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“Government Is an Instrument in Their Hands”: Jeanette Rankin on Progressive Technologies of Democracy “政府是他们手中的工具”:珍妮特·兰金论民主的进步技术
Q1 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1080/15362426.2017.1272349
Cindy Koenig Richards, P. McKean
ABSTRACT Jeannette Rankin’s 1917 address at Carnegie Hall is replete with metaphors of political machinery, systems, and technologies. We argue that the metaphor of political machinery is central to Rankin’s definition and enactment of democratic power because it creates a cohesive vision of systemic change that combines equal suffrage with other progressive reforms. While scholars have noted Rankin’s appeals to domestic ideology, the political-machinery metaphor cluster provides a broader justification for equal suffrage as a necessary part of a democratic system. Further, Rankin’s deconstruction of the complexities of political machinery works to enact Rankin’s political leadership as the first woman to serve in the United States Congress.
珍妮特·兰金1917年在卡内基音乐厅的演讲充满了政治机器、制度和技术的隐喻。我们认为,政治机器的隐喻是兰金对民主权力的定义和制定的核心,因为它创造了一个将平等选举权与其他进步改革相结合的系统性变革的凝聚力愿景。虽然学者们注意到兰金对国内意识形态的呼吁,但政治机器隐喻集群为平等选举权作为民主制度的必要组成部分提供了更广泛的理由。此外,兰金对政治机制复杂性的解构使兰金成为美国国会第一位女性议员,发挥了政治领导作用。
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引用次数: 0
State of the Scholarship in Classics on Ancient Roman Rhetoric 古罗马修辞学经典研究现状
Q1 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1080/15362426.2016.1269302
Michele Kennerly, Kathleen S. Lamp
ABSTRACT Limiting ourselves to scholarly books published in English from 2009–2016, we survey classics scholarship about rhetoric in ancient Rome from the late republic through the early empire. We seek traditional threads and growing trends across those works that advance our understanding of rhetoric’s practical, theoretical, and material manifestations during that time of tumult and transition. We begin broadly, using companion books to delineate three structural pillars in the scholarship: rhetoric as a formal cultural system, the republic as subject to ruptures and reinventions, and Cicero as a foremost statesman of the late republic. Then we move into scholarship that draws upon nontraditional rhetorical objects, such as art, and that moves into increasingly vibrant areas of interest in rhetoric, such as the senses. Overall, we find that classicists writing about ancient Roman rhetorical culture share with their counterparts in rhetoric an urge to test old verities and to add historical depth to larger scholarly turns within the humanities.
本文以2009年至2016年出版的英文学术著作为研究对象,对共和晚期至帝国早期的古罗马修辞学经典研究进行了综述。我们在这些作品中寻找传统的线索和增长的趋势,这些作品促进了我们对修辞学在那个动荡和过渡时期的实践、理论和物质表现形式的理解。我们从宽泛的角度出发,使用配套的书籍来描绘学术研究中的三个结构支柱:作为正式文化体系的修辞学,作为断裂和重新发明的共和国,以及作为共和国晚期最重要的政治家的西塞罗。然后我们进入了利用非传统修辞对象的学术领域,比如艺术,然后进入了修辞中日益活跃的兴趣领域,比如感官。总的来说,我们发现撰写古罗马修辞文化的古典学者与修辞学同行一样,都渴望检验古老的真理,并在人文学科的更大学术转折中增加历史深度。
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引用次数: 0
The Enthymizing of Lysias 赖氨酸的焓化
Q1 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1080/15362426.2016.1271751
James A. Fredal
ABSTRACT Lysias is best known for his portrayal of character (ethopoiia), his believable narratives, his plain or “Attic” style, and for the role he plays as inferior foil to Socrates in Plato’s Phaedrus. But he was also an important figure in developing, refining, and employing types of argument, including the rhetorical technique that would later be called the enthymeme. In On the Death of Eratosthenes, Lysias not only uses enthymemes, he highlights their use, selects a term (enthymizing), and demonstrates how “enthymizing” could be central to rhetorical artistry, to narrative development, to legal reasoning, and to political activism. Examining Lysias 1 not only deepens our understanding of Lysias’ rhetorical abilities, but it suggests that the orators had an important role to play in the development of rhetorical theory.
