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Pierre Gilles: Topografía de Constantinopla 皮埃尔·吉尔斯:君士坦丁堡地形
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100343
Miguel Castillo Didier
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引用次数: 0
Consideraciones semióticas sobre los usos metafóricos de orden ambiental en el sistema de producción discursivo de su Santidad Bartolomé, patriarca ecuménico de Constantinopla 对君士坦丁堡普世牧首巴塞洛缪的话语生产系统中环境秩序隐喻使用的符号学思考
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100143
Felipe Cárdenas-Támara
The purpose of this paper is to identify the use of existing metaphors in the discursive production system deployed by the Ecumenical Patriarch of Constantinople, His Holiness Bartholomew. The rhetorical figures displayed by the patriarch express deep environmental senses that allow process of reflection and environmental and cultural action. The text gives guidelines and suggests that metaphorical and metonymic language is central to the appropriation of action guides, anchored in a semiotics of religion, attentive to recognizing ontologies and figurative senses, which allow to broaden the understanding and interpretation of the process of signification
本文的目的是确定在君士坦丁堡的普世宗主教巴塞洛缪所部署的话语生产系统中现有隐喻的使用。族长所展示的修辞手法表达了深刻的环境意识,允许反思过程和环境文化行动。本文给出了指导方针,并建议隐喻和转喻语言是行动指导的核心,以宗教符号学为基础,注意认识本体论和比喻意义,这可以扩大对意义过程的理解和解释
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引用次数: 0
La recepción del término Sodoma en el protréptico de Clemente de Alejandría: la deconstrucción de un estereotipo 在亚历山大克莱门特的《protryptic》中对所多玛一词的接受:对刻板印象的解构
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100041
Jesús Caos Huerta Rodríguez
: The term Sodom has been used to describe a particular type of sexual practices. This paper discusses the reception of the term within the Protrepticus of Clement of Alexandria. The passage of Prot . 103.4 is analyzed from a synchronic methodological approach, to conclude that there are no indications of a sexual stereotype in the interpretation of Sodom. Instead, there are other predominant thematic motifs such as criticism of custom, idolatry and hardening of heart. This is to make clear that not all interpretations of Sodom in ancient Christianity suggest a sexual stigmatization.
:索多玛一词被用来描述一种特殊类型的性行为。本文讨论了这个术语在亚历山大的克莱门特的Protrepticus中的接受。Prot。103.4从共时方法论的角度进行分析,得出结论,在对索多玛的解释中没有性别刻板印象的迹象。相反,还有其他主要的主题主题,如对习俗的批评、偶像崇拜和内心的坚定。这是为了表明,并非所有对古代基督教所多玛的解释都暗示着性污名化。
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引用次数: 0
El saber trágico: elementos del pensamiento de Jaspers en Las Bacantes de Eurípides 悲剧知识:雅斯贝尔斯在欧里庇得斯酒神中的思想要素
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100025
R. Carrasco
: Our intention is to recognize how the reaches of Karl Jaspers’ thought regarding the tragic and tragic knowledge are present in Euripides tragedy The Bacchae , the greatest piece where the tragic conflict also becomes a conflict of realities, of existences, of provided by the enigmatic god Dionysus and of the enigmatic “triumph” over the tragic that is shown or tries to show.
我们的目的是要认识到卡尔·雅斯贝尔斯关于悲剧和悲剧知识的思想是如何在欧里庇德斯的悲剧《酒神》中表现出来的,在这部最伟大的作品中,悲剧冲突也变成了现实的冲突,存在的冲突,由神秘的酒神提供的冲突,以及对所表现或试图表现的悲剧的神秘的“胜利”的冲突。
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引用次数: 0
“Pensamiento en leña y piedra”. La ciudad ideal en la Odisea de Kazantzakis y la tradición del utopismo griego antiguo “用木头和石头思考”。卡赞扎基斯奥德赛中的理想城市和古希腊乌托邦主义的传统
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100233
Mariano Nava Contreras
Resumen: La tradición utopista antigua es muy vasta. Comienza con Homero y la isla de los feacios y Hesíodo y la edad de oro. Sigue con poetas arcaicos, como Píndaro. Pasa incluso por poetas cómicos. Pero con Sócrates se vuelve un problema central de la filosofía: encontrar la forma de construir una sociedad justa y feliz. Fundamental en el utopismo antiguo es la República de Platón. Al utopismo platónico rinde tributo la Odisea de Kazantzakis: contempla la abolición de la familia y de la propiedad privada; establece el amor libre. Concibe al legislador como educador del pueblo. Con Platón, con la obra de Moro, con las de Yevgeni Zamiatin, Aldous Huxley, Ray Bradbury, George Orwell, Kazantzakis en la Odisea contrajo deudas innegables; también con su tiempo y su lugar.
