{"title":"Jonathan Lawler of Libraries, Archives, and Museums: An Introduction to Cultural Heritage Institutions through the Ages","authors":"J. Lawler","doi":"10.1515/pdtc-2022-0003","DOIUrl":"https://doi.org/10.1515/pdtc-2022-0003","url":null,"abstract":"","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"27 1","pages":"33 - 34"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81231415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Fakhriati Fakhriati, Mu’jizah Mu’jizah, M. Holil, Tedi Permadi
Abstract Although manuscript digitalization helps to safeguard old manuscripts, the challenges of old manuscripts’ preservation remain present. Old manuscripts are increasingly neglected and hard to access. This study aims to shed light on the preservation of manuscript contents as it is being done through various digitalization programs by a variety of national and international institutions in Indonesia. This study found that, paradoxically, the availability of many digital manuscripts does not enhance the study of their contents. Similarly, attention to the physical preservation of these manuscripts has also not seen a significant improvement. By using philological, codicological, and anthropological approaches, this study gives contribution to enhance the understanding on the needs of manuscript digitalization as an integral effort to preserve their contents and physical preservation.
{"title":"Don’t Leave Indonesian Manuscripts in Danger: An Analysis of Digitalization and Preservation","authors":"Fakhriati Fakhriati, Mu’jizah Mu’jizah, M. Holil, Tedi Permadi","doi":"10.1515/pdtc-2021-0017","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0017","url":null,"abstract":"Abstract Although manuscript digitalization helps to safeguard old manuscripts, the challenges of old manuscripts’ preservation remain present. Old manuscripts are increasingly neglected and hard to access. This study aims to shed light on the preservation of manuscript contents as it is being done through various digitalization programs by a variety of national and international institutions in Indonesia. This study found that, paradoxically, the availability of many digital manuscripts does not enhance the study of their contents. Similarly, attention to the physical preservation of these manuscripts has also not seen a significant improvement. By using philological, codicological, and anthropological approaches, this study gives contribution to enhance the understanding on the needs of manuscript digitalization as an integral effort to preserve their contents and physical preservation.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"111 1","pages":"3 - 15"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80730816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sally Treloyn, Ronald Charles, Pete Myadooma O’Connor
Abstract Legacy data pertaining to song and dance has complex and immeasurable value to Indigenous communities across several domains. Over the past decade, projects of repatriation and return have thus flourished both within Australia and globally, as has scholarship addressing the processes, methods and results of such initiatives (Barwick, L. J. Green, and P. Vaarzon-Morel, eds. 2020. Archival Returns. Sydney and Honolulu: Sydney University Press and University of Hawai’i Press; Gunderson, F., R. C. Lancefield, and B. Woods. 2019. The Oxford Handbook of Musical Repatriation. New York: Oxford University Press). Uses of legacy recordings by Ngarinyin, Worrorra and Wunambal practitioners of the dance-song genre known as Junba from the Kimberley region of north-west Australia for the purposes of revitalising the tradition with repertoire and increasing participation have been previously discussed (e.g., Treloyn, S., M. D. Martin, and R. G. Charles. 2019. “Moving Songs: Repatriating Audiovisual Recordings of Aboriginal Australian Dance and Song (Kimberley Region, Northwestern Australia).” In The Oxford Handbook of Musical Repatriation, edited by F. Gunderson, R. C. Lancefield, and B. Woods, 591–606. New York: Oxford University Press). This paper, co-authored by two cultural custodians of practices and repertories of the dance-song genre known as Junba and an outsider ethnomusicologist, considers social and political agency through performance in relation to legacy recordings. The paper finds that legacy recordings of song and dance practice can throw light on political and social agendas of past performances, while creative reuse of frameworks and materials derived from legacy recordings of song and dance can support contemporary practitioners to express their own social and political agency today. The paper also suggests that attention to the social and political agency of cultural custodians is an important part of the work of archives, particularly where barriers to accessing legacy recordings remain.
