Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).4
P. Zbróg
The article describes Old Polish constructions containing expressions and phrases constituted around such elements as name, for name, mentioned, czusz, word, i.e., e.g. high mountain for the name of Tabor; said area Zakrzewo; in the city, his name is Kamon. As has been proven, they largely imitated typical groups with appositive adjectives. In many cases, they were used interchangeably in texts, e.g. follower, czusz Jan / follower Jan; the river’s name is Jijon/Jijon River; on the mountain of Gilead/toward the mountain of Gilead. Due to the peculiarities of their structure and specific syntactic limitations, the analyzed constructs gradually go out of use in relation to the expansive and hitherto exploited appositional groups. Their use was not favoured by their analytic structure and the complexity of the duplication of the syntactic scheme. They relied on a greater number of components than synthetic appositions. The expressions described in the article functioned mainly in medieval Polish, but, for example, a proper name was still found in the 17th century, and the proper name was also found in modern Polish. In the literature, phrases such as czusz / toczusz, to jest or słowie were sometimes treated as appositions. However, due to the definitional features of appositional groups, they should be excluded from this set.
这篇文章描述了古波兰语中的表达式和短语，这些表达式和短语围绕着名称、为名、提到、czusz、词、即等元素构成，例如：高山为塔博尔（Tabor）的名字；说的地区是扎克热沃（Zakrzewo）；在城市里，他的名字是卡蒙（Kamon）。正如已经证明的那样，它们在很大程度上模仿了带有附加形容词的典型词组。在许多情况下，它们在文本中交替使用，例如：follower, czusz Jan / follower Jan；the river's name is Jijon/Jijon River；on the mountain of Gilead/toward the mountain of Gilead。由于其结构的特殊性和特定的句法限制，所分析的构词法相对于广义的和迄今为止一直被利用的附加组而言，逐渐被淘汰。它们的分析结构和句法结构重复的复杂性不利于它们的使用。与合成附加词相比，它们依赖于更多的成分。文章中描述的表达方式主要在中世纪波兰语中发挥作用，但例如，专名在 17 世纪仍有出现，专名在现代波兰语中也有出现。在文献中，czusz / toczusz、to jest 或 słowie 等短语有时被当作介词。然而，由于贴切词组的定义特点，它们应排除在本组之外。
{"title":"Expressions with Quasipositions in the Oldest Polish Language","authors":"P. Zbróg","doi":"10.15388/respectus.2024.45(50).4","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).4","url":null,"abstract":"The article describes Old Polish constructions containing expressions and phrases constituted around such elements as name, for name, mentioned, czusz, word, i.e., e.g. high mountain for the name of Tabor; said area Zakrzewo; in the city, his name is Kamon. As has been proven, they largely imitated typical groups with appositive adjectives. In many cases, they were used interchangeably in texts, e.g. follower, czusz Jan / follower Jan; the river’s name is Jijon/Jijon River; on the mountain of Gilead/toward the mountain of Gilead. Due to the peculiarities of their structure and specific syntactic limitations, the analyzed constructs gradually go out of use in relation to the expansive and hitherto exploited appositional groups. Their use was not favoured by their analytic structure and the complexity of the duplication of the syntactic scheme. They relied on a greater number of components than synthetic appositions. The expressions described in the article functioned mainly in medieval Polish, but, for example, a proper name was still found in the 17th century, and the proper name was also found in modern Polish. In the literature, phrases such as czusz / toczusz, to jest or słowie were sometimes treated as appositions. However, due to the definitional features of appositional groups, they should be excluded from this set.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"5 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140716333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).3
Katarzyna Ostrowska, Marek Ruszkowski
The most characteristic feature of each text regarding the frequency of parts of speech is the participation of nouns and verbs in it. The quantitative relationship between these two classes of words determines the level of nominalization, which can be calculated using the nominalization indicator (Wn). Its value is obtained from the sum of nouns divided by the sum of verbs in the text. The more verbs in relation to nouns, the more dynamic, spontaneous, and far from the orderly written Polish language the text is. The analysis of in contemporary Polish book reportages was conducted against a comparative background of 27 text types – spoken and written. Some of the reportages represent nominal styles (Wn > 3.0) and others present verbal styles (Wn < 1.5). Most texts, however, should be categorized as intermediate styles (1.5 ≤ Wn ≤ 3.0). This group includes the vast majority of the existing contemporary book reportages (the average value of Wn = 1.8), stretched between the life and dynamics of the description of facts and the intellectualization of their interpretation, which manifests itself in nominalization.
