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Sustainable Tropical Cities: A Scoping Review of Multidisciplinary Methods for Urban Planning 可持续热带城市:城市规划的多学科方法综述
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3743
Taha Chaiechi
Most studies of urban sustainability are characterised by traditional approaches focusing on environmental aspects. These studies often neglect the influence of issues such as governance, society, culture, and geography. Multidisciplinary contributions remain poorly understood in this field, although evidence suggests that regional, geographical and socio-cultural factors are essential in shaping sustainable urban planning. Following Arksey and O'Malley’s (2005) scoping approach to literature reviews, this article provides a mapping technique and a scoping review to show the extent and nature of applied methodologies in the field of urban sustainability. The paper finds that there is a global need for sustainable urban planning through innovative multidisciplinary approaches. The paper calls for an accelerated knowledge creation in the field of urban development based on climate-classifications, socio-economic information, and locational characteristics. It particularly notes the need for research in the Tropics where distinct socio-economic dynamics and climate conditions have specific impacts on sustainable urban planning.
大多数城市可持续性研究的特点是传统方法侧重于环境方面。这些研究往往忽视了治理、社会、文化和地理等问题的影响。尽管有证据表明,区域、地理和社会文化因素在形成可持续城市规划方面至关重要,但在这一领域对多学科贡献的了解仍然很少。遵循Arksey和O'Malley(2005)的文献综述范围界定方法,本文提供了一种绘图技术和范围界定综述,以显示城市可持续性领域应用方法的范围和性质。本文发现,全球需要通过创新的多学科方法进行可持续城市规划。本文呼吁在气候分类、社会经济信息和区位特征的基础上,加快城市发展领域的知识创造。它特别注意到有必要在热带地区进行研究,因为那里独特的社会经济动态和气候条件对可持续城市规划有具体影响。
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引用次数: 10
Community Initiated Adaptive Reuse for Culture and the Arts: ‘The Tanks Arts Centre’ Cairns, Australia 社区倡导文化和艺术的适应性再利用:澳大利亚凯恩斯“坦克艺术中心”
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3740
Anthony Castles
A group of World War II naval fuel storage tanks strategically located in a tropical rainforest in Cairns, Australia, were adapted for arts and cultural purposes. This paper explores the adaptive reuse of this unusual industrial heritage site. It uses a case study approach to demonstrate how the social and aesthetic values of the place have been conserved and grown, and how these values have interacted to increase community attachment through a community-initiated approach to the site’s reuse. A scoping review and secondary data helped develop the case study and informed semi-structured interview questions for key industry stakeholders. The paper deduces that a community-led bottom-up approach to the reuse of space for arts and culture results in greater community attachment and, as opposed to top-down approaches, allows for continued growth in social and aesthetic value. Nevertheless, ongoing success of community initiatives in most cases is also reliant on the structure of a government-led administration.
在澳大利亚凯恩斯的热带雨林中,一组二战时期的海军燃料储存罐被改造成艺术和文化用途。本文探讨了这个不寻常的工业遗址的适应性再利用。它使用案例研究的方法来展示这个地方的社会和美学价值是如何被保护和发展的,以及这些价值是如何通过社区发起的方法来增加社区的依恋。范围审查和二手数据有助于开发案例研究,并为关键行业利益相关者提供半结构化面试问题。该论文推断,社区主导的自下而上的艺术和文化空间再利用方法会产生更大的社区依恋,与自上而下的方法相反,可以实现社会和美学价值的持续增长。然而,在大多数情况下,社区倡议的持续成功也依赖于政府领导的行政结构。
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引用次数: 2
Reviving the Urban Water-Edge: History and Heritage Morphology in the Envisaging of Chittagong City 复兴城市水边:吉大港城市构想中的历史与遗产形态
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3775
Md Mustiafiz Al Mamun, Pranjib Paul, Sadman Noor, A. Begum
Ancient settlements were dependent on the availability of water for sustainable living, ritual values, and economic purposes. Today, many Tropical Asian cities provide examples of urban settlements within water landscapes, yet these cities struggle with water issues, and face challenges in creating a contextual morphological identity. This paper explores urban waterfront heritage through a case study of Chittagong, Bangladesh. The city is experiencing rapid unplanned urbanisation, insensitive land use and the demolition of historical buildings along waterways, which in turn has created a contextual crisis in the built environment and social living. To explore the relationship of built heritage with the water-edge, this paper examines historical architectural styles using urban morphological codes. Results show that the historical orientations, accessibility, and functions of heritage buildings are explicitly and sensitively connected with the water-edge. The paper argues that physical and spatial components of urban structure and water landscape, incorporating the lessons of urban history, could become a tool to preserve urban heritage. However, to enhance the image of the city in a sustainable manner along water-edges, it is crucial to use the potentiality of water landscape with the heritage-based morphologies in current urban design and development practices.
