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Journal of Inklings Studies最新文献

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Thomas Kullmann and Dirk Siepmann, Tolkien as a Literary Artist: Exploring Rhetoric, Language and Style in ‘The Lord of the Rings’ 托马斯·库尔曼和德克·西普曼,托尔金作为一个文学艺术家:探索《指环王》中的修辞、语言和风格
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0144
A. Turner
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引用次数: 0
Education, Gift, and Freedom: C.S. Lewis’s Idea of a University 教育、礼物和自由:C.S.刘易斯的大学理念
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0134
Melinda E. Nielsen, Philipp Nielsen
This article traces C.S. Lewis’s principles of education, articulated consistently through his fiction, academic writing, and theological works. It argues that, working within the tradition of his Oxford ‘Greats’ education, and through influences like Newman and Tolkien, Lewis envisions education primarily as a form of ‘Gift-love’ between persons. For Lewis, then, the qualities of the teacher and the developing habits of the student are of paramount importance at the earlier stages of education. Lewis, however, distinguishes learning from education to mark the later stages of the student’s progress, a transition from dependence on the teacher to independent exploration of a particular field in which, ideally, the student becomes the teacher’s equal and friend. For Lewis, education aims not primarily at data, research, or self-expression; rather, the end of education is intellectual freedom.
这篇文章追溯了C.S.刘易斯的教育原则,这些原则通过他的小说、学术写作和神学作品得到了一致的阐述。它认为,在牛津“伟人”教育的传统范围内,通过纽曼和托尔金等的影响,刘易斯将教育主要视为人与人之间的“礼物之爱”。因此,对刘易斯来说,在教育的早期阶段,教师的素质和学生的养成习惯至关重要。然而,Lewis将学习与教育区分开来,标志着学生进步的后期阶段,即从依赖老师到独立探索某个特定领域的过渡,理想情况下,学生成为老师的平等和朋友。对Lewis来说,教育的主要目的不是数据、研究或自我表达;相反,教育的终点是知识自由。
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引用次数: 1
Chesterton’s Epistemology: A Study in the Development of Newman’s Doctrines 切斯特顿的认识论:从纽曼学说的发展看
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0137
David Pickering
This article situates G.K. Chesterton’s work in relation to the theological epistemology of John Henry Newman. It studies the roles of reason, imagination, mystery, emotional knowledge, communal knowledge, and experience in Chesterton’s epistemology, and the relationship between logical argument and narrative in his writing. The article attempts to demonstrate that Chesterton’s work contains an implicit theological epistemology which in numerous respects parallels Newman’s and argues that Chesterton developed Newman’s epistemology in certain areas in the context of his work as an apologist. The article concludes with reflections on what Newman’s influence on Chesterton may imply with regard to Chesterton’s role as a hidden channel for Newman’s influence on later writers.
本文将切斯特顿的著作与纽曼的神学认识论联系起来。它研究了切斯特顿认识论中理性、想象、神秘、情感知识、公共知识和经验的作用,以及他写作中逻辑论证与叙事的关系。本文试图证明切斯特顿的作品包含了一种隐含的神学认识论,这种认识论在许多方面与纽曼的认识论相似,并认为切斯特顿是在他作为辩护者的工作背景下,在某些领域发展了纽曼的知识论。文章最后反思了纽曼对切斯特顿的影响,认为切斯特顿是纽曼影响后世作家的一个隐藏渠道。
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引用次数: 0
Richard Ingrams, The Sins of G.K. Chesterton 理查德·英格拉姆斯,G.K.切斯特顿的罪
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0143
David Pickering
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引用次数: 0
In Search of Greybeards at Play; or, Why Did Chesterton Conceal His Jesting Sages? 在游戏中寻找Greybards;或者,为什么切斯特顿隐藏了他那些爱开玩笑的圣人?
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0133
Daniel Gabelman
Following Chesterton’s strange omission of his first book in his Autobiography, scholarship has remained virtually silent on Greybeards at Play (1900). When critics have commented, they have generally dismissed the book as silly and disconnected from Chesterton’s subsequent works. This article seeks to invert this perspective, arguing that, far from peripheral or irrelevant, Greybeards is in fact central and seminal in Chesterton’s oeuvre. This is accomplished by exploring the multivalent trope of the greybeard at play and its literary and theological ramifications: how it symbolically unites innocence and experience into a higher childlike state. These greybeards are traced through close readings of the cover art, title, and two framing poems and linked to antecedents in the Bible, Shakespeare, Blake, Dickens, and George MacDonald. At the same time, frequent references to Chesterton’s more popular works gesture to how this symbolic perspective was not an aberration of this one text but emblematic of Chesterton’s mode more generally. The search for greybeards at play thus provides a vital re-evaluation of Chesterton’s first book that suggests it should not only be redeemed from the critical dust-heap but even elevated to a place of primacy in Chesterton’s corpus.