{"title":"Indicator of Nominalization Indicator as an Element of the Stylistic Characterization of Polish Book Reportages from 2004 to 2019","authors":"Katarzyna Ostrowska, Marek Ruszkowski","doi":"10.15388/respectus.2024.45(50).3","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).3","url":null,"abstract":"The most characteristic feature of each text regarding the frequency of parts of speech is the participation of nouns and verbs in it. The quantitative relationship between these two classes of words determines the level of nominalization, which can be calculated using the nominalization indicator (Wn). Its value is obtained from the sum of nouns divided by the sum of verbs in the text. The more verbs in relation to nouns, the more dynamic, spontaneous, and far from the orderly written Polish language the text is. The analysis of in contemporary Polish book reportages was conducted against a comparative background of 27 text types – spoken and written. Some of the reportages represent nominal styles (Wn > 3.0) and others present verbal styles (Wn < 1.5). Most texts, however, should be categorized as intermediate styles (1.5 ≤ Wn ≤ 3.0). This group includes the vast majority of the existing contemporary book reportages (the average value of Wn = 1.8), stretched between the life and dynamics of the description of facts and the intellectualization of their interpretation, which manifests itself in nominalization.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"605 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140719054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).9
Kujtim Mani
Messapic, an ancient language from the 6th to the 2nd century BC in Southern Italy, remains a linguistically enigmatic and poorly understood entity, has been traditionally classified as an extinct language. Current scholarship predominantly views Messapic epigraphy as primarily consisting of personal names, anthroponyms, and theonyms. However, attempts to linguistically classify and interpret it within the broader framework of Greek, Latin, or other ancient languages have yielded limited insights. This article investigates Messapic epigraphy as a potential descendant of Proto-Albanian and reveals intriguing parallels with classical Albanian. The chosen exemplars challenge the prevailing assumption that Messapic is an extinct language, presenting it in a new light and underscoring its enduring linguistic and cultural legacy. This is notably exemplified through a distinctive funerary discourse that serves as a hallmark of the Messapic language.
{"title":"Unveiling Messapic Funerary Discourse","authors":"Kujtim Mani","doi":"10.15388/respectus.2024.45(50).9","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).9","url":null,"abstract":"Messapic, an ancient language from the 6th to the 2nd century BC in Southern Italy, remains a linguistically enigmatic and poorly understood entity, has been traditionally classified as an extinct language. Current scholarship predominantly views Messapic epigraphy as primarily consisting of personal names, anthroponyms, and theonyms. However, attempts to linguistically classify and interpret it within the broader framework of Greek, Latin, or other ancient languages have yielded limited insights. This article investigates Messapic epigraphy as a potential descendant of Proto-Albanian and reveals intriguing parallels with classical Albanian. The chosen exemplars challenge the prevailing assumption that Messapic is an extinct language, presenting it in a new light and underscoring its enduring linguistic and cultural legacy. This is notably exemplified through a distinctive funerary discourse that serves as a hallmark of the Messapic language.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140717531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).2
Pavel Skorupa, Alisa Stunžaitė, Tatjana Dubovičienė
Utilising the content and discourse analyses, the article aims to reveal the shared rhetorical linguistic tactics employed in 16 slogans from WHO’s Immunisation Week campaigns (2013–2023) to proficiently communicate messages. Slogans are vital for promoting vaccination in public health initiatives. The analysis reveals graphical, phonological, lexical, syntactic, and semantic features of slogans. Graphically, partial capitalisation and hashtags enhance visibility and engagement. Phonological features include alliteration and assonance, creating memorable rhythms. Lexically, inclusive language and action verbs motivate and persuade. Syntactically, imperative verbs, parallel structures, repetitions, and ellipses enhance impact and memorability. Semantically, puns, personifications, metaphors, and antitheses add depth and engage the audience. The findings inform future campaigns, facilitating the development of impactful slogans to combat vaccine-preventable diseases.
