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Subjectively Perceived Importance of Education by University Students at the Beginning of Their Studies 大学生在学习之初对教育重要性的主观认知
Q4 Social Sciences Pub Date : 2022-09-01 DOI: 10.18690/rei.15.3.377-392.2022
Radmila Burkovičová
The article investigates students perception of the importance of education and its rationale at the beginning of their studies. Fifty-seven students from the bachelor’s programme Teacher Training for Kindergarten from 2018/2019 to 2021/2022 participated. The sampling was based on convenience. A qualitative approach was used through open verbal statements transcribed into a text. The individual importance of education to students at the beginning of the first semester and their personal justifications for the importance of education were identified, representing several categories. We found the following dimensions for the categories of the meaning of education (personal goal category) and personal definition of education (categories: association with context; from individual to society; on the background of historical development; personality development and evolution; essence; mode of acquisition; value; through the lens of the present; Dionysian conception; general overview; confused definitions).
本文调查了学生在学习之初对教育重要性的认识及其基本原理。参加2018/2019至2021/2022年本科幼儿园教师培训项目的57名学生。抽样是基于方便。通过将公开的口头陈述转录成文本,采用了定性方法。在第一学期开始时,教育对学生的个人重要性以及他们对教育重要性的个人理由被确定,代表了几个类别。我们发现教育意义类别(个人目标类别)和个人教育定义类别(类别:与情境的关联;从个人到社会;在历史发展背景下;个性发展与演变;本质;收购方式;价值;透过现在的镜头;酒神的概念;总体概述;困惑的定义)。
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引用次数: 0
Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre 即兴作为音乐教育流动的基础:与态度、性别和体裁的联系
Q4 Social Sciences Pub Date : 2022-09-01 DOI: 10.18690/rei.15.3.339-356.2022
Kaja Korošec, Blaženka Bačilija Susić, Katarina Habe
The aim of our study was to explore the connection between improvisation and flow. Data were collected from 252 tertiary music students from Slovenia and Croatia (121 male and 131 female musicians), who filled in The Questionnaire on Attitudes to Music Improvisation, The Inventory on Feelings associated with Music Improvisation, and the Work-related Flow Inventory. The results show that the female students have significantly more negative feelings and attitudes toward improvisation, and they experience less flow while improvising. Differences were even more pronounced when comparing students who only played classical music with those who played other genres, as well. Regression analysis showed that we can explain 71% of the variance in flow with attitudes toward improvisation.
我们研究的目的是探索即兴创作和心流之间的联系。数据收集自来自斯洛文尼亚和克罗地亚的252名大专音乐学生(121名男性和131名女性音乐家),他们填写了“音乐即兴态度问卷”、“与音乐即兴相关的感受清单”和“工作流程清单”。结果表明:女生对即兴创作的负面情绪和态度显著增加,即兴创作的心流体验明显减少;当将只演奏古典音乐的学生与演奏其他类型音乐的学生进行比较时,差异更加明显。回归分析表明,我们可以解释71%的心流差异与对即兴创作的态度。
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引用次数: 0
Croatian Vocational Schools Within a Museum-School Partnership 博物馆与学校合作的克罗地亚职业学校
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.147-164.2022
Valentina Zadravec, Ž. Miklošević
The paper presents research on museum-school relationship from the point of view of teachers from secondary grammar and vocational schools. It explores their current and preferred interactions. The results show that teachers from vocational schools make field trips less frequently and are less satisfied with their relationship with museums. The characteristics of museum-school interactions are the same for both groups and form a model of low-intensity relations, with each institution maintaining its discrete authority, responsibilities and resources. Unlike the responses of the grammar-school teachers, those of vocational-school teachers do not indicate any development of the present relationship.
本文从中学语法教师和职业学校教师的角度对博物馆与学校的关系进行了研究。它探索了它们当前和偏好的交互。结果显示,职校教师实地考察的频率较低,对与博物馆的关系满意度较低。博物馆-学校互动的特点对两个群体来说都是相同的,形成了一种低强度关系的模式,每个机构都保持着独立的权力、责任和资源。与文法学校教师的回答不同,职业学校教师的回答并没有表明当前关系的任何发展。
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引用次数: 0
Museum and School Interpretation of Cultural Heritage 博物馆与学校对文化遗产的解读
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.7-26.2022
Rajka Bračun Sova
The museum and the school are two complementary institutions within the system of cultural heritage care. The Knight’s Hall in Brežice Castle is used here as an example for qualitative research on cultural heritage interpretation. The research focused on scientific art-historical information as the basis for cultural messaging. The analysis of the museum interpretation included a printed Knight’s Hall guidebook, as well as hall-related information boards and digital information, while the analysis of the school interpretation included an art history exam catalogue and an art history textbook. The research revealed a minor difference in the interpretation of the Baroque wall paintings, specifically with regard to the ceiling of the hall. At the museum, the ceiling is interpreted as a part of the wall painting, not, however, as its highlight.