吕西亚斯最为人所知的是他对人物的刻画(ethopoiia),他可信的叙述,他朴素的风格,以及他在柏拉图的《费德鲁斯篇》中作为苏格拉底的陪衬。但他也是一个重要的人物,在发展,提炼和运用各种论证,包括后来被称为推理论证的修辞技巧。在《论埃拉托色尼之死》中,吕西亚斯不仅使用了推理推理,他还强调了它们的使用,选择了一个术语(推理推理),并展示了“推理推理”如何成为修辞艺术,叙事发展,法律推理和政治行动主义的核心。研究《吕西亚斯1》不仅加深了我们对吕西亚斯修辞能力的理解,而且表明演说家在修辞理论的发展中发挥了重要作用。
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引用次数: 4
Democracy and Government: A Critical Edition of Jeannette Rankin’s 1917 Address at Carnegie Hall 民主与政府:珍妮特·兰金1917年卡内基音乐厅演讲评论版
Q1 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1080/15362426.2016.1269137
Tiffany Lewis
Abstract In 1917, Jeannette Rankin became the United States’ first female member of Congress. This is a critical edition of the speech Rankin gave before 3,000 people in New York City on her way to be sworn in to office. Her speech promoted her home state of Montana, woman suffrage, and direct democracy.
摘要1917年,珍妮特·兰金成为美国第一位女性国会议员。这是兰金在纽约市3000人面前宣誓就职时发表的演讲的批评性版本。她的演讲促进了她的家乡蒙大拿州、妇女选举权和直接民主。
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引用次数: 2
Righteous Deception 义人欺骗
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1234151
Bruce J. Krajewski
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引用次数: 0
Nathaniel Hawthorne’s Travel Sketches and Samuel P. Newman’s A Practical System of Rhetoric: A Case of American Belletristic Theory on Praxis 霍桑的《旅行小品》与纽曼的《实用修辞体系》——以美国文学实践理论为例
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1192518
B. Hewett, Erin Singer
ABSTRACT Historical study of teachers and students reveals how rhetorical theories influence writers (McClish 2015). This case study of Nathaniel Hawthorne’s prose considers the nineteenth-century rhetorical teachings of Samuel Phillips Newman, Hawthorne’s professor at Bowdoin College, a student of Blair, and a proponent of rhetorical taste. Using Newman’s 1827 A Practical System of Rhetoric and Hawthorne’s 1832 travel sketches, we analyze Newman’s influences on Hawthorne—particularly taste and the sublime and how these concepts challenged Hawthorne as a writer in the travel sketch genre. We consider Newman’s influences on Hawthorne as evidenced by writing practices that Newman had recommended or disapproved. In particular, we examine Newman’s explanation of taste and its complementary construct of sublimity and how these concepts challenged Hawthorne. We argue that Hawthorne both wrote within the paradigm of rhetorical taste as Newman taught it and struggled against its constraints to find his own perceptions. Furthermore, we see this struggle happening within the context of Hawthorne’s exposure to Newman’s American-inflected belletrism that emphasized both a discriminatory principle of taste and the growing body of American literature.