切斯特顿在他的自传中奇怪地省略了他的第一本书之后,学术界对《游戏中的格雷伯德》(1900)几乎保持沉默。当评论家们发表评论时,他们通常认为这本书很愚蠢,与切斯特顿后来的作品脱节。这篇文章试图推翻这一观点,认为格雷伯德在切斯特顿的作品中是核心和开创性的,而不是边缘或无关的。这是通过探索灰胡子的多价比喻及其文学和神学影响来实现的:它如何象征性地将天真和经验结合到一种更高的童真状态中。这些灰胡子是通过仔细阅读封面艺术、标题和两首框架诗来追踪的,并与《圣经》、莎士比亚、布莱克、狄更斯和乔治·麦克唐纳的祖先联系在一起。同时,频繁提及切斯特顿更受欢迎的作品表明,这种象征性的视角并不是这一文本的失常,而是切斯特顿模式的象征。因此,对灰胡子的搜索为切斯特顿的第一本书提供了一个重要的重新评估,这本书不仅应该从批判的灰尘堆中救赎出来,甚至应该在切斯特顿文集中提升到首位。
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引用次数: 0
John D. Rateliff (ed.), A Wilderness of Dragons: Essays in Honor of Verlyn Flieger 约翰·d·拉特利夫(编),《龙的荒野:纪念弗林·弗利格的随笔》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0148
H. Williams
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引用次数: 0
Douglas Wilson, The Light from Behind the Sun: A Reformed and Evangelical Appreciation of C.S. Lewis 道格拉斯·威尔逊,《太阳背后的光:改革宗和福音派对C.S.刘易斯的欣赏》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0147
Louis A. Markos
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引用次数: 0
Jewel Spears Brooker, T.S. Eliot’s Dialectical Imagination 《艾略特的辩证想象》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0139
Jeffrey Hipolito
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引用次数: 0
Categorising C.S. Lewis's Literary Theory 路易斯文学理论的分类
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0132
Justin W. Keena
C.S. Lewis's two volumes of literary theory are compared and contrasted with the particular works in mainstream twentieth century literary theory that they most closely resemble. The Personal Heresy is akin to, but ultimately divergent from, the New Critical papers ‘The Intentional Fallacy’ and ‘The Affective Fallacy’. Likewise An Experiment in Criticism is akin to reader-response theories of the phenomenological variety, especially those of Georges Poulet, Wolfgang Iser, and Roman Ingarden, but unlike most other kinds. Lewis's position as a theorist is too reader-focused for New Criticism but also more formalistic than most reader-response theories. Nevertheless, these are the two movements with which his work has most in common, unlike other major twentieth-century movements, such as gender studies, Marxist theory, new historicism, queer theory, postmodernism, post-structuralism, psychoanalysis, and structuralism.
C.S.刘易斯的两卷文学理论与20世纪主流文学理论中最相似的特定作品进行了比较和对比。《个人异端》类似于新批判派的论文《意图谬误》和《情感谬误》,但最终与之不同。同样,《批评的实验》类似于现象学的读者反应理论,尤其是乔治·波莱特、沃尔夫冈·伊瑟尔和罗曼·因加登的读者反应理论,但与其他大多数理论不同。作为一名理论家,刘易斯的立场对新批评主义来说过于以读者为中心,但也比大多数读者反应理论更加形式主义。然而,这两个运动与他的作品最相似,不像其他20世纪的主要运动,如性别研究、马克思主义理论、新历史主义、酷儿理论、后现代主义、后结构主义、精神分析和结构主义。
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引用次数: 0
Elvish Re-incarnation, Valinorian Time, and Aragorn’s BeardJ.R.R. Tolkien, The Nature of Middle-earth: Late Writings on the Lands, Inhabitants, and Metaphysics of Middle-earth 精灵再化身、瓦利诺里亚时代和亚拉冈的胡子J·R·R·托尔金,《中土世界的本质:关于中土世界土地、居民和形而上学的晚期著作》
Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3366/ink.2022.0146
Thomas Honegger
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引用次数: 1
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Journal of Inklings Studies
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