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Capital city boosterism as policy legitimation: A discursive perspective of Egypt's New Administrative Capital 首都支持主义作为政策的正当性:埃及新行政首都的话语视角
Q1 Social Sciences Pub Date : 2022-03-01 DOI: 10.1016/j.ccs.2021.100437
Charles Wharton Kaye-Essien, Shahjahan Bhuiyan

This article examines the legitimation of capital city relocation from a discursive perspective. It specifically focuses on how policymakers in developing countries often use boosters' language to legitimize the relocation of capital city functions. Drawing on critical discourse analysis as a theoretical frame and Egypt as a case, this article examines the ways in which government and property developers have succeeded in weaving the logics of the New Administrative Capital (NAC) into Greater Cairo's broader development discourse. The study highlights policy actors' legitimation strategies, locating them within the broader urban boosterism and south-south policy transfer literature. By emphasizing on policy actors' use of texts and imagery at the local level, the article demonstrates how discourse, as an instrument of power and control, is used by policy entrepreneurs to perpetuate non-participation in Global South urban policy-making.

本文从话语的角度考察了首都迁都的正当性。它特别关注发展中国家的政策制定者如何经常使用支持者的语言来使首都功能的迁移合法化。本文以批判性话语分析为理论框架,以埃及为案例,考察了政府和房地产开发商如何成功地将新行政首都(NAC)的逻辑融入大开罗更广泛的发展话语。该研究强调了政策行为者的合法化策略,将其置于更广泛的城市促进主义和南南政策转移文献中。通过强调政策参与者在地方层面使用文本和图像,本文展示了政策企业家如何利用话语作为权力和控制的工具,使不参与全球南方城市的政策制定。
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引用次数: 2
Street performers and donations in an online environment in the wake of COVID-19 新型冠状病毒感染症(COVID-19)后的网络环境中的街头表演和捐款
Q1 Social Sciences Pub Date : 2022-03-01 DOI: 10.1016/j.ccs.2021.100438
Meg Elkins, Tim R.L. Fry

The spread of coronavirus (COVID-19) has meant that street performers can no longer perform on the street. This has changed the landscape for the exchange for money between a street performer and their audience. The paper uses a unique data set from the online busking platform ‘The Busking Project’ (https://busk.co) to analyse whether sign up by performers to the platform and donation by individuals to street performers through the platform has changed since the World Health Organization declared COVID-19 to be a pandemic on March 11, 2020. The results show a lift both in street performers signing up to the platform and in individuals' donations to street performers after the announcement. The recovery of cities and the cultural economy from COVID-19 will not be immediate. As we move to a post COVID-19 world our results have implications for performers, for donors and for (local) governments as street performers return to the street.

新型冠状病毒(COVID-19)的传播意味着街头艺人无法再在街头表演。这改变了街头表演者和他们的观众之间金钱交易的格局。本文使用了在线街头表演平台“街头表演项目”(https://busk.co)的独特数据集,分析了自世界卫生组织于2020年3月11日宣布新冠肺炎大流行以来,表演者在平台上的注册情况和个人通过平台向街头表演者捐赠的情况是否发生了变化。结果显示,在该计划宣布后,街头艺人注册平台的人数和个人对街头艺人的捐款都有所增加。城市和文化经济不会立即从新冠肺炎疫情中复苏。随着我们进入后COVID-19世界,随着街头表演者重返街头,我们的研究结果对表演者、捐助者和(地方)政府都有影响。
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引用次数: 1
Place is memory: A framework for placemaking in the case of the human rights memorials in Buenos Aires 场所即记忆:布宜诺斯艾利斯人权纪念馆的场所构建框架
Q1 Social Sciences Pub Date : 2021-12-01 DOI: 10.1016/j.ccs.2021.100419
Marco Cremaschi

As a long tradition in urban studies made clear, the production of urban space is twofold: users continuously reshape what a contentious political process produces at first. The struggle around conflictual memories invests cities increasingly by marking spots or reshaping places to reconstruct or re-signify past events.

