Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6713
April M Knupp
Reseña de Embodied Archive: Disability in Post-Revolutionary Mexican Cultural Production de Susan Antebi.
Reseña de Embodied Archive:革命后墨西哥文化生产中的残疾。
{"title":"SUSAN ANTEBI. Embodied Archive: Disability in Post-Revolutionary Mexican Cultural Production. U of Michigan P, 2021. x +225 pp.","authors":"April M Knupp","doi":"10.18192/rceh.v45i2.6713","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6713","url":null,"abstract":"Reseña de Embodied Archive: Disability in Post-Revolutionary Mexican Cultural Production de Susan Antebi. ","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44642685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NATALIA FERNÁNDEZ RODRÍGUEZ. Ojos creadores, ojos creados. Mirada y visualidad en la lírica castellana de tradición petrarquista. Kassel: Edition Reichenberger, 2019. 276 pp.","authors":"M. S. Collins","doi":"10.18192/rceh.v45i2.6711","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6711","url":null,"abstract":"Reseña de Ojos creadores, ojos creados. Mirada y visualidad en la lírica castellana de tradición petrarquista de Natalia Fernández Rodriguez.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42465525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6692
Timothy A. McCallister
This article considers the relationship between allegorical personification and literary subjectivity in Miguel de Cervantes’s Los trabajos de Persiles y Sigismunda (1617). Although previous scholarship has recognized the allegorical qualities of the character Clodio, a slanderer par excellence, these qualities have been seen as incompatible with his marked inner life. I begin by clarifying the understanding of speech vices in seventeenth-century Spain as a single vice measured by speech’s harmful effect. I then draw from philosophical and psychological studies on self-knowledge to argue that Clodio’s subjectivity is a function of his allegorical nature. His status as a personification of the speech vices gives rise to the introspection and agency that characterize him.
{"title":"Subject in Allegorical Clothing: The Case of ‘el maldiciente Clodio’ in Los trabajos de Persiles y Sigismunda","authors":"Timothy A. McCallister","doi":"10.18192/rceh.v45i2.6692","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6692","url":null,"abstract":"This article considers the relationship between allegorical personification and literary subjectivity in Miguel de Cervantes’s Los trabajos de Persiles y Sigismunda (1617). Although previous scholarship has recognized the allegorical qualities of the character Clodio, a slanderer par excellence, these qualities have been seen as incompatible with his marked inner life. I begin by clarifying the understanding of speech vices in seventeenth-century Spain as a single vice measured by speech’s harmful effect. I then draw from philosophical and psychological studies on self-knowledge to argue that Clodio’s subjectivity is a function of his allegorical nature. His status as a personification of the speech vices gives rise to the introspection and agency that characterize him.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48779757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6690
Rhi Johnson
This essay explores the construction of the female creative self in nineteenth-century Spain and introduces the virtually unstudied poet Carolina Valencia (born 1860 in Valladolid) through her poem “A la margen del arroyo” (1890). It brings Valencia into dialogue with the established canon through a parallel reading of the construction of subjectivity in Carolina Coronado’s “El jilguero y la flor del agua” (1852). This reading of subjectivity interacts with various aspects of nineteenth-century Spanish femininity: the identification with nature, the dichotomy of the angel and the monster, and the language of sentimentality.
本文探讨了19世纪西班牙女性创造性自我的建构，并通过她的诗歌《阿拉玛根·德尔阿罗约》（1890年）介绍了几乎未经研究的诗人卡罗琳娜·巴伦西亚（1860年出生于巴利亚多利德）。它通过平行阅读卡罗琳娜·科罗纳多（Carolina Coronado）的《El jilguero y la flor del agua》（1852）中的主体性建构，将巴伦西亚带入了与既定经典的对话中。这种对主体性的解读与19世纪西班牙女性气质的各个方面相互作用：对自然的认同、天使和怪物的二分法，以及多愁善感的语言。
{"title":"Reflecting on the Self: Introspective Construction of the Feminine in Nineteenth-Century Poets Carolina Valencia and Carolina Coronado","authors":"Rhi Johnson","doi":"10.18192/rceh.v45i2.6690","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6690","url":null,"abstract":"This essay explores the construction of the female creative self in nineteenth-century Spain and introduces the virtually unstudied poet Carolina Valencia (born 1860 in Valladolid) through her poem “A la margen del arroyo” (1890). It brings Valencia into dialogue with the established canon through a parallel reading of the construction of subjectivity in Carolina Coronado’s “El jilguero y la flor del agua” (1852). This reading of subjectivity interacts with various aspects of nineteenth-century Spanish femininity: the identification with nature, the dichotomy of the angel and the monster, and the language of sentimentality.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49317438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6710
Tania De Miguel Magro
Reseña de Dividuals: The Split Human and Humanist Split in Early Modern Spanish Literature de Julio Baena.
