Abstract Jiří Jan Zeman (1886-1934), a landowner from Sedlec (now Ústí nad Labem region), was buried in an Egyptianizing grave at the cemetery in Klapý. The gravestone was inscribed by an ancient Egyptian inscription containing the tomb owner’s biographical data which was with certainty composed by František Lexa.
{"title":"An Egyptian Tomb Inscription from Klapý","authors":"Pavel Onderka","doi":"10.2478/anpm-2019-0014","DOIUrl":"https://doi.org/10.2478/anpm-2019-0014","url":null,"abstract":"Abstract Jiří Jan Zeman (1886-1934), a landowner from Sedlec (now Ústí nad Labem region), was buried in an Egyptianizing grave at the cemetery in Klapý. The gravestone was inscribed by an ancient Egyptian inscription containing the tomb owner’s biographical data which was with certainty composed by František Lexa.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"49 - 58"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45310273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tereza Hejzlarová, L. Dušek, J. Vančo, M. Čajan, Z. Trávníček
Abstract This article focuses on jewellery made by the Kuchi people, which is still one of the marginalized topics. It presents the best-known types of Kuchi jewellery, the way it is worn, the most commonly used materials for its production and the most utilized jewellery techniques. With respect to the date of origin, the focus is mainly on the second half of the 20th century, but also on the present, with regard to the growing trade in these types of jewellery. For a more comprehensive illustration of design, material and jewellery techniques, a collection of jewellery from the 20th century and the present from the collections of the Náprstek Museum in Prague and a private collection was examined. The X-ray fluorescence (XRF) spectroscopy was used to find out the elemental composition of the materials used in the making of the jewellery.
{"title":"Kuchi Jewellery","authors":"Tereza Hejzlarová, L. Dušek, J. Vančo, M. Čajan, Z. Trávníček","doi":"10.2478/anpm-2019-0013","DOIUrl":"https://doi.org/10.2478/anpm-2019-0013","url":null,"abstract":"Abstract This article focuses on jewellery made by the Kuchi people, which is still one of the marginalized topics. It presents the best-known types of Kuchi jewellery, the way it is worn, the most commonly used materials for its production and the most utilized jewellery techniques. With respect to the date of origin, the focus is mainly on the second half of the 20th century, but also on the present, with regard to the growing trade in these types of jewellery. For a more comprehensive illustration of design, material and jewellery techniques, a collection of jewellery from the 20th century and the present from the collections of the Náprstek Museum in Prague and a private collection was examined. The X-ray fluorescence (XRF) spectroscopy was used to find out the elemental composition of the materials used in the making of the jewellery.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"27 - 48"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43300720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Eva Stehlíková was born on 1 January 1941 in Pilsen. After leaving the gymnasium in Děčín in 1958, she studied classics and Bohemistics at the Faculty of Arts, Charles University Prague 1958–1963, where she also finished her post-gradual studies and became PhDr. During her post-gradual studies and after (1966–1998) she worked as a researcher at the Czechoslovak Academy of Sciences at the Institute for Classical Studies. Since the 1960s, her research was focused on ancient and medieval theatre studies, theatre theory and history, and the translation and interpretation of ancient drama. Between 1971–1981 she helped to establish along with Václav Königsmark a samizdat magazine Dialog which reviewed theatre plays and supported many of the academy workers interested in theatre studies with publishing. In 1994 she finished her habilitation and since then lectured at the Faculty of Arts, Masaryk University in Brno, where she also remained as Professor Emerita until her last days; meanwhile between 1998–2006 she was also employed at the Faculty of Arts, Charles University Prague. In the same year she began working for Charles University Prague, 1998, she was named Professor. During her academic career she has attended research fellowships, lectured at international conferences, and published her research in various journals both abroad and in the Czech Republic. She supported theatres to perform ancient plays from ancient Roman and Greek authors; for example, she co-operated with Divadlo v Dlouhé and wrote critiques on many stage plays. During the 1990s she also created the database www.olympos.cz, a database of ancient performances. She published many editions of ancient poetry and dramas, composed many monographies on the same topics, and participated in the staging of many ancient plays. Her books, despite their high academic level, were also friendly for every-day readers. Included among her important publications are the following: Řecké divadlo klasické doby, 1991; Římské divadlo, 1993; A co když je to divadlo? Několikero zastavení nad středověkým latinským dramatem, 1998; Divadlo za časů Nerona a Seneky, 2005; Antické divadlo, 2005; Co je nám po Hekubě? 2012 etc. DOI.10.2478/ANPM-2019-0011