博物馆和学校是文化遗产保护体系中的两个互补机构。本文以Brežice城堡的骑士厅为例,对文化遗产解释进行定性研究。研究的重点是科学的艺术历史信息作为文化信息传递的基础。对博物馆解说的分析包括印刷的奈特大厅指南,以及与大厅相关的信息板和数字信息,而对学校解说的分析包括艺术史考试目录和艺术史教科书。研究揭示了对巴洛克壁画的解释有一个微小的差异,特别是关于大厅的天花板。在博物馆里,天花板被解释为壁画的一部分,而不是它的亮点。
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引用次数: 0
University Students' Views on the Efficacy of a Museum’s Historical School Lessons – The Case of Ancient Emona 大学生对博物馆历史学校课程有效性的看法——以古代埃莫娜为例
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.41-58.2022
Monika Govekar Okoliš
Museums today engage in a range of educational activities, including simulated museum's historical school lessons. The article uses the Slovenian School Museum as an example and describes the education it offers, especially concerning museum's historical school lessons. The purpose of this qualitative study is to explore the views and reactions of university students (n = 19) from the Faculty of Arts at the University of Ljubljana, concerning what they learned from the enactment of a historical school lesson. An open-ended type of questionnaire was given to participants in the study year 2019/20 and used to evaluate the “Ancient Emona” school lesson. The study's findings show the historical school lesson conducted in the museum to be an effective, living, and active means of education on the history of teaching for university students.
如今,博物馆开展了一系列教育活动,包括模拟博物馆的历史学校课程。本文以斯洛文尼亚学校博物馆为例,描述了它所提供的教育,特别是关于博物馆的历史学校课程。本定性研究的目的是探讨卢布尔雅那大学文学院的大学生(n = 19)关于他们从历史学校课程的制定中学到什么的观点和反应。在2019/20学年的研究中,研究人员向参与者发放了一份开放式问卷,用于评估“古埃莫纳”学校课程。研究结果表明,在博物馆进行历史学校课是一种有效的、生动的、积极的大学生历史教学教育手段。
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引用次数: 0
Museum as a Place of Informal Learning 博物馆作为非正式学习的场所
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.27-40.2022
Marija Brajčić, Dubravka Kuščević
Museum pedagogy is a museological and pedagogical discipline that deals with communication between artifacts and the public, and the interpretation of cultural heritage content to satisfy cognitive and experiential interests while accepting cultural and civilizational achievements. This paper discusses theoretical knowledge about the nature of learning in the context of the modern division into formal, non-formal, and informal learning. The research includes the museum as a place of non-formal and informal learning and analyses indicators of visitor engagement. The research was conducted among students of the Faculty of Humanities and Social Sciences in Split.
博物馆教育学是一门博物馆学和教育学学科,涉及文物与公众之间的交流,以及文化遗产内容的解释,以满足认知和体验兴趣,同时接受文化和文明成就。本文讨论了在现代学习分为正式学习、非正式学习和非正式学习的背景下关于学习性质的理论知识。该研究将博物馆作为一个非正式和非正式学习的场所,并分析了游客参与的指标。这项研究是在斯普利特人文与社会科学学院的学生中进行的。
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引用次数: 0
The Method of Aesthetic Transfer as a Didacticprinciple in Museum Pedagogy 博物馆教育学中的美学转移教学法
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.93-114.2022
Katja Kozjek Varl, M. Duh, Jerneja Herzog
Previous research has shown that the method of aesthetic transfer works successfully in preschool as well as in primary and secondary education when it comes to regular forms of teaching. In this study, we were interested in how this principle can be implemented in museum education in an authentic gallery space. To this end, a case study was conducted with a sample of 55 students aged 12-14 (n = 55). The method of aesthetic transfer was tested on 4 works in the Maribor Art Gallery. The results show that the method of aesthetic transfer proved to be a successful didactic principle even in the gallery space, especially as a successful principle for learning about contemporary visual art.
