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Owen Barfield's This Ever Diverse Pair as an Apology for the Coleridgean Imagination 欧文·巴菲尔德的《这一对永远不同的情侣》为柯勒律治式的想象辩护
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0135
Jake Grefenstette
Owen Barfield's This Ever Diverse Pair (1950) is a short novel about a poet-solicitor who has torn his consciousness in two. Burden, the practical half, begrudgingly attends to paperwork; Burgeon, the creative half, hides away and writes poetry. From Walter de la Mare to the present, readers of the text have tended to identify Barfield exclusively with Burgeon. And yet if we interrogate Burgeon's digressions on the nature of art, we find that this allegedly Barfieldian half is more often used as a mouthpiece for theories manifestly antithetical to Barfield's own. This article explores an alternative reading in which Burgeon and Burden are the respective embodiments of Coleridge's faculties of imagination and fancy. Barfield's aim in writing the book is, accordingly, not to purge the Burden in us; rather, it is to offer a narrative apology for Coleridge's model, to demonstrate the ‘polar’ relationship which underlies all acts of the imagination.
欧文·巴菲尔德(Owen Barfield)的《永远不同的一对》(1950)是一部短篇小说,讲述了一个诗人兼律师将自己的意识一分为二的故事。伯顿是务实的那一半,不情愿地处理文书工作;布尔金是富有创造力的那一半,他躲起来写诗。从Walter de la Mare到现在,文本的读者倾向于将Barfield与Burgeon单独识别。然而,如果我们质问伯金关于艺术本质的离题,我们会发现,这所谓的巴菲尔德式的一半更经常被用作与巴菲尔德自己的理论明显相反的理论的喉舌。这篇文章探讨了另一种解读,在这种解读中,伯格恩和伯顿分别是柯勒律治想象力和想象力的体现。因此,巴菲尔德写这本书的目的并不是为了清除我们内心的负担;相反,它是为柯勒律治的模式提供一种叙事上的道歉,以展示所有想象行为背后的“两极”关系。
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引用次数: 0
Verlyn Flieger, There Would Always Be a Fairy Tale: More Essays on Tolkien 弗林·弗利格:《总会有一个童话:托尔金再论》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0141
S. Cook
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引用次数: 0
‘Hail Satan Tonight!’: The Weird Hope of Spirits in BondageC.S. Lewis, Spirits in Bondage: A Cycle of Lyrics “今晚向撒旦致敬!”:束缚中的灵魂的奇异希望C.S.刘易斯,《束缚中的精神:抒情循环》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0145
E. Hadaway
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引用次数: 0
Monika B. Hilder, Sara L. Pearson, and Laura N. Van Dyke (eds), The Inklings and Culture: A Harvest of Scholarship from the Inklings Institute of Canada Monika B. Hilder, Sara L. Pearson, Laura N. Van Dyke主编,《Inklings与文化:加拿大Inklings研究所学术成果》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0142
Sørina Higgins
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引用次数: 0
C.S. Lewis as a Research Supervisor C.S.Lewis担任研究主管
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0138
A. Spearing
In this brief memoir, the author recounts elements of his yearlong experience of doctoral supervision under C.S. Lewis at the University of Cambridge in the late 1950s.
在这本简短的回忆录中,作者讲述了20世纪50年代末在剑桥大学C.S.Lewis指导下长达一年的博士生导师生涯。
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引用次数: 0
Enchanted Eating and Bacchic Beverages: A Jovial Note on Meals in The Lion, the Witch, and the Wardrobe 迷人的饮食和酒神饮料:《狮子、女巫和衣橱》中的美食笔记
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0136
Jieun Lee, Jonathon Lookadoo
Questions about exactly what role Lewis’s long-standing interest in mediaeval planetary symbolism may have played in framing the Chronicles of Narnia remain unsettled, but continue to be discussed, following Michael Ward’s influential 2008 book, Planet Narnia. This article examines The Lion, the Witch and the Wardrobe, a book that Ward argues is implicitly governed by a Christianised understanding of Jupiter. The paper explores the way in which eating and drinking enhance the Jovial ethos of the novel. Meals contribute to the festal scenes of the book by enhancing the celebrations marked by teas, banquets, and even ordinary dinner conversation. The misuse of food suggests a misunderstanding about both the identity of Narnia’s true ruler and the way in which a monarch should govern. Finally, food and drink restore characters to health, while gustatory terms mark the passage of winter into spring. Collectively, these observations about food suggest that Jupiter’s influence suffuses even easily overlooked elements of the novel’s atmosphere, while also illustrating the explanatory power of Ward’s thesis that planetary symbolism strongly influences the shaping of the Narniad.
关于刘易斯对中世纪行星象征主义的长期兴趣在《纳尼亚传奇》的框架中究竟扮演了什么角色的问题仍然悬而未决,但在迈克尔·沃德2008年出版的颇具影响力的著作《纳尼亚星球》之后,人们仍在继续讨论。这篇文章探讨了《狮子、女巫和衣橱》,沃德认为这本书隐含着对木星的基督教理解。本文探讨了饮食如何增强小说的快乐精神。用餐通过加强以茶、宴会甚至普通晚餐交谈为标志的庆祝活动,为书中的节日场景做出了贡献。食物的滥用表明人们对纳尼亚真正统治者的身份和君主的统治方式存在误解。最后,食物和饮料使人物恢复健康,而味觉术语则标志着冬天进入春天。总的来说,这些关于食物的观察表明,木星的影响充斥着小说中容易被忽视的大气层元素,同时也说明了沃德的论点的解释力,即行星象征主义强烈影响了纳尼亚人的形成。
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引用次数: 0
Wonderful Works of Nature: C.S. Lewis and Reijer Hooykaas on Francis Bacon and the Scientific Revolution 大自然的杰作:C.S.Lewis和Reijer Hooykaas谈培根与科学革命
Q3 Arts and Humanities Pub Date : 2021-10-01 DOI: 10.3366/ink.2021.0114
A. Smilde
This article examines a disagreement which briefly came to light decades ago, half-posthumously, between two twentieth-century Christian scholars, C.S. Lewis (1898–1963) and Reijer Hooykaas (1906–1994), the first Dutch professor in the history of science, who later succeeded to the chair of Eduard Dijksterhuis in Utrecht. Hooykaas and Lewis diverge in their views of the role traditionally ascribed to the work of Francis Bacon (1561–1626) as a major inspiration for the seventeenth-century scientific revolution. Put briefly, while Bacon is a hero for Hooykaas, he is an antihero for Lewis. Sorting out the extent to which either scholar was right not only results in a fairly clear answer but entails, as a bonus, a fine example of what the history of science as an academic discipline is indeed good for.
这篇文章探讨了20世纪两位基督教学者C.S.Lewis(1898-1963)和Reijer Hooykaas(1906-1994)之间几十年前(半死后)短暂曝光的分歧,后者是荷兰科学史上第一位教授,后来接替乌得勒支的Eduard Dijksterhuis主席。Hooykaas和Lewis在传统上认为弗朗西斯·培根(1561-1626)的工作是17世纪科学革命的主要灵感来源的观点上存在分歧。简单地说,培根是胡伊卡斯的英雄,而他是刘易斯的反英雄。理清任何一位学者的正确程度,不仅会得到一个相当明确的答案,而且作为一个额外的收获,它还提供了一个很好的例子,说明科学史作为一门学术学科确实有好处。
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引用次数: 0
Philip Irving Mitchell, The Shared Witness of C.S. Lewis and Austin Farrer: Friendship, Influence, and an Anglican Worldview 菲利普·欧文·米切尔,《C.S.刘易斯和奥斯汀·法雷尔的共同见证:友谊、影响和圣公会的世界观》
Q3 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.3366/ink.2021.0123
D. Hedley
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引用次数: 0
Renée Vink, Gleanings from Tolkien’s Garden: Selected Essays Renée Vink,《来自托尔金花园的欢乐:散文选集》
Q3 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.3366/ink.2021.0127
Claudio Testi
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引用次数: 0
C.S. Lewis, Thomas Derrick, and Screwtape C.S.刘易斯,托马斯·德里克和螺丝胶带
Q3 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.3366/ink.2021.0115
D. Derrick, B. Murdoch
Six hitherto unpublished letters and a poetic postcard represent C.S. Lewis’s side of a correspondence in the early 1940s with the artist and illustrator Thomas Derrick. The letters discuss the possibility, which was never realised, of an illustrated edition of The Screwtape Letters and intriguingly indicate that Lewis and the artist discussed other collaborative possibilities, most notably a project on the virtues and the vices, also sadly unrealised. Lewis sent Derrick an early sketch of Screwtape.
六封迄今未发表的信件和一张诗意的明信片代表了C.S.Lewis在20世纪40年代初与艺术家兼插画家Thomas Derrick的通信。这些信件讨论了《螺丝刀书信》插图版从未实现的可能性,有趣的是,刘易斯和这位艺术家讨论了其他合作的可能性,最引人注目的是一个关于美德和邪恶的项目,但遗憾的是,这个项目也没有实现。Lewis给Derrick发了一张Screwtape的早期草图。
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引用次数: 0
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Journal of Inklings Studies
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