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„Věčnost“ Arthura Rimbauda a její české překlady Arthur Rimbaud的《永恒》及其捷克语译本
Q3 Arts and Humanities Pub Date : 2021-10-07 DOI: 10.14712/23366729.2021.2.7
P. Kužel
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引用次数: 0
Tři pohledy na Posvátný hlad Barryho Unsworthe
Q3 Arts and Humanities Pub Date : 2021-10-07 DOI: 10.14712/23366729.2021.2.2
P. Poncarová
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引用次数: 0
Vyprávění mezi empatií a vraždou Ian McEwan a jeho román Pokání 移情与谋杀之间的故事伊恩·麦克尤恩及其小说《忏悔》
Q3 Arts and Humanities Pub Date : 2021-10-07 DOI: 10.14712/23366729.2021.2.1
Jakub Čapek
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引用次数: 0
Nesrozumitelnost světa a nevymezitelnost viny: kafkovské poznámky
Q3 Arts and Humanities Pub Date : 2021-08-31 DOI: 10.14712/23366729.2021.1.2
Petr Koťátko
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引用次数: 0
Geneze a zahraniční recepce Umění překladu Jiřího Levého 《创世纪》与外国接受——吉·列夫的翻译艺术
Q3 Arts and Humanities Pub Date : 2021-08-31 DOI: 10.14712/23366729.2021.1.1
Jelizaveta Getta
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引用次数: 0
„Spasení Spasiteli“: poslední dílo o posledním díle “救世救世主”:最后一部作品中的最后一部
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.14712/23366729.2021.1.5
Vojtěch Kolman
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引用次数: 0
„Práce, o kterou se pokoušíte, se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty “你想做的工作根本不起作用”——对卡雷尔·米洛塔小说写作的思考
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.14712/23366729.2021.1.3
J. Šebek
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引用次数: 0
Budapešťská rýha v dráze Richarda Messera (Meszlénye) Richard Messer赛道上的布达佩斯裂缝(Meszlénye)
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.14712/23366729.2021.1.4
Michal Topor
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引用次数: 0
Otázka metody Ke vztahu marxismu-leninismu a literární vědy v textech Jana Mukařovského a Stefana Żółkiewského 马列主义与文学科学的关系
Q3 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.14712/23366729.2020.2.4
Roman Kanda
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引用次数: 0
La perte de l’origine comme fondement des poétiques modernes de la mémoire 作为现代记忆诗学基础的起源的丧失
Q3 Arts and Humanities Pub Date : 2020-10-26 DOI: 10.14712/23366729.2020.3.5
P. Marot
The ancient and classical tradition assume the memoria , which reproduces a stable and hierarchical order, able to base the exemplary and topical value of stories. This “onto-theological” model (Kant) is radically overthrown by the one that prevails in modernity — since the end of the eighteenth cen-tury: forgetting the metaphysical foundation is becoming a paradoxical matrix of memory. Discontinuity becomes the condition of our relation to the past, which can no longer be sus-tained on an identifiable origin, but must be invented. Modern literature becomes a question of ignorance, and is condemned to construct optimistic (Novalis, Michon, Perec) or pessimistic (Senan-cour, Tieck, Conrad) answers to this question.
古代和古典传统假定了纪念馆,它再现了一种稳定的等级秩序,能够奠定故事的典范和主题价值。这种“进入神学”的模式(康德)被现代性中盛行的模式从根本上推翻了——自十八世纪末以来:忘记形而上学的基础正在成为一种矛盾的记忆矩阵。不连续性成为我们与过去关系的条件,这种关系不能再基于可识别的起源,而必须被虚构出来。现代文学变成了一个无知的问题,并被谴责建构乐观(Novalis,Michon,Perec)或悲观(Senan cour,Tieck,Conrad)对这个问题的答案。
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引用次数: 0
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