摘要:古代乌托邦的传统是非常广泛的。它从荷马、费阿提斯岛、赫西奥德和黄金时代开始。他继续写古代诗人,如品达。它甚至被认为是喜剧诗人。但对苏格拉底来说,哲学的核心问题是:如何建立一个公正和幸福的社会。古代乌托邦主义的基础是柏拉图的理想主义。《卡赞扎基斯的奥德赛》向柏拉图式乌托邦致敬:它设想废除家庭和私有财产;建立自由的爱。他认为立法者是人民的教育者。柏拉图、摩洛、叶夫根尼·扎米亚廷、奥尔德斯·赫胥利、雷·布拉德伯里、乔治·奥威尔、卡赞扎吉斯在《奥德赛》中欠下了不可否认的债;也有它的时间和地点。
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引用次数: 0
Plato’s use of ‘sophistēs’: neither novel nor distinct nor derogatory 柏拉图对sophistēs的使用:既不新颖,也不独特,也不贬损
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100101
T. Silva
: In this paper I would like to challenge the received account according to which Plato’s conception of the sophist is either novel, distinct or derogatory. I propose that Plato uses common conceptions of the intellectual to create a rather loose identity for the sophist. Through the available evidence, I hope to show that Plato does not assign a new meaning to the label, but rather uses conventional conceptions of the sophist to create his main argument. I claim that apart from the Sophist , in other dialogues there is no clear conception of what and who the sophist is, no clarity as to what their activity is, and therefore (although there are reasons to suspect about them and their activity), there are no grounds to condemn them. Stemming from a conceptualization of σοφία in terms of knowledge, the σοφιστής is mainly described as someone who knows many things, or an expert in ‘all matters’—a description, we shall see, that precludes finding a single definition. My proposal is that Plato does not construct the hostility against sophists, as some accounts claim, but rather represents this hostility against experts and intellectuals by appealing to popular attitudes against the σοφοί. Importantly, Plato is critical of popular representations of sophists mainly because they are the result of people’s misjudgement or ignorance, from which the prejudice against philosophers also stems.
在本文中,我想挑战公认的说法,即柏拉图的诡辩家概念要么是新颖的,独特的,要么是贬损的。我认为柏拉图用知识分子的一般概念来为诡辩家创造一个相当松散的身份。通过现有的证据,我希望表明柏拉图并没有赋予这个标签新的含义,而是使用传统的诡辩家概念来创建他的主要论点。我认为,除了诡辩家,在其他对话会中,对诡辩家是什么和谁没有明确的概念,他们的活动是什么也没有明确的概念,因此(尽管有理由怀疑他们和他们的活动),没有理由谴责他们。从知识的角度出发,σοφ στ ς主要被描述为知道很多事情的人,或者是“所有事情”的专家——我们将看到,这种描述排除了找到单一定义的可能性。我的建议是,柏拉图并没有像某些人所说的那样,构建对诡辩家的敌意,而是通过诉诸大众对σο ο的态度,来表达对专家和知识分子的敌意。重要的是,柏拉图对诡辩家的流行表述持批评态度,主要是因为它们是人们误判或无知的结果,而对哲学家的偏见也源于此。
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引用次数: 0
Femininity of the murderess. Feminist reading of Alexandros Papadiamantis’ Η φόνισσα 谋杀案中的女性气质。帕帕迪亚曼提斯的女性主义解读
Q3 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.4067/s0718-84712021000100289
Nina Anna Trzaska
: The purpose of this article is an examination of femininity depicted in Papadiamantis’ Φόνισσα through the elaboration on four selected masks of Frankojannou: Mother and Daughter, Christian, Witch, Murderess. The innovative contribution lies in the application of Ardener’s model of the muted group to the society of Skiathos, deeper analysis of the cause of Hadoula’s madness as well as contestation of traditional paradigm. The feminist reading of the text concludes that Papadiamantis associates womanhood with death which returns as a reoccurring motif throughout the story. Despite the grim outcome, the novel is presented as a positive example of an androtext.
本文的目的是通过对弗兰科雅努的四个面具:母亲和女儿、基督徒、女巫、女杀手的阐述,来考察帕帕迪亚曼提斯Φόνισσα中所描绘的女性气质。创新性的贡献在于将阿德纳的沉默群体模型应用于斯基亚索斯社会,更深入地分析了阿杜拉疯狂的原因,以及对传统范式的质疑。对文本的女权主义解读得出结论,帕帕迪亚曼提斯将女性与死亡联系在一起,这在整个故事中都是一个反复出现的主题。尽管结局残酷,这部小说还是作为一个积极的女性文本呈现出来。
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引用次数: 0
Poemas de Mary Yiosi
Q3 Arts and Humanities Pub Date : 2020-12-08 DOI: 10.4067/S0718-84712020000100347
Mary Yiosi
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引用次数: 0
Poemas de Dimitris Daskalópulos
Q3 Arts and Humanities Pub Date : 2020-12-08 DOI: 10.4067/S0718-84712020000100355
Dimitris Daskalópulos
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引用次数: 0
Representaciones de la antigua cultura helenística en los videojuegos Civilization (1991-2018) 《文明》电子游戏中古希腊文化的表现(1991-2018)
Q3 Arts and Humanities Pub Date : 2020-12-08 DOI: 10.4067/S0718-84712020000100185
Pedro Vázquez-Miraz, Camilo Matos, G. Freire
El presente articulo cientifico versa sobre las representaciones del antiguo mundo helenico que una saga de videojuegos (del genero de estrategia por turnos) de enorme popularidad y trayectoria historica como Civilization ha creado desde su aparicion en el ano 1991. Este producto cultural y de entretenimiento siempre ha destacado los elementos identitarios mas iconicos y populares de las polis griegas, Macedonia, el reino ptolemaico y el imperio bizantino; enfatizando a personajes historicos de tal relieve como Alejandro Magno, Cleopatra VII o la emperatriz Teodora.
这篇科学文章是关于古代希腊世界的表现,这是一个非常受欢迎的电子游戏系列(回合制策略类型),如《文明》自1991年出现以来创造的历史轨迹。这种文化和娱乐产品一直突出了希腊城邦、马其顿、托勒密王国和拜占庭帝国最具标志性和最受欢迎的身份元素;强调历史人物,如亚历山大大帝,克利奥帕特拉七世或狄奥多拉皇后。
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引用次数: 0
期刊
Byzantion Nea Hellas
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