The politics of memory deploy a combination of argumentative, emotional and ordinary arguments. The intent is neither preserving nor deleting but re-writing memories. However, places interfere with the political and argumentative strategies making room for ordinary uses that question the stability of meanings, although not providing political answers to the issues of power and domination.

The paper introduces sense-making to suggest that places reinforce the social processes that build collective memories. The relationship between memory and place is not unidirectional. Briefly, a social process infuses place and this latter ‘hits back’. This statement leads to the apparent odd conclusion that, in the long term, place-making is as essential as the reframing of memory.

A few initiatives involving institutions, human rights movements and bottom-up initiatives in Buenos Aires are investigated: a clandestine detention centre, a memorial garden, an ordinary urban square, aiming at developing an analytical framework that highlights the details of the sense-making mechanism linking memories and places.

正如城市研究的悠久传统所表明的那样,城市空间的生产是双重的:用户不断地重塑最初有争议的政治过程所产生的东西。城市中围绕冲突记忆的斗争越来越多地通过标记地点或重塑场所来重建或重新象征过去的事件。记忆的政治运用了辩论、情感和普通辩论的组合。其目的既不是保存也不是删除,而是重写记忆。然而,地方干扰了政治和辩论策略,为质疑意义稳定性的普通用途提供了空间,尽管没有为权力和统治问题提供政治答案。这篇论文引入了“意义建构”,表明地点强化了建立集体记忆的社会过程。记忆和地点之间的关系不是单向的。简而言之,社会过程注入了场所,后者“回击”。这种说法导致了一个明显奇怪的结论,即从长远来看,场所的构建与记忆的重构一样重要。在布宜诺斯艾利斯,一些涉及机构、人权运动和自下而上倡议的倡议被调查:一个秘密拘留中心、一个纪念花园、一个普通的城市广场,旨在发展一个分析框架,突出连接记忆和地点的意义形成机制的细节。
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引用次数: 5
What it means to live in spatially diverse neighbourhoods: Understanding the socio-spatial ruptures and fortresses in Temuco 生活在空间多样化的社区意味着什么:了解Temuco的社会空间破裂和堡垒
Q1 Social Sciences Pub Date : 2021-12-01 DOI: 10.1016/j.ccs.2021.100399
Augustine Yaw Asuah , Antonio Zumelzu

This study interrogates and evaluates how current transformations in Temuco's neighbourhoods promote social and spatial diversity-in terms of the mix of land uses, housing types, urban activities, and socioeconomic characteristics of residents. Based on neighbourhood classification criteria by the National Institute of Statistics of Chile (INE), two neighbourhoods (Villa Llaima and Banco Estado1-Carabineros) in Temuco were selected for detailed study. Both spatial and Social Variables data were collected using land use maps and structured individual interviews with 100 households in the two communities. By measuring spatial and social diversity in the neighbourhoods based on Shannon's Diversity Index, the study showed that the transformations of Villa Llaima and Banco Estado1-Carabineros between 1990 and 2018 represent social and spatial dimensions of diverse urban spaces. However, However, the diversities generated have not been work out to improve connectedness and social cohesion in the two neighbourhoods. The lack of development control at the neighbourhood level, the lack of appropriate codes to address the land use mix, and the lack of neighbourhood review of projects were identified as factors contributing to the poor state of neighbourhood cohesion. Policy recommendations are offered for improving and leveraging existing diversity for place-making.