先前的研究表明,当涉及到常规的教学形式时,审美迁移方法在学前教育以及中小学教育中都是成功的。在这项研究中,我们感兴趣的是如何在真实的画廊空间中将这一原则应用于博物馆教育。为此,对55名12-14岁的学生(n=55)进行了个案研究。在马里博尔美术馆的4件作品上测试了审美转移的方法。研究结果表明,即使在画廊空间中,审美转移的方法也被证明是一个成功的教学原则,尤其是作为学习当代视觉艺术的一个成功原则。
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引用次数: 0
Postgraduate Certificate in Education (PGCE) Students’ Experience of Mentoring 研究生教育证书(PGCE)学生的辅导经验
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.4.447-473.2022
André du Plessis, Bedroen Ismail
The school practicum is an essential component of pre-service student teachers’ training in the PGCE qualification, affording opportunities to develop mentees’ own identities. Along with a range of competences. This study explores how student teachers at Nelson Mandela University perceived their School-Based Learning (SBL) mentoring experience about the roles that mentors should fulfil based on an adapted seven-factor framework (Hudson, 2004, 2009) by adopting a post-positivist paradigm. The findings showed that both groups of participants who would like to return to the same mentor again or those who wish not to do so indicated that these seven factors played a crucial role in their decision-making.
学校实习是职前教师培训的重要组成部分,为学员提供了发展自我身份的机会。以及一系列的能力。研究结果表明,无论是愿意再次回到同一位导师身边的人,还是不希望再次回到同一位导师身边的人,都表明这七个因素在他们的决策中起着至关重要的作用。
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引用次数: 0
Museum Theatre as an Educational Tool: Examples in Serbian Museums 博物馆戏剧作为教育工具:塞尔维亚博物馆的例子
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.spec.iss.77-91.2022
Dragan Kiurski
The paper presents museum theatre as an interpretive tool, its theoretical framework, developmental origins, the use of drama in museums in the 20th and 21st centuries, and its pedagogical outcomes. A section of the paper is dedicated to the use of creative drama in museums and its role as an educational model for working with children and young people. Museum performances created in the last ten years in the Matica Srpska Gallery, the Pavle Beljanski Memorial Collection, the Belgrade City Museum, the Kikinda National Museum, the Museum of Vojvodina, and the House of Jevrem Grujić will be mentioned.
本文介绍了博物馆戏剧作为一种解释性工具,它的理论框架,发展起源,20世纪和21世纪戏剧在博物馆中的使用,以及它的教学成果。论文的一个部分专门讨论了创造性戏剧在博物馆中的应用及其作为与儿童和青少年合作的教育模式的作用。在过去的十年中,在Matica Srpska画廊、Pavle Beljanski纪念收藏、贝尔格莱德城市博物馆、Kikinda国家博物馆、伏伊伏丁那博物馆、Jevrem grujiki之家创作的博物馆表演将被提及。
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引用次数: 0
Distance Learning for Young Students During the Covid-19 Epidemic in Slovenia 斯洛文尼亚新冠肺炎疫情期间青年学生的远程学习
Q4 Social Sciences Pub Date : 2022-08-01 DOI: 10.18690/rei.15.4.427-445.2022
Stojan Puhalj, B. Šimunič, Saša Pišot, J. Planinšec
The aim of the study was to investigate how physical education classes were conducted during remote schooling. The results confirm the poorer quality and duration of physical education classes during remote schooling. Our findings also coincide with the findings of other studies, which show that during the COVID-19 pandemic, children’s physical/sports activity, as well as their motor functions, decreased dramatically. This study provides clear answers to all responsible stakeholders that remote schooling is not an appropriate measure from the point of view of ensuring the conditions for healthy development of children.
本研究的目的是调查远程学校的体育课是如何进行的。结果证实,远程学校的体育课质量和持续时间较差。我们的发现也与其他研究的结果相吻合,这些研究表明,在COVID-19大流行期间,儿童的身体/体育活动以及运动功能急剧下降。这项研究向所有负责任的利益相关者提供了明确的答案,即从确保儿童健康发展的条件来看,远程教育不是一项适当的措施。
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引用次数: 0
期刊
Journal of Elementary Education
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