{"title":"Analysing Impactful Slogans in WHO’s Immunisation Campaigns: Study on Linguistic Strategies for Promoting Vaccination","authors":"Pavel Skorupa, Alisa Stunžaitė, Tatjana Dubovičienė","doi":"10.15388/respectus.2024.45(50).2","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).2","url":null,"abstract":"Utilising the content and discourse analyses, the article aims to reveal the shared rhetorical linguistic tactics employed in 16 slogans from WHO’s Immunisation Week campaigns (2013–2023) to proficiently communicate messages. Slogans are vital for promoting vaccination in public health initiatives. The analysis reveals graphical, phonological, lexical, syntactic, and semantic features of slogans. Graphically, partial capitalisation and hashtags enhance visibility and engagement. Phonological features include alliteration and assonance, creating memorable rhythms. Lexically, inclusive language and action verbs motivate and persuade. Syntactically, imperative verbs, parallel structures, repetitions, and ellipses enhance impact and memorability. Semantically, puns, personifications, metaphors, and antitheses add depth and engage the audience. The findings inform future campaigns, facilitating the development of impactful slogans to combat vaccine-preventable diseases.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140717967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).1
Montserrat Esbrí-Blasco
This article examines the range of metaphors activated by the cooking term stew in English and its Spanish counterpart guisar. The data were drawn from Corpus of Contemporary American English (COCA) and Corpus del Español: Web and Dialects. The metaphors were identified by applying MIP (Pragglejaz Group, 2007) and incorporating semantic frames (Fillmore, 1982) to provide a detailed analysis of the mappings between the core frame elements involved, and the thematic roles performed by those elements. The results suggest that English and Spanish diverge considerably regarding the metaphors evoked by stew and guisar. The lemma stew activated a broader scope of metaphorical extensions than guisar. Just one shared metaphor was identified, which underscores the presence of distinct cognitive preferences within the respective languages.
{"title":"A Taste of Metaphor Variation: Contrasting the Metaphorical Extensions of “stew” and “guisar”","authors":"Montserrat Esbrí-Blasco","doi":"10.15388/respectus.2024.45(50).1","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).1","url":null,"abstract":"This article examines the range of metaphors activated by the cooking term stew in English and its Spanish counterpart guisar. The data were drawn from Corpus of Contemporary American English (COCA) and Corpus del Español: Web and Dialects. The metaphors were identified by applying MIP (Pragglejaz Group, 2007) and incorporating semantic frames (Fillmore, 1982) to provide a detailed analysis of the mappings between the core frame elements involved, and the thematic roles performed by those elements. The results suggest that English and Spanish diverge considerably regarding the metaphors evoked by stew and guisar. The lemma stew activated a broader scope of metaphorical extensions than guisar. Just one shared metaphor was identified, which underscores the presence of distinct cognitive preferences within the respective languages.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"2016 27","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140718393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).5
Laimutė Adomavičienė
The article explores the translations of Polish literary publications in the Lithuanian Exile Literature Magazine Literaturos Lankai (Literary Folios, during the period 1952–1959). Like many of its contemporaries, Literaturos Lankai expanded the scope of foreign literature in its pages through translations. The staff of the magazine continued the Lithuanian tradition by presenting Polish poets related to Lithuania: Czesław Milosz (1911–2004) and Julian Tuwim (1894–1953). New readers were introduced to the poetry of the Polish exile Jerzy Pietrkewicz (Peterkiewicz) (1916–2007) whose writings so far have been almost not translated into Lithuanian. In exile, translator Juozas Kėkštas (1915–1981) played a pivotal role in disseminating of Milosz’s highlighting his multifaceted talents as a poet, prose writer, and literary critic. Milosz offers to break out of the feelings and impressions in Chalk Circle poetry, seeking a language that reflects epic consciousness and new forms of expression. The works of Polish authors published in Literatūros Lankai reflect the ‘pulse of the time’, revealing a disturbed lyrical subject and an ongoing quest for new artistic forms. The translations of Polish literature strengthened the literary and cultural connections between Lithuania and Poland.