与歌曲和舞蹈有关的遗产数据在多个领域对土著社区具有复杂和不可估量的价值。在过去的十年中，遣返和返回项目因此在澳大利亚和全球范围内蓬勃发展，正如解决这些倡议的过程，方法和结果的奖学金一样(巴维克，L. J.格林，和P. varzon - morel，主编)。2020. 档案的回报。悉尼和檀香山:悉尼大学出版社和夏威夷大学出版社;甘德森，F, R. C.兰斯菲尔德和B.伍兹。2019。牛津音乐回归手册。纽约:牛津大学出版社)。来自澳大利亚西北部金伯利地区的Ngarinyin、worrora和Wunambal舞蹈歌曲类型(Junba)的从业者利用其遗留录音，通过保留曲目振兴传统并增加参与，这一问题之前已经讨论过(例如，Treloyn, S.， M. D. Martin和R. G. Charles, 2019)。“动人的歌曲:澳大利亚土著舞蹈和歌曲的视听录音(金伯利地区，澳大利亚西北部)”。《牛津音乐回归手册》，由f·甘德森、r·c·兰斯菲尔德和b·伍兹编辑，591-606页。纽约:牛津大学出版社)。这篇论文是由两位被称为“俊巴”的舞曲类型的实践和剧目的文化保管人和一位外来的民族音乐学家共同撰写的，他们通过与遗产唱片有关的表演来考虑社会和政治代理。本文发现，歌舞实践的遗留录音可以揭示过去表演的政治和社会议程，而从遗留录音中获得的框架和材料的创造性再利用可以支持当代从业者表达他们自己的社会和政治代理。这篇论文还提出，关注文化保管人的社会和政治机构是档案工作的重要组成部分，特别是在获取遗产记录的障碍仍然存在的情况下。
{"title":"Dancing with the Devil (Spirit): How Audiovisual Collections Reveal and Enact Social and Political Agency in Dance and Song (A Case from the Kimberley)","authors":"Sally Treloyn, Ronald Charles, Pete Myadooma O’Connor","doi":"10.1515/pdtc-2021-0027","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0027","url":null,"abstract":"Abstract Legacy data pertaining to song and dance has complex and immeasurable value to Indigenous communities across several domains. Over the past decade, projects of repatriation and return have thus flourished both within Australia and globally, as has scholarship addressing the processes, methods and results of such initiatives (Barwick, L. J. Green, and P. Vaarzon-Morel, eds. 2020. Archival Returns. Sydney and Honolulu: Sydney University Press and University of Hawai’i Press; Gunderson, F., R. C. Lancefield, and B. Woods. 2019. The Oxford Handbook of Musical Repatriation. New York: Oxford University Press). Uses of legacy recordings by Ngarinyin, Worrorra and Wunambal practitioners of the dance-song genre known as Junba from the Kimberley region of north-west Australia for the purposes of revitalising the tradition with repertoire and increasing participation have been previously discussed (e.g., Treloyn, S., M. D. Martin, and R. G. Charles. 2019. “Moving Songs: Repatriating Audiovisual Recordings of Aboriginal Australian Dance and Song (Kimberley Region, Northwestern Australia).” In The Oxford Handbook of Musical Repatriation, edited by F. Gunderson, R. C. Lancefield, and B. Woods, 591–606. New York: Oxford University Press). This paper, co-authored by two cultural custodians of practices and repertories of the dance-song genre known as Junba and an outsider ethnomusicologist, considers social and political agency through performance in relation to legacy recordings. The paper finds that legacy recordings of song and dance practice can throw light on political and social agendas of past performances, while creative reuse of frameworks and materials derived from legacy recordings of song and dance can support contemporary practitioners to express their own social and political agency today. The paper also suggests that attention to the social and political agency of cultural custodians is an important part of the work of archives, particularly where barriers to accessing legacy recordings remain.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"28 1","pages":"117 - 129"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84908628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper reflects on the Music Archive of Monash University’s (MAMU) experiences working in Aceh and Lampung, Indonesia and the ways they inform our practices when closely liaising with communities at risk of disaster. To support local cultural continuity and revitalization, and especially in the wake of the 2004 tsunami and the 2018 volcanic eruption respectively, MAMU became an early proponent of making digital repositories freely available online. As technology has progressed, so too have MAMU’s efforts to engage with and support the cultural preservation of its collections’ source communities. One of the archive’s latest projects includes the creation of detailed 3D scans of historical musical instruments in the collection, potentially enabling instrument makers to discover previously lost construction techniques. This paper will explore some of the many ways that archives such as MAMU can be used to support cultural continuity in areas experiencing trauma and upheaval.
