Pavel Onderka, Vlastimil Vrtal, Alexander Gatzsche
Abstract The thirteenth excavation season of the Archaeological Expedition to Wad Ben Naga focused on archaeological exploration of the Typhonium (WBN 200) and the nearby cemetery WBN C200, as well as on conservation of structures located in Central Wad Ben Naga.
Wad Ben Naga考古探险队的第十三次发掘季重点是对Typhonium (WBN 200)和附近的墓地WBN C200的考古探索，以及位于Wad Ben Naga中部的建筑的保护。
{"title":"Preliminary Report on the Thirteenth Excavation Season of the Archaeological Expedition to Wad Ben Naga","authors":"Pavel Onderka, Vlastimil Vrtal, Alexander Gatzsche","doi":"10.1515/anpm-2017-0033","DOIUrl":"https://doi.org/10.1515/anpm-2017-0033","url":null,"abstract":"Abstract The thirteenth excavation season of the Archaeological Expedition to Wad Ben Naga focused on archaeological exploration of the Typhonium (WBN 200) and the nearby cemetery WBN C200, as well as on conservation of structures located in Central Wad Ben Naga.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"38 1","pages":"104 - 93"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pavel Onderka, Vlastimil Vrtal, Alexander Gatzsche
Abstract The twelfth excavation season of the Archaeological Expedition to Wad Ben Naga focused on archaeological exploration of the Typhonium (WBN 200) and the Palace of Queen Amanishakheto (WBN 100), and on conservation of structures located in Central Wad Ben Naga.
Wad Ben Naga考古探险队的第12次发掘季重点是对Typhonium (WBN 200)和Queen Amanishakheto (WBN 100)的考古探索，以及位于Wad Ben Naga中部的建筑的保护。
{"title":"Preliminary Report on the Twelfth Excavation Season of the Archaeological Expedition to Wad Ben Naga","authors":"Pavel Onderka, Vlastimil Vrtal, Alexander Gatzsche","doi":"10.1515/anpm-2017-0022","DOIUrl":"https://doi.org/10.1515/anpm-2017-0022","url":null,"abstract":"Abstract The twelfth excavation season of the Archaeological Expedition to Wad Ben Naga focused on archaeological exploration of the Typhonium (WBN 200) and the Palace of Queen Amanishakheto (WBN 100), and on conservation of structures located in Central Wad Ben Naga.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"38 1","pages":"113 - 122"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The way in which the Czech public learned about exotic countries at the end of the 19th and 20th centuries was dependent above all on the ability of travellers to convey their experience in literary form, as travelogue, or to communicate their experiences directly – in lecture form. From the 1890s lectures were accompanied by the projection of slides. One of the best-known travellers, and an excellent lecturer, was Enrique Stanko Vráz (1860–1932). The Náprstek Museum holds an extensive collection of glass slides from his estate. Vráz filled the periods in between his various world travels with intensive lecture activity, and the themes of his lectures grew wider with the increasing number of journeys he undertook. Information gained from Vráz’s lectures had a marked effect on the outlook of broad swathes of the population of the Czech lands on the life and cultures of non-European areas.
