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Anna Ferrando, Cacciatori di libri. Gli agenti letterari durante il fascismo , Milano, Franco Angeli, 2019 安娜·费兰多,图书猎人。法西斯主义时期的文学代理人,米兰,佛朗哥·安杰利,2019年
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11148
E. Marazzi
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引用次数: 0
De l’intention à l’action: les bibliothèques publiques et la participation 从意图到行动:公共图书馆和参与
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11041
Raphaëlle Bats
expérimental: une question de recherche se pose, une hypothèse se forme, un plan d’expérimentation est dressé, des résultats sont obtenus qui sont évalués en fonction des objectifs de changement visés. 7 citoyenne, partageant avec son patrimoine des mémoires et des identités communes, donnant avec ses équipes, ses collections, ses espaces, ses rencontres à écrire, à lire, comprendre et discuter le monde que nous créons et vivons, permettant enfin aux membres de la communauté de se projeter, ensemble, vers des avenirs possibles. Elle participe en dernier lieu de ce mouvement qui va de la collection vers le public, les publics, les plaçant au cœur de ses dispositifs et non pas comme variable d’ajuste-ment, les accueillant en acteurs, en créateurs aussi, voire en producteurs de contenus et non plus seulement en usagers passifs. Le modèle opérationnel du «living lab» peut ici être convoqué: des environnements et des services innovants, orientés publics et issus d’une conception et d’un développement participatifs. Abstract L’accroissement considérable des pratiques participatives dans les bibliothèques françaises conduit à s’interroger sur les intentions qui président et précèdent leur mise en œuvre. Cet article vise à découvrir ces intentions à travers l’étude d’un programme culturel participatif organisé par la Bibliothèque municipale de Lyon entre novembre 2016 et mars 2017. Les documents d’organisation consultés, les entretiens menés avec les bibliothécaires et l’observation des activités participatives permettent de faire émerger trois intentions qui définissent des types de rôles que la bibliothèque publique souhaite incarner aujourd’hui dans la société française: la bibliothèque de convivialité, la bibliothèque d’encapacitation et la bibliothèque d’engagement.
实验性:提出研究问题,形成假设,制定实验计划,获得结果,并根据预期的变化目标进行评估。7、公民共同分享着同他的回忆录和遗产的特性及其团队一起,使馆藏,其空间、交友书写、阅读、理解和讨论我们创造世界和生活,终于使社会成员的投射,一起驶向的可能的未来。她上次参与这场运动的人会收藏向公众公开,而不是放在其核心装置,作为变量d’ajuste-ment所在,也在演员、创作者、甚至用户作为内容生产者,而不仅仅是被动的。这里可以调用“生活实验室”的运营模式:创新的、面向公众的环境和服务,源自参与式设计和开发。法国图书馆参与式实践的显著增长引发了人们对其实施背后的意图的质疑。本文旨在通过对里昂市政图书馆在2016年11月至2017年3月期间组织的参与式文化项目的研究来发现这些意图。组织文件征求意见、参与性与馆员访谈和观察活动得以公之于众的意图制定了三种类型的角色,今天在法国社会的公共图书馆要展翅:图书馆的欢愉,承诺d’encapacitation图书馆和图书馆。
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引用次数: 0
Francesca Aiello, I libri del cardinale Giuseppe Benedetto Dusmet , Milano, Ledizioni, 2019 弗朗西斯卡·阿莱洛,红衣主教朱塞佩·贝尼代托·杜斯梅特的书,米兰,列米提,2019年
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11145
D. D. Pietro
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引用次数: 0
Catalogo degli incunaboli della Biblioteca Panizzi di Reggio Emilia , a cura di Maurizio Festanti, Roma, Istituto Poligrafico e Zecca dello Stato, 2019 罗马政治研究所和国家铸造厂,2019年
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11138
Simona Inserra
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引用次数: 0
Francesca Aiello, La biblioteca dei Benedettini di san Nicolò l’Arena a Catania: dalle carte d’archivio alla collezione libraria , Milano, Ledizioni, 2019 弗朗西斯卡·阿莱洛,圣尼科洛本笃会图书馆,卡塔尼亚的竞技场:从档案文件到图书馆收藏,米兰,勒齐,2019
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11143
Silvia Tripodi
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引用次数: 0
Itinéraires du livre italien à la Renaissance. Suisse romande, anciens Pays-Bas et Liège , sous le direction de Renaud Adam et Chiara Lastraioli, Paris, Classiques Garnier, 2019 从意大利书到文艺复兴的路线。法语瑞士,老荷兰和liege,由雷诺·亚当和基娅拉·拉斯特里奥利指导,巴黎,加尼埃经典,2019
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11139
Shanti Graheli
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引用次数: 0
Robert Darnton, Un tour de France letterario. Il mondo dei libri alla vigilia della Rivoluzione francese , Roma, Carocci, 2019 罗伯特·达恩顿,文学之旅。法国大革命前夕的图书世界,罗马,卡罗奇,2019年
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11146
A. Castronuovo
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引用次数: 0
Archives in the library: parallel worlds that meet? 图书馆里的档案:相遇的平行世界?