伊娃Stehlíková 1941年1月1日出生于皮尔森。1958年，在Děčín离开体育馆后，她于1958 - 1963年在布拉格查尔斯大学文学院学习古典文学和波希米亚学，在那里她也完成了她的后渐进式研究并获得了博士学位。在她的后渐进式学习期间和之后(1966年至1998年)，她在捷克斯洛伐克科学院古典研究所担任研究员。自20世纪60年代以来，她的研究主要集中在古代和中世纪戏剧研究，戏剧理论和历史，以及古代戏剧的翻译和解释。1971年至1981年期间，她与Václav Königsmark一起帮助建立了一个地下刊物《对话》，该杂志评论戏剧剧本，并支持许多对戏剧研究感兴趣的学院工作人员出版。1994年，她完成了康复治疗，此后在布尔诺马萨里克大学文学院任教，并在那里担任名誉教授，直到生命的最后一天;1998年至2006年期间，她还受聘于布拉格查尔斯大学文学院。同年，她开始在布拉格查尔斯大学工作，1998年，她被任命为教授。在她的学术生涯中，她参加了研究奖学金，在国际会议上演讲，并在国外和捷克共和国的各种期刊上发表了她的研究成果。她支持剧院演出古罗马和古希腊作家的古代戏剧;例如，她与Divadlo v dlouhous合作，并为许多舞台剧撰写评论。在20世纪90年代，她还创建了数据库www.olympos.cz，这是一个古代表演数据库。她出版了许多版本的古诗和古剧，撰写了许多关于同一主题的专著，并参与了许多古代戏剧的演出。她的书虽然学术水平很高，但对日常读者来说也很友好。她的重要出版物包括:Řecké divadlo klasick doby, 1991;Římské divadlo, 1993;一辆车开到divadlo?新柯立克罗zastavení nad středověkým latinským戏剧，1998年;Divadlo za asrov Nerona a Seneky, 2005;antik divadlo, 2005;Co je nám po hekubje ?2012等。DOI.10.2478 / anpm - 2019 - 0011
{"title":"Eva Stehlíková (1 January 1941 – 12 August 2019)","authors":"P. Valenta","doi":"10.2478/anpm-2019-0011","DOIUrl":"https://doi.org/10.2478/anpm-2019-0011","url":null,"abstract":"Eva Stehlíková was born on 1 January 1941 in Pilsen. After leaving the gymnasium in Děčín in 1958, she studied classics and Bohemistics at the Faculty of Arts, Charles University Prague 1958–1963, where she also finished her post-gradual studies and became PhDr. During her post-gradual studies and after (1966–1998) she worked as a researcher at the Czechoslovak Academy of Sciences at the Institute for Classical Studies. Since the 1960s, her research was focused on ancient and medieval theatre studies, theatre theory and history, and the translation and interpretation of ancient drama. Between 1971–1981 she helped to establish along with Václav Königsmark a samizdat magazine Dialog which reviewed theatre plays and supported many of the academy workers interested in theatre studies with publishing. In 1994 she finished her habilitation and since then lectured at the Faculty of Arts, Masaryk University in Brno, where she also remained as Professor Emerita until her last days; meanwhile between 1998–2006 she was also employed at the Faculty of Arts, Charles University Prague. In the same year she began working for Charles University Prague, 1998, she was named Professor. During her academic career she has attended research fellowships, lectured at international conferences, and published her research in various journals both abroad and in the Czech Republic. She supported theatres to perform ancient plays from ancient Roman and Greek authors; for example, she co-operated with Divadlo v Dlouhé and wrote critiques on many stage plays. During the 1990s she also created the database www.olympos.cz, a database of ancient performances. She published many editions of ancient poetry and dramas, composed many monographies on the same topics, and participated in the staging of many ancient plays. Her books, despite their high academic level, were also friendly for every-day readers. Included among her important publications are the following: Řecké divadlo klasické doby, 1991; Římské divadlo, 1993; A co když je to divadlo? Několikero zastavení nad středověkým latinským dramatem, 1998; Divadlo za časů Nerona a Seneky, 2005; Antické divadlo, 2005; Co je nám po Hekubě? 2012 etc. DOI.10.2478/ANPM-2019-0011","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"3 - 4"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44849815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The New Format of the Scientific Journal of the Náprstek Museum","authors":"P. Valenta","doi":"10.2478/anpm-2019-0020","DOIUrl":"https://doi.org/10.2478/anpm-2019-0020","url":null,"abstract":"","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"127 - 128"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45102727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The study deals with the Náprstek Museum ethnographic photo collection. In order to obtain detailed knowledge of the composition of this collection, an analysis was performed using digital data records obtained through an export from the collection database. The data was then edited using MS Excel with the Contingency Table and Contingency Graph tools. The analysis focusd on the perspective of geography and chronology, originator and the type of photographic material in question. Obtained data clearly shows the percentage of each pursued characteristics and allows to combine them and compare the photo collection as a whole with the other part sof museum’s collections. The analysis method can be also used for another collections as well.