Reseña de Dividuals:Julio Baena早期现代西班牙文学中的人与人的分裂。
{"title":"JULIO BAENA. Dividuals: The Split Human and Humanist Split in Early Modern Spanish Literature. New Orleans: UP of the South, 2020. 380 pp.","authors":"Tania De Miguel Magro","doi":"10.18192/rceh.v45i2.6710","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6710","url":null,"abstract":"Reseña de Dividuals: The Split Human and Humanist Split in Early Modern Spanish Literature de Julio Baena. ","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46743111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6684
Marissa L. Ambio
This study proposes the silence that defined Junot Díaz, as revealed in his New Yorker (2018) essay “The Silence,” also permeates his fiction. I explore how the artistic and ideopolitical function of silence in Drown (1996) informs violence and masculinity. The representations of sound and its absence, though seemingly innocuous, articulate hierarchies that reinforce and contest masculine codes, while gestures transform them. Drown’s stories are “moment of truth” narratives predicated on the rupture of silence and subsequent protagonist development. This essay elucidates Yunior’s complex relation to silence and his evolution from vocal boy to reticent adolescent and, eventually, to the author-narrator of the collection’s stories.
{"title":"Drowned Out: Silence in Junot Díaz’s Short Stories","authors":"Marissa L. Ambio","doi":"10.18192/rceh.v45i2.6684","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6684","url":null,"abstract":"This study proposes the silence that defined Junot Díaz, as revealed in his New Yorker (2018) essay “The Silence,” also permeates his fiction. I explore how the artistic and ideopolitical function of silence in Drown (1996) informs violence and masculinity. The representations of sound and its absence, though seemingly innocuous, articulate hierarchies that reinforce and contest masculine codes, while gestures transform them. Drown’s stories are “moment of truth” narratives predicated on the rupture of silence and subsequent protagonist development. This essay elucidates Yunior’s complex relation to silence and his evolution from vocal boy to reticent adolescent and, eventually, to the author-narrator of the collection’s stories.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42224015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6689
Carlos Gustavo Halaburda
Este artículo propone un estudio comparativo de las novelas Soldados de Salamina (2001) de Javier Cercas y La sombra de Heidegger (2005) de José Pablo Feinmann a partir de la noción de “rostro” de la fenomenología existencial de Emmanuel Levinas. Se examina cómo las novelas indagan en el rostro del otro como un dispositivo generador de discurso que establece una relación posible entre literatura y ética filosófica. Asimismo, este trabajo explora cómo la hibridez genérica, es decir, el carácter meta-historiográfico de la narración en Cercas y el ensayo dentro de la novela en el caso de Feinmann, permite una aproximación crítica al principio privilegiado de la ética levinasiana: no matarás.
本文对哈维尔·塞卡斯(Javier Cercas)的小说Soldados de Salamina(2001)和jose巴勃罗·费曼(jose Pablo Feinmann)的小说La sombra de Heidegger(2005)进行了比较研究，以伊曼纽尔·列维纳斯(Emmanuel Levinas)的存在现象学中的“面孔”概念为基础。本研究的目的是探讨文学和哲学伦理之间可能存在的关系。在这篇文章中，我们探讨了在费曼的案例中，叙事和散文的元史学特征是如何使levinasian伦理学的特权原则:你不应该杀人的。
{"title":"No matarás: los mandatos éticos del rostro en Soldados de Salamina (2001) y La sombra de Heidegger (2005)","authors":"Carlos Gustavo Halaburda","doi":"10.18192/rceh.v45i2.6689","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6689","url":null,"abstract":"Este artículo propone un estudio comparativo de las novelas Soldados de Salamina (2001) de Javier Cercas y La sombra de Heidegger (2005) de José Pablo Feinmann a partir de la noción de “rostro” de la fenomenología existencial de Emmanuel Levinas. Se examina cómo las novelas indagan en el rostro del otro como un dispositivo generador de discurso que establece una relación posible entre literatura y ética filosófica. Asimismo, este trabajo explora cómo la hibridez genérica, es decir, el carácter meta-historiográfico de la narración en Cercas y el ensayo dentro de la novela en el caso de Feinmann, permite una aproximación crítica al principio privilegiado de la ética levinasiana: no matarás.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48263431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6687
S. Finley
Along with Christina of Sweden and the Duchess of Aveiro, the Countess of Villaumbrosa María Petronila Niño de Porres Enríquez de Guzmán is one of three contemporary thinkers from Sor Juana Inés de la Cruz’s catalogue of learned women in the Respuesta a Sor Filotea. Despite the other two’s political and intellectual prominence, prior research overlooks the Countess. In response, my study presents the first intellectual biography of María Petronila. It deepens understanding of Sor Juana’s transatlantic networks and also draws attention to a scholar that lends insight into women’s participation in lettered circles throughout the early modern world.
