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Enduring the Autoimmune Aporia of Democratic Sovereignty 忍受民主主权的自身免疫性恐慌
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37171
Janar Mihkelsaar
This article aims to read Rogues in order to argue that Derrida is neither an advocate of pure democracy nor a critic of sovereignty in general, but rather a thinker of democratic sovereignty that is based on articulating aporetic transactions between the exigency of the possible and what disrupts the order of the possible, i.e., the necessity of sovereign calculations and the exigency of a democratic “promise.” Present-day politics illustrate the “autoimmune” collapse of aporetic transactions: neoliberals hypostasize an existing democracy and protect it against popular sovereignty, while populists hypostasize nation-state sovereignty and immunize it against the promise of “democracy to come.”
本文旨在阅读《侠盗》,以证明德里达既不是纯粹民主的倡导者,也不是一般主权的批评者,而是民主主权的思想家,民主主权的思想家基于对可能的迫切性和破坏可能秩序的事物之间的表达,即主权计算的必要性和民主“承诺”的迫切性。当今政治说明了虚幻交易的“自身免疫”崩溃:新自由主义者将现有的民主本质化,并保护它免受人民主权的侵害,而民粹主义者将民族国家主权本质化,并使其免受“即将到来的民主”的承诺。
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引用次数: 0
Over het belang van een politieke data-ethiek 关于政治数据伦理的重要性
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37356
G. V. Maanen
Recensie van Miriam Rasch Frictie: Ethiek in tijden van dataïsme. Amsterdam: De Bezige Bij (2020).
Miriam Rasch:数据主义时代的伦理。阿姆斯特丹:De Bezige Bij(2020)。
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引用次数: 0
Radicalizing Populism and the Making of an Echo Chamber: The Case of the Italian Anti-Vaccination Movement 激进的民粹主义和回音室的形成:意大利反疫苗运动的案例
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37163
N. Rietdijk
In this article, I call attention to the relation between populist rhetoric and the creation and reinforcement of echo chambers. Looking at the case of the Italian anti-vaccination movement, I demonstrate that populist rhetoric has reshaped the echo chamber in order to politically mobilize it, by focusing its attention towards distrusting a (liberal) epistemic elite, thus further contributing to a post-truth narrative. I further argue that populism and echo chambers in general are conceptually linked through their dichotomous division of society and rejection of legitimate opposition.
在本文中,我呼吁关注民粹主义言论与回音室的产生和加强之间的关系。以意大利反疫苗运动为例,我证明了民粹主义言论重塑了回声室,通过将注意力集中在不信任(自由主义)知识精英上,从而在政治上动员它,从而进一步促进了后真相叙事。我进一步认为,民粹主义和回声室在概念上是联系在一起的,因为它们对社会的两分法划分和对合法反对的拒绝。
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引用次数: 3
Sensing the ‘Contemporary Condition’: The Chronopolitics of Sensor-Media 感知“当代状况”:传感器媒体的时间政治学
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.36967
S. Scholz
Ubiquitous and pervasive micro-technologies of sensing have become one of the dominant yet vastly under-researched media of knowledge production. This article discusses the relevance of conceptualizing sensor-technologies as media. Beyond their technical affordances sensor-media act as agents of implementing and activating a more-than-human sensorium within contemporary technoecological assemblages. They actively participate in a comprehensive re-articulation and problematization of what it means ‘to sense’ under current technological conditions. Media-saturated responsive environments operate on their own terms and, for the larger part, on a micro-temporal scale that remains inaccessible to human sense perception. The aim of the article is to delineate the onto-epistemological challenges posed by sensor-media under conditions of intensified global computation, technological interconnectedness, and the ontogenesis of technoecological milieus, their respective temporalities and (an)aesthetics of experienced time.
无处不在和无处不在的传感微技术已经成为知识生产的主要媒介之一,但研究还远远不够。本文讨论了将传感器技术概念化为媒体的相关性。除了它们的技术能力之外,传感器媒介在当代技术生态组合中充当执行和激活超越人类感官的代理人。他们积极参与对当前技术条件下“感知”含义的全面重新阐释和问题化。媒体饱和的反应性环境按照自己的条件运作,并且在更大程度上,在人类感官无法感知的微观时间尺度上运作。本文的目的是描述在全球计算加剧、技术互联、技术生态环境的本体发生、它们各自的时间性和经验时间美学的条件下,传感器媒介所带来的本体认识论挑战。
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引用次数: 0
On the Reissue of The Authoritarian Personality 论《权威人格》的再版
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37213
Stefan Niklas
Review of Theodor W. Adorno, Else Frenkel-Brunswik, Daniel J. Levinson & R. Nevitt Sanford in collaboration with Betty Aron, Maria Hertz Levinson, and William Morrow (2019) The Authoritarian Personality. With an Introduction by Peter E. Gordon. London/New York: Verso.