{"title":"Tsunamis, Earthquakes, and Music: Archives as Guardians of Cultural Continuity in Indonesia","authors":"Bronia Kornhauser, Anthea Skinner","doi":"10.1515/pdtc-2021-0019","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0019","url":null,"abstract":"Abstract This paper reflects on the Music Archive of Monash University’s (MAMU) experiences working in Aceh and Lampung, Indonesia and the ways they inform our practices when closely liaising with communities at risk of disaster. To support local cultural continuity and revitalization, and especially in the wake of the 2004 tsunami and the 2018 volcanic eruption respectively, MAMU became an early proponent of making digital repositories freely available online. As technology has progressed, so too have MAMU’s efforts to engage with and support the cultural preservation of its collections’ source communities. One of the archive’s latest projects includes the creation of detailed 3D scans of historical musical instruments in the collection, potentially enabling instrument makers to discover previously lost construction techniques. This paper will explore some of the many ways that archives such as MAMU can be used to support cultural continuity in areas experiencing trauma and upheaval.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"77 1","pages":"139 - 149"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76683122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L. Barwick, S. Huebner, Lyndon Ormond-Parker, Sally Treloyn
Abstract Highlighting perspectives from First Nations peoples whose cultural heritage is held in archives of various types, this article sets the scene for this special edition on “Reclaiming Archives.” Emerging protocols for Indigenous community engagement with archiving institutions have been driven by community demands for access, digitisation and return of archival cultural heritage records, and supported by various peak professional organisations such as the International Council on Archives, the International Council of Museums and the Indigenous Archives Collective. A complex history of exploitation, resistance and trauma surrounds First Nations cultural records created during Australia“s “Assimilation Era“ (roughly 1935-1975), and several contributions to the volume explore the implications of this colonial past for management and reclamation of such archival records today. Indeed, the authors contend that institutions today have much to learn from engagement with community members seeking to reappropriate their cultural records. The essay finishes by relating the issues outlined above to the articles presented in this issue, which provide perspectives from Australia and internationally regarding Indigenous cultural collections, with special reference to research-based collections of Indigenous music and dance.