{"title":"The Náprstek Museum Photography Collection – An Assessment Based on Collection Records","authors":"Jan Šejbl","doi":"10.2478/anpm-2019-0016","DOIUrl":"https://doi.org/10.2478/anpm-2019-0016","url":null,"abstract":"Abstract The study deals with the Náprstek Museum ethnographic photo collection. In order to obtain detailed knowledge of the composition of this collection, an analysis was performed using digital data records obtained through an export from the collection database. The data was then edited using MS Excel with the Contingency Table and Contingency Graph tools. The analysis focusd on the perspective of geography and chronology, originator and the type of photographic material in question. Obtained data clearly shows the percentage of each pursued characteristics and allows to combine them and compare the photo collection as a whole with the other part sof museum’s collections. The analysis method can be also used for another collections as well.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"69 - 94"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48260629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article aims to describe the personality of the talented Czech linguist and distinctive philosopher Alois Richard Nykl, with a special focus on his repeated stays in Mexico as well as his reflection of the post-revolutionary developments there. The unpublished travelogue “Present-Day Mexico”, complemented with the author’s short texts and other archive materials from Nykl’s estate, served as the initial material for this study. This has resulted in a colourful and multilayered picture of the Mexican society in the 1920s as well as Nykl’s complex personality. After over 90 years, his analyses of the contemporary situation and estimates of the future development of Mexico provide an opportunity for an interesting comparison with the present state of affairs.
摘要本文旨在描述才华横溢的捷克语言学家和杰出的哲学家Alois Richard Nykl的个性，特别是他在墨西哥的多次逗留以及他对那里革命后发展的反思。未发表的游记《今日墨西哥》，以及作者的短篇文本和奈克尔庄园的其他档案材料，是本研究的初始材料。这就形成了20世纪20年代墨西哥社会的丰富多彩和多层次的画面，以及奈克尔复杂的个性。90多年后，他对墨西哥当代形势的分析和对墨西哥未来发展的估计为与目前的情况进行有趣的比较提供了机会。
{"title":"A. R. Nykl and Mexico’s Past, Present and Future","authors":"D. Winklerová","doi":"10.2478/anpm-2019-0012","DOIUrl":"https://doi.org/10.2478/anpm-2019-0012","url":null,"abstract":"Abstract This article aims to describe the personality of the talented Czech linguist and distinctive philosopher Alois Richard Nykl, with a special focus on his repeated stays in Mexico as well as his reflection of the post-revolutionary developments there. The unpublished travelogue “Present-Day Mexico”, complemented with the author’s short texts and other archive materials from Nykl’s estate, served as the initial material for this study. This has resulted in a colourful and multilayered picture of the Mexican society in the 1920s as well as Nykl’s complex personality. After over 90 years, his analyses of the contemporary situation and estimates of the future development of Mexico provide an opportunity for an interesting comparison with the present state of affairs.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"26 - 5"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45589488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This report presents current research on aboriginal activity centers in Taidong County, Taiwan, primarily in the townships of Chishang and Yanping with over 30% of the population being of aboriginal ancestry. Taidong County is the region with the most distinctive aboriginal communities in Taiwan. The research attempts to identify the actors behind the operation of such centers and their significance for aboriginal communities. The research investigates the process of selecting suitable location for the facilities, the specific features of such centers, the potential religious significance of the locations including the role of traditional beliefs in predominantly Christian aboriginal communities, the symbolic value of structures built in the traditional style for construction of ethnicity and financing that enables the construction of the facilities and the organization of the festivities held in them. The principle research method used was interviews with local actors including local representatives, organizers of festivities, as well as members of local communities. The research began in 2017.
{"title":"Preliminary Report on the Research of “Activity Centers” in Taidong, Taiwan","authors":"Petr Janda","doi":"10.2478/anpm-2019-0019","DOIUrl":"https://doi.org/10.2478/anpm-2019-0019","url":null,"abstract":"Abstract This report presents current research on aboriginal activity centers in Taidong County, Taiwan, primarily in the townships of Chishang and Yanping with over 30% of the population being of aboriginal ancestry. Taidong County is the region with the most distinctive aboriginal communities in Taiwan. The research attempts to identify the actors behind the operation of such centers and their significance for aboriginal communities. The research investigates the process of selecting suitable location for the facilities, the specific features of such centers, the potential religious significance of the locations including the role of traditional beliefs in predominantly Christian aboriginal communities, the symbolic value of structures built in the traditional style for construction of ethnicity and financing that enables the construction of the facilities and the organization of the festivities held in them. The principle research method used was interviews with local actors including local representatives, organizers of festivities, as well as members of local communities. The research began in 2017.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"121 - 125"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47664716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present study focuses on the text and vignette concerning two hippopotamus-headed serpents reclining on rectangular bases, each of them labeled as hayshesh accompanied by a short text stating that he is “a god who makes the ba live in the realm of the dead”. The study of the text reveals that the creature is of a triple significance, in the underworld, in the marine environment (as the sea-horse would) and in the sky. Finally, the development line of the hayshesh-creatures from the seahorses of the 22nd Dynasty coffins to the horse, crocodile or hippopotamus-headed snakes of the Ptolemaic temples shall be drawn and discussed, with Iufaa's attestation forming an important “missing link”.
