Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3815
Daniel Arbino
Although the media framed Hurricanes Irma and María and their aftermath as a tragedy, and indeed it was, a small literary canon has emerged that explores the storms as an opportunity to rethink Puerto Rico’s future. The aftermath of the hurricanes impacted cultural production two-fold; by forcing writers to engage with climate change, while also rethinking the colonial relationship that Puerto Rico has with the United States. Looking specifically at selections from English- and Spanish-language comic anthologies Ricanstruction (2018), Puerto Rico Strong (2018) and Nublado: Escombros de María (2018) as well as single-author graphic novels like María and Temporada (2019), I explore how authors used Hurricane María as a catalyst to reimagine and recreate a more autonomous future for the island through decolonial imaginaries, a notion laid out by Emma Pérez. Despite their different approaches to Puerto Rico’s future, the comics’ commonality lies in counter-narratives that espouse community values, indigeneity, innovation, and reclamation of nature as a means to confront hardship. Together they produce alternative modalities for transcending the vulnerabilities of debilitating disasters brought on by climate change. They offer a return to pre-colonial values combined with new technologies to empower the island to break from the United States and withstand future storms.
{"title":"“The Gifts of the Hurricane:” Reimagining Post-María Puerto Rico through Comics","authors":"Daniel Arbino","doi":"10.25120/etropic.20.2.2021.3815","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3815","url":null,"abstract":"Although the media framed Hurricanes Irma and María and their aftermath as a tragedy, and indeed it was, a small literary canon has emerged that explores the storms as an opportunity to rethink Puerto Rico’s future. The aftermath of the hurricanes impacted cultural production two-fold; by forcing writers to engage with climate change, while also rethinking the colonial relationship that Puerto Rico has with the United States. Looking specifically at selections from English- and Spanish-language comic anthologies Ricanstruction (2018), Puerto Rico Strong (2018) and Nublado: Escombros de María (2018) as well as single-author graphic novels like María and Temporada (2019), I explore how authors used Hurricane María as a catalyst to reimagine and recreate a more autonomous future for the island through decolonial imaginaries, a notion laid out by Emma Pérez. Despite their different approaches to Puerto Rico’s future, the comics’ commonality lies in counter-narratives that espouse community values, indigeneity, innovation, and reclamation of nature as a means to confront hardship. Together they produce alternative modalities for transcending the vulnerabilities of debilitating disasters brought on by climate change. They offer a return to pre-colonial values combined with new technologies to empower the island to break from the United States and withstand future storms.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49415633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/ETROPIC.20.2.2021.3808
Yairen Jerez Columbié
Adapted to survive in the interface between land and sea, mangroves are highly vulnerable to the impacts of climate change. They are also highly adaptive to the imagination, with the theme of the mangrove being differently signified across texts, languages and communities as a place to find death in the tropics, a nature tourism destination, endangered environment, magical wood, refuge for maroons and revolutionaries, and source of livelihoods. The cultural malleability of mangroves mirrors their natural adaptability. It also echoes the varied and rhizomatic identities and imaginaries of the peoples of the tropical Americas. Relevant cultural texts produced in the region support experimentations with mangroves as a raw material susceptible to being worked in order to explain diverse realities. In order to highlight the relevance and malleability of mangrove ecosystems, this paper explores resignifications of socioecological interactions at the Ecological Mangrove Reserve Cayapas-Mataje in Ecuador through the lens of photographer Felipe Jacome. Jacome’s photographic essay Los Reyes del Manglar [The Kings of the Mangrove] provides rich material to study the rhizomatic evolution of the theme of the mangrove and its entanglements with people’s lives, cultures and histories. I argue that cultural representations of mangroves can go beyond their metaphorical recovery to support environmental justice. This essay is also informed by extant research on the important role of mangrove forests for carbon sequestration and climate change mitigation, which locates these socioecological systems at the centre of people’s struggle for climate justice.
