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Kastélyfelújítás a tradicionalitás és kortársiasság jegyében : Témafelvetések és jógyakorlati válaszok a bodajki vadászkastély műemléki igényű felújításában 以传统和现代精神对城堡进行翻新:博达伊克狩猎城堡历史性翻新的主题和实践答案
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.5.6
Zorán Vukoszávlyev
An important step to take in preparing visitors for any form of exhibition is the point of arrival. When the subject of an exhibition is contained in a traditional rural hunting lodge it would be a mistake to disrupt the composition between the existing building and its surrounding landscape, therefore, to replace the existing garden terrace with a contemporary styled reception area creates a transitional space between the grounds of the lodge and the exhibit within.
在任何形式的展览中,让参观者做好准备的一个重要步骤是到达点。当展览的主题被包含在一个传统的乡村狩猎小屋中时,破坏现有建筑与其周围景观之间的构成将是一个错误,因此,用一个现代风格的接待区取代现有的花园露台,在小屋的场地和展览之间创造了一个过渡空间。
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引用次数: 0
A borászat mint domb-metafora : Négy borászat 葡萄酒作为山丘的隐喻:四个酒庄
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.6.4
Dezső Ekler
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引用次数: 0
Egy őszinte iroda nyers esztétikája 诚实办公室的原始美学
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.4.1
Júlia Pokol
In an age of heightened awareness regarding climate change and carbon footprints to reject the idea of building a new office in favour of adaptive reuse seems to be the way forward. A former restaurant has been redeveloped to create the architect's own studio space, purposely adopting a DIY aesthetic, rejecting labour-energy intensive processes. Reuse of materials to save on resources and waste production presents us with an environmentally acceptable and financial role model. Reinterpretation of the construction/renovation process can be consequential in creating a fresh environment for their workforce.
在一个对气候变化和碳足迹意识增强的时代,拒绝建造新办公室的想法,支持适应性再利用似乎是前进的方向。以前的餐厅被重新开发,创造了建筑师自己的工作室空间,故意采用DIY美学,拒绝劳动能源密集型的过程。再利用物料以节省资源和废物,为我们树立了一个环保和经济的榜样。重新解释建筑/翻新过程可以为他们的员工创造一个新鲜的环境。
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引用次数: 0
A természet kiterjesztése : A belső terek és a természet viszonya Japánban a kezdetektől máig 延伸自然:日本室内与自然的关系
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.1.6
Ulf Meyer
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引用次数: 0
Faház a réten 草地上的木屋
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.2.3
Marcin Kościuch, Tomasz Osięgłowski
This timber framed, timber clad home's design was initiated by the client request stating, "we would not like, to have timber elevations". Following traditional ideas for a low-rise home with a 45o roof pitch and south facing rooms a contemporary home has been developed that embraces local values without need for acts of nostalgia. Privacy is gained by orientating storage functions to the fenced street side of the home and lifestyle areas towards the extensive open garden.
这个木材框架、木材覆盖的住宅的设计是由客户提出的要求发起的,“我们不希望有木材立面”。遵循传统的低层住宅的理念,45度屋顶和朝南的房间,现代住宅的开发包含了当地的价值观,而不需要怀旧的行为。通过将存储功能定位于住宅的围栏街道一侧,并将生活方式区定位于广阔的开放式花园,从而获得隐私。
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引用次数: 0
Kortárs klasszicizmus 当代古典主义
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.2.7
T. Szentirmai
Referencing classical concepts of horizontal articulation and strict application of proportions this contemporary interpretation of the built form informs a new sense of order. The choice of material ranging from timber boarding to exposed concrete follow a strict design discipline which informs this villa's interior spaces and how they connect to the surrounding environment.
参考经典的水平衔接概念和比例的严格应用,这种对建筑形式的当代诠释传达了一种新的秩序感。材料的选择,从木板到裸露的混凝土,遵循严格的设计原则,告知别墅的内部空间以及它们如何与周围环境联系起来。
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引用次数: 0
Három az egyben 三合一
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.4.7
Tamás Torma
Primarily a purpose-orientated machine in built form to express ideas of office space, headquarters and on a philosophical level the ideals of a company. Located in a suburban, predominantly residential district of Budapest, this development is domestic in scale yet industrial in aesthetic, crossing the borders between a place of employment and free time. Eventually this building will fade into the landscape due its use of vegetation redefining the link between landscape architecture and the built form.
主要是一个以目的为导向的机器,以建筑形式表达办公空间、总部的想法,并在哲学层面上表达公司的理想。该项目位于布达佩斯郊区,主要是住宅区,在规模上是国内的,但在美学上是工业的,跨越了就业和自由时间的界限。最终,这座建筑将逐渐消失在景观中,因为它使用了植被,重新定义了景观建筑和建筑形式之间的联系。
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引用次数: 0
A magyar építész és a lengyel falusiak 匈牙利建筑师和波兰村民
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.5.3
Justyna Olesiak
The church building can be described as neo baroque with a historicizing facade formally referring to the early Roman Baroque, for example the Diocletian "therma" windows. On the other hand, the cross-gable dates to the 18th century like St. Anthony's Church in Lviv (Lember) from the 19th century. All in all, the building shows the stylistic features of Kováts' unique work as outlined in his theoretical manifestos as "the basic principles of modern architecture". Even now, surveys have revealed that after more than 100 years this building is in good condition, which stands as a testament to the villagers who built it.
教堂建筑可以被描述为新巴洛克风格,具有历史性的立面,正式参考了早期罗马巴洛克风格,例如戴克里先的“热”窗。另一方面,十字形山墙可以追溯到18世纪,就像利沃夫(伦伯)的圣安东尼教堂可以追溯到19世纪。总而言之,该建筑展示了Kováts在其理论宣言中概述的“现代建筑的基本原则”的独特作品的风格特征。即使是现在,调查显示,在100多年后,这座建筑仍然完好无损,这是建造它的村民的见证。
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引用次数: 0
Polgári önreprezentáció a huszonegyedik század elején 21世纪初的公民自我代表
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.3.2
Domonkos Wettstein
A clear geometric form punctuated to allow for quality of light and spatial arrangement provides Zurich with a monumental place for the arts. The main task not being to create a monument to its architect, to create a monument to the citizens of this city, an autonomous public building which has long been missing from the cityscape.
一个清晰的几何形式,考虑到光线和空间安排的质量,为苏黎世提供了一个不朽的艺术场所。主要任务不是为建筑师创造一座纪念碑,而是为这座城市的市民创造一座纪念碑,一座长期以来从城市景观中消失的自治公共建筑。
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引用次数: 0
Metaorganikus építészet 元有机建筑
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.33268/met.2022.3.3
Andor Wesselényi-Garay, Miklós Köllő
A fundamental question that all architects are faced with poses the need to create a relationship with the surrounding landscape. Are there different sets of rules for urban or rural buildings, lowland, or mountainous landscapes, if there are how do we apply these rules? Or is it simply a case of connecting to the landscape itself. Here a timber building constructed from strictly local materials and dynamic forms reflects its mountainous location.
所有建筑师都面临的一个基本问题是需要与周围的景观建立关系。对于城市或农村建筑,低地或山区景观,是否有不同的规则,如果有的话,我们如何应用这些规则?或者仅仅是与景观本身的联系。这里的木结构建筑采用严格的当地材料和动态形式,反映了它的山区位置。
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引用次数: 0
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Metszet
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