与瑞典的克里斯蒂娜和阿威罗公爵夫人一样，维兰布罗萨·玛丽亚·佩特罗尼拉·尼诺·德·波雷斯·恩里克斯·德·古兹曼伯爵夫人是胡安娜·伊内斯·德·拉·克鲁兹在《Respuesta a Sor Filotea》中的学术女性目录中的三位当代思想家之一。尽管其他两人在政治和智力上都很突出，但之前的研究忽略了伯爵夫人。作为回应，我的研究推出了玛丽亚·佩特罗尼拉的第一本智力传记。它加深了对索尔·胡安娜跨大西洋网络的理解，也引起了人们对一位学者的关注，这位学者深入了解了现代早期女性在字母圈中的参与情况。
{"title":"Sor Juana and the Countess of Villaumbrosa","authors":"S. Finley","doi":"10.18192/rceh.v45i2.6687","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6687","url":null,"abstract":"Along with Christina of Sweden and the Duchess of Aveiro, the Countess of Villaumbrosa María Petronila Niño de Porres Enríquez de Guzmán is one of three contemporary thinkers from Sor Juana Inés de la Cruz’s catalogue of learned women in the Respuesta a Sor Filotea. Despite the other two’s political and intellectual prominence, prior research overlooks the Countess. In response, my study presents the first intellectual biography of María Petronila. It deepens understanding of Sor Juana’s transatlantic networks and also draws attention to a scholar that lends insight into women’s participation in lettered circles throughout the early modern world.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41929771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6693
Jannine Montauban
In S/Z (1970), an ambitious semiotic study of Honoré de Balzac’s “Sarrasine,” Roland Barthes analyzes the ideological oppositions behind this graphic differentiation based on observing an unexpected deviation from the norm in the male protagonist’s name. This article reveals that Barthes’s analysis is applicable to Cervantes’s and Zayas’s novellas, abounding as they are in female Moorish characters whose names begin with the letter Z. The presence of this Z is best understood, not in phonological terms, but from the perspective of the cultural fabric of seventeenth-century Spain, where the Z becomes the stamp that unequivocally denounces the otherness and social castration of the female characters.
在《S/Z》(1970)中，罗兰·巴特(Roland Barthes)对巴尔扎克(honorise de Balzac)的《萨拉辛》(Sarrasine)进行了雄心勃勃的符号学研究，分析了这种图形差异背后的意识形态对立，其基础是观察到男性主角的名字出乎意料地偏离了常态。这篇文章揭示了巴特的分析适用于塞万提斯和扎亚斯的中篇小说，这些小说中充斥着名字以字母Z开头的摩尔女性角色，这个Z的存在最好的理解，不是从音韵学的角度，而是从17世纪西班牙的文化结构的角度，在那里，Z成为明确谴责女性角色的他者性和社会阉割的标志。
{"title":"S/Z in the Hispanic Context: Castration and Otherness in the Female Characters of Miguel de Cervantes and María de Zayas","authors":"Jannine Montauban","doi":"10.18192/rceh.v45i2.6693","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6693","url":null,"abstract":"In S/Z (1970), an ambitious semiotic study of Honoré de Balzac’s “Sarrasine,” Roland Barthes analyzes the ideological oppositions behind this graphic differentiation based on observing an unexpected deviation from the norm in the male protagonist’s name. This article reveals that Barthes’s analysis is applicable to Cervantes’s and Zayas’s novellas, abounding as they are in female Moorish characters whose names begin with the letter Z. The presence of this Z is best understood, not in phonological terms, but from the perspective of the cultural fabric of seventeenth-century Spain, where the Z becomes the stamp that unequivocally denounces the otherness and social castration of the female characters.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43130036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.18192/rceh.v45i2.6714
Susan Byrne
Reseña de Love in the Poetry of Francisco de Aldana: Beyond Neoplatonism de Paul Joseph Lennon.
弗朗西斯科·德·阿尔达纳诗歌中的爱：超越保罗·约瑟夫·列侬的新柏拉图主义。
{"title":"PAUL JOSEPH LENNON. Love in the Poetry of Francisco de Aldana: Beyond Neoplatonism. London: Tamesis, 2019. 203 pp.","authors":"Susan Byrne","doi":"10.18192/rceh.v45i2.6714","DOIUrl":"https://doi.org/10.18192/rceh.v45i2.6714","url":null,"abstract":"Reseña de Love in the Poetry of Francisco de Aldana: Beyond Neoplatonism de Paul Joseph Lennon.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41454894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：