{"title":"People of the Mangrove: A Lens into Socioecological Interactions in the Ecuadorian Black Pacific","authors":"Yairen Jerez Columbié","doi":"10.25120/ETROPIC.20.2.2021.3808","DOIUrl":"https://doi.org/10.25120/ETROPIC.20.2.2021.3808","url":null,"abstract":"Adapted to survive in the interface between land and sea, mangroves are highly vulnerable to the impacts of climate change. They are also highly adaptive to the imagination, with the theme of the mangrove being differently signified across texts, languages and communities as a place to find death in the tropics, a nature tourism destination, endangered environment, magical wood, refuge for maroons and revolutionaries, and source of livelihoods. The cultural malleability of mangroves mirrors their natural adaptability. It also echoes the varied and rhizomatic identities and imaginaries of the peoples of the tropical Americas. Relevant cultural texts produced in the region support experimentations with mangroves as a raw material susceptible to being worked in order to explain diverse realities. In order to highlight the relevance and malleability of mangrove ecosystems, this paper explores resignifications of socioecological interactions at the Ecological Mangrove Reserve Cayapas-Mataje in Ecuador through the lens of photographer Felipe Jacome. Jacome’s photographic essay Los Reyes del Manglar [The Kings of the Mangrove] provides rich material to study the rhizomatic evolution of the theme of the mangrove and its entanglements with people’s lives, cultures and histories. I argue that cultural representations of mangroves can go beyond their metaphorical recovery to support environmental justice. This essay is also informed by extant research on the important role of mangrove forests for carbon sequestration and climate change mitigation, which locates these socioecological systems at the centre of people’s struggle for climate justice.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":"20 1","pages":"74-94"},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43483029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3810
Senjo Nakai
In Monsoon Asia, home to more than half of the world’s population, extreme climatic events are expected to become more frequent and intense due to climate change. Modern disaster management to date has focused on assessing the risks of natural hazards based on historical data, responding to disasters through prevention and mitigation techniques, and information campaigns, instead of vernacular knowledge cultivated in the local environment. This has led the public to a dangerous complacency about the power of technology over nature, and neglecting the possibility of “unforeseen” events. Climate change has not only made it more difficult to assess the risks of natural hazards, but has also diminished local resilience to them. However, since the adoption of the Hyogo Framework for Action in 2005, Monsoon Asia has begun multi-sectoral efforts to build local resilience to natural hazards by integrating vernacular knowledge into modern disaster management. Whereas in the past, experts and government agencies regarded the public as mere recipients of their services, they have now become acutely aware of the need to build partnerships with local communities to compensate for current technological limitations in disaster management, and to imaginatively prepare for the increasing risks of climatic contingencies. To achieve these goals, vernacular knowledge can be a useful resource, and a number of efforts have been initiated in the region to preserve such knowledge in imaginative forms to pass it on to future generations.
{"title":"Vernacular Knowledge, Natural Disasters, and Climate Change in Monsoon Asia","authors":"Senjo Nakai","doi":"10.25120/etropic.20.2.2021.3810","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3810","url":null,"abstract":"In Monsoon Asia, home to more than half of the world’s population, extreme climatic events are expected to become more frequent and intense due to climate change. Modern disaster management to date has focused on assessing the risks of natural hazards based on historical data, responding to disasters through prevention and mitigation techniques, and information campaigns, instead of vernacular knowledge cultivated in the local environment. This has led the public to a dangerous complacency about the power of technology over nature, and neglecting the possibility of “unforeseen” events. Climate change has not only made it more difficult to assess the risks of natural hazards, but has also diminished local resilience to them. However, since the adoption of the Hyogo Framework for Action in 2005, Monsoon Asia has begun multi-sectoral efforts to build local resilience to natural hazards by integrating vernacular knowledge into modern disaster management. Whereas in the past, experts and government agencies regarded the public as mere recipients of their services, they have now become acutely aware of the need to build partnerships with local communities to compensate for current technological limitations in disaster management, and to imaginatively prepare for the increasing risks of climatic contingencies. To achieve these goals, vernacular knowledge can be a useful resource, and a number of efforts have been initiated in the region to preserve such knowledge in imaginative forms to pass it on to future generations.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42966291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3820
G. Sodikoff
As scientists scour remnant habitats and “unmask” cryptic species with DNA barcoding, a boom of species discovery has enchanted the world. In Madagascar, recent discoveries of previously unknown miniature frogs, chameleons, and lemurs often photographed on human fingers or cradled in hands, have captured the public imagination. In this imagery of scale, the giant finger conveys the outsized impact of humanity on Earth, or points to what Susan Stewart (1996, p. 74) calls “a physical world of disorder and disproportion.” Although the phenomenon of insular gigantism and dwarfism has shaped scientific discourses of evolution and extinction since the nineteenth century, recent reportage on “new” miniature and cryptic species reflects a sensibility beyond wistful nostalgia for creatures past. Species miniaturism evolves out of habitat loss, and living minifauna encapsulate the contraction of existential time, all the more pronounced by the effects of climate change. Photographs of cryptic minifauna therefore compel us to reflect on the whole of our losses, while they fuel the impulse to restock the “library of life” at micro-scale.
