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Current Swedish Archaeology最新文献

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Vivian Smits. Kulturarvsparadoxen: Om uppdragsarkeologin och kulturarvets användning i samtiden 维维安-斯密茨文化遗产悖论:委托考古与文化遗产的当代利用
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.15
F. Svanberg
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引用次数: 0
New Research Project: Sweden and Ukraine in the History of Museum Collections and Exhibition Narratives 新研究项目:博物馆藏品和展览叙述史中的瑞典和乌克兰
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.17
Fedir Androschuk
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引用次数: 0
On Infrastructural Speculation 关于基础设施投机
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.02
Isto Huvila
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引用次数: 0
Reframing Digital Archaeological Infrastructures 重构数字考古基础设施
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.06
Agiatis Benardou
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引用次数: 0
Shaping Education and Transforming Practices 塑造教育和改革实践
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.07
Nicolò Dell’Unto
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引用次数: 0
The Swedish Apparatus of Contract Archaeology and its Entanglement with Society 瑞典契约考古工具及其与社会的纠葛
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.10
Matthew Nelson
The Swedish contract archaeology (CA) system has witnessed changes and new goals in the last couple of decades, becoming more steered by the market while new demands have come from Swedish cultural heritage legislation and policies for producing relevant knowledge to society and widening the inclusion of the public. In this paper I examine the Swedish CA system and programs from its three main parties, according to critical heritage studies by Rodney Harrison, especially focusing on the governing tool ‘apparatus’. Criticism, conveyed for instance in a recent survey, has claimed that the apparatus of Swedish CA is unsustainable and inefficient in its present form. This includes deficiencies in the relationships between the parties and with actors and stakeholders outside the system. There is also a democratic discrepancy towards the new heritage goals. I suggest that Harrisons critical view on heritage could be used to argue for changes in the role and boundaries of Swedish CA, taking into accord the conditions of local contexts, interests and needs of communities. An active stance for a more dialogical and inclusive nature of communication could diminish the risk for dissonance, conflict, and negative impacts while creating conditions for positive outcomes and values in society.
瑞典契约考古(CA)体系在过去的几十年里发生了变化,并提出了新的目标,即更加以市场为导向,同时瑞典文化遗产立法和政策也提出了新的要求,即为社会提供相关知识并扩大公众的参与。在本文中,我将根据罗德尼-哈里森(Rodney Harrison)的批判性遗产研究,从三个主要方面对瑞典的文化遗产体系和计划进行研究,尤其关注管理工具 "仪器"。例如,最近的一项调查显示,有批评意见认为,瑞典中央行政机构目前的形式是不可持续和低效的。这包括政党之间以及与系统外的参与者和利益相关者之间的关系存在缺陷。在实现新的遗产目标方面也存在着民主差异。我认为,哈里森关于遗产的批判性观点可以用来论证瑞典文化遗产管理局的作用和边界的变化,同时考虑到当地的环境条件、社区的利益和需求。积极倡导更具对话性和包容性的交流,可以减少不和谐、冲突和负面影响的风险,同时为社会的积极成果和价值观创造条件。
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引用次数: 0
Body Modification on Viking Age Gotland 维京时代哥特兰岛的人体改造
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.09
Matthias Toplak, Lukas Kerk
In recent years, research has provided evidence for permanent body modification in the Viking Age. Based on the current state of research, we identified around 130 male-gendered individuals from Scandinavia and beyond with dental alterations in form of horizontal furrows, most of them stemming from the Baltic isle of Gotland. We suggest that this custom was used as a sign of identification for a closed group of merchants. In contrast, artificial cranial modifications in the Viking Are so far are only known from three female individuals from Gotland. While both forms of body modification have received wide attention in other cultural contexts, the specific expressions of these customs in Viking Age society still lack systematic investigation with regard to their social implications. Based on the archaeological concept of embodiment and modern communication theories we discuss the perception of modified human bodies as media for the presentation and construction of social identities on Viking Age Gotland.
