Pub Date : 2023-06-01DOI: 10.1353/cdr.2023.a904534
Niamh J. O'Leary
{"title":"Queering The Winter's Tale in Jeanette Winterson's The Gap of Time","authors":"Niamh J. O'Leary","doi":"10.1353/cdr.2023.a904534","DOIUrl":"https://doi.org/10.1353/cdr.2023.a904534","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"57 1","pages":"118 - 97"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49149622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/cdr.2023.a904531
Vanessa I. Corredera
: The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60
{"title":"Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment","authors":"Vanessa I. Corredera","doi":"10.1353/cdr.2023.a904531","DOIUrl":"https://doi.org/10.1353/cdr.2023.a904531","url":null,"abstract":": The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"57 1","pages":"29 - 56"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45416611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/cdr.2023.a904536
G. Herren
{"title":"The Prospero of Wonderland; or, Miranda Carroll, Author of Station Eleven","authors":"G. Herren","doi":"10.1353/cdr.2023.a904536","DOIUrl":"https://doi.org/10.1353/cdr.2023.a904536","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"57 1","pages":"139 - 164"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41448235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From R.U.R. to Westworld: Personal Revolt, Digital Technology, and the Making of a New Robot Ur-text","authors":"Bella Poynton","doi":"10.1353/cdr.2022.0023","DOIUrl":"https://doi.org/10.1353/cdr.2022.0023","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"363 - 388"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48266793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theatre of Anger: Radical Transnational Performance in Contemporary Berlin by Olivia Landry (review)","authors":"S. Nield","doi":"10.1353/cdr.2022.0028","DOIUrl":"https://doi.org/10.1353/cdr.2022.0028","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"424 - 427"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46640127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shadows of the Enlightenment: Tragic Drama during Europe's Age of Reason ed. by Blair Hoxby (review)","authors":"Daniel Gustafson","doi":"10.1353/cdr.2022.0026","DOIUrl":"https://doi.org/10.1353/cdr.2022.0026","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"418 - 421"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44928435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Thomas, Lord Cromwell Recontextualized: An Economic Fable in Response to The Merchant of Venice","authors":"Igor Djordjevic","doi":"10.1353/cdr.2022.0024","DOIUrl":"https://doi.org/10.1353/cdr.2022.0024","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"389 - 413"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45229958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin (review)","authors":"N. Jones","doi":"10.1353/cdr.2022.0031","DOIUrl":"https://doi.org/10.1353/cdr.2022.0031","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"438 - 441"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42475622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Making a Play for God is Nerida Newbigin’s life work, gathering together and updating forty years of specialist research and publication on the medieval and early modern religious theatre of Florence. Unsurprisingly, the study is an exhaustive feat of scholarship, but it is also one in which accessibility to an anglophone audience has been scrupulously achieved. The study covers rappresentazione sacre, the generic term for religious plays, including the corpus of sacra rappresentazione, which are specifically Florentine religious plays in octaves introduced and closed by an angel, and also includes those productions described by the term festa, which may refer to a play but equally to a feast day with celebratory and mimetic elements. The owning confraternities do not use the terminology consistently, so the policy in the study is to be inclusive. That inclusivity also covers the nature of surviving evidence, which encompasses texts in manuscript and print as well as those mentioned in name only in financial and other ephemeral accounts.
《为上帝演出》是奈里达·纽比金一生的工作，他汇集并更新了40年来关于佛罗伦萨中世纪和早期现代宗教戏剧的专业研究和出版物。不出所料，这项研究是一项详尽的学术壮举，但它也是一项严谨地实现了英语读者的可访问性的研究。该研究涵盖了rappresentazione sacre，这是宗教戏剧的通称，包括圣体(corpus of sacra rappresentazione)，这是佛罗伦萨由天使引入和结束的八度宗教戏剧，还包括那些用festa描述的作品，它可能指的是戏剧，但同样也指带有庆祝和模仿元素的节日。拥有的兄弟会不一致地使用术语，因此研究中的政策是包容的。这种包容性也涵盖了现存证据的性质，包括手稿和印刷文本，以及那些在财务和其他短暂记录中只提到名字的文本。
{"title":"Making a Play for God: The Sacre Rappresentzioni of Renaissance Florence by Nerida Newbigin (review)","authors":"P. King","doi":"10.1353/cdr.2022.0029","DOIUrl":"https://doi.org/10.1353/cdr.2022.0029","url":null,"abstract":"Making a Play for God is Nerida Newbigin’s life work, gathering together and updating forty years of specialist research and publication on the medieval and early modern religious theatre of Florence. Unsurprisingly, the study is an exhaustive feat of scholarship, but it is also one in which accessibility to an anglophone audience has been scrupulously achieved. The study covers rappresentazione sacre, the generic term for religious plays, including the corpus of sacra rappresentazione, which are specifically Florentine religious plays in octaves introduced and closed by an angel, and also includes those productions described by the term festa, which may refer to a play but equally to a feast day with celebratory and mimetic elements. The owning confraternities do not use the terminology consistently, so the policy in the study is to be inclusive. That inclusivity also covers the nature of surviving evidence, which encompasses texts in manuscript and print as well as those mentioned in name only in financial and other ephemeral accounts.","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"428 - 434"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45017296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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