{"title":"Shrunken Life: Discourses of the Cryptic and the Miniature in Madagascar","authors":"G. Sodikoff","doi":"10.25120/etropic.20.2.2021.3820","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3820","url":null,"abstract":"As scientists scour remnant habitats and “unmask” cryptic species with DNA barcoding, a boom of species discovery has enchanted the world. In Madagascar, recent discoveries of previously unknown miniature frogs, chameleons, and lemurs often photographed on human fingers or cradled in hands, have captured the public imagination. In this imagery of scale, the giant finger conveys the outsized impact of humanity on Earth, or points to what Susan Stewart (1996, p. 74) calls “a physical world of disorder and disproportion.” Although the phenomenon of insular gigantism and dwarfism has shaped scientific discourses of evolution and extinction since the nineteenth century, recent reportage on “new” miniature and cryptic species reflects a sensibility beyond wistful nostalgia for creatures past. Species miniaturism evolves out of habitat loss, and living minifauna encapsulate the contraction of existential time, all the more pronounced by the effects of climate change. Photographs of cryptic minifauna therefore compel us to reflect on the whole of our losses, while they fuel the impulse to restock the “library of life” at micro-scale. ","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42794726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3819
C. Benitez
As a rehearsal of a “tropical imaginary” that attempts to accentuate the entanglement of literature with the material world, this essay ‘coincides’ Jose F. Lacaba’s 1965 poem “Ang Kapaguran ng Panahon” (“The Weariness of Time”) with the 2015 El Niño phenomenon in the Philippines and its violent culmination the following year in Kidapawan City, Cotabato Province, Mindanao. While time or panahon in the Philippine tropics is usually intuited as generative, this essay outlines the possibility of its being worn down, not simply as a “natural” consequence of the present climate emergency, but as a critical outcome of the predominant political infrastructures that practically prohibit the phenomenon of time from unfolding. As such, it becomes imperative to recognize that beyond the current conditions banally imposed as “arog talaga kayan” or “how things really are” is the urgent need for social reform—daring tropical imaginings through which Philippine time can possibly become anew.
{"title":"On the Weariness of Time: El Niño in the Philippines","authors":"C. Benitez","doi":"10.25120/etropic.20.2.2021.3819","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3819","url":null,"abstract":"As a rehearsal of a “tropical imaginary” that attempts to accentuate the entanglement of literature with the material world, this essay ‘coincides’ Jose F. Lacaba’s 1965 poem “Ang Kapaguran ng Panahon” (“The Weariness of Time”) with the 2015 El Niño phenomenon in the Philippines and its violent culmination the following year in Kidapawan City, Cotabato Province, Mindanao. While time or panahon in the Philippine tropics is usually intuited as generative, this essay outlines the possibility of its being worn down, not simply as a “natural” consequence of the present climate emergency, but as a critical outcome of the predominant political infrastructures that practically prohibit the phenomenon of time from unfolding. As such, it becomes imperative to recognize that beyond the current conditions banally imposed as “arog talaga kayan” or “how things really are” is the urgent need for social reform—daring tropical imaginings through which Philippine time can possibly become anew.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44539972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3796
Sophie Chao, D. Enari
This article calls for transdisciplinary, experimental, and decolonial imaginations of climate change and Pacific futures in an age of great planetary undoing. Drawing from our personal and academic knowledge of the Pacific from West Papua to Samoa, we highlight the need for radical forms of imagination that are grounded in an ethos of inclusivity, participation, and humility. Such imaginations must account for the perspectives, interests, and storied existences of both human and beyond-human communities of life across their multiple and situated contexts, along with their co-constitutive relations. We invite respectful cross-pollination across Indigenous epistemologies, secular scientific paradigms, and transdisciplinary methodologies in putting such an imagination into practice. In doing so, we seek to destabilise the prevailing hegemony of secular science over other ways of knowing and being in the world. We draw attention to the consequential agency of beyond-human lifeforms in shaping local and global worlds and to the power of experimental, emplaced storytelling in conveying the lively and lethal becoming-withs that animate an unevenly shared and increasingly vulnerable planet. The wisdom of our kindred plants, animals, elements, mountains, forests, oceans, rivers, skies, and ancestors are part of this story. Finally, we reflect on the structural challenges in decolonising climate change and associated forms of knowledge production in light of past and ongoing thefts of sovereignty over lands, bodies, and ecosystems across the tropics.