古代定居点依赖于可持续生活、仪式价值和经济目的的水资源。如今,许多热带亚洲城市在水景观中提供了城市定居点的例子,但这些城市在水问题上举步维艰,并在创建上下文形态特征方面面临挑战。本文以孟加拉国吉大港为例,探讨城市滨水遗产。该市正经历着快速的无计划城市化、不敏感的土地利用和水道沿线历史建筑的拆除,这反过来又在建筑环境和社会生活中造成了背景危机。为了探讨建筑遗产与水边的关系,本文运用城市形态编码来考察历史建筑风格。结果表明,遗产建筑的历史方位、可达性和功能与水边有着明确而敏感的联系。本文认为,城市结构和水景观的物理和空间组成部分,结合城市历史的教训,可以成为保护城市遗产的工具。然而,为了以可持续的方式提升城市的形象,在当前的城市设计和发展实践中,利用具有遗产形态的水景观的潜力是至关重要的。
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引用次数: 2
Towards a Tropical Urbanism for Cairns, Australia 澳大利亚凯恩斯走向热带城市主义
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3774
L. Law, U. Musso
This paper engages with debates about tropical cities and climate responsive design to consider the emergence of two local government master plans and one planning scheme provision explicitly addressing the tropical climate in Cairns, Australia. The undergirding concept of these initiatives is a terminology of Tropical Urbanism, a simultaneously environmental and social/cultural term that captures issues such as climate, lifestyle and identity in the constitution of the urban fabric. Through a detailed reading of the documents, combined with interviews with local architects and planners, this paper positions Tropical Urbanism as an environmentally aware version of New Urbanism and as a distinctive language of urban design emerging in the regional context of tropical Australia. Place-based initiatives such as these are important to improving the design outcomes and sustainability of regional cities, and we suggest Tropical Urbanism could be further reinforced by the social/cultural and political nuances of a more progressive Critical Regionalist approach.
本文对热带城市和气候响应设计进行了辩论,以考虑澳大利亚凯恩斯出现的两个地方政府总体规划和一个明确针对热带气候的规划方案条款。这些倡议的基础概念是热带城市主义的术语,这是一个同时涉及环境和社会/文化的术语,涵盖了气候、生活方式和城市结构中的身份等问题。通过详细阅读这些文件,结合对当地建筑师和规划者的采访,本文将热带城市主义定位为新城市主义的环保版本,并将其定位为在澳大利亚热带地区背景下出现的一种独特的城市设计语言。这类基于地点的举措对于改善区域城市的设计成果和可持续性很重要,我们建议,更进步的批判地区主义方法的社会/文化和政治细微差别可以进一步加强热带城市主义。
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引用次数: 3
Sustainable Tropical Urbanism: Insights from Cities of the Monsoonal Asia-Pacific 可持续热带城市主义:从亚太季风城市看
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3777
Simona Azzali, L. Law, A. Lundberg
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引用次数: 3
Climate Resilience and Policy Transfer in Semarang City, Indonesia 印尼三宝垄市的气候适应性和政策转移
Q1 Arts and Humanities Pub Date : 2020-12-21 DOI: 10.25120/etropic.19.2.2020.3767
Y. Yulia, Reza Arlianda
Cities around the world are facing tremendous challenges due to climate change. Tropical cities are significantly impacted by temperature increases, higher than average global rising sea levels, and extreme weather events. In the tropical Asia-Pacific region effects from the El Niño-Southern Oscillation are especially severe, which, in turn, cause disasters such as floods and droughts. Climate change requires cooperation from actors across geopolitical borders to respond to the problem collectively, which involves global networks in the exchange of climate mitigation policies and adaptation plans through a process of policy transfer. This paper examines the processes of policy transfer between the tropical coastal city of Semarang in Indonesia and its global networks in the ‘100 Resilient Cities’, and the ‘Water as Leverage’ programs. The paper analyses interviews with actors and stakeholders from these two programs, and examines key factors that determine the success of the climate change policy transfer in Semarang City.
