达了艺术的本质及其价值:美、诚实的判断、对语言表达深度的真实下降和文化认同。这三个概念也总结了Arguedas一生的努力，即利用艺术使被低估的克丘亚和梅斯蒂索文化成为现代秘鲁和一般艺术的合法组成部分。
{"title":"Možný vliv Wilhelma Diltheye na tvorbu a myšlení Josého Maríi Arguedase","authors":"Tereza Kalkusová","doi":"10.14712/23366729.2022.1.1","DOIUrl":"https://doi.org/10.14712/23366729.2022.1.1","url":null,"abstract":"The paper examines the potential influence of Wilhelm Dilthey on the works and thought of the Peruvian writer and ethnologist José María Arguedas. In 1953 Arguedas opened his ethnological article “Mountains in the Process of Peruvian Culture” with a quote from Dilthey’s book of essays Experience and Poetry (1910). Despite the fact that the two authors are distant in space and time, their herme-neutic approach and, above all, their faith in art as the highest possible form of knowledge, brings their reflections together. Dilthey’s triad experience — expression — understanding, which forms the core of the chosen quote, expresses the essence of art and its value: beauty, honest judgment, an authentic descent into the depth of linguistic expression and cultural identity. The three concepts also summarize Arguedas’s lifelong efforts to use art to make the underestimated Quechua and mes-tizo cultures a legitimate part of modern Peru and art in general.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41323286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-12DOI: 10.14712/23366729.2022.1.9
Jiří Smrčka
The article discusses the transformation of the relationship of Czech literature to the French writer Jules Romains, the chief representative of Unanimism, during the 20 th century. In the period before and just after WWI, the emerging generation of authors received him with almost boundless admiration. In the interwar period, he was ideologically aligned with Karel Čapek’s generation and was publicly presented in the Czech cultural environment as the leading representative of contemporary French writing. A turning point came in the autumn of 1938, when, as a proponent of the idea of pacifism, he defended the principles of the Munich Agreement. Romains, originally seen as a friend of the Czechs, became a symbol of the French betrayal. After 1948, Romains’s post-Munich positions were placed in the context of the premises of Unanimism, which, in the perspective of the Marx-ist approach to literature, appeared to be ideologically mistaken because it neglected the agency of class aspects in the dynamics of society. Romains thus fell into the periphery of interest and into near oblivion. Only one-third of his major novel cycle Men of Good Will remains tanslated into Czech.
{"title":"Od obdivu k zatracení: česká recepce Julese Romainse","authors":"Jiří Smrčka","doi":"10.14712/23366729.2022.1.9","DOIUrl":"https://doi.org/10.14712/23366729.2022.1.9","url":null,"abstract":"The article discusses the transformation of the relationship of Czech literature to the French writer Jules Romains, the chief representative of Unanimism, during the 20 th century. In the period before and just after WWI, the emerging generation of authors received him with almost boundless admiration. In the interwar period, he was ideologically aligned with Karel Čapek’s generation and was publicly presented in the Czech cultural environment as the leading representative of contemporary French writing. A turning point came in the autumn of 1938, when, as a proponent of the idea of pacifism, he defended the principles of the Munich Agreement. Romains, originally seen as a friend of the Czechs, became a symbol of the French betrayal. After 1948, Romains’s post-Munich positions were placed in the context of the premises of Unanimism, which, in the perspective of the Marx-ist approach to literature, appeared to be ideologically mistaken because it neglected the agency of class aspects in the dynamics of society. Romains thus fell into the periphery of interest and into near oblivion. Only one-third of his major novel cycle Men of Good Will remains tanslated into Czech.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46821990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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