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11030
A. Martorano
The contribution, starting from the observation that archives and libraries, despite being different and parallel worlds, wants to analyze the difficult relationship between the two realities through a diachronic reconstruction, highlighting the investigations and reflections conducted in Italy over time, and still in progress today , in relation to the complexity and ambiguity of this relationship, due also to the presence of funds and archival documents in libraries, and of documents and literary funds in the archives. The crux of ideal and practical relationships, therefore existing or desirable, between archives and libraries hinges both on normative and managerial aspects, but certainly also conceptual, and therefore it is as complex as it is urgent to try to dissolve it, proposing the meeting of these two worlds parallel thanks to the help of digital technologies and integrated platforms, in order to make the documentary heritage they contain accessible to an increasingly wider audience.
贡献,从档案馆和图书馆的观察开始,尽管是不同的和平行的世界,想要通过历时重建来分析这两个现实之间的困难关系,突出在意大利进行的调查和反思,随着时间的推移,今天仍在进行中,关于这种关系的复杂性和模糊性。还因为图书馆中有资金和档案文件,档案馆中有文件和文学基金。档案馆和图书馆之间存在的理想关系和实际关系的关键在于规范和管理方面,但肯定也是概念上的,因此,它既复杂又迫切地试图消解它,建议在数字技术和集成平台的帮助下,这两个世界平行地相遇,以使它们所包含的文献遗产能够为越来越广泛的受众所接受。
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引用次数: 0
The Arezzo-printed edition of Lodovico Antonio Muratori’s works (1767-1780) 阿雷佐印刷的洛多维科·安东尼奥·穆拉托里作品(1767-1780)
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11026
Riccardo Neri
Pubblicata in 36 volumi in quarto tra il 1767 e il 1780, l’edizione delle opere di Lodovico Antonio Muratori e l’impresa piu importante della storia della tipografia aretina. Attraverso lo studio di documenti inediti – quattro registri cartacei conservati nell’Archivio della Biblioteca del Seminario Vescovile di Arezzo – nel saggio si indagano i protagonisti e le vicende dell’impresa di stampa. L’edizione e voluta dal vescovo Jacopo Gaetano Inghirami con l’obiettivo di rinnovare il programma di formazione dei seminaristi attraverso lo studio di materiale didattico autorevole e aggiornato. In virtu di un’intelligente politica editoriale, delle capacita tecniche di Michele Bellotti ‘stampatore vescovile’ e di un’efficace rete di distribuzione, l’iniziativa trascende il disegno originale e la pubblicazione diviene un prodotto commerciale molto richiesto: in pochi mesi ottiene 288 associati in Italia e all’estero. Dopo la morte del vescovo Inghirami nel 1772, proseguono l’edizione il Seminario Vescovile di Arezzo e il Collegio Serristori di Castiglion Fiorentino. I nuovi editori acquistano dalla Societa Palatina di Milano le matrici usate per ottenere il corredo illustrativo delle prime edizioni dei Rerum Italicarum Scriptores e delle Antiquitates Italicae Medii Aevi di Muratori. Per smaltire le copie invendute, gli editori scambiano i volumi dell’edizione con testi scelti dai cataloghi di tipografi e librai; poiche si richiedono molti libri ad uso scolastico dei seminaristi, gli scambi rivelano aspetti e indirizzi dell’istruzione seminariale del periodo, sensibile verso motivi scientifici e istanze proprie della philosophie. Purtroppo, i crescenti problemi economici – che emergono dettagliatamente dai documenti – e la morte del tipografo distolgono gli editori dal completare la pubblicazione secondo il progetto originale.