由于气候变化,世界各地的城市都面临着巨大的挑战。热带城市受到气温上升、高于全球平均水平的海平面上升和极端天气事件的严重影响。在热带亚太地区,厄尔尼诺-南方涛动的影响尤其严重,进而引发洪水和干旱等灾害。气候变化需要跨地缘政治边界的行动者合作,共同应对这一问题,这需要全球网络通过政策转移过程交流气候缓解政策和适应计划。本文研究了印度尼西亚热带沿海城市三宝垄与其“100个弹性城市”和“水作为杠杆”计划中的全球网络之间的政策转移过程。本文分析了对这两个项目的参与者和利益相关者的采访,并考察了决定三宝垄市气候变化政策转移成功的关键因素。
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引用次数: 4
Repurposing, Recycling, Revisioning: Pacific Arts and the (Post)colonial 重新利用、回收、修订:太平洋艺术与(后)殖民
Q1 Arts and Humanities Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3733
Jean Anderson
Taking a broad approach to the concept of recycling, I refer to a range of works, from sculpture to film, street art and poetry, which depict issues of importance to Indigenous peoples faced with the (after) effects of colonisation. Does the use of repurposed materials and/or the knowledge that these objects are the work of Indigenous creators change the way we respond to these works, and if so, how?
从广义上讲,我指的是一系列作品,从雕塑到电影、街头艺术和诗歌,这些作品描绘了土著人民面临殖民(后)影响的重要问题。使用重新调整用途的材料和/或知道这些物品是土著创作者的作品是否会改变我们对这些作品的反应方式,如果是,如何改变?
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引用次数: 2
Subjection and Resistance: Landscapes, Gardens, Myths and Vestigial Presences in Olive Senior's Gardening in the Tropics 主体与反抗:橄榄老人热带园艺中的景观、园林、神话与遗迹
Q1 Arts and Humanities Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3682
Hannah Regis
This paper argues that a selection of Caribbean writers has engaged an aesthetic that spotlights the idea of a living or divine landscape through a deployment of folkloric, mythological, magical or spiritual epistemological frames. This aesthetic foregrounds the expansive possibilities of nature and other life forms in the wake of empire and global modernity. By an engagement with these tools, the creative writer deconstructs the limits of colonial ecological damage and modern-day agricultural devastation, while simultaneously affirming the Caribbean landscape as an active and creative agent within articulations of community and belonging. Through a blend of eco-criticism as examined by Elizabeth DeLoughrey and Wilson Harris's formulations of the "living landscapes" and Caribbean mythologies, this essay seeks to interrogate the manner in which Caribbean poet, Olive Senior, consciously deploys the literary imagination as a platform to plant seeds of reform and activism in the trail of environmental destruction. Senior accomplishes this through notions of mythic time and space that are unfettered by monolithic ideologies and linearity. This signposts an effort to posit a reliance on a spirit-infused universe—a deeply felt ideology which is pivotal to acts of environmental healing and societal recuperation.