对教师和学生的历史研究揭示了修辞理论如何影响作家(McClish 2015)。这个关于纳撒尼尔·霍桑散文的案例研究考虑了塞缪尔·菲利普斯·纽曼19世纪的修辞教学,纽曼是霍桑在鲍登学院的教授,布莱尔的学生,也是修辞品味的支持者。本文以纽曼1827年的《实用修辞学》和霍桑1832年的游记为例,分析纽曼对霍桑的影响,尤其是品味和崇高,以及这些观念对霍桑作为游记作家的挑战。我们认为纽曼对霍桑的影响可以通过纽曼推荐或不赞成的写作方式来证明。特别地,我们研究纽曼对品味的解释及其对崇高的补充结构,以及这些概念如何挑战霍桑。我们认为,霍桑既在纽曼教授的修辞品味范式内写作,又在其约束下努力寻找自己的看法。此外,我们看到这种斗争发生在霍桑接触纽曼的美国风格的韵文的背景下,这种韵文强调了品味的歧视原则和美国文学的发展。
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引用次数: 1
Author Response: Reading Plato Rhetorically 作者回应:读柏拉图的修辞
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1234156
J. Kastely
I am grateful to Arthur Walzer and Heather Hayes for arranging the opportunity for three scholars to respond to my book, and to Arabella Lyon, Bruce Krajewski, and Michael Svoboda for their responses. Because he so thoroughly disagrees with my argument, Professor Krajewski offers me a helpful place to begin to clarify that argument. He argues that, whatever the intent of my argument, my reading of the Republic relies on the presumption that rhetoric is subservient to philosophy. My concern, however, is not with some hierarchical arrangement but with addressing questions essential for the theoretical grounding of rhetoric. Because these questions do not admit of empirical or fixed answers, they are the kinds of questions that the rhetorical theorist Michel Meyer characterizes as philosophic (74). Professor Krajewski is troubled by Plato’s unfair characterization of the sophists. No one can argue that Plato’s representation of the sophists is friendly, but I would argue that it is more nuanced than a simple dismissal of them as corrupt. More to the point, corruption is really not the complaint that Socrates brings against the sophists in the Republic. Indeed, he explicitly defends them against the charge of corruption and criticizes them, instead, for confirming rather than challenging the city’s views on justice. For Professor Krajewski, Socrates’s various depictions of the audience show contempt for interlocutors and readers, characterizing them as children, sheep, and worse. But Plato’s critique of the public is grounded on the assumption that we do not know who we are. This lack of self-knowledge is not one that divides elites and masses but is a condition of the entire human race. For Plato, the philosophical issue that necessitates his dialogue arises because the citizens of Athens are justified in what they believe, responsible in the way that they hold those beliefs, and, despite that, they are in deep selfcontradiction. Glaucon argues that Socrates is simply the latest in a long line of apologists for justice who perpetuate a public discourse in which no one believes. This discourse has led unintentionally to a corrosive situation in which no one believes that he or she really desires to be just. Glaucon’s request, in which he is joined by his brother Adeimantus, is for a new form of discourse that has the potential to be genuinely persuasive—they seek from
我要感谢Arthur Walzer和Heather Hayes为三位学者安排机会对我的书做出回应,也感谢Arabella Lyon、Bruce Krajewski和Michael Svoboda的回应。因为克拉耶夫斯基教授完全不同意我的观点,所以他为我提供了一个很有帮助的地方,让我开始澄清他的观点。他认为,无论我的论证意图如何,我对《理想国》的解读都是基于这样一个假设,即修辞学服从于哲学。然而,我关心的不是某种等级安排,而是解决修辞学理论基础所必需的问题。因为这些问题不承认经验或固定的答案,它们是修辞理论家米歇尔·迈耶(Michel Meyer)描述为哲学的那种问题(74)。克拉耶夫斯基教授被柏拉图对诡辩家的不公平描述所困扰。没有人会说柏拉图对诡辩家的描述是友好的,但我想说,这比简单地把他们斥为腐败要微妙得多。更重要的是,腐败并不是苏格拉底在《理想国》中对诡辩家的控诉。事实上,他明确地为他们辩护,反对腐败的指控,并批评他们,相反,确认而不是挑战城市对正义的看法。克拉耶夫斯基教授认为,苏格拉底对观众的各种描述显示出对对话者和读者的蔑视,把他们描绘成孩子、绵羊,甚至更糟。但柏拉图对公众的批判是建立在我们不知道自己是谁的假设之上的。缺乏自知之明并不是精英和大众之间的分歧,而是全人类的一种状况。对柏拉图来说,使他的对话成为必要的哲学问题出现了,因为雅典公民的信仰是正当的,他们要为自己的信仰负责,尽管如此,他们还是深陷自我矛盾之中。格劳孔认为,苏格拉底只是一长串正义辩护者中最新的一个,他们延续了一种没有人相信的公共话语。这种话语无意中导致了一种腐蚀性的情况,在这种情况下,没有人相信他或她真的希望公正。格劳孔和他的兄弟阿德曼图斯一起提出了一种新的话语形式,这种话语形式有可能真正具有说服力,他们从