1767年至1780年间,洛多维科·安东尼奥·穆托里(Lodovico Antonio Muratori)出版了36卷书,是阿雷蒂娜印刷厂历史上最大的企业。通过研究未出版的文件- -保存在阿雷佐主教神学院图书馆档案中的四份纸质登记册- -本文调查了新闻公司的主要人物和事件。该版本由雅格布·盖塔诺主教(bishop Jacopo Gaetano)出版,目的是通过研究最新和权威的教材来更新神学院学生的培训计划。根据一项明智的编辑政策、米歇尔•贝洛蒂(Michele Bellotti)的技术技能、“韦斯科维尔打印机”(vescovil打印机)和一个有效的分销网络,该计划超越了最初的设计,成为一种商业产品。1772年英哈米主教去世后,阿雷佐主教神学院和佛罗伦萨的ser里斯托里学院继续出版。新出版商从米兰的帕拉蒂蒂公司购买了用于获得意大利作家和意大利古董Medii Aevi di Muratori第一版插图的版画。为了处理未售出的稿件,出版商将稿件与印刷商和书商目录中选择的稿件交换。由于需要大量的书籍供神学院学生在学校使用,交流揭示了这一时期神学院教育的各个方面和方向,这些方面和方向对哲学的科学动机和要求十分敏感。不幸的是,日益严重的经济问题- -这些问题在文件中有详细说明- -以及印刷商的死亡- -使出版商偏离了按照原计划完成出版的方向。
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引用次数: 0
«In scrineis» of Monna Caterina: The Books of Stefano di Nello Fatinelli (1419) 《蒙娜·卡特琳娜的《斯特凡诺·迪内洛·法蒂内利的书》(1419)
Q3 Arts and Humanities Pub Date : 2020-06-23 DOI: 10.6092/ISSN.2283-9364/11040
Elisa Guerrieri
In the unpublished inventory of «bona et iura», which belonged to Stefano Fatinelli (d. 1418), a Lucchese merchant of high lineage, are recorded more than sixty codes which were kept «in scrineis domine Caterine», that is Caterina Martini, widow of the late Stefano. This instrumentum is kept in a notarial protocol of the Lucca State Archive; its discovery allowed to conduct various researches, based on unpublished materials, the results of which are presented here. The essay is divided into three paragraphs. The first one outlines Fatinelli’s profile, through the analysis of his will and the use of other sources, including a manuscript bearer of the life of Saint Zita (d. 1278), the humble servant who worked for the powerful Fatinelli family. The second paragraph is dedicated to the illustration of the inventory and its contextualization: indeed, it was drawn up following a petition, requested by a relative of the late Stefano to the Vicar of the Podesta of Lucca, in order to protect the infant heir to a considerable patrimony. The last paragraph is reserved for books: they are almost camouflaged in the inventory, which is composed by a long theory of land, buildings, household linen, precious fabrics, various furnishings, lists of debtors, etc. belonged to the deceased one. The critical edition of the books inventory items is preceded by some reflections thanks to which the library’s “cultural gradient” is identified. The short list is evidence of a library collection now lost, of which two manuscripts are still recognised. Finally, the appendix contains Stefano Fatinelli’s will and the aforementioned petition. This essay gives the image of one of the private libraries that, starting from the XIVth Century, acquired importance in Lucca. Additionally, it helps to outline the overall picture of the circulation of books and cultural interests within and beyond the city walls in the early fifteenth century.
在未出版的“bona et iura”清单中,属于Stefano Fatinelli (d. 1418),一个高血统的Lucchese商人,记录了超过60个代码,这些代码保存在“scrineis domine Caterine”中,即已故Stefano的遗孀Caterina Martini。本文书保存在卢卡国家档案馆的公证议定书中;它的发现允许进行各种研究,基于未发表的材料,其结果呈现在这里。这篇文章分为三段。第一部分通过分析法蒂内利的遗嘱和使用其他资料,包括圣齐塔生活的手稿(1278年),一个为强大的法蒂内利家族工作的卑微的仆人,概述了法蒂内利的概况。第二段专门用于说明清单及其背景:事实上,它是根据已故斯特凡诺的一位亲戚向卢卡波德斯塔教区牧师提出的请愿书起草的,目的是保护一笔可观遗产的婴儿继承人。最后一段是留给书籍的:它们几乎被隐藏在清单中,清单是由一长串已故者的土地、建筑物、家用亚麻、珍贵的织物、各种家具、债务人名单等组成的。图书目录项目的关键版之前有一些反思,由于图书馆的“文化梯度”是确定的。这份简短的清单是一个图书馆藏品的证据,现在已经丢失,其中两份手稿仍然可以辨认。最后,附录包含Stefano Fatinelli的遗嘱和上述请愿书。这篇文章给出了一个私人图书馆的形象,从十四世纪开始,在卢卡获得了重要的地位。此外,它还有助于勾勒出15世纪早期城墙内外书籍流通和文化兴趣的整体图景。
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