本文认为,一些加勒比作家通过运用民俗、神话、魔法或精神认识论框架,采用了一种突出生活或神圣景观理念的美学。这种美学预示了在帝国和全球现代性之后,自然和其他生命形式的广阔可能性。通过使用这些工具,这位富有创造力的作家解构了殖民地生态破坏和现代农业破坏的局限性,同时肯定了加勒比景观是社区和归属感表达中的一个积极和创造性的因素。通过伊丽莎白·德劳里和威尔逊·哈里斯对“生活景观”和加勒比神话的表述所考察的生态批评的融合,本文试图质疑加勒比诗人老奥利夫有意识地将文学想象力作为一个平台,在环境破坏的过程中播下改革和行动主义的种子。Senior通过神话般的时间和空间概念实现了这一点,这些概念不受单一意识形态和线性的约束。这标志着一种对充满精神的宇宙的依赖——一种深刻感受到的意识形态,对环境愈合和社会恢复至关重要。
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引用次数: 5
Poems
Q1 Arts and Humanities Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3676
Craig Santos Perez
This collection of eight orginal poems of the Pacific Islands focus on the theme "Environmental artistic practices and indigeneity: In(ter)ventions, recycling, sovereignty". The first group of three poems, "Age of Plastic," "Rings of Fire," and "Halloween in the Anthropocene" address issues of climate change, waste, and capitalist exploitation. The second group of three poems, "Chanting the Waters," "One Fish, Two Fish," and "Praise Song for Oceania" address issues of water and the ocean from an indigenous Pacific perspective. The final group of two poems, "Family Trees," and "Tronkon Niyok (Coconut Tree)" address issues of militarization and its impact on Guam's trees.
本诗集收录了太平洋岛屿的八首原创诗歌,主题为“环境艺术实践与土著:公约、循环利用、主权”。第一组三首诗,“塑料时代”,“火环”和“人类世的万圣节”,解决了气候变化,浪费和资本主义剥削的问题。第二组三首诗《咏水》、《一鱼二鱼》和《大洋洲赞歌》从太平洋土著的角度探讨了水和海洋的问题。最后一组两首诗《家谱》和《椰子树》讨论了军事化问题及其对关岛树木的影响。
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引用次数: 0
Armfuls of Eclectic Pieces: Poetic-Photographic Essay 兼收并蓄的作品:诗意的摄影散文
Q1 Arts and Humanities Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3730
Flora Aurima Devatine
As a writer and poet, I am particularly interested in language(s), in words in Tahitian and in French. Since 2016, I have explored themes of survival, duration, continuity, and transmission through poetry and artworks made of materials evoking cracks, fractures, disruption, remains, remnants, separation, and loss. In this poetic-photographic essay, I reflect on my creative process and show how Tahitian concepts, such as HU’A, HU’AHU’A, HI’O, HI’OHI’O, GLASS, MIRROR, and ITE, SIGHT, KNOWLEDGE, WITNESS have inspired my artworks. I explore how the elements I collected and transformed are both a mirror of society and an invitation to create new images and ideas. I also highlight the importance of – establishing a dialogue between French and – Tahitian and other Indigenous languages for conceptualising the arts and creativity.
作为一名作家和诗人,我对语言、大溪地语和法语特别感兴趣。自2016年以来,我通过诗歌和艺术品探索了生存、持续、连续和传播的主题,这些诗歌和艺术品由唤起裂缝、断裂、破坏、遗迹、残余、分离和损失的材料制成。在这篇充满诗意的摄影文章中,我反思了我的创作过程,并展示了大溪地的概念,如胡、胡、HI'O、HI'OHIO、GLASS、MIRROR和ITE、SIGHT、KNOWLEDGE、WITNESS是如何启发我的作品的。我探索我收集和转化的元素是如何既是社会的一面镜子,又是创造新形象和想法的邀请。我还强调了在法语和塔希提语及其他土著语言之间建立对话对艺术和创造力概念化的重要性。
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引用次数: 0
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eTropic
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