近年来的研究为维京时代的永久性身体改造提供了证据。根据目前的研究现状,我们从斯堪的纳维亚半岛及其他地区发现了约 130 名牙齿上有横沟的男性,其中大部分来自波罗的海的哥特兰岛。我们认为,这种习俗被用作一个封闭的商人群体的身份标志。与此相反,维京地区的人工颅骨修饰迄今为止只从哥特兰的三名女性身上了解到。虽然这两种形式的身体改造在其他文化背景下受到广泛关注,但这些习俗在维京时代社会中的具体表现仍缺乏对其社会影响的系统研究。基于 "体现 "的考古概念和现代传播理论,我们将讨论在维京时代的哥特兰,人们是如何将改造后的人体视为展示和构建社会身份的媒介的。
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引用次数: 0
New Research Project: Uppåkra - the Hall on the Height. Investigating a Long-term Iron Age Residence 新研究项目:Uppåkra - 高处的大厅。调查一处铁器时代的长期居住地
Q1 Arts and Humanities Pub Date : 2024-02-24 DOI: 10.37718/csa.2023.16
Torbjörn Ahlström, Mats Roslund, Håkan Aspeborg
, plant
植物
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引用次数: 0
There is No Essential Museum 没有必要的博物馆
Q1 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.37718/csa.2022.03
Caroline Owman
As a museologist, and having worked many years in museums of cultural history and on museum exhibitions, I always find it very inspiring and highly interesting to read well-thought-out texts about actual museum exhibitions, and Søren M. Sindbæk’s (2022) article ‘Pirates in the Age of Populism – New Viking Exhibitions in Stockholm and Copenhagen’ is no exception. Well written, and with a clear stance, Sindbæk gives us a vivid overview, and an engaged review, of two recently opened Scandinavian exhibitions about the Vikings. If museums and museum exhibitions are to have an opportunity to develop, feedback of this sort is highly valuable. Heritage exhibition reviews are – at least in a Swedish context, with the now well-established digital museum magazine Utställningskritik, Exhibition Critique, at the forefront – entering the realm of professional criticism where reviews of literature, art and music have for ages created discussion and sparked debate, and this is just amazing. Sindbæk guides us through the two exhibitions with wit and authority; I have no problem at all in relating to his feeling of ‘metal fatigue’, having seen exhibitions with way too many objects in that material category. Another, more heartbreaking, highlight is Sindbæk’s beautifully-captured reflection on the mounting of a block-lifted child’s grave, the Birka Girl, in the exhibition at the Swedish History Museum. The ‘star of the former exhibition’, Sindbæk (2022:13–14) writes, now seems a bit oddly placed: ‘She is waiting in the corridor as you leave the last room, penned in
作为一名博物馆学家,我在文化历史博物馆和博物馆展览中工作了多年,阅读关于实际博物馆展览的经过深思熟虑的文本总是非常鼓舞人心,也非常有趣,Søren M.Sindbæk(2022)的文章《民粹主义时代的海盗——斯德哥尔摩和哥本哈根的新维京展览》也不例外。Sindbæk写得很好,立场明确,为我们提供了一个生动的概述,并对最近开幕的两个关于维京人的斯堪的纳维亚展览进行了深入的回顾。如果博物馆和博物馆展览要有发展的机会,这种反馈是非常有价值的。遗产展览评论——至少在瑞典的背景下,现在已经成熟的数字博物馆杂志《Utställningskritik,exhibition Critique》处于最前沿——进入了专业批评领域,文学、艺术和音乐评论多年来一直在引发讨论和争论,这真是令人惊讶。Sindbæk以智慧和权威引导我们完成这两个展览;我对他“金属疲劳”的感觉没有任何疑问,因为我看过太多属于这一材料类别的展览。另一个更令人心碎的亮点是,在瑞典历史博物馆的展览中,Sindbæk对一个用石块抬起来的儿童坟墓Birka Girl的安装进行了美丽的反思。Sindbæk(2022:13-14)写道,“前展览的明星”现在的位置似乎有点奇怪:“当你离开最后一个房间时,她在走廊里等着,写着
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引用次数: 0
Editorial 编辑
Q1 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.37718/csa.2022.00
Sophie Bergerbrant, Alison Klevnäs
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引用次数: 0
期刊
Current Swedish Archaeology
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