文章探讨了立陶宛流亡文学杂志《Literaturos Lankai》（《文学对开本》，1952-1959 年）对波兰文学出版物的翻译。与同时代的许多杂志一样，《Literaturos Lankai》杂志通过翻译扩大了外国文学的范围。该杂志的工作人员继承了立陶宛的传统，介绍与立陶宛有关的波兰诗人：Czesław Milosz（1911-2004 年）和 Julian Tuwim（1894-1953 年）。向新读者介绍了波兰流亡诗人 Jerzy Pietrkewicz（Peterkiewicz）（1916-2007 年）的诗歌，他的作品迄今为止几乎没有被翻译成立陶宛语。在流亡期间，翻译家 Juozas Kėkštas（1915-1981 年）在传播米洛什的作品方面发挥了关键作用，凸显了他作为诗人、散文家和文学评论家的多方面才华。米洛什提出要突破 "白垩圈 "诗歌中的感情和印象，寻求一种反映史诗意识和新的表达形式的语言。Literatūros Lankai》上发表的波兰作家的作品反映了 "时代的脉搏"，揭示了不安的抒情主题和对新艺术形式的不断追求。波兰文学作品的翻译加强了立陶宛和波兰之间的文学和文化联系。
{"title":"„Literatūros lankai“: dialogas su lenkų poetais","authors":"Laimutė Adomavičienė","doi":"10.15388/respectus.2024.45(50).5","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).5","url":null,"abstract":"The article explores the translations of Polish literary publications in the Lithuanian Exile Literature Magazine Literaturos Lankai (Literary Folios, during the period 1952–1959). Like many of its contemporaries, Literaturos Lankai expanded the scope of foreign literature in its pages through translations. The staff of the magazine continued the Lithuanian tradition by presenting Polish poets related to Lithuania: Czesław Milosz (1911–2004) and Julian Tuwim (1894–1953). New readers were introduced to the poetry of the Polish exile Jerzy Pietrkewicz (Peterkiewicz) (1916–2007) whose writings so far have been almost not translated into Lithuanian. In exile, translator Juozas Kėkštas (1915–1981) played a pivotal role in disseminating of Milosz’s highlighting his multifaceted talents as a poet, prose writer, and literary critic. Milosz offers to break out of the feelings and impressions in Chalk Circle poetry, seeking a language that reflects epic consciousness and new forms of expression. The works of Polish authors published in Literatūros Lankai reflect the ‘pulse of the time’, revealing a disturbed lyrical subject and an ongoing quest for new artistic forms. The translations of Polish literature strengthened the literary and cultural connections between Lithuania and Poland.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140717832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).10
Brigita Brasienė
The rendering of verbal and verbal-visual puns in dubbing is a tough task that requires taking into account linguistic challenges, multimodal cohesion and dubbing synchronies. Thus, the aim of this research is to determine how verbal and verbal-visual puns are rendered from English into Lithuanian in the animated film Mr. Peabody & Sherman (2014). There have been collected 27 cases of puns including 14 verbal (52%) and 13 verbal-visual (48%) puns. The categorisation of verbal and verbal-visual puns according to the type revealed that verbal puns contained examples of homonymy, homophony and paronymy, but paronymic verbal puns prevailed the most. Almost all cases of verbal-visual puns were homonymic because of their intersemiotic construction which is usually based on polysemous words. All cases of verbal and verbal-visual puns have been rendered by employing 3 translation techniques: PUN→PUN, PUN→NON-PUN, PUN→PUNOID. The prevailing technique for transferring verbal and verbal-visual puns was PUN→PUN, which reveals the translator’s attempt to tackle linguistic challenges and consider multimodal cohesion and dubbing synchronies.
{"title":"Rendering of Verbal and Verbal-Visual Puns in Lithuanian-Dubbed Animated Film “Mr. Peabody and Sherman”","authors":"Brigita Brasienė","doi":"10.15388/respectus.2024.45(50).10","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).10","url":null,"abstract":"The rendering of verbal and verbal-visual puns in dubbing is a tough task that requires taking into account linguistic challenges, multimodal cohesion and dubbing synchronies. Thus, the aim of this research is to determine how verbal and verbal-visual puns are rendered from English into Lithuanian in the animated film Mr. Peabody & Sherman (2014). There have been collected 27 cases of puns including 14 verbal (52%) and 13 verbal-visual (48%) puns. The categorisation of verbal and verbal-visual puns according to the type revealed that verbal puns contained examples of homonymy, homophony and paronymy, but paronymic verbal puns prevailed the most. Almost all cases of verbal-visual puns were homonymic because of their intersemiotic construction which is usually based on polysemous words. All cases of verbal and verbal-visual puns have been rendered by employing 3 translation techniques: PUN→PUN, PUN→NON-PUN, PUN→PUNOID. The prevailing technique for transferring verbal and verbal-visual puns was PUN→PUN, which reveals the translator’s attempt to tackle linguistic challenges and consider multimodal cohesion and dubbing synchronies.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140717001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).8
Małgorzata Nowak, Artur Truszkowski
The epistolary discourse between Zofia Kossak and Jan Dobraczyński, spanning from 1947–1968, proves the dynamic nature of their relationship. The study focuses on the forms of address and epistolary signatures in their correspondence. In addition to the opening and closing formulas, the forms of address attested in the epistolary corpus under analysis were also analysed. As formal exponents of the bond and of the signalled sender-receiver attitude, forms of address differed. Dobraczyński’s use of forms of address was fixed and conventional, with little variation in his signatures. Conversely, Kossak was more spontaneous in both respects. Her forms of address featured nominalised variants of conventional adjectives like dear and beloved, used singularly or in a syntagmatic series, and complemented by the addressee’s name in the main, diminutive or hypocoristic form. Some cases were colloquial and humorous phrases with the lexeme dad and chap/man. Still other forms included occasional, allusive lexemes, resultant from the subject matter of the letters. Beyond fulfilling the phatic function typical of such correspondence, these forms of address also served denotative and expressive purposes.
