Pub Date : 2021-05-01DOI: 10.5325/caliope.26.1.0183
Javier Lorenzo
{"title":"Poesía, editado por Ignacio García Aguilar","authors":"Javier Lorenzo","doi":"10.5325/caliope.26.1.0183","DOIUrl":"https://doi.org/10.5325/caliope.26.1.0183","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117086436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-01DOI: 10.5325/caliope.26.1.0185
David González Ramírez
{"title":"Traducción, humanismo y propaganda monárquica. La versión glosada del Infierno de Pedro Fernández de Villegas (1515)","authors":"David González Ramírez","doi":"10.5325/caliope.26.1.0185","DOIUrl":"https://doi.org/10.5325/caliope.26.1.0185","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117349768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nota EditorialEditorial Note","authors":"J. Montero, A. S. Jiménez","doi":"10.5325/caliope.26.1.0v","DOIUrl":"https://doi.org/10.5325/caliope.26.1.0v","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130641043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.5325/caliope.25.2.0267
María C. Quintero
{"title":"Literary Patronage in Spain 1500–1560","authors":"María C. Quintero","doi":"10.5325/caliope.25.2.0267","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0267","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121334305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.5325/caliope.25.2.0265
Shifra Armon
{"title":"Hercules and the King of Portugal: Icons of Masculinity and Nation in Calderón’s Spain","authors":"Shifra Armon","doi":"10.5325/caliope.25.2.0265","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0265","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134334876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-04-01DOI: 10.5325/caliope.23.1.061
Palomares José
Among poetic compositions dedicated to St. Francis of Assisi in Jardín espiritual (1585) of Pedro de Padilla, there is, as is known, a sonnet by Miguel de Cervantes (“Muestra su ingenio el que es pintor curioso”), that has been little studied from a pictorial perspective. Indeed, the inventio of Cervantean composition derives from the Horatian dictum “ut pictura poesis” (Ad Pis., 361), applied to the topic of Deus pictor, but the originality of the laudatio is that does not remark platitudes of the Franciscan hagiography but that urges the saint as a pictura traced by ars divina and, by extension, as a microcosmic imago of Christ. In this paper we focus on the elocutive analysis of the poem, and we try to demonstrate his rhetorical design. The pictorial vocabulary is also related to several texts of the Augustinian Fray Luis de León, whose presence in the poem is postulated as a hypothesis. In the sonnet, in brief, “la historia, la poesía y la pintura simbolizan entre sí” (Persiles, III, 14).
在Pedro de Padilla的Jardín精神(1585)中献给阿西西圣弗朗西斯的诗歌作品中，众所周知，米格尔·德·塞万提斯(Miguel de Cervantes)的十四行诗(“Muestra su ingenio el que es pintor curioso”)，很少从绘画的角度进行研究。事实上，塞万提斯创作的发明源于贺拉斯的格言“ut picture poesis”(Ad Pis)。， 361)，适用于主题的Deus pictor，但原创性的赞美是，不评论陈词滥调的方济各会的圣徒传记，但敦促圣人作为一个图片追踪的ars divina，并通过扩展，作为一个微观形象的基督。本文着重对这首诗进行语言分析，并试图论证他的修辞设计。图画词汇也与奥古斯丁的弗雷·路易斯·德León的几个文本有关，他在诗中的存在被假设为一种假设。在十四行诗中，简而言之，“la historia, la poesía y la pintura symbolizan entre sí”(Persiles, III, 14)。
{"title":"Un soneto de Cervantes a san FranciscoA Sonnet by Cervantes to St. Francis","authors":"Palomares José","doi":"10.5325/caliope.23.1.061","DOIUrl":"https://doi.org/10.5325/caliope.23.1.061","url":null,"abstract":"\u0000 Among poetic compositions dedicated to St. Francis of Assisi in Jardín espiritual (1585) of Pedro de Padilla, there is, as is known, a sonnet by Miguel de Cervantes (“Muestra su ingenio el que es pintor curioso”), that has been little studied from a pictorial perspective. Indeed, the inventio of Cervantean composition derives from the Horatian dictum “ut pictura poesis” (Ad Pis., 361), applied to the topic of Deus pictor, but the originality of the laudatio is that does not remark platitudes of the Franciscan hagiography but that urges the saint as a pictura traced by ars divina and, by extension, as a microcosmic imago of Christ. In this paper we focus on the elocutive analysis of the poem, and we try to demonstrate his rhetorical design. The pictorial vocabulary is also related to several texts of the Augustinian Fray Luis de León, whose presence in the poem is postulated as a hypothesis. In the sonnet, in brief, “la historia, la poesía y la pintura simbolizan entre sí” (Persiles, III, 14).","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124864185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nota de la PresidentaNote from the President","authors":"L. Middlebrook","doi":"10.5325/caliope.23.1.05","DOIUrl":"https://doi.org/10.5325/caliope.23.1.05","url":null,"abstract":"","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123290143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-04-01DOI: 10.5325/caliope.23.1.035
Ricardo Javier Huamán
Francisco de Castilla published his treatise on the virtues, Teórica de virtudes, in 1518. The influence of Boethius' most famous work, De consolatione philosophiae, on medieval literature and imagery is well known. The connection of the four poems in Teórica to Boethius has not been studied. This lack of attention may be due solely to an ignorance of Castilla's poetic output. Castilla's case is noteworthy because he mentions Boethius by name several times, recreates De consolatione philosophiae in “Diálogo entre la Miseria humana y el Consuelo” and includes Lady Philosophy as a character in “Inquisición de la felicidad.” This work investigates the relationship between De consolatione and Teórica and how Castilla learns to express the finding of true happiness in Boethian terms.
弗朗西斯科·德·卡斯蒂亚在1518年发表了他关于美德的论文Teórica de virtudes。波伊提乌最著名的作品《哲学的慰藉》对中世纪文学和意象的影响是众所周知的。Teórica中的四首诗与波伊提乌的联系还没有被研究过。这种缺乏关注可能仅仅是由于对卡斯蒂利亚诗歌作品的无知。卡斯蒂亚的案例值得注意，因为他多次提到波伊提乌的名字，在" Diálogo entre la Miseria humana y el Consuelo "中重现了" De consolone philosopae "在" Inquisición De la felicidad "中将哲学夫人作为一个角色包括在内。这部作品探讨了De consolente和Teórica之间的关系，以及Castilla如何学会用波提亚语表达对真正幸福的发现。
{"title":"Francisco de Castilla, Boethius and the Search for True Happiness","authors":"Ricardo Javier Huamán","doi":"10.5325/caliope.23.1.035","DOIUrl":"https://doi.org/10.5325/caliope.23.1.035","url":null,"abstract":"\u0000 Francisco de Castilla published his treatise on the virtues, Teórica de virtudes, in 1518. The influence of Boethius' most famous work, De consolatione philosophiae, on medieval literature and imagery is well known. The connection of the four poems in Teórica to Boethius has not been studied. This lack of attention may be due solely to an ignorance of Castilla's poetic output. Castilla's case is noteworthy because he mentions Boethius by name several times, recreates De consolatione philosophiae in “Diálogo entre la Miseria humana y el Consuelo” and includes Lady Philosophy as a character in “Inquisición de la felicidad.” This work investigates the relationship between De consolatione and Teórica and how Castilla learns to express the finding of true happiness in Boethian terms.","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128165181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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