评论Theodor W. Adorno, Else frenkell - brunswik, Daniel J. Levinson和R. Nevitt Sanford与Betty Aron, Maria Hertz Levinson和William Morrow合作(2019)的威权人格。由彼得·e·戈登介绍。伦敦/纽约:反之。
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引用次数: 0
Neoliberalism as Frankenstein and an Unfinished Monster 新自由主义是弗兰肯斯坦和未完成的怪物
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37309
Casper Verstegen
Review of: Wendy Brown (2019) In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West. New York: Columbia University Press. 249 pp.
评论:温迪·布朗(2019)在新自由主义的废墟:西方反民主政治的兴起。纽约:哥伦比亚大学出版社,249页
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引用次数: 0
The Rise of Neo-Illiberalism 新非自由主义的兴起
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.40.2.37158
Reijer P Hendrikse
This paper expands on the notion neo-illiberalism, signifying a symbiosis between neoliberal capitalism and variegated illiberal nationalisms, offering deeper reflections on its geopolitics, key drivers, and conceptual puzzles. It is argued that the West has entered an age of political illiberalization, replicating political operating logics of variegated illiberal(izing) regimes elsewhere, corroding domestic institutions and the western-dominated international liberal order, constituting an historic geopolitical shift. Although centrist parties have been variably attracted to the far right, particularly seeing center-right parties reinvent themselves as nationalist challengers to the ‘globalist’ status quo, in power they mostly radicalize the neoliberal encasement of capital, transforming a range of liberal-democratic institutions, procedures, and rights into illiberal political fortifications. Neoliberalism’s illiberal mutation has been realized amidst the intersections of rampant financial offshoring and digitization defining contemporary capitalism, allowing billionaire-class factions to ‘hack’ liberal-democratic governments and operating systems. With the rollout of data-driven technologies increasingly requiring the rollback of liberal protections by design, the fusion of digitizing capitalism and illiberal nationalisms is increasingly escaping accepted notions of liberalism.
本文扩展了新非自由主义的概念,表明了新自由主义资本主义与各种非自由民族主义之间的共生关系,对其地缘政治、关键驱动因素和概念难题提供了更深入的思考。文章认为,西方已经进入了一个政治非自由化的时代,复制了其他地方各种非自由化政权的政治运作逻辑,侵蚀了国内制度和西方主导的国际自由秩序,构成了历史性的地缘政治转变。虽然中间派政党被极右翼所吸引,尤其是看到中右翼政党将自己重塑为“全球主义”现状的民族主义挑战者,但在执政期间,他们大多将资本的新自由主义包围激进化,将一系列自由民主制度、程序和权利转变为非自由主义的政治堡垒。新自由主义的非自由主义突变是在猖獗的金融离岸外包和定义当代资本主义的数字化的交叉点上实现的,允许亿万富翁阶级派系“入侵”自由民主政府和操作系统。随着数据驱动技术的推出,越来越多地要求自由主义保护措施的设计倒退,数字化资本主义和不自由的民族主义的融合越来越多地逃避了公认的自由主义观念。
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引用次数: 10
The Post-Depressive Constellation: From Political Effervescence to the Rise of Right-Wing Authoritarianism in Brazil 后抑郁星座:从政治泡沫到巴西右翼威权主义的兴起
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37167
Arthur Bueno
On the basis of an analysis of Brazil’s political history from 2013 to the present, this essay advances the idea that the current rise of the far right – in that country and possibly elsewhere – can be understood as one among various political expressions of a ‘post-depressive constellation.’ Such a diagnosis takes its cue from analyses which, in the 1990s and 2000s, recognised in the rapid increase in the depression rates an index of major social transformations occurring in the last decades of the 20th century. The foregrounding of depression in clinical diagnoses was considered, then, the sign of a new social order: one in which individuals were faced with ever stronger requirements of self-responsibility and authentic self-realization (i.e., the demand of ‘being oneself’) in a context of declining social support and escalating inequality, competition and precariousness. Today, however, we seem to have reached a point at which the tensions of this order – which can be designated, metonymically, as the ‘depressive society’ – intensified to such an extent that its persistence appears to be seriously compromised. It is in this sense that we may speak of a post-depressive constellation: a situation in which the social psychological tensions of the depressive order have reached a peak, leading to a variety of reactions and struggles but not yet to the establishment of a new consensus and a stable institutional framework. While suggesting that such a diagnosis might be significant for understanding contemporary political processes in many parts of the world, this essay will focus on how these dynamics have unravelled in Brazil’s recent political life – from the mass demonstrations of June 2013 to the rise of new right-wing movements that culminated in the election of Jair Bolsonaro. The Brazilian case seems, indeed, particularly well-suited to examine the contours and outcomes of this possibly broader process. It allows, in particular, for the distinction of two political forms that have taken centre stage in the past years and can be understood as reactions to core tensions of the depressive order: ‘post-depressive effervescence’ (as it emerged in key moments of the June 2013 protests and their continuation in the following months) and ‘post-depressive authoritarianism’ (as it has progressively built up from the 2013 demonstrations to the election of Bolsonaro).