{"title":"Decolonising Climate Change: A Call for Beyond-Human Imaginaries and Knowledge Generation","authors":"Sophie Chao, D. Enari","doi":"10.25120/etropic.20.2.2021.3796","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3796","url":null,"abstract":"This article calls for transdisciplinary, experimental, and decolonial imaginations of climate change and Pacific futures in an age of great planetary undoing. Drawing from our personal and academic knowledge of the Pacific from West Papua to Samoa, we highlight the need for radical forms of imagination that are grounded in an ethos of inclusivity, participation, and humility. Such imaginations must account for the perspectives, interests, and storied existences of both human and beyond-human communities of life across their multiple and situated contexts, along with their co-constitutive relations. We invite respectful cross-pollination across Indigenous epistemologies, secular scientific paradigms, and transdisciplinary methodologies in putting such an imagination into practice. In doing so, we seek to destabilise the prevailing hegemony of secular science over other ways of knowing and being in the world. We draw attention to the consequential agency of beyond-human lifeforms in shaping local and global worlds and to the power of experimental, emplaced storytelling in conveying the lively and lethal becoming-withs that animate an unevenly shared and increasingly vulnerable planet. The wisdom of our kindred plants, animals, elements, mountains, forests, oceans, rivers, skies, and ancestors are part of this story. Finally, we reflect on the structural challenges in decolonising climate change and associated forms of knowledge production in light of past and ongoing thefts of sovereignty over lands, bodies, and ecosystems across the tropics.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45194927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3817
Jacob Boswell
The Post-Quantal Garden is a work of speculative fiction based on J.G. Ballard’s short story “The Terminal Beach” first published in 1964. Set within Donna Haraway’s climate-changed Chthulucene, the work is intended as an elliptical rumination on the history of nuclear testing in the Pacific, bio-hacking, tropicality, and apocalyptic narrative. Moving between historical fact and speculative fiction, the story takes the form of a scholarly introduction to and contextualization of fictional passages from an imaginary journal supposedly found during the very real radiological clean-up of Enewetak Atoll. Enewetak, an atoll in the Marshall Islands group, was used by the US for nuclear testing and was the site of operation Ivy-Mike, the first fusion bomb test, and is the setting for Ballard’s Terminal Beach.
{"title":"“Post-Quantal Garden” Annotated","authors":"Jacob Boswell","doi":"10.25120/etropic.20.2.2021.3817","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3817","url":null,"abstract":"The Post-Quantal Garden is a work of speculative fiction based on J.G. Ballard’s short story “The Terminal Beach” first published in 1964. Set within Donna Haraway’s climate-changed Chthulucene, the work is intended as an elliptical rumination on the history of nuclear testing in the Pacific, bio-hacking, tropicality, and apocalyptic narrative. Moving between historical fact and speculative fiction, the story takes the form of a scholarly introduction to and contextualization of fictional passages from an imaginary journal supposedly found during the very real radiological clean-up of Enewetak Atoll. Enewetak, an atoll in the Marshall Islands group, was used by the US for nuclear testing and was the site of operation Ivy-Mike, the first fusion bomb test, and is the setting for Ballard’s Terminal Beach. ","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42862724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3818
Christina Yin
This hybrid memoir begins and ends with a sea journey. Combining real-life story and dystopian tropical imaginary, the author takes us to the Straits of Malacca off the coast of Peninsular Malaysia, to futures of submerged cities in 2050, and on a final journey into the South China Sea off the coast of Sarawak on the island of Borneo. This is a story of climate change and rising seas entwining vignettes of pandemic lockdown, of a father’s dying, and the author’s future life submerged. It questions human survival in a world of demise, shaped by pandemic and surrounded by waters slowly but inexorably rising.
