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In Memoriam, Dr. George Bournoutian (1943–2021) 纪念乔治·布尔努提安博士(1943-2021)
Pub Date : 2021-10-12 DOI: 10.1163/26670038-12342752
Bedross Der Matossian
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引用次数: 0
Liberating the Artist or Controlling the Narrative? A Review of Arshile Gorky 1904–1948, edited by Gabriella Belli and Edith Devaney 解放艺术家还是控制叙事?《阿尔希尔·高尔基1904-1948评论》,由加布里埃拉·贝利和伊迪丝·德瓦尼编辑
Pub Date : 2021-10-12 DOI: 10.1163/26670038-12342753
V. Davidian
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引用次数: 0
A Museum, a World, a Poem: The Parajanov Museum as an Answer to Disorientation 一个博物馆,一个世界,一首诗:帕拉亚诺夫博物馆作为迷失方向的答案
Pub Date : 2021-10-11 DOI: 10.1163/26670038-12342754
Arto Vaun
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引用次数: 0
The Soundscapes of Our Elsewheres 我们其他地方的音景
Pub Date : 2021-10-11 DOI: 10.1163/26670038-12342755
S. Alajaji
In this article, ethnomusicologist Sylvia Angelique Alajaji interviews electronic music composer, filmmaker, sound artist, and producer Lara Sarkissian on her career, artistic process, making music as an Armenian in diaspora, and the ways she uses music to bring into conversation the various (often quieted) presents of the diaspora with its many (often quieted) pasts, thus creating soundscapes of future possibility.
在这篇文章中,民族音乐学家Sylvia Angelique Alajaji采访了电子音乐作曲家、电影制作人、声音艺术家和制作人Lara Sarkissian,谈论她的职业生涯、艺术过程、作为散居亚美尼亚人创作音乐的方式,以及她如何利用音乐将散居亚美尼亚人的各种(通常安静的)礼物与其许多(通常安静的)过去引入对话,从而创造未来可能性的音景。
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引用次数: 0
Firdus: The Memory of a Place, edited by Tigran Amiryan 《Firdus:一个地方的记忆》,由Tigran Amiryan编辑
Pub Date : 2021-10-04 DOI: 10.1163/26670038-12342747
Vigen Galstyan
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引用次数: 0
Բեմի Ենկերներս, written by ՅԱԿՈԲ ԱՅՎԱԶ ԲեմիԵնկերներս,作者:ՅԱԿՈԲԱՅՎԱԶ
Pub Date : 2021-10-04 DOI: 10.1163/26670038-12342749
Sosy Mishoyan Dabbaghian (ՍՕՍԻ ՄԻՇՈՅԵԱՆ
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引用次数: 0
Leaving a Life Behind: Eliza Binemeciyan’s Encounter with “the Banality of Evil” 留下一生:伊丽莎·比内梅奇扬与“平庸的邪恶”的邂逅
Pub Date : 2021-10-04 DOI: 10.1163/26670038-12342750
A. Kadıoğlu
Among the Armenian actors who were essential in creating and sustaining Istanbul theaters at the turn of the twentieth century, Eliza Binemeciyan (1890-1981) emerged as a prominent one. In the aftermath of taking part in the play Kösem Sultan in 1912, she became the star of Istanbul theaters for more than a decade until she left her beloved city when she was 35 years old. She never returned to Istanbul, the city that was her home and where the remains of her parents, both well known Armenian actors, were buried. Her story as well as the stories of her Armenian colleagues reveal the decline of cosmopolitanism and the rise of nationalism in Istanbul. The change of scene in Istanbul theaters from multi-lingualism and cosmopolitanism to nationalism was like a microcosm of the policies of Turkification during the decline of the Ottoman Empire. In many memoirs about the era, Eliza Binemeciyan’s departure was normalized since she was depicted as an actor whose absence fostered the acting careers of Muslim Turkish women without much regard for her remarkable presence in Istanbul theaters.
二十世纪之交,在创造和维持伊斯坦布尔剧院必不可少的亚美尼亚演员中,伊莱扎·比内梅奇扬(1890-1981)脱颖而出。1912年,她出演了戏剧《Kösem Sultan》,此后十多年来,她一直是伊斯坦布尔剧院的明星,直到她35岁时离开了她心爱的城市。她再也没有回到伊斯坦布尔,这座城市是她的家,也是她父母的遗体埋葬的地方,他们都是著名的亚美尼亚演员。她的故事以及她的亚美尼亚同事的故事揭示了伊斯坦布尔世界主义的衰落和民族主义的兴起。伊斯坦布尔剧院从多语言、世界主义到民族主义的转变,是奥斯曼帝国衰亡时期突厥化政策的一个缩影。在许多关于那个时代的回忆录中,伊莉莎·比内梅奇扬(Eliza Binemeciyan)的离开被认为是常态化的,因为她被描述为一名演员,她的离开促进了穆斯林土耳其女性的演艺事业,而没有多少人注意到她在伊斯坦布尔剧院的出色表现。
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引用次数: 0
From the Kur to the Aras: A Military History of Russia’s Move into the South Caucasus and the First Russo-Iranian War, 1801–1813, written by George A. Bournoutian 从库尔到阿拉斯:1801-1813年俄罗斯进入南高加索和第一次俄伊战争的军事史,作者:乔治·A·布尔努提安
Pub Date : 2021-10-04 DOI: 10.1163/26670038-12342748
J. Kéchichian
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引用次数: 0
Women, Too, Were Blessed: The Portrayal of Women in Early Christian Texts, written by David Zakarian 《女人也受祝福:早期基督教文本中的女性形象》,作者:大卫·扎卡里安
Pub Date : 2021-10-04 DOI: 10.1163/26670038-12342746
Katelyn M. Franklin, Ani Honarchian
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引用次数: 0
Invisible to the Eye (Ah Gözel İstanbul), written by Zeynep Dadak 《看不见的眼睛》(Ah Gözel İstanbul),作者:Zeynep Dadak
Pub Date : 2021-09-29 DOI: 10.1163/26670038-12342751
Dana Sajdi
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引用次数: 0
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Journal of the Society for Armenian Studies
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