{"title":"Reclaiming archives: guest editorial","authors":"L. Barwick, S. Huebner, Lyndon Ormond-Parker, Sally Treloyn","doi":"10.1515/pdtc-2022-0008","DOIUrl":"https://doi.org/10.1515/pdtc-2022-0008","url":null,"abstract":"Abstract Highlighting perspectives from First Nations peoples whose cultural heritage is held in archives of various types, this article sets the scene for this special edition on “Reclaiming Archives.” Emerging protocols for Indigenous community engagement with archiving institutions have been driven by community demands for access, digitisation and return of archival cultural heritage records, and supported by various peak professional organisations such as the International Council on Archives, the International Council of Museums and the Indigenous Archives Collective. A complex history of exploitation, resistance and trauma surrounds First Nations cultural records created during Australia“s “Assimilation Era“ (roughly 1935-1975), and several contributions to the volume explore the implications of this colonial past for management and reclamation of such archival records today. Indeed, the authors contend that institutions today have much to learn from engagement with community members seeking to reappropriate their cultural records. The essay finishes by relating the issues outlined above to the articles presented in this issue, which provide perspectives from Australia and internationally regarding Indigenous cultural collections, with special reference to research-based collections of Indigenous music and dance.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"3 1","pages":"99 - 104"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87422002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
B. Marsden, Katherine Ellinghaus, Cate O’Neill, S. Huebner, Lyndon Ormond-Parker
Abstract The construction of national identity through historical narrative is inextricably linked to archival keeping, access and privilege. In settler-colonial contexts, archives and the way they are used are always political. Drawing on decolonising methodologies and critical archival theory, this paper examines challenges faced by an interdisciplinary project team who received University of Melbourne Engagement funding to initiate a process of repatriation. This project has been grounded in the process of consultation and engagement with the Indigenous communities from which these records originated, and the process of reconnecting former students of Mount Margaret, and their families. In confronting the inherent cultural biases of archives, this paper considers particular problems for institutions in developing methods of repatriation alongside record collection and keeping.
{"title":"Wongatha Heritage Returned: The Digital Future and Community Ownership of Schoolwork from the Mount Margaret Mission School, 1930s–1940s","authors":"B. Marsden, Katherine Ellinghaus, Cate O’Neill, S. Huebner, Lyndon Ormond-Parker","doi":"10.1515/pdtc-2021-0020","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0020","url":null,"abstract":"Abstract The construction of national identity through historical narrative is inextricably linked to archival keeping, access and privilege. In settler-colonial contexts, archives and the way they are used are always political. Drawing on decolonising methodologies and critical archival theory, this paper examines challenges faced by an interdisciplinary project team who received University of Melbourne Engagement funding to initiate a process of repatriation. This project has been grounded in the process of consultation and engagement with the Indigenous communities from which these records originated, and the process of reconnecting former students of Mount Margaret, and their families. In confronting the inherent cultural biases of archives, this paper considers particular problems for institutions in developing methods of repatriation alongside record collection and keeping.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"4 1","pages":"105 - 115"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83536990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Corn, L. Amoroso, Anthea Skinner, Noémie Malengreaux
Abstract The Centre for Aboriginal Studies in Music (CASM) at the University of Adelaide was founded in 1972 and is the world’s only dedicated university centre for Australian Indigenous music studies. This article investigates the making of the CASM Archive through collaboration between CASM academics and students and professional archivists in the University of Adelaide Library. It demonstrates how this unusual approach, originally intended to provide students with an understanding of CASM’s history, resulted in a collaborative process of slow appraisal that enabled CASM students to make greatly useful contributions to appraising and communicating the significance of the CASM Archive.
{"title":"Fixing the Address: Slow Appraisal and the Making of the Centre for Aboriginal Studies in Music (CASM) Archive","authors":"A. Corn, L. Amoroso, Anthea Skinner, Noémie Malengreaux","doi":"10.1515/pdtc-2021-0024","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0024","url":null,"abstract":"Abstract The Centre for Aboriginal Studies in Music (CASM) at the University of Adelaide was founded in 1972 and is the world’s only dedicated university centre for Australian Indigenous music studies. This article investigates the making of the CASM Archive through collaboration between CASM academics and students and professional archivists in the University of Adelaide Library. It demonstrates how this unusual approach, originally intended to provide students with an understanding of CASM’s history, resulted in a collaborative process of slow appraisal that enabled CASM students to make greatly useful contributions to appraising and communicating the significance of the CASM Archive.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"115 1","pages":"131 - 137"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85497124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Here we explore ways in which the Indigenous Torwali community of Swat, north Pakistan, is working to renew and preserve its musical and dance traditions, and how Torwalis are using social media and online archives to share and popularise their performances, worldwide. Social activism is a motivator, but people also relish the fun created through instant online engagement. The methodology for the paper is to weave a narrative, using Indigenous storytelling by both Indigenous authors, one Torwali and one Ngarigu, Australian Indigenous, about their experiences with and knowledge of performance in the community.