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引用次数: 0
Editorial Board EOV 编辑委员会EOV
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1234166
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引用次数: 0
“They Died the Spartan’s Death”: Thermopylae, the Alamo, and the Mirrors of Classical Analogy “他们像斯巴达人一样死去”:塞莫皮莱、阿拉莫和古典类比的镜子
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1231638
J. Cox
ABSTRACT In moments of crisis, people often make sense of the present by activating memories of the past through particular tropes of public memory. Classical analogies are one such trope, suggesting a sense of continuity between a (seemingly) stable ancient world and a chaotic present. Despite their prominence in American rhetoric, classical analogies have received too little attention from scholars of rhetoric. In the following, I interrogate the use of classical analogies in nineteenth-century American rhetoric— a period in which the classics were a vibrant aspect of public culture—by analyzing analogies between the fall of the Alamo and the fifth-century BC battle of Thermopylae. Thermopylae analogies were activated as tropes of public memory to warrant the formation of a defiant political identity for a Texian community reeling from defeat. Through an analysis of key texts that utilized Thermopylae analogies, I show that classical analogies sometimes go beyond comparisons between the past and the present to act as “mirrors” that inspire identification with, and imitation of, the ancients.
在危机时刻,人们往往通过公共记忆的特定比喻来激活对过去的记忆,从而理解现在。古典类比就是这样一种比喻,暗示了(看似)稳定的古代世界和混乱的现代世界之间的连续性。尽管经典类比在美国修辞学中占有重要地位,但很少受到修辞学学者的关注。在接下来的文章中,我将通过分析阿拉莫陷落和公元前5世纪的塞莫皮莱战役之间的类比,对19世纪美国修辞学中经典类比的使用进行探讨——在这一时期,经典是公共文化中一个充满活力的方面。热门的类比被激活作为公众记忆的比喻,以保证德克萨斯社区在失败后形成一种挑衅的政治认同。通过对使用塞莫皮雷类比的关键文本的分析,我表明,经典的类比有时超越了过去和现在之间的比较,而是作为“镜子”,激发对古人的认同和模仿。
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引用次数: 1
In Tradition of Speaking Fearlessly: Locating a Rhetoric of Whistleblowing in the Parrhēsiastic Dialectic 在无畏传统中:Parrhēsiastic辩证法中告密修辞的定位
Q1 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/15362426.2016.1232206
Alan Chu
ABSTRACT This essay examines how the dialectic over the presence of rhetoric in Michel Foucault’s catalog of truth telling in ancient Greek and Roman texts informs a separate but similar dialectic over the relationship between parrhēsia and contemporary whistleblowing. I posit that the argumentation justifying the practice of government and military whistleblowing used by Edward Snowden and Chelsea Manning parallels the dispute over rhetoric’s place in parrhēsia. This essay plots out how the arguments for or against the presence of rhetoric in parrhēsia routinely manifests at specific junctures in the whistleblowing timeline, indicating how the dialectic of parrhēsia naturally leads to a rhetoric of whistleblowing.
摘要本文考察了米歇尔·福柯在古希腊和罗马文本中的“真相目录”中关于修辞存在的辩证法如何影响parrhēsia与当代举报之间关系的独立但类似的辩证法。我认为,为爱德华·斯诺登(Edward Snowden)和切尔西·曼宁(Chelsea Manning)使用的政府和军方举报行为辩护的论点,与parrhēsia网站上围绕修辞地位的争论类似。本文描绘了parrhēsia中支持或反对修辞存在的论点如何在举报时间轴的特定节点上表现出来,表明parrhēsia的辩证法如何自然地导致了举报的修辞。
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引用次数: 4
期刊
Advances in the History of Rhetoric
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