{"title":"Public Presentation of Non-European Cultures at the Turn of the 19th and 20th Centuries. Part 2: “From Worlds Afar” – The Lecture Activity of Enrique Stanko Vráz","authors":"Jiřina Todorovová","doi":"10.1515/ANPM-2017-0009","DOIUrl":"https://doi.org/10.1515/ANPM-2017-0009","url":null,"abstract":"Abstract The way in which the Czech public learned about exotic countries at the end of the 19th and 20th centuries was dependent above all on the ability of travellers to convey their experience in literary form, as travelogue, or to communicate their experiences directly – in lecture form. From the 1890s lectures were accompanied by the projection of slides. One of the best-known travellers, and an excellent lecturer, was Enrique Stanko Vráz (1860–1932). The Náprstek Museum holds an extensive collection of glass slides from his estate. Vráz filled the periods in between his various world travels with intensive lecture activity, and the themes of his lectures grew wider with the increasing number of journeys he undertook. Information gained from Vráz’s lectures had a marked effect on the outlook of broad swathes of the population of the Czech lands on the life and cultures of non-European areas.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"26 1","pages":"16 - 3"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article introduces a collection of thirty three images, predominantly daguerreotypes, deposited in the collection department of the Náprstek Museum. They were made during the period from the end of the 1840s to the 1860s, partly in Europe and partly in the United States of America, as the private collection of Vojta Náprstek and his family. The earliest one originates probably from 1848 and displays Vojta Náprstek wearing a redingote of the revolutionary Student Legion. With two exceptions, the portraits present the family and friends of the collection owner. What makes the collection very interesting and frequently used by experts and the media is the fact that it includes, among other things, two portraits of Božena Němcová. The first part of the article deals with the history of the collection and the persons portrayed. The second, technical part presents the history of the origin and development of the photographic techniques employed and the identification and specification of the degradation effects.
本文介绍了存放在Náprstek博物馆收藏部的33幅图像，主要是达盖尔银版照片。它们是在19世纪40年代末至19世纪60年代期间制作的，部分在欧洲，部分在美国，作为Vojta Náprstek及其家人的私人收藏。最早的一幅画可能起源于1848年，画中沃伊塔Náprstek戴着革命学生军团的徽章。除了两个例外，这些肖像都是收藏者的家人和朋友。这个收藏非常有趣，经常被专家和媒体使用的原因是，除了其他东西外，它还包括Božena n mcov的两幅肖像。文章的第一部分论述了这些藏品的历史和所描绘的人物。第二，技术部分介绍了摄影技术的起源和发展的历史，以及退化效果的识别和说明。
{"title":"The Family and Friends of Vojta Náprstek a Rare Portrait Collection from the Funds of the Náprstek Museum","authors":"Milena Secká, Blanka Hnulíková","doi":"10.1515/anpm-2017-0013","DOIUrl":"https://doi.org/10.1515/anpm-2017-0013","url":null,"abstract":"Abstract The article introduces a collection of thirty three images, predominantly daguerreotypes, deposited in the collection department of the Náprstek Museum. They were made during the period from the end of the 1840s to the 1860s, partly in Europe and partly in the United States of America, as the private collection of Vojta Náprstek and his family. The earliest one originates probably from 1848 and displays Vojta Náprstek wearing a redingote of the revolutionary Student Legion. With two exceptions, the portraits present the family and friends of the collection owner. What makes the collection very interesting and frequently used by experts and the media is the fact that it includes, among other things, two portraits of Božena Němcová. The first part of the article deals with the history of the collection and the persons portrayed. The second, technical part presents the history of the origin and development of the photographic techniques employed and the identification and specification of the degradation effects.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"37 1","pages":"73 - 88"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67260994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In 1933, the newly founded Escuela de Estudios Árabes of Madrid printed Nykl’s edition of Dīwān Ibn Quzmān as its inaugural book. The Nykl papers held at the Náprstek Museum offer great insight into the working method of an orientalist of the first half of the 15th century. It is the aim of this article to demonstrate the author’s preparations and, through them, to analyze author’s working method, his relations to his predecessor Julián Ribera and reasons behind the final form of the book. The significant use of Nykl’s papers in the article demonstrates the importance of personal papers for mapping the writing and publishing processes.
