{"title":"The Geological Unconscious: German Literature and the Mineral Imaginary by Jason Groves (review)","authors":"Peter S. Erickson","doi":"10.1353/gyr.2022.0028","DOIUrl":"https://doi.org/10.1353/gyr.2022.0028","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129085760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction to Special Section \"Movement\": Movement and the Modern","authors":"Heidi M. Schlipphacke","doi":"10.1353/gyr.2022.0011","DOIUrl":"https://doi.org/10.1353/gyr.2022.0011","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131888030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fictions of Legibility: The Human Face and Body in Modern German Novels from Sophie von La Roche to Alfred Döblin by Gabriela Stoicea (review)","authors":"Joseph D. O’Neil","doi":"10.1353/gyr.2022.0036","DOIUrl":"https://doi.org/10.1353/gyr.2022.0036","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132181670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:With over 150 exhibits and various installations, the exhibition "Hölderlin, Celan and the Languages of Poetry" at the Museum of Modern Literature of the Deutsches Literaturarchiv Marbach shows different ways of reading Hölderlin: close reading; distant reading and scalable reading; hermeneutic and formalist-structuralist, text-genetic, production- and material-aesthetic reading; as well as reception-historical oriented reading. In addition, the exhibition investigates the reading of Hölderlin's poems with the help of its visitors by means of empirical reading research—i.e., reading Hölderlin in the archive and in the laboratory. These Hölderlin readings are presented in this article, related to literary-scientific and cognitive-psychological dimensions, and questioned with regard to the particularities of the genre "literature exhibition"—i.e., which forms of reading and the aesthetic experience of literature are at all possible in a literature exhibition and which are characteristic for it?
{"title":"Wie man Hölderlin in einer Ausstellung lesen kann","authors":"Heike Gfrereis","doi":"10.1353/gyr.2022.0006","DOIUrl":"https://doi.org/10.1353/gyr.2022.0006","url":null,"abstract":"Abstract:With over 150 exhibits and various installations, the exhibition \"Hölderlin, Celan and the Languages of Poetry\" at the Museum of Modern Literature of the Deutsches Literaturarchiv Marbach shows different ways of reading Hölderlin: close reading; distant reading and scalable reading; hermeneutic and formalist-structuralist, text-genetic, production- and material-aesthetic reading; as well as reception-historical oriented reading. In addition, the exhibition investigates the reading of Hölderlin's poems with the help of its visitors by means of empirical reading research—i.e., reading Hölderlin in the archive and in the laboratory. These Hölderlin readings are presented in this article, related to literary-scientific and cognitive-psychological dimensions, and questioned with regard to the particularities of the genre \"literature exhibition\"—i.e., which forms of reading and the aesthetic experience of literature are at all possible in a literature exhibition and which are characteristic for it?","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124694586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing the Self, Creating Community: German Women Authors and the Literary Sphere, 1750–1850 ed. by Elisabeth Krimmer and Lauren Nossett (review)","authors":"Laura Deiulio","doi":"10.1353/gyr.2022.0031","DOIUrl":"https://doi.org/10.1353/gyr.2022.0031","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126657752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In his collection of poems, West-östlicher Divan (West-Eastern Divan), Goethe develops a novel concept of mobile authorship, which opposes the notion of a fixed, unified, and authoritative authorial voice. The poems in this collection thematize movement between East and West, and further envision this movement as a dialogue between poets, Persian and German, separated by time and space. While the untethering of words, or poetic voice, from the poet's physical body sets in motion the creative process that drives the collection, the ideal of poetic movement as an exchange among equals is not always realized: Goethe's authorial collaboration with Marianne von Willemer, including her authorship of certain poems of the Divan, remained unacknowledged and largely unknown until after his death. The poems of the Divan reflect on this tension between the poetic ideal of free movement as equal exchange and the threat of constraint or appropriation connected to the notion of mobile authorship.
摘要:歌德在他的诗集《西方-östlicher帝凡》(West- eastern Divan)中提出了一种新颖的“流动作者”概念，反对固定的、统一的、权威的作者声音。这本诗集的诗歌主题是东西方之间的运动，并进一步设想这种运动是波斯和德国诗人之间的对话，被时间和空间分开。虽然从诗人的身体中解放出来的文字或诗歌声音推动了创作过程，推动了这部诗集的创作，但诗歌运动作为平等交流的理想并不总是实现的:歌德与玛丽安·冯·威勒默(Marianne von Willemer)的创作合作，包括她对Divan的某些诗歌的创作，直到他去世后才得到承认，在很大程度上不为人知。迪凡的诗歌反映了自由流动的诗歌理想与平等交换之间的紧张关系，以及与流动作者概念相关的约束或挪用的威胁。
{"title":"\"Was bedeutet die Bewegung?\": Authorship as Movement in Goethe's West-östlicher Divan","authors":"Eleanor E. Ter Horst","doi":"10.1353/gyr.2022.0015","DOIUrl":"https://doi.org/10.1353/gyr.2022.0015","url":null,"abstract":"Abstract:In his collection of poems, West-östlicher Divan (West-Eastern Divan), Goethe develops a novel concept of mobile authorship, which opposes the notion of a fixed, unified, and authoritative authorial voice. The poems in this collection thematize movement between East and West, and further envision this movement as a dialogue between poets, Persian and German, separated by time and space. While the untethering of words, or poetic voice, from the poet's physical body sets in motion the creative process that drives the collection, the ideal of poetic movement as an exchange among equals is not always realized: Goethe's authorial collaboration with Marianne von Willemer, including her authorship of certain poems of the Divan, remained unacknowledged and largely unknown until after his death. The poems of the Divan reflect on this tension between the poetic ideal of free movement as equal exchange and the threat of constraint or appropriation connected to the notion of mobile authorship.","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126596868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Throughout the twentieth century Friedrich Hölderlin's work has served as a lodestar for avant-garde reading practices that brought a scientific meticulousness to revelatory and disruptive intentions. A general appreciation of Hölderlin's peculiar intensity begins with Norbert von Hellingrath and his philological project of textual reconstruction. It is this project that supports the readings that Stefan George and his circle and Walter Benjamin produce after the First World War, as well as Martin Heidegger's during the Second. In its fragmentary character, Hölderlin's archive demands to an unusual extent the procedures of scientific philology, which encounters, for its part, a work, in its intimacy with young Hegel and Schelling, that is uniquely proximate to dialectical speculation. In the postwar years, the methodological conflicts between Friedrich Beissner's Grosse Stuttgarter Ausgabe and D. E. Sattler's Frankfurter Ausgabe implicate the continuing relevance of philology to newer critical readings by Theodor Adorno, Peter Szondi, and later deconstructive expositions of Hölderlin's writing. In his meteoric trajectory along a philosophical parabola from lyric expressive traditions into what Maurice Blanchot has called "madness par excellence," Hölderlin presents an absolute intensification of the question of reading. His paradoxical incomparability flashes forth at the intersection of anonymous science, universal philosophy, and impersonal pathology, where the literary and the literal touch and repel each other.
{"title":"Eine andere Klarheit: Hölderlin, Philology, and the Idea of Rigor in Literary Study","authors":"J. Mcfarland","doi":"10.1353/gyr.2022.0008","DOIUrl":"https://doi.org/10.1353/gyr.2022.0008","url":null,"abstract":"Abstract:Throughout the twentieth century Friedrich Hölderlin's work has served as a lodestar for avant-garde reading practices that brought a scientific meticulousness to revelatory and disruptive intentions. A general appreciation of Hölderlin's peculiar intensity begins with Norbert von Hellingrath and his philological project of textual reconstruction. It is this project that supports the readings that Stefan George and his circle and Walter Benjamin produce after the First World War, as well as Martin Heidegger's during the Second. In its fragmentary character, Hölderlin's archive demands to an unusual extent the procedures of scientific philology, which encounters, for its part, a work, in its intimacy with young Hegel and Schelling, that is uniquely proximate to dialectical speculation. In the postwar years, the methodological conflicts between Friedrich Beissner's Grosse Stuttgarter Ausgabe and D. E. Sattler's Frankfurter Ausgabe implicate the continuing relevance of philology to newer critical readings by Theodor Adorno, Peter Szondi, and later deconstructive expositions of Hölderlin's writing. In his meteoric trajectory along a philosophical parabola from lyric expressive traditions into what Maurice Blanchot has called \"madness par excellence,\" Hölderlin presents an absolute intensification of the question of reading. His paradoxical incomparability flashes forth at the intersection of anonymous science, universal philosophy, and impersonal pathology, where the literary and the literal touch and repel each other.","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133023815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Market Strategies and German Literature in the Long Nineteenth Century ed. by Vance Byrd and Ervin Malakaj (review)","authors":"Karin Baumgartner","doi":"10.1353/gyr.2022.0025","DOIUrl":"https://doi.org/10.1353/gyr.2022.0025","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114798569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Articulate Precision and Ineffable Meaning in Hölderlin: A Commentary","authors":"M. Roche","doi":"10.1353/gyr.2022.0010","DOIUrl":"https://doi.org/10.1353/gyr.2022.0010","url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123399075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article on the 1932 Goethe Year in Buenos Aires is a prequel to my study on the 1949 Argentine Goethe Year, which appeared in the 2021 Goethe Yearbook. The essay at hand examines commemorations of Goethe from March to October 1932 amid acute political, social, and economic crises in authoritarian Argentina. Its purview spans musical performances, school festivities, academic lectures, gallery exhibitions, and written scholarship. While most activities occurred in Buenos Aires, this transatlantic investigation also covers Argentine perceptions of European Goethe tributes and publications. No German author was so widely acclaimed; thus, the homages permit an analysis of Goethe's resonance across the breadth of Argentina's educated population, including Argentines of diverse political persuasions, European nationals and immigrants, and German-speaking nationalist and republican blocs. Goethe's reception also sheds insights on local perspectives concerning the global clash between humanism and nationalism, German and Latin American literary history, and the intensifying factionalism in German Buenos Aires. The 1932 Goethe Year reveals how host and immigrant populations drew hope from the iconic poet in a futile attempt to confront the foreboding times that would see humanity plunge to a nadir.
{"title":"Fleeting Hope in Foreboding Times: The 1932 Goethe Year in Argentina","authors":"Robert Kelz","doi":"10.1353/gyr.2022.0004","DOIUrl":"https://doi.org/10.1353/gyr.2022.0004","url":null,"abstract":"Abstract:This article on the 1932 Goethe Year in Buenos Aires is a prequel to my study on the 1949 Argentine Goethe Year, which appeared in the 2021 Goethe Yearbook. The essay at hand examines commemorations of Goethe from March to October 1932 amid acute political, social, and economic crises in authoritarian Argentina. Its purview spans musical performances, school festivities, academic lectures, gallery exhibitions, and written scholarship. While most activities occurred in Buenos Aires, this transatlantic investigation also covers Argentine perceptions of European Goethe tributes and publications. No German author was so widely acclaimed; thus, the homages permit an analysis of Goethe's resonance across the breadth of Argentina's educated population, including Argentines of diverse political persuasions, European nationals and immigrants, and German-speaking nationalist and republican blocs. Goethe's reception also sheds insights on local perspectives concerning the global clash between humanism and nationalism, German and Latin American literary history, and the intensifying factionalism in German Buenos Aires. The 1932 Goethe Year reveals how host and immigrant populations drew hope from the iconic poet in a futile attempt to confront the foreboding times that would see humanity plunge to a nadir.","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130207724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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