{"title":"Goodbye on the Seas: Rising Waters, Submerging Lives","authors":"Christina Yin","doi":"10.25120/etropic.20.2.2021.3818","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3818","url":null,"abstract":"This hybrid memoir begins and ends with a sea journey. Combining real-life story and dystopian tropical imaginary, the author takes us to the Straits of Malacca off the coast of Peninsular Malaysia, to futures of submerged cities in 2050, and on a final journey into the South China Sea off the coast of Sarawak on the island of Borneo. This is a story of climate change and rising seas entwining vignettes of pandemic lockdown, of a father’s dying, and the author’s future life submerged. It questions human survival in a world of demise, shaped by pandemic and surrounded by waters slowly but inexorably rising.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46313079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3809
Rachel Hartnett
Global climate change threatens to kill or displace hundreds of thousands of people and will irrevocably change the lifestyles of practically everyone on the planet. However, the effect of imperialism and colonialism on climate change is a topic that has not received adequate scrutiny. Empire has been a significant factor in the rise of fossil fuels. The complicated connections between conservation and empire often make it difficult to reconcile the two disparate fields of ecocriticism and postcolonial studies. This paper will discuss how empire and imperialism have contributed to, and continue to shape, the ever-looming threat of global climate crisis, especially as it manifests in the tropics. Global climate change reinforces disparate economic, social, and racial conditions that were started, fostered, and thrived throughout the long history of colonization, inscribing climate change as a new, slow form of imperialism that is retracing the pathways that colonialism and globalism have already formed. Ultimately, it may only be by considering climate change through a postcolonial lens and utilizing indigenous resistance that the damage of this new form of climate imperialism can be undone.
{"title":"Climate Imperialism: Ecocriticism, Postcolonialism, and Global Climate Change","authors":"Rachel Hartnett","doi":"10.25120/etropic.20.2.2021.3809","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3809","url":null,"abstract":"Global climate change threatens to kill or displace hundreds of thousands of people and will irrevocably change the lifestyles of practically everyone on the planet. However, the effect of imperialism and colonialism on climate change is a topic that has not received adequate scrutiny. Empire has been a significant factor in the rise of fossil fuels. The complicated connections between conservation and empire often make it difficult to reconcile the two disparate fields of ecocriticism and postcolonial studies. This paper will discuss how empire and imperialism have contributed to, and continue to shape, the ever-looming threat of global climate crisis, especially as it manifests in the tropics. Global climate change reinforces disparate economic, social, and racial conditions that were started, fostered, and thrived throughout the long history of colonization, inscribing climate change as a new, slow form of imperialism that is retracing the pathways that colonialism and globalism have already formed. Ultimately, it may only be by considering climate change through a postcolonial lens and utilizing indigenous resistance that the damage of this new form of climate imperialism can be undone.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48994095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-10DOI: 10.25120/etropic.20.2.2021.3806
Isa Lacuna
Stormy weather appears in recurrent instances across the literary and political oeuvre of José Rizal, a nineteenth-century figure who is one of the most significant and well-known personages in Philippine history. This paper analyzes the manner by which he describes storms in a few of his personal and political works, and observes that there is a deployment of metonymic logic that undergirds not only the texts, but a variety of other movements across the nineteenth-century cultural, technological, and political landscape. The metonymic logic of storm tropes are, in this sense, not only a productive literary modality in understanding weather representations during the Philippine fin de siècle, but also become illustrative of political and historical developments during the period. Based on this overarching logic, the paper articulates the possibility of understanding global climate and climate change as a series of interconnected and associated postcolonial and ecocritical experiences that are able to figure the world at large through an alternative expansion. This paper also investigates previous critiques that categorize the Rizaliana’s weather as romantic, and interrogates the assumptions that are deployed in such categorizations – and what they might mean for Philippine postcolonial ecocriticism and its climate imaginaries.
{"title":"Atmosfera Rizaliana: Metonymic Journeys of Storm Tropes in José Rizal’s Writing on the Philippines","authors":"Isa Lacuna","doi":"10.25120/etropic.20.2.2021.3806","DOIUrl":"https://doi.org/10.25120/etropic.20.2.2021.3806","url":null,"abstract":"Stormy weather appears in recurrent instances across the literary and political oeuvre of José Rizal, a nineteenth-century figure who is one of the most significant and well-known personages in Philippine history. This paper analyzes the manner by which he describes storms in a few of his personal and political works, and observes that there is a deployment of metonymic logic that undergirds not only the texts, but a variety of other movements across the nineteenth-century cultural, technological, and political landscape. The metonymic logic of storm tropes are, in this sense, not only a productive literary modality in understanding weather representations during the Philippine fin de siècle, but also become illustrative of political and historical developments during the period. Based on this overarching logic, the paper articulates the possibility of understanding global climate and climate change as a series of interconnected and associated postcolonial and ecocritical experiences that are able to figure the world at large through an alternative expansion. This paper also investigates previous critiques that categorize the Rizaliana’s weather as romantic, and interrogates the assumptions that are deployed in such categorizations – and what they might mean for Philippine postcolonial ecocriticism and its climate imaginaries.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44249643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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