1933年，马德里新成立的Escuela de Estudios Árabes印刷了Nykl的Dīwān Ibn Quzmān版本作为其成立之初的书籍。收藏于Náprstek博物馆的Nykl论文，让我们深入了解了15世纪上半叶一位东方学家的工作方法。本文的目的是展示作者的准备工作，并通过这些工作来分析作者的工作方法，他与他的前任Julián Ribera的关系以及本书最终形式背后的原因。文章中大量使用了Nykl的论文，这表明了个人论文对于绘制写作和出版过程的重要性。
{"title":"Ibn Quzmān Between Ribera, Nykl and Asín and the Newly Created Escuela de Estudios Árabes of Madrid (1932–1933)","authors":"J. Ženka","doi":"10.1515/ANPM-2017-0011","DOIUrl":"https://doi.org/10.1515/ANPM-2017-0011","url":null,"abstract":"Abstract In 1933, the newly founded Escuela de Estudios Árabes of Madrid printed Nykl’s edition of Dīwān Ibn Quzmān as its inaugural book. The Nykl papers held at the Náprstek Museum offer great insight into the working method of an orientalist of the first half of the 15th century. It is the aim of this article to demonstrate the author’s preparations and, through them, to analyze author’s working method, his relations to his predecessor Julián Ribera and reasons behind the final form of the book. The significant use of Nykl’s papers in the article demonstrates the importance of personal papers for mapping the writing and publishing processes.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"37 1","pages":"33 - 48"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Dragon robes were worn by scholar – officials who were members of bureacracy of the Qing dynasty in China (1644–1911). The cut and design of the robes were uniform, but the embellishment and motifs including religious symbols were individual and personal. Dragon robes as a garment with high homogeneity and visibility is compared to the “organisational dress” worn by members of contemporary Western organisations. The meaning of both garments is found to be similar, especially as they convey social roles within the organisation and society.
{"title":"The Dragon Robe as the Professional Dress of the Qing Dynasty Scholar-Official (The Náprstek Museum Collection)","authors":"Helena Heroldová","doi":"10.1515/anpm-2017-0012","DOIUrl":"https://doi.org/10.1515/anpm-2017-0012","url":null,"abstract":"Abstract Dragon robes were worn by scholar – officials who were members of bureacracy of the Qing dynasty in China (1644–1911). The cut and design of the robes were uniform, but the embellishment and motifs including religious symbols were individual and personal. Dragon robes as a garment with high homogeneity and visibility is compared to the “organisational dress” worn by members of contemporary Western organisations. The meaning of both garments is found to be similar, especially as they convey social roles within the organisation and society.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"37 1","pages":"49 - 72"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/anpm-2017-0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article discusses evidence uncovered by the mission of the Czech Institute of Egyptology, Faculty of Arts, Charles University in Prague at the necropolis of Abusir near Egypt’s capital Cairo. The tomb of Shepespuptah Idu was one of the four rock-cut tombs in the tomb complex of Princess Sheretnebty in Abusir South. It was uncovered in 2012 and its exploration continued until 2013. The identity of the tomb owner is known from hieratic inscriptions in his tomb chapel, which tell us about his name, nickname and titles. Shepespuptah held administrative titles associated with legal matters and royal offerings and the latter offices connect him with the economy of the royal funerary cults. The burial of Shepespuptah, which was found in his sarcophagus reveals interesting details about his health.
{"title":"Shepespuptah Idu According to Evidence from his Rock-Cut Tomb at Abusir South","authors":"Hana Vymazalová, P. Havelková","doi":"10.1515/anpm-2017-0014","DOIUrl":"https://doi.org/10.1515/anpm-2017-0014","url":null,"abstract":"Abstract The article discusses evidence uncovered by the mission of the Czech Institute of Egyptology, Faculty of Arts, Charles University in Prague at the necropolis of Abusir near Egypt’s capital Cairo. The tomb of Shepespuptah Idu was one of the four rock-cut tombs in the tomb complex of Princess Sheretnebty in Abusir South. It was uncovered in 2012 and its exploration continued until 2013. The identity of the tomb owner is known from hieratic inscriptions in his tomb chapel, which tell us about his name, nickname and titles. Shepespuptah held administrative titles associated with legal matters and royal offerings and the latter offices connect him with the economy of the royal funerary cults. The burial of Shepespuptah, which was found in his sarcophagus reveals interesting details about his health.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"37 1","pages":"108 - 89"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The text aims to present the broader context and biography of Julius Nestler, an amateur archaeologist from Prague, who at the beginning of the twentieth century pursued excavations in the ruins of Tiahuanaco/Tiwanaku and brought to Prague a unique collection of about 3,600 pieces, now deposited in the Náprstek Museum in Prague. A biographical study of Nestler has revealed his wide interests. During the period of Czech-German competition in Bohemia he promoted “German science”. He cooperated with entrepreneurial groups in Germany that were trying to penetrate Latin America economically, as a Freemason actively capitalised on a transnational community of associates; and at the same time was an adherent to and propagator of occultism. All these facets of his personality shaped his activities in the recently-established field of Americanist archaeology.