本研究从土地使用、住房类型、城市活动和居民社会经济特征的组合角度,对特穆科社区当前的转型如何促进社会和空间多样性进行了询问和评估。根据智利国家统计局(INE)的社区分类标准,选择了特穆科的两个社区(Villa Llaima和Banco Estado1-Carabineros)进行详细研究。空间变量和社会变量数据是通过土地利用图和对两个社区的100户家庭的结构化个人访谈收集的。通过基于香农多样性指数(Shannon’s diversity Index)测量社区的空间和社会多样性,研究表明,Villa laima和Banco Estado1-Carabineros在1990年至2018年间的转变代表了不同城市空间的社会和空间维度。然而,所产生的多样性并没有被用来改善两个社区的连通性和社会凝聚力。社区层面缺乏对发展的控制,缺乏处理土地使用组合的适当规范,以及缺乏对项目的社区审查,这些都被认为是导致社区凝聚力低下的因素。提出了政策建议,以改善和利用现有的多样性来制定地点。
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引用次数: 0
Exploring implicit and explicit cultural policy dimensions through major-event and neoliberal rhetoric 通过重大事件和新自由主义修辞探索隐含和明确的文化政策维度
Q1 Social Sciences Pub Date : 2021-12-01 DOI: 10.1016/j.ccs.2021.100401
Rafaela Neiva Ganga , Nicholas Wise , Marko Perić

This paper is conceptually positions the emergence of the neoliberal city in the context of transitions to late-capitalism. The aim of this study is to understand intersections between explicit and implicit cultural policy dimensions focusing on the Rijeka2020 programme as intended and how it was restructured as a response to COVID-19. Through cultural policy analysis, this ex-ante qualitative case study of the Rijeka2020 programme illuminates overlapping explicit and implicit policy priorities of the ECoC—offering a unique insight into what could potentially be the future of the European cultural policy. Rijeka2020 can be seen as a changing point amidst different rhetoric, analysed around three themes (regeneration, legacy, and participation). Results examine how Rijeka's culture-led urban regeneration agenda was shy on creative industry oriented programming, yet reinforced through capital cultural infrastructural projects. Through attempts to avoid event-led spectacle, officials planned to engage more at the neighbourhood-scale using participatory art practices that concentrated on capacity building. Important take-away points address shifts from culture-oriented regeneration to local participatory art practices is a step towards reconstructing the cultural sector upstream (based on production) and downstream (through reception).

本文从概念上定位了新自由主义城市在向晚期资本主义过渡的背景下的出现。本研究的目的是了解以Rijeka2020计划为重点的显性和隐性文化政策维度之间的交集,以及该计划如何进行重组以应对COVID-19。通过文化政策分析,Rijeka2020项目的事前定性案例研究阐明了欧共体重叠的显性和隐性政策优先事项,为欧洲文化政策的未来提供了独特的见解。Rijeka2020可以被视为不同修辞中的一个转折点,围绕三个主题(再生、遗产和参与)进行分析。结果表明,Rijeka以文化为主导的城市更新议程缺乏创意产业导向的规划,但却通过资本文化基础设施项目得到加强。通过尝试避免以事件为主导的景观,官员们计划在社区规模上更多地参与,使用专注于能力建设的参与式艺术实践。从以文化为导向的再生到当地参与式艺术实践的转变是朝着重建上游(基于生产)和下游(通过接收)文化部门迈出的重要一步。
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引用次数: 3
Evolution of the territorial field of art in a post-socialist city. Distribution patterns of private contemporary art galleries in Krakow, Poland, between 1989 and 2019 后社会主义城市艺术领域的演变。1989年至2019年间波兰克拉科夫私人当代美术馆的分布模式
Q1 Social Sciences Pub Date : 2021-12-01 DOI: 10.1016/j.ccs.2021.100402
Jarosław Działek