{"title":"The Seahorse (ḥJšš) from the Shaft Tomb of Iufaa: New Evidence of the Elusive Creature","authors":"Renata Landgráfová","doi":"10.2478/anpm-2019-0015","DOIUrl":"https://doi.org/10.2478/anpm-2019-0015","url":null,"abstract":"Abstract The present study focuses on the text and vignette concerning two hippopotamus-headed serpents reclining on rectangular bases, each of them labeled as hayshesh accompanied by a short text stating that he is “a god who makes the ba live in the realm of the dead”. The study of the text reveals that the creature is of a triple significance, in the underworld, in the marine environment (as the sea-horse would) and in the sky. Finally, the development line of the hayshesh-creatures from the seahorses of the 22nd Dynasty coffins to the horse, crocodile or hippopotamus-headed snakes of the Ptolemaic temples shall be drawn and discussed, with Iufaa's attestation forming an important “missing link”.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"59 - 68"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46152972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract During its seventeenth excavation season, the Archaeological Expedition to Wad Ben Naga continued with the exploration of the so-called Palace of Queen Amanishakheto at Wad Ben Naga (WBN 100), as well as with the excavation and protection of the kom located behind the rail track. During the season, the complex of the so-called Isis Temple at Wad Ben Naga (WBN 300) began to be explored. Based on the previous magnetometric survey, a Meroitic kiosk (WBN 390) was unearthed and documented.
在第十七个挖掘季节，瓦德本纳迦考古探险队继续探索所谓的瓦德本纳迦女王阿玛尼沙赫托宫殿(WBN 100)，以及位于铁路后面的kom的挖掘和保护。在这个季节，人们开始探索Wad Ben Naga所谓的Isis神庙(WBN 300)。根据先前的磁测量，发现并记录了一个麦罗特亭(WBN 390)。
{"title":"Preliminary Report on the Sixteenth Excavation Season of the Archaeological Expedition to Wad Ben Naga","authors":"Pavel Onderka, Vlastimil Vrtal, Jiří Honzl","doi":"10.2478/anpm-2019-0009","DOIUrl":"https://doi.org/10.2478/anpm-2019-0009","url":null,"abstract":"Abstract During its seventeenth excavation season, the Archaeological Expedition to Wad Ben Naga continued with the exploration of the so-called Palace of Queen Amanishakheto at Wad Ben Naga (WBN 100), as well as with the excavation and protection of the kom located behind the rail track. During the season, the complex of the so-called Isis Temple at Wad Ben Naga (WBN 300) began to be explored. Based on the previous magnetometric survey, a Meroitic kiosk (WBN 390) was unearthed and documented.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"133 - 147"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43593919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This study analyzes and interprets East Sepik storyboards, which the authors regard as a form of cultural continuity and instrument of cultural memory in the post-colonial period. The study draws on field research conducted by the authors in the village of Kambot in East Sepik. The authors divide the storyboards into two groups based on content. The first includes storyboards describing daily life in the community, while the other links the daily life to pre-Christian religious beliefs and views. The aim of the study is to analyze one of the forms of contemporary material culture in East Sepik in the context of cultural changes triggered by Christianization, colonial administration in the former Territory of New Guinea and global tourism.
{"title":"The Story of Storyboards from East Sepik, Papua New Guinea","authors":"M. Soukup, Dušan Lužný","doi":"10.2478/anpm-2019-0005","DOIUrl":"https://doi.org/10.2478/anpm-2019-0005","url":null,"abstract":"Abstract This study analyzes and interprets East Sepik storyboards, which the authors regard as a form of cultural continuity and instrument of cultural memory in the post-colonial period. The study draws on field research conducted by the authors in the village of Kambot in East Sepik. The authors divide the storyboards into two groups based on content. The first includes storyboards describing daily life in the community, while the other links the daily life to pre-Christian religious beliefs and views. The aim of the study is to analyze one of the forms of contemporary material culture in East Sepik in the context of cultural changes triggered by Christianization, colonial administration in the former Territory of New Guinea and global tourism.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"40 1","pages":"59 - 74"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47541788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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