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Byzantion Nea Hellas最新文献

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Ética y sociedad. A. W. H. Adkins y los valores morales en Homero 伦理与社会。阿德金斯与荷马的道德价值
Q3 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.4067/s0718-84712018000100161
Matías Leiva R
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引用次数: 0
La maldición de los labdácidas en la ópera de los siglos XX y XXI 20世纪和21世纪歌剧中的标签诅咒
Q3 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.4067/S0718-84712018000100099
Ronald Forero, Lucio Martín Forero Álvarez
In the 20th and 21th centuries, Stravinsky (Oedipus Rex, 1927), Enescu (Oedipe, 1936), Orff (Antigone, 1949; Oedipus der Tyrann, 1959), Turnage (Greek, 1988), Theodorakis (Αντιγόνη, 1999), Le Gendre (The Burial at Thebes, 2008), and Anderson (Thebans, 2014), among others, composed operas about the myth of Labdacids. A fact quite significant if it is taken into account that during romanticism there are just two musical dramas by Mendelssohn related to characters of the Theban Cycle (Antigone, 1841 and Oedipus auf Kolonos, 1845). The aim of this article, therefore, is to analyse the operas about this myth composed since 1901 in order to understand its resurgence in the contemporary operatic context.
在20世纪和21世纪,斯特拉文斯基(俄狄浦斯-雷克斯,1927年)、埃内斯库(俄狄普,1936年)、奥尔夫(安提戈涅,1949年;俄狄浦斯·德·泰伦,1959年)、特纳奇(希腊语,1988年)、狄奥多拉基斯(ΑΓτιγίη,1999年)、勒根德雷(底比斯葬礼,2008年)和安德森(底比斯,2014年)等创作了关于Labdacids神话的歌剧。如果考虑到浪漫主义时期门德尔松只有两部音乐剧与底比斯周期的人物有关,这是一个非常重要的事实(Antigone,1841年和Oedipus auf Kolonos,1845年)。因此,本文的目的是分析1901年以来创作的关于这个神话的歌剧,以了解它在当代歌剧语境中的复兴。
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引用次数: 0
Los versos 1050-1057 de Electra de Sófocles 索福克勒斯的《伊莱克特拉》1050-1057节
Q3 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.4067/S0718-84712018000100215
L. Sabattini
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引用次数: 1
La noción de enemigo natural en la historiografía griega del siglo V A.C. 公元前5世纪希腊史学中天敌的概念
Q3 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.4067/s0718-84712018000100077
Paulo Donoso Johnson
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引用次数: 0
“…Por una Helena…” filosofía y retórica en el mito de la mujer más bella “……为了海伦娜……”关于最美丽女人神话的哲学和修辞
Q3 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.4067/s0718-84712018000100197
Mariano Nava Contreras
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引用次数: 0
UN ANÁLISIS DE LOS ΣΥΣΣÍΤΙΑ ESPARTANOS EN JENOFONTE Y PLUTARCO 分析ΣΥΣΣΤ那儿Ι斯巴达ΑJENOFONTE和普
Q3 Arts and Humanities Pub Date : 2017-11-29 DOI: 10.4067/S0718-84712017000100013
Franko Benacchio Streeter
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引用次数: 0
La formación del filósofo en las escuelas neoplatónicos 新柏拉图学派哲学家的形成
Q3 Arts and Humanities Pub Date : 2017-11-29 DOI: 10.4067/S0718-84712017000100083
Luis G. Castillo
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引用次数: 0
El Sócrates loco, una alternativa para pensar a Diógeses de Sínope 疯狂的苏格拉底,一个思考西诺庇的迪奥格塞斯的替代方案
Q3 Arts and Humanities Pub Date : 2017-11-29 DOI: 10.4067/S0718-84712017000100063
Patricio Ismael Jeria Soto
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引用次数: 0
El Solón de Aristóteles en la constitución de los atenienses 亚里士多德在《雅典宪法》中的梭伦
Q3 Arts and Humanities Pub Date : 2017-11-29 DOI: 10.4067/S0718-84712017000100044
Héctor Cataldo
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引用次数: 0
¿El Emperador Heraclio como nuevo David? La iconografía de los Platos Bizantinos de Chipre frente a las fuentes escritas 赫拉克利乌斯皇帝作为新的大卫?塞浦路斯拜占庭菜肴的肖像与书面资料
Q3 Arts and Humanities Pub Date : 2017-11-29 DOI: 10.4067/S0718-84712017000100282
Joaquín Serrano del Pozo
The “Cyprus Plates” or “David Plates” have been the focus of significant researches and academic quarrels. The main issue is whether these plates, made at the time of Heraclius (610-641), can be linked in some way to this emperor. The analysis of the iconography of the plates in contrast to several written sources sheds some light on this question, suggesting that the story of David represented in them may had been perceived at the time as a reference to the figure of Heraclius.
“塞浦路斯板块”或“大卫板块”一直是重要研究和学术争论的焦点。主要的问题是,这些在希拉克略(610-641)时代制作的盘子,是否能以某种方式与这位皇帝联系起来。通过对盘子上的图像的分析,与一些书面资料的对比,揭示了这个问题,表明盘子上所代表的大卫的故事在当时可能被认为是对希拉克略形象的参考。
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引用次数: 0
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Byzantion Nea Hellas
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