Private art galleries, due to their often short-lived nature stemming from the uncertainties inherent in the art world, constitute a good indicator of changes taking place within the urban space. The spatial patterns of their locations are the outcome of an interplay between the spatial choices of individual entities that respond to opportunities and constraints in different parts of the city. Such spatial patterns also reflect artistic hierarchies and oppositions within the field of visual arts, where artist-oriented and market-oriented art galleries represent different artistic communities (local, non-local) and generations (younger and aspiring, older and recognized). As a result, distinct art gallery clusters (market-oriented and artist-oriented) emerge and shape into spatial structures, which might be conceptualised as the territorial field of art. This concept is used here in a broad survey of the art gallery landscape of Krakow, a large city in southern Poland. This offers a unique opportunity to follow the development of an art gallery scene in a city widely associated with art and from the very moment when, in 1989, the newly introduced political and economic freedoms replaced the strict control of the communist regime removing barriers preventing the operation of commercial galleries and non-profit art spaces. The study involved building of a detailed database that enabled tracing the spatial choices (locations and relocations) of art galleries as far back as in the 1980s and then from 1989 to 2019. Along the detailed data review a qualitative analysis of reports in the press and on the internet provided an insight into the spatial contexts and motivations behind spatial decisions during different time periods. Four primary art gallery clusters were identified and their phases of emergence, growth and decline observed over the three decades were found to have been mutually interconnected, as well as linked with the broader functional changes developing in different parts of the inner city and with distinct artistic and spatial preferences of the successive generations of young artists and gallery owners representing them.

由于艺术界固有的不确定性,私人艺术画廊往往是短暂的,这是城市空间发生变化的一个很好的指标。它们所在位置的空间格局是个体实体的空间选择之间相互作用的结果,这些选择是对城市不同地区的机会和限制做出反应的。这样的空间格局也反映了视觉艺术领域内的艺术等级和对立,以艺术家为导向和以市场为导向的艺术画廊代表了不同的艺术群体(本地的、非本地的)和不同的世代(年轻的、有抱负的、年长的、被认可的)。因此,不同的艺术画廊集群(以市场为导向和以艺术家为导向)出现并形成空间结构,这可能被概念化为艺术的地域领域。这个概念在这里被用于对波兰南部大城市克拉科夫艺术画廊景观的广泛调查。这提供了一个独特的机会,可以在1989年,随着政治和经济自由取代了共产主义政权的严格控制,消除了商业画廊和非营利艺术空间运营的障碍,在一个与艺术广泛相关的城市中,跟踪艺术画廊的发展情况。该研究涉及建立一个详细的数据库,可以追溯到20世纪80年代和1989年至2019年的艺术画廊的空间选择(位置和搬迁)。在详细的数据审查过程中,对媒体和互联网上的报道进行了定性分析,从而深入了解了不同时期空间决策背后的空间背景和动机。我们确定了四个主要的艺术画廊集群,发现它们在过去三十年中出现、增长和衰落的阶段相互关联,并且与内城不同地区发展的更广泛的功能变化有关,并且与代表他们的几代年轻艺术家和画廊老板的独特艺术和空间偏好有关。
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引用次数: 1
The greedy unicorn: Airbnb and capital concentration in 12 European cities 贪婪的独角兽:Airbnb与欧洲12个城市的资本集中
Q1 Social Sciences Pub Date : 2021-12-01 DOI: 10.1016/j.ccs.2021.100412
Guido Anselmi , Letizia Chiappini , Federico Prestileo

Despite discourses on how digital platforms have democratized access to the market there is increasing evidence on their role in boosting concentration, as recommender algorithms and digital reputation tools usually favour a small clique of top users, this may include short term rental platforms. There is also mounting evidence regarding the production of negative externalities connected to the proliferation of Airbnb (and similar services). Our contribution investigates the political economy of concentration in Airbnb leveraging the lens of urban studies while problematizing digital platforms as key contemporary infrastructures.

Using a dataset of 6,5 million reviews from Inside Airbnb we estimate a) yearly revenue and listing concentration b) the proportion of listings which are more likely to feed negative externalities in the housing sector eg. those listing full houses and those having high availability in twelve European cities. Starting from a simple measure of a phenomenon that has hardly been quantized in recent literature, we dissect the role of STR platforms in urban political economy.