{"title":"Saving Torwali Music and Dance: Community Led Performance and ‘Public’ Archiving","authors":"Mujahid Torwali, J. Troy","doi":"10.1515/pdtc-2021-0028","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0028","url":null,"abstract":"Abstract Here we explore ways in which the Indigenous Torwali community of Swat, north Pakistan, is working to renew and preserve its musical and dance traditions, and how Torwalis are using social media and online archives to share and popularise their performances, worldwide. Social activism is a motivator, but people also relish the fun created through instant online engagement. The methodology for the paper is to weave a narrative, using Indigenous storytelling by both Indigenous authors, one Torwali and one Ngarigu, Australian Indigenous, about their experiences with and knowledge of performance in the community.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"25 1","pages":"151 - 163"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82143966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The ability to publish and provide access to cultural resources via free, open source digital platforms is empowering Vietnamese cultural professionals to promote their culture to local and international audiences. Digitization projects now include the use of 3D, VR, and AR digital technologies for the purpose of being published on digital platforms. This is creating an emergent digital culture in Vietnam, with an increasing amount of available resources online. Digitization projects are now used to preserve cultural heritage as well as to present and promote contemporary art and culture. This reflects a change in practices amongst cultural professionals in Hanoi, in terms of how digital technologies are used and the value placed on making cultural resources publicly accessible online. However, as new content, knowledge, and voices are able to participate in the online discourse on art and culture, the question remains as to whether this digital transition is creating greater equality and inclusion in the cultural sector or if it is exacerbating already existing forms of digital cultural colonialism. This paper presents findings from 50 interviews with cultural professionals working in the cultural sector in Hanoi about their digitization projects and digital work practices, the developments in digitization in Hanoi’s cultural sector over the past five years, how cultural professionals are utilizing the opportunities afforded by digital technologies for cultural preservation and promotion, as well as the challenges they face in carrying out digitization projects.
{"title":"How Digitization is Empowering Vietnamese Cultural Professionals to Preserve, Present, and Promote Art and Culture Online: Navigating Challenges whilst Harnessing Opportunities to Create a Digital Culture","authors":"Emma Duester","doi":"10.1515/pdtc-2021-0009","DOIUrl":"https://doi.org/10.1515/pdtc-2021-0009","url":null,"abstract":"Abstract The ability to publish and provide access to cultural resources via free, open source digital platforms is empowering Vietnamese cultural professionals to promote their culture to local and international audiences. Digitization projects now include the use of 3D, VR, and AR digital technologies for the purpose of being published on digital platforms. This is creating an emergent digital culture in Vietnam, with an increasing amount of available resources online. Digitization projects are now used to preserve cultural heritage as well as to present and promote contemporary art and culture. This reflects a change in practices amongst cultural professionals in Hanoi, in terms of how digital technologies are used and the value placed on making cultural resources publicly accessible online. However, as new content, knowledge, and voices are able to participate in the online discourse on art and culture, the question remains as to whether this digital transition is creating greater equality and inclusion in the cultural sector or if it is exacerbating already existing forms of digital cultural colonialism. This paper presents findings from 50 interviews with cultural professionals working in the cultural sector in Hanoi about their digitization projects and digital work practices, the developments in digitization in Hanoi’s cultural sector over the past five years, how cultural professionals are utilizing the opportunities afforded by digital technologies for cultural preservation and promotion, as well as the challenges they face in carrying out digitization projects.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"16 1","pages":"35 - 49"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86043594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-01DOI: 10.1515/pdtc-2021-frontmatter2
{"title":"Frontmatter","authors":"","doi":"10.1515/pdtc-2021-frontmatter2","DOIUrl":"https://doi.org/10.1515/pdtc-2021-frontmatter2","url":null,"abstract":"","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75204893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：