{"title":"Epistolary Dialogue between Zofia Kossak and Jan Dobraczyński. Forms of Address and Letter Signatures","authors":"Małgorzata Nowak, Artur Truszkowski","doi":"10.15388/respectus.2024.45(50).8","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).8","url":null,"abstract":"The epistolary discourse between Zofia Kossak and Jan Dobraczyński, spanning from 1947–1968, proves the dynamic nature of their relationship. The study focuses on the forms of address and epistolary signatures in their correspondence. In addition to the opening and closing formulas, the forms of address attested in the epistolary corpus under analysis were also analysed. As formal exponents of the bond and of the signalled sender-receiver attitude, forms of address differed. Dobraczyński’s use of forms of address was fixed and conventional, with little variation in his signatures. Conversely, Kossak was more spontaneous in both respects. Her forms of address featured nominalised variants of conventional adjectives like dear and beloved, used singularly or in a syntagmatic series, and complemented by the addressee’s name in the main, diminutive or hypocoristic form. Some cases were colloquial and humorous phrases with the lexeme dad and chap/man. Still other forms included occasional, allusive lexemes, resultant from the subject matter of the letters. Beyond fulfilling the phatic function typical of such correspondence, these forms of address also served denotative and expressive purposes.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"12 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140720355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).11
Danuta Grzesiak-Witek
Recenzja książki Andrzeja Kominka pt. O osobach, które nie potrafią odgrywać ról społecznych. Studium socjologiczno-językowe, Wydawnictwo Libron, Kraków 2023, ss. 174, ISBN 978-83-67209-33-5.
对 Andrzej Kominek 所著《关于无法扮演社会角色的人》一书的评论。社会学和语言学研究》，Libron 出版社，克拉科夫 2023 年，第 174 页，ISBN 978-83-67209-33-5。
{"title":"Autistic Adults in the Theatre of Community Life","authors":"Danuta Grzesiak-Witek","doi":"10.15388/respectus.2024.45(50).11","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).11","url":null,"abstract":"Recenzja książki Andrzeja Kominka pt. O osobach, które nie potrafią odgrywać ról społecznych. Studium socjologiczno-językowe, Wydawnictwo Libron, Kraków 2023, ss. 174, ISBN 978-83-67209-33-5.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"2009 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140718444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.15388/respectus.2024.45(50).6
Artis Ostups
This article investigates the intersection of trauma studies and new materialism, offering a fresh perspective on human trauma through the prism of nonhuman forces. Drawing inspiration from material ecocriticism, a paradigm that evolved from materialist and posthumanist ideas and has not yet been brought into contact with trauma studies, the article underscores the significance of considering the embodiment of experience, thus arriving at an extended notion of trauma. This new theoretical framework is tested by examining the testimonial poetry of Latvian writer Aleksandrs Pelēcis, who was deported to Siberia by Soviet authorities in 1946. His poems employ inanimate objects and animals to create metonymical and metaphorical connections between human and nonhuman actors within the context of long exile. By illuminating a shared experiential space, Pelēcis manages to project and diffract traumatic feelings and memories, thus making them more comprehensible to his readers. This, in turn, places trauma studies on a trajectory away from the traditional conceptualisation of the inexpressible and the awkward.
{"title":"The Screaming Thing: A Material Ecocritical Exploration of Trauma in Aleksandrs Pelēcis’s Poems","authors":"Artis Ostups","doi":"10.15388/respectus.2024.45(50).6","DOIUrl":"https://doi.org/10.15388/respectus.2024.45(50).6","url":null,"abstract":"This article investigates the intersection of trauma studies and new materialism, offering a fresh perspective on human trauma through the prism of nonhuman forces. Drawing inspiration from material ecocriticism, a paradigm that evolved from materialist and posthumanist ideas and has not yet been brought into contact with trauma studies, the article underscores the significance of considering the embodiment of experience, thus arriving at an extended notion of trauma. This new theoretical framework is tested by examining the testimonial poetry of Latvian writer Aleksandrs Pelēcis, who was deported to Siberia by Soviet authorities in 1946. His poems employ inanimate objects and animals to create metonymical and metaphorical connections between human and nonhuman actors within the context of long exile. By illuminating a shared experiential space, Pelēcis manages to project and diffract traumatic feelings and memories, thus making them more comprehensible to his readers. This, in turn, places trauma studies on a trajectory away from the traditional conceptualisation of the inexpressible and the awkward.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":"18 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140716560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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