尽管有关于数字平台如何使市场准入民主化的讨论,但越来越多的证据表明,它们在提高集中度方面发挥了作用,因为推荐算法和数字声誉工具通常有利于一小部分顶级用户,这可能包括短期租赁平台。还有越来越多的证据表明,与Airbnb(以及类似服务)的激增有关的负面外部性的产生。我们的贡献是利用城市研究的视角调查Airbnb集中的政治经济学,同时将数字平台作为关键的当代基础设施提出问题。使用来自Airbnb内部的650万条评论的数据集,我们估计了a)年收入和房源集中程度b)房源更有可能在住房领域产生负面外部性的比例。在12个欧洲城市,房源已满以及房源高的房源。从一个在最近的文献中几乎没有量化的现象的简单测量开始,我们剖析了STR平台在城市政治经济中的作用。
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引用次数: 5
The economic value of heritage in England: A benefit transfer study 英国遗产的经济价值:利益转移研究
Q1 Social Sciences Pub Date : 2021-09-01 DOI: 10.1016/j.ccs.2021.100417
Ricky Lawton , Daniel Fujiwara , Susana Mourato , Hasan Bakhshi , Augustin Lagarde , John Davies

Historic buildings contribute an important part of the cultural capital of urban heritage areas. Better understanding the benefits for both users and for non-users can aid efficient allocation of resources to the preservation of heritage. Benefit transfer (BT) is an established cost-effective method for assigning economic values to public goods which have no market price, such as local heritage. BT takes stated preference data (willingness to pay (WTP)) elicited through surveys of relevant populations collected at multiple sites to produce an average or adjusted WTP value that is representative to comparable sites. Yet the empirical record is sparse for heritage assets. Consequently, BT is commonly applied without consideration of the error introduced by the transfer, or by transferring values from single-site studies, which introduces the risk of outlier bias. Our approach simultaneously collects WTP estimates from multiple heritage sites using an online survey tailored to the context of each site. This enables application of a comprehensive range of BT tests to the values obtained. We find that transfer error across the heritage sites surveyed is within accepted thresholds of error, providing confidence in the bank of values for transfer to comparable sites. We provide practical guidance on how the values obtained through our method can be applied by practitioners and government analysts, and outline the trade-offs between bulk data collection of multiple sites in a single category of cultural heritage.

历史建筑是城市遗产地文化资本的重要组成部分。更好地了解使用者和非使用者的利益,有助于有效地分配资源以保护遗产。利益转移(BT)是一种既定的具有成本效益的方法,用于为当地遗产等没有市场价格的公共物品分配经济价值。英国电信通过在多个站点收集的相关人群的调查得出陈述的偏好数据(支付意愿(WTP)),以产生对可比站点具有代表性的平均或调整的WTP值。然而,关于遗产资产的经验记录很少。因此,在应用BT时通常不考虑转移或从单点研究转移值所引入的误差,这引入了异常值偏差的风险。我们的方法同时收集多个遗产地的WTP估计值,使用针对每个遗产地背景的在线调查。这使得应用全面范围的BT测试获得的值。我们发现,在被调查的遗产遗址之间的转移误差在可接受的误差阈值范围内,为转移到可比遗址的价值库提供了信心。我们为从业者和政府分析人员如何应用我们的方法获得的价值提供了实用指导,并概述了在单一文化遗产类别中收集多个地点的大量数据之间的权衡。
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引用次数: 4
Valuing urban regeneration projects: The case of the Navigli, Milan 评估城市更新项目:以米兰的Navigli为例
Q1 Social Sciences Pub Date : 2021-09-01 DOI: 10.1016/j.ccs.2021.100415
Ilaria Mariotti , Patrizia Riganti