{"title":"Julius Nestler and the “Nestler Collection” in the Náprstek Museum: Nationalism, Occultism and Entrepreneurship in the Making of Americanist Archaeology in Central Europe","authors":"M. Křížová","doi":"10.1515/anpm-2017-0010","DOIUrl":"https://doi.org/10.1515/anpm-2017-0010","url":null,"abstract":"Abstract The text aims to present the broader context and biography of Julius Nestler, an amateur archaeologist from Prague, who at the beginning of the twentieth century pursued excavations in the ruins of Tiahuanaco/Tiwanaku and brought to Prague a unique collection of about 3,600 pieces, now deposited in the Náprstek Museum in Prague. A biographical study of Nestler has revealed his wide interests. During the period of Czech-German competition in Bohemia he promoted “German science”. He cooperated with entrepreneurial groups in Germany that were trying to penetrate Latin America economically, as a Freemason actively capitalised on a transnational community of associates; and at the same time was an adherent to and propagator of occultism. All these facets of his personality shaped his activities in the recently-established field of Americanist archaeology.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"17 - 32"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67261133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The first part of the study is devoted to the history of scholarly description of the Tibetan and Mongolian Collection in the Naprstek Museum, namely to the work of Lumir Jisl (1921-1969). The second part focuses on the iconography of Tantric couples on small votive Buddhist paintings from Mongolia.
{"title":"“Father and Mother”: Tantric Couples in the Collection of the Náprstek Museum and the History of the Collection Description","authors":"Helena Heroldová","doi":"10.1515/anpm-2017-0005","DOIUrl":"https://doi.org/10.1515/anpm-2017-0005","url":null,"abstract":"Abstract The first part of the study is devoted to the history of scholarly description of the Tibetan and Mongolian Collection in the Naprstek Museum, namely to the work of Lumir Jisl (1921-1969). The second part focuses on the iconography of Tantric couples on small votive Buddhist paintings from Mongolia.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"37 1","pages":"71 - 86"},"PeriodicalIF":0.0,"publicationDate":"2016-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67260484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The seventeenth excavation season of the Archaeological Expedition to Wad Ben Naga focused on the continued exploration of the so-called Isis Temple (WBN 300), the Palace of Queen Amanishakheto (WBN 100), and cemetery WBN C260.
Wad Ben Naga考古探险队第十七次发掘季的重点是对所谓的Isis神庙(WBN 300)、Amanishakheto女王宫殿(WBN 100)和墓地WBN C260的继续探索。
{"title":"Preliminary Report on the Seventeenth Excavation Season of the Archaeological Expedition to Wad Ben Naga","authors":"Pavel Onderka, Vlastimil Vrtal, Gabriela Jungová","doi":"10.2478/anpm-2019-0018","DOIUrl":"https://doi.org/10.2478/anpm-2019-0018","url":null,"abstract":"Abstract The seventeenth excavation season of the Archaeological Expedition to Wad Ben Naga focused on the continued exploration of the so-called Isis Temple (WBN 300), the Palace of Queen Amanishakheto (WBN 100), and cemetery WBN C260.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"107 - 120"},"PeriodicalIF":0.0,"publicationDate":"2016-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69155294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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