在分析巴西从2013年至今的政治史的基础上,本文提出了这样一种观点,即当前极右翼的崛起——在巴西以及可能在其他地方——可以被理解为“后抑郁星座”的各种政治表现之一。上世纪90年代和21世纪头十年的分析表明,抑郁症发病率的快速上升是20世纪最后几十年发生的重大社会变革的一个指标。因此,抑郁症在临床诊断中的前景被认为是一种新的社会秩序的标志:在社会支持下降、不平等、竞争和不稳定加剧的背景下,个人面临着越来越强的自我责任和真实自我实现的要求(即“做自己”的要求)。然而,今天,我们似乎已经达到了这样一个点,即这种秩序的紧张关系——可以转喻地称为“抑郁社会”——加剧到如此程度,以至于它的持久性似乎受到严重损害。正是在这个意义上,我们可以谈论一个后抑郁星座:在这种情况下,抑郁秩序的社会心理紧张达到了顶峰,导致了各种各样的反应和斗争,但尚未建立新的共识和稳定的制度框架。虽然表明这种诊断可能对理解世界许多地方的当代政治进程具有重要意义,但本文将重点关注这些动态如何在巴西最近的政治生活中展开-从2013年6月的大规模示威活动到新右翼运动的兴起,最终导致雅伊尔·博尔索纳罗(Jair Bolsonaro)当选。的确,巴西的情况似乎特别适合用来考察这一可能更为广泛的进程的轮廓和结果。它特别允许区分两种政治形式,这两种政治形式在过去几年中占据了中心舞台,可以理解为对抑郁秩序核心紧张局势的反应:“后抑郁泡沫”(正如它在2013年6月抗议活动的关键时刻出现的那样,并在随后的几个月里继续存在)和“后抑郁威权主义”(正如它从2013年的示威活动到博尔索纳罗的选举中逐渐建立起来的那样)。
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引用次数: 1
The "Primal Pseudos": Adorno's Concept of Nationalism “原始伪”:阿多诺的民族主义概念
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37165
Wacyl Azzouz
Even though the term “primal pseudos” appears only once in Theodor W. Adorno’s lecture History and Freedom, it is the key for the understanding of Adorno’s concept of nation and nationalism. In the aforementioned lecture the term “primal pseudos” describes the contradiction immanent in the concept of the nation. The critical investigation into the immanent contradiction of the concept of the nation discloses the impossibility of what nationalism wants rather than its falseness.
尽管“原始伪”一词在阿多诺的《历史与自由》演讲中只出现过一次,但它却是理解阿多诺民族和民族主义概念的关键。在前面的演讲中,“原始伪”一词描述了民族概念中固有的矛盾。对民族概念内在矛盾的批判性考察揭示了民族主义所要的不可能性,而不是它的虚假性。
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引用次数: 0
Belief Beyond Belief: On Fashwave’s Esoteric Future Past 超越信仰的信仰:关于时尚波神秘的未来过去
Q3 Arts and Humanities Pub Date : 2021-06-15 DOI: 10.21827/KRISIS.41.1.37162
M. Tuters
This essay looks at the use of vernacular web culture by the new right. Specifically it focuses on how, in recent years, the new right appropriated a genre of web aesthetics known as ‘vapourwave’ to create the sub-genre of ‘fashwave’. Like vapourwave before it, fashwave taps into web cultural imaginary that is nostalgic for an imagined ‘cyberpunk’ past future — but while the former has been the subject of a monograph (Tanner 2016), very little has yet been written on the latter. Largely ignored within mainstream popular culture, these ‘—wave’ aesthetics flourish on the ‘deep vernacular web’ (de Zeeuw & Tuters 2019) of imageboards and web fora. As trivial as many fashwave memes may appear, this paper argues that they can be understood as the aesthetic manifestations of a contemporary renaissance in esoteric “traditionalism” — a discourse that posits an alternative theory of western culture, and which was influential on 20th century ideologues. The essay argues that fashwave transposes traditionalism’s fantasy of imagined past glories into an imagined future — one that is informed by the vapourwave’s distinctly vernacular nostalgia for masculine cyberpunk aesthetics. 
本文着眼于新右派对本土网络文化的使用。具体来说,它关注的是近年来,新右翼如何利用一种被称为“蒸汽波”的网络美学流派来创造“时尚波”的子流派。就像之前的vapourwave一样,“时尚波”利用了网络文化的想象,对想象中的“赛博朋克”过去的未来充满怀旧之情。但是,尽管前者已经成为专著(Tanner 2016)的主题,但关于后者的文章却很少。在主流流行文化中,这些“浪潮”美学在图像板和网络论坛的“深度本土网络”(de Zeeuw & Tuters 2019)上蓬勃发展。尽管许多时尚波模因看起来微不足道,但本文认为,它们可以被理解为深奥的“传统主义”当代复兴的美学表现。传统主义是一种假设西方文化替代理论的话语,对20世纪的思想家产生了影响。这篇文章认为,时尚浪潮将传统主义对过去辉煌的想象转变为对未来的想象——这是由蒸汽浪潮对男性赛博朋克美学的独特的乡土怀旧所决定的。
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引用次数: 1
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Krisis
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