This paper discusses the challenges inherent in the valuation of the social benefits of urban regeneration projects. The transformation of cities involves public and private investments, whose returns should include calculation of social benefits. Since traditional financial methodologies do not allow to capture the large and complex set of benefits, typically accruing to citizens in terms of quality of life, the application of non-market valuation methods such as Contingent Valuation (CV) and Hedonic Pricing (HP) offers an innovative opportunity. Here we analyse inhabitants' and city users' responses to the regeneration project of the Navigli canal network in Milan to understand how urban communities value such transformations. The Municipality of Milan proposed the project to restore the canal network in 2018 to enhance recreational amenities, improve environmental quality, and reduce negative externalities. While the political benefit from restoring the canals is clear, public and private benefits from the scheme need to be assessed to ensure the scheme's long-term sustainability. This paper presents an assessment (CV) of the socio-economic benefits associated to the reopening of the first section of the Navigli canal network, based on analysis of the views of 583 residents and city users, and compares these results with those of a HP method application developed by Boscacci et al. (2017). The paper explores whether the joint use of CV and HP could overcome their mutual weaknesses, providing a coherent methodology for assessing efficiency and effectiveness of policies and projects.

本文讨论了城市更新项目社会效益评估中固有的挑战。城市的转型涉及公共和私人投资,其回报应包括社会效益的计算。由于传统的财务方法不允许捕捉到大量复杂的利益,通常是公民在生活质量方面积累的利益,非市场评估方法的应用,如条件评估(CV)和享乐定价(HP),提供了一个创新的机会。在这里,我们分析了居民和城市用户对米兰Navigli运河网络再生项目的反应,以了解城市社区如何重视这种转变。米兰市政府于2018年提出了修复运河网络的项目,以增强娱乐设施,改善环境质量,减少负面外部性。虽然恢复运河的政治利益是显而易见的,但需要评估该计划的公共和私人利益,以确保该计划的长期可持续性。本文基于对583名居民和城市用户观点的分析,提出了与重新开放Navigli运河网络第一部分相关的社会经济效益评估(CV),并将这些结果与Boscacci等人(2017)开发的HP方法应用程序的结果进行了比较。本文探讨了CV和HP的联合使用是否可以克服它们的共同弱点,为评估政策和项目的效率和有效性提供一个连贯的方法。
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引用次数: 2
Heritage-led urban rehabilitation: Evaluation methods and an application in Jeddah, Saudi Arabia 以遗产为主导的城市修复:评估方法及其在沙特阿拉伯吉达的应用
Q1 Social Sciences Pub Date : 2021-09-01 DOI: 10.1016/j.ccs.2021.100397
David Throsby, Katya Petetskaya

In proposing strategies for urban development in cities and towns with significant cultural heritage assets, there is considerable scope for implementation of projects involving rehabilitation of heritage as an alternative to demolition and replacement. Such projects are particularly relevant in cases where the heritage is concentrated in a historic core that is subject to deterioration or to relentless encroachment by urban expansion. In recent years there has been increasing interest in the possibilities for heritage-led investment as an effective means of generating a range of economic, social and cultural benefits while maintaining and enhancing the integrity of a city's historic assets. This paper outlines a methodology for evaluating these impacts and applies it to the case of the historic centre of Jeddah in Saudi Arabia. The results indicate the significant potential for a program of heritage-led investment in Historic Jedda as a focus for further rehabilitation of the World Heritage site.

在提出具有重要文化遗产资产的城市和城镇的城市发展战略时,有相当大的空间可以实施涉及文物修复的项目,作为拆除和替换的替代方案。这类项目尤其适用于那些遗产集中在历史核心地带、容易退化或受到城市扩张无情侵蚀的情况。近年来,人们对以遗产为导向的投资的可能性越来越感兴趣,认为这是一种产生一系列经济、社会和文化效益的有效手段,同时保持和加强城市历史资产的完整性。本文概述了一种评估这些影响的方法,并将其应用于沙特阿拉伯吉达历史中心的案例。研究结果表明,在历史悠久的吉达,以遗产为主导的投资项目具有巨大的潜力,可以作为进一步修复世界遗产地的重点。
